459 books match the query 'Criminology' and 25 start with p
ANDREW T. HARRIS
The Ohio State University Press, 2004
Bayley, David
Rutgers University Press, 1990
He considers how contemporary police institutions have developed. Police forces worldwide tend to be public rather than private, to concentrate on crime fighting rather than services, and to be professionally trained and recruited. There is, however, great variation in the structure of police forces, which are generally either centralized or, as in the United States, decentralized.
The behavior of the police toward their constituents also varies by nation. As urbanization and industrialization increase, the public finds itself in greater contact with police and may begin to rely on them more for protection. There are also marked differences cross-nationally in the way police relate to political and community life.
Edited by Bruce A. Arrigo and Christopher R. Williams
University of Illinois Press, 2006
Charting a provocative and original direction, editors Bruce A. Arrigo and Christopher R. Williams couple theoretically oriented chapters with those centered on application and case study. In doing so, they develop an insightful, sensible, and accessible approach for a philosophical criminology in step with the political and economic challenges of the twenty-first century. Revealing the ways in which philosophical conceits inform prevailing conceptions of crime, Philosophy, Crime, and Criminology is required reading for any serious student or scholar concerned with crime and its impact on society and in our lives.
Peter K. B. St. Jean
University of Chicago Press, 2007
Why, even in the same high-crime neighborhoods, do robbery, drug dealing, and assault occur much more frequently on some blocks than on others? One popular theory is that a weak sense of community among neighbors can create conditions more hospitable for criminals, and another proposes that neighborhood disorder—such as broken windows and boarded-up buildings—makes crime more likely. But in his innovative new study, Peter K. B. St. Jean argues that we cannot fully understand the impact of these factors without considering that, because urban space is unevenly developed, different kinds of crimes occur most often in locations that offer their perpetrators specific advantages.
Drawing on Chicago Police Department statistics and extensive interviews with both law-abiding citizens and criminals in one of the city’s highest-crime areas, St. Jean demonstrates that drug dealers and robbers, for example, are primarily attracted to locations with businesses like liquor stores, fast food restaurants, and check-cashing outlets. By accounting for these important factors of spatial positioning, he expands upon previous research to provide the most comprehensive explanation available of why crime occurs where it does.
Matthew Guariglia
Duke University Press, 2023

Kathleen Nolan
University of Minnesota Press, 2011
As zero-tolerance discipline policies have been instituted at high schools across the country, police officers are employed with increasing frequency to enforce behavior codes and maintain order, primarily at poorly performing, racially segregated urban schools. Actions that may once have sent students to the detention hall or resulted in their suspension may now introduce them to the criminal justice system. In Police in the Hallways, Kathleen Nolan explores the impact of policing and punitive disciplinary policies on the students and their educational experience.
Through in-depth interviews with and observations of students, teachers, administrators, and police officers, Nolan offers a rich and nuanced account of daily life at a Bronx high school where police patrol the hallways and security and discipline fall under the jurisdiction of the NYPD. She documents how, as law enforcement officials initiate confrontations with students, small infractions often escalate into “police matters” that can lead to summonses to criminal court, arrest, and confinement in juvenile detention centers.
Nolan follows students from the classroom and the cafeteria to the detention hall, the dean’s office, and the criminal court system, clarifying the increasingly intimate relations between the school and the criminal justice system. Placing this trend within the context of recent social and economic changes, as well as developments within criminal justice and urban school reform, she shows how this police presence has created a culture of control in which penal management overshadows educational innovation.
Police in the Hallways also examines the prevalent forms of oppositional behavior through which students express their frustrations and their deep sense of exclusion. With compassion and clear-eyed analysis, Nolan sounds a warning about this alarming convergence of prison and school cultures and the negative impact that it has on the real lives of low-income students of color—and, in turn, on us all.
Muñiz, Ana
Rutgers University Press, 2015
William K. Muir Jr.
