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The first decades of the twentieth century were years of dramatic change in Zanzibar, a time when the social, economic, and political lives of island residents were in incredible flux, framed by the abolition of slavery, the introduction of colonialism, and a tide of urban migration. Pastimes and Politics explores the era from the perspective of the urban poor, highlighting the numerous and varied ways that recently freed slaves and other immigrants to town struggled to improve their individual and collective lives and to create a sense of community within this new environment. In this study Laura Fair explores a range of cultural and social practices that gave expression to slaves’ ideas of emancipation, as well as how such ideas and practices were gendered.

Pastimes and Politics examines the ways in which various cultural practices, including taarab music, dress, football, ethnicity, and sexuality, changed during the early twentieth century in relation to islanders’ changing social and political identities. Professor Fair argues that cultural changes were not merely reflections of social and political transformations. Rather, leisure and popular culture were critical practices through which the colonized and former slaves transformed themselves and the society in which they lived.

Methodologically innovative and clearly written, Pastimes and Politics is accessible to specialists and general readers alike. It is a book that should find wide use in courses on African history, urbanization, popular culture, gender studies, or emancipation.

At a time when Asian American theater is enjoying a measure of growth and success, Josephine Lee tells us about the complex social and political issues depicted by Asian American playwrights. By looking at performances and dramatic texts, Lee argues that playwrights produce a different conception of "Asian America" in accordance with their unique set of sensibilities.

For instance, some Asian American playwrights critique the separation of issues of race and ethnicity from those of economics and class, or they see ethnic identity as a  voluntary choice of lifestyle rather than an impetus for concerted political action. Others deal with the problem of cultural stereotypes and how to reappropriate their power. Lee is attuned to the complexities and contradictions of such performances, and her trenchant thinking about the criticisms lobbed at Asian American playwrights -- for their choices in form, perpetuation of stereotype, or apparent sexism or homophobia -- leads her to question how the presentation of Asian American identity in the theater parallels problems and possibilities of identity offstage as well.

Discussed are better-known plays such as Frank Chin's The Chickencoop Chinaman, David Henry Hwang's M. Butterfly, and Velina Hasu Houston's Tea, and new works like Jeannie Barroga's Walls and Wakako Yamauchi's 12-1-a.

What constitutes a people? Persistent Peoples draws on enduring groups from around the world to identify and analyze the phenomenon of cultural enclavement. While race, homeland, or language are often considered to be determining factors, the authors of these original articles demonstrate a more basic common denominator: a continuity of common identity in resistance to absorption by a dominant surrounding culture.

Contributors:

William Y. Adams
George Pierre Castile
N. Ross Crumrine
Timothