233 books match the query 'Cold War' and 12 start with p

cover of Painting Paranoia: Cold War Art and Anti-Communism

Painting Paranoia

Cold War Art and Anti-Communism

Julia Tatiana Bailey

University of Illinois Press, 2026

During the interwar years, as the USSR was emerging as a formidable new power and the United States was asserting its final independence from Europe, Russian art began to appear in the United States, supported by the influx of émigrés escaping revolutionary turmoil. While revolutionary Russia was viewed with trepidation from across the Atlantic, the country’s creative output was initially entertained as an exotic oddity. Yet this sense of cultural alienation, based on the classical orientalizing narratives of the period, gave way to the fear of the Soviet Union as a cultural Other, which defined US-Soviet artistic relations throughout the twentieth century.

Based on extensive archival research conducted in the United States and Russia, this manuscript contributes to the political history of twentieth-century American art and the revisionist history of cultural diplomacy in the Cold War by charting the politicization of myths of Soviet art. It reveals how those with control over the reception of art in the United States built and sustained a strategy of othering towards Socialist Realism, presents the rhetoric of Soviet artistic otherness in the context of debates surrounding the concept of American art, and reclaims the post-war history of American Social Realism.
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cover of Paradoxes of Nostalgia: Cold War Triumphalism and Global Disorder since 1989

Paradoxes of Nostalgia

Cold War Triumphalism and Global Disorder since 1989

Penny M. Von Eschen

Duke University Press, 2022

In Paradoxes of Nostalgia Penny M. Von Eschen offers a sweeping examination of the cold war’s afterlife and the lingering shadows it casts over geopolitics, journalism, and popular culture. She shows how myriad forms of nostalgia across the globe—from those that posit a mythic national past to those critical of neoliberalism that remember a time when people believed in the possibility of a collective good—indelibly shape the post-cold war era. When Western triumphalism moved into the global South and former Eastern bloc spaces, many articulated a powerful sense of loss and a longing for stability. Innovatively bringing together diplomatic archives, museums, films, and video games, Von Eschen shows that as the United States continuously sought new enemies for its unipolar world, cold war triumphalism fueled the ascendancy of xenophobic right-wing nationalism and the embrace of authoritarian sensibilities in the United States and beyond. Ultimately, she demonstrates that triumphalist claims that capitalism and military might won the cold war distort the past and disfigure the present, undermining democratic values and institutions.
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cover of Paul Robeson and the Cold War Performance Complex: Race, Madness, Activism

Paul Robeson and the Cold War Performance Complex

Race, Madness, Activism

Tony Perucci

University of Michigan Press, 2012

Actor and singer Paul Robeson's performances in Othello, Show Boat, and The Emperor Jones made him famous, but his midcentury appearances in support of causes ranging from labor and civil rights to antilynching and American warmongering made him notorious. When Robeson announced at the 1949 Paris Peace Conference that it was "unthinkable" for blacks to go to war against the Soviet Union, the mainstream American press declared him insane. 
 
Notions of Communism, blackness, and insanity were interchangeably deployed during the Cold War to discount activism such as Robeson's, just a part of an array of social and cultural practices that author Tony Perucci calls the Cold War performance complex. Focusing on two key Robeson performances---the concerts in Peekskill, New York, in 1949 and his appearance before the House Committee on Un-American Activities in 1956---Perucci demonstrates how these performances and the government's response to them are central to understanding the history of Cold War culture in the United States. His book provides a transformative new perspective on how the struggle over the politics of performance in the 1950s was also a domestic struggle over freedom and equality. The book closely examines both of these performance events as well as artifacts from Cold War culture---including congressional documents, FBI files, foreign policy papers, the popular literature on mental illness, and government propaganda films---to study the operation of power and activism in American Cold War culture.

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cover of Pedagogy of Democracy: Feminism and the Cold War in the U.S. Occupation of Japan

Pedagogy of Democracy

Feminism and the Cold War in the U.S. Occupation of Japan

Mire Koikari

Temple University Press, 2009

Pedagogy of Democracy re-interprets the U.S. occupation of Japan from 1945 to 1952 as a problematic instance of Cold War feminist mobilization rather than a successful democratization of Japanese women as previously argued. By combining three fields of research—occupation, Cold War, and postcolonial feminist studies—and examining occupation records and other archival sources, Koikari argues that postwar gender reform was one of the Cold War containment strategies that undermined rather than promoted women’s political and economic rights.

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cover of People of the Machine: Computers and Human Reason in the Cold War

People of the Machine

Computers and Human Reason in the Cold War

Joy Rohde

University of Chicago Press, 0

How Cold War computational experts invested in diplomacy, world peace, and human agency created systems that threatened democratic values.