University of Chicago Press, 1979
Robyn Maynard
Duke University Press, 2025
Luis A. Fernandez
Rutgers University Press, 2008
In November 1999, fifty-thousand anti-globalization activists converged on Seattle to shut down the World Trade Organization’s Ministerial Meeting. Using innovative and network-based strategies, the protesters left police flummoxed, desperately searching for ways to control the emerging anti-corporate globalization movement. Faced with these network-based tactics, law enforcement agencies transformed their policing and social control mechanisms to manage this new threat.
Policing Dissent provides a firsthand account of the changing nature of control efforts employed by law enforcement agencies when confronted with mass activism. The book also offers readers the richness of experiential detail and engaging stories often lacking in studies of police practices and social movements. This book does not merely seek to explain the causal relationship between repression and mobilization. Rather, it shows how social control strategies act on the mind and body of protesters.
Corinne Schwarz
Rutgers University Press, 2023
Jonathan M. Wender
University of Illinois Press, 2008
This book reflects a conscious attempt to follow the general model of Martin Heidegger’s Zollikon Seminars, in which Heidegger engaged psychiatrists and psychologists in a sustained dialogue aimed at developing their critical awareness of the unexamined philosophical foundations informing their everyday clinical practice. Wender draws on Heidegger to argue that “praxis is poetry” and from this standpoint interprets all social action as intentional creation (or “poiesis”), which by its very nature is intrinsically meaningful. Using an interpretive framework that he calls a “phenomenological aesthetics of encounter,” Wender takes up a number of case studies of police-citizen encounters, including cases of domestic violence, contacts with juveniles, drug-related situations, instances of mental and emotional crisis, and death.
Madeleine Hamlin
University of Chicago Press, 2027
Shows how policing shaped the trajectory of public housing in Chicago and paved the way for its eradication and privatization.
Public housing should be a great public good, providing an essential basic need for people with lower incomes. Unfortunately, in the United States, policymakers turned their backs on public housing early on. Intended to be a utopia for the working poor, public housing in many cities became characterized by racial isolation, extreme poverty, and infrastructural breakdown, all of which left residents vulnerable to crime. State abandonment had one major exception, however: policing. In Policing the Project, geographer Madeleine Hamlin details how police played an important role in Chicago’s public housing from its origins in 1937 to the eve of its demolition at the turn of the millennium.
Based on archival data as well as extensive interviews with former residents and police officers, Hamlin describes the progressive institutional entanglement of public housing and policing as it unfurled over the course of the twentieth century. Policing the Project transcends mere description of how policing impacted everyday life for public housing residents, instead considering how policing shaped the institution of public housing as a whole. Hamlin argues that policing conditioned public housing’s downfall: draining housing budgets while exacerbating rather than mitigating crime and violence. Thus, policing played an important role in shaping the dramatic transformation of Chicago’s housing landscape, which entailed widespread privatization and the displacement of tens of thousands of Black Chicagoans.
Steven C. Hughes
The Ohio State University Press, 2007
Don Sabo
Temple University Press, 2001
Price, Joshua M
Rutgers University Press, 2015

Loïc Wacquant
University of Minnesota Press, 2009
An international best seller dissects the globalization of penal policies “made in U.S.A.” as part of the spread of neoliberalism
In the early 1990s, Mayor Rudolph Giuliani launched a zero-tolerance campaign aimed at street disorders and petty offenders, incarnated in the infamous “squeegee man.” New York City soon became a planetary showcase for an aggressive approach to law enforcement that, despite its extravagant costs and the absence of connection to the crime drop, came to be admired and imitated by other cities in the United States, Western Europe, and Latin America.
