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The metaphor “beyond the pale” refers to something that’s unacceptable and, as James M. Harding argues in this book, “almost always refers to something—an activity, an action, or an act—that is performed.” In this book, Harding recalls that historically the pale marked contested political boundaries and that what lay beyond the pale was considered to be a dangerous frontier. Siding with seemingly excessive and unreasonable acts and with the artists and activists who produce them, Harding brings together a series of ideas and performances that operate beyond the pale and asks readers to examine them on their own terms.

Drawing on political science, critical theory, and philosophy, Harding investigates instances of self-immolation, life-threatening journeys across deserts and seas, radical political hoaxes, extreme speech acts, and anti-police activism. The book’s five chapters consist of a series of meditations, each with an easily identifiable scholarly logic and clear argument, though the connections between the meditations are left up to the reader. Together these meditations urge readers to understand that “beyond the pale” acts are frequently the product of a sense of urgency that preempts the dictates of accepted reason, conventional logic, and safety.

Looks at the ways social change is expressed through debates over identities and bodies

In bodies and selves, we can see politics, economics, and culture play out, and the tensions and crises of society made visible. The women’s movement, lobbies for the elderly, pro-choice and pro-life movements, AIDS research and education, pedophilia and repressed memory, global sports spectacles, organ donor networks, campaigns for safe sex, chastity, or preventive medicine—all are aspects of the contemporary politics of bodies and identities touched on in this book. Three broad themes run through the collection: how the body is constructed in various ways for different purposes, how the electronic media and its uses shape selves and sensualities and contribute to civic discourse, and how global capitalism acts as a direct force in these processes. By taking a distinctly cross-cultural and comparative approach, this volume explores more fully than ever the political, economic, institutional, and cultural settings of corporeality, identity, and representation.