Beginning in the 1950s, international relations experts and United States government officials built novel computer systems designed to make foreign policy knowledge and practice more scientific. Human reason, they feared, might not be enough to guarantee the survival of American democracy in a nuclear-armed world. They didn’t seek to replace humans with machines; they hoped computers would sift information or provide interactive models that analysts could use to make better decisions. But as they struggled to deliver on their ambitious goals, and as the Defense Department became more involved in their projects after the Vietnam War, their commitments to advancing knowledge, policy agency, and peace gave way to very different computing systems, ones in which correlation replaces causality and prediction replaces understanding.

In People of the Machine, Joy Rohde reveals how even the best-intentioned attempts at fostering political engagement and human autonomy evolved into an anti-democratic nightmare. Her political and intellectual history shows how the subtle and corrosive effects of technological change set the template for today’s political and conceptual regimes. Doing so reveals not just the roots of contemporary inequality and disfranchisement but how thoroughly that antihumanism has been baked into our institutions and norms. 

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cover of Peripheral Nerve: Health and Medicine in Cold War Latin America

Peripheral Nerve

Health and Medicine in Cold War Latin America

Anne-Emanuelle Birn and Raúl Necochea López

Duke University Press, 2020

Buenos Aires psychoanalysts resisting imperialism. Brazilian parasitologists embracing communism as an antidote to rural misery. Nicaraguan revolutionaries welcoming Cuban health cooperation. Chilean public health reformers gauging domestic approaches against their Soviet and Western counterparts. As explored in Peripheral Nerve, these and accompanying accounts problematize existing understandings of how the Cold War unfolded in Latin America generally and in the health and medical realms more specifically. Bringing together scholars from across the Americas, this volume chronicles the experiences of Latin American physicians, nurses, medical scientists, and reformers who interacted with dominant U.S. and European players and sought alternative channels of health and medical solidarity with the Soviet Union and via South-South cooperation. Throughout, Peripheral Nerve highlights how Latin American health professionals accepted, rejected, and adapted foreign involvement; manipulated the rivalry between the United States and the USSR; and forged local variants that they projected internationally. In so doing, this collection reveals the multivalent nature of Latin American health politics, offering a significant contribution to Cold War history.

Contributors. Cheasty Anderson, Anne-Emanuelle Birn, Katherine E. Bliss, Gilberto Hochman, Jennifer L. Lambe, Nicole Pacino, Carlos Henrique Assunção Paiva, Jadwiga E. Pieper Mooney, Raúl Necochea López, Marco A. Ramos, Gabriela Soto Laveaga
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cover of Poetry in Exile: Czech Poets during the Cold War and the Western Poetic Tradition

Poetry in Exile

Czech Poets during the Cold War and the Western Poetic Tradition

Josef Hrdlicka

Karolinum Press, 2021

In this comparative tour de force, Josef Hrdlička--one of the Czech Republic’s foremost experts on lyric poetry--examines the impact of exile, literal or spiritual, on poetry. Hrdlička argues that exile serves to disrupt the fundamental elements of poetry, especially its linguistic and cultural framework. Beginning with an examination of exile as a cultural phenomenon in the Western tradition, Hrdlička follows its complex history and treatment by poets from Solon to Celan. Focusing on the specific poetics of exile, he identifies Ovid’s elegies as an early model of exile in poetics before tracing the metamorphosis of exile as a concept through the modern age and the very Baudelarian idea that a person can be metaphorically exiled by the act of daily living itself. The core of Poetry in Exile, however, hews closer to Hrdlička’s homeland, homing in on the postwar poetry of Czech exiles. Poets such as Ivan Blatný, Milada Součková, Ivan Diviš, and Petr Král are investigated as examples to test the theoretical questions raised in the first part of the book and discover the answers that their individual poems provide.
 
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cover of Post-Realism: The Rhetorical Turn in International Relations

Post-Realism

The Rhetorical Turn in International Relations

Francis A. Beer

Michigan State University Press, 1996

The end of the Cold War encourages new perspectives on international relations. Beer and Hariman provide a comprehensive set of essays that challenge and reinterpret the tradition of realism which has dominated the thinking of academics and foreign policy makers. Post-Realism: The Rhetorical Turn in International Relations systematically discusses the major realist writers of the Post-War era, the foundational concepts of international politics, and representative case studies of foreign policy discourse.

These essays demonstrate how realism operates rhetorically and point the way toward a richer understanding of world politics.
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cover of Poverty of the Imagination: The Cold War and the Social Science of Development in Latin America

Poverty of the Imagination

The Cold War and the Social Science of Development in Latin America

Patrick Iber

University of Chicago Press, 2026

Explores the history of the “science of development” during the Cold War and how experts across the social sciences tried to create the tools to address the problem of poverty across Latin America.