In Prisons of Poverty, Loïc Wacquant tracks the incubation and internationalization of the slogans, theories, and measures composing this new punitive “common sense,” fashioned to curb mounting urban inequality and marginality in the metropolis. He finds that a network of Reagan-era conservative think tanks (led by the Manhattan Institute) forged them as weapons in their crusade to dismantle the welfare state and, in effect, to criminalize poverty. He traces their import and export through the agency of the media and the pro-market policy institutes that have mushroomed across the European Union, particularly in Tony Blair’s Britain. And he shows how academics helped smuggle U.S. techniques of penalization into their countries by dressing them up in scholarly garb.Now available in English for the first time in an expanded edition, Prisons of Poverty reveals how the Washington consensus on economic deregulation and welfare retrenchment was extended to encompass punitive crime control because the invisible hand of the market necessitates and calls forth the iron fist of the penal state.Peter Caster
The Ohio State University Press, 2008
In Prisons, Race, and Masculinity, Peter Caster demonstrates the centrality of imprisonment in American culture, illustrating how incarceration, an institution inseparable from race, has shaped and continues to shape U.S. history and literature in the starkest expression of what W. E. B. DuBois famously termed “the problem of the color line.”
A prison official in 1888 declared that it was the freeing of slaves that actually created prisons: “we had to establish means for their control. Hence came the penitentiary.” Such rampant racism co ntributed to the criminalization of black masculinity in the cultural imagination, shaping not only the identity of prisoners (collectively and individually) but also America’s national character. Caster analyzes the representations of imprisonment in books, films, and performances, alternating between history and fiction to describe how racism influenced imprisonment during the decline of lynching in the 1930s, the political radicalism in the late 1960s, and the unprecedented prison expansion through the 1980s and 1990s. Offering new interpretations of familiar works by William Faulkner, Eldridge Cleaver, and Norman Mailer, Caster also engages recent films such as American History X, The Hurricane, and The Farm: Life Inside Angola Prison alongside prison history chronicled in the transcripts of the American Correctional Association. This book offers a compelling account of how imprisonment has functioned as racial containment, a matter critical to U.S. history and literary study.
Mappen, Marc
Rutgers University Press, 2013
Beatrice Jauregui
University of Chicago Press, 2016
Philip L. Simpson
Southern Illinois University Press, 2000
Philip L. Simpson provides an original and broad overview of the evolving serial killer genre in the two media most responsible for its popularity: literature and cinema of the 1980s and 1990s.
The fictional serial killer, with a motiveless, highly individualized modus operandi, is the latest manifestation of the multiple murderers and homicidal maniacs that haunt American literature and, particularly, visual media such as cinema and television. Simpson theorizes that the serial killer genre results from a combination of earlier genre depictions of multiple murderers, inherited Gothic storytelling conventions, and threatening folkloric figures reworked over the years into a contemporary mythology of violence. Updated and repackaged for mass consumption, the Gothic villains, the monsters, the vampires, and the werewolves of the past have evolved into the fictional serial killer, who clearly reflects American cultural anxieties at the start of the twenty-first century.
Citing numerous sources, Simpson argues that serial killers’ recent popularity as genre monsters owes much to their pliability to any number of authorial ideological agendas from both the left and the right ends of the political spectrum. Serial killers in fiction are a kind of debased and traumatized visionary, whose murders privately and publicly re-empower them with a pseudo-divine aura in the contemporary political moment. The current fascination with serial killer narratives can thus be explained as the latest manifestation of the ongoing human fascination with tales of gruesome murders and mythic villains finding a receptive audience in a nation galvanized by the increasingly apocalyptic tension between the extremist philosophies of both the New Right and the anti-New Right.
Faced with a blizzard of works of varying quality dealing with the serial killer, Simpson has ruled out the catalog approach in this study in favor of in-depth an analysis of the best American work in the genre. He has chosen novels and films that have at least some degree of public name-recognition or notoriety, including Red Dragon and The Silence of the Lambs by Thomas Harris, Manhunter directed by Michael Mann, Henry: Portrait of a Serial Killer directed by John McNaughton, Seven directed by David Fincher, Natural Born Killers directed by Oliver Stone, Zombie by Joyce Carol Oates, and American Psycho by Bret Easton Ellis.
Charles R. Epp, Steven Maynard-Moody, and Donald P. Haider-Markel
University of Chicago Press, 2014
Loïc Wacquant
Duke University Press, 2009
Philip Smith
University of Chicago Press, 2008
Bruce Western
Russell Sage Foundation, 2006