In the mid-twentieth century, Latin America had the world’s starkest internal inequality. In Brazil in 1960, for example, the top 10 percent took upward of 60 percent of the country’s total income, while its entire bottom half took only 10 percent. As Patrick Iber shows in Poverty of the Imagination, this problem of poverty and social inequality focused the attention of social scientists on the task of articulating a “science of development.” In the context of the Cold War, this project drew the attention of the US government and the Ford Foundation, which hoped that peaceful development would prevent revolutions.

This book examines the five central frameworks that emerged to explain poverty: from dependency theory on the Marxist left; to theories of modernization, the culture of poverty, and marginality in the center; to neoliberalism on the right. Iber shows how each rose (and fell) by connecting them to political projects such as the War on Poverty in the United States and the dictatorship of Augusto Pinochet in Chile. Through vivid portraits of key thinkers, he shows how each was shaped by the environment of the Cold War and the presence of the Ford Foundation. It is a story with surprising turns: What began for Ford as a Cold War project to support university “modernization” changed as dictatorships took control of much of the region. Then, Ford took the side of the dissidents, supporting an antipoverty agenda for the restoration of democracy. A guide to some of the most important ideas in global development and Latin American studies alike, this book also shows how scholars and institutions faced down authoritarian threats—and won.

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cover of Powerful Frequencies: Radio, State Power, and the Cold War in Angola, 1931–2002

Powerful Frequencies

Radio, State Power, and the Cold War in Angola, 1931–2002

Marissa J. Moorman

Ohio University Press, 2019

Powerful Frequencies details the central role that radio technology and broadcasting played in the formation of colonial Portuguese Southern Africa and the postcolonial nation-state, Angola. In Intonations, Marissa J. Moorman examined the crucial relationship between music and Angolan independence during the 1960s and ’70s. Now, Moorman turns to the history of Angolan radio as an instrument for Portuguese settlers, the colonial state, African nationalists, and the postcolonial state. They all used radio to project power, while the latter employed it to challenge empire.

From the 1930s introduction of radio by settlers, to the clandestine broadcasts of guerrilla groups, to radio’s use in the Portuguese counterinsurgency strategy during the Cold War era and in developing the independent state’s national and regional voice, Powerful Frequencies narrates a history of canny listeners, committed professionals, and dissenting political movements. All of these employed radio’s peculiarities—invisibility, ephemerality, and its material effects—to transgress social, political, “physical,” and intellectual borders. Powerful Frequencies follows radio’s traces in film, literature, and music to illustrate how the technology’s sonic power—even when it made some listeners anxious and frightened—created and transformed the late colonial and independent Angolan soundscape.

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cover of Pressing the Fight: Print, Propaganda, and the Cold War

Pressing the Fight

Print, Propaganda, and the Cold War

Greg Barnhisel

University of Massachusetts Press, 2010

Although often framed as an economic, military, and diplomatic confrontation, the Cold War was above all a conflict of ideas. In official pronouncements and publications as well as via radio broadcasts, television, and film, the United States and the Soviet Union both sought to extend their global reach as much through the power of persuasion as by the use of force. Yet of all the means each side employed to press its ideological case, none proved more reliable or successful than print.

In this volume, scholars from a variety of disciplines explore the myriad ways print was used in the Cold War. Looking at materials ranging from textbooks and cookbooks to art catalogs, newspaper comics, and travel guides, they analyze not only the content of printed matter but also the material circumstances of its production, the people and institutions that disseminated it, and the audiences that consumed it. Among the topics discussed are the infiltration of book publishing by propagandists East and West; the distribution of pro-American printed matter in postwar Japan through libraries, schools, and consulates; and the collaboration of foundations, academia, and the government in the promotion of high culture as evidence of the superiority of Western values.

At the same time, many of the qualities that made print the preferred medium of official propaganda also made it an effective instrument for challenging Cold War orthodoxies at home and abroad. Because printed materials were relatively easy to transport, to copy, and to share, they could just as well be used to bridge differences among people and cultures as to exploit them. They also provided a vehicle for disseminating satire and other expressions of dissent.

In addition to the volume editors, contributors include Ed Brunner, Russell Cobb, Laura Jane Gifford, Patricia Hills, Christian Kanig, Scott Laderman, Amanda Laugesen, Martin Manning, Kristin Matthews, Hiromi Ochi, Amy Reddinger, and James Smith. Together their essays move beyond traditional Cold War narratives to gauge the role of a crucial cultural medium in the ideological battle between the superpowers and their surrogates.
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cover of Propaganda and Persuasion: The Cold War and the Canadian-Soviet Friendship Society

Propaganda and Persuasion

The Cold War and the Canadian-Soviet Friendship Society

Jennifer Anderson

University of Manitoba Press, 2017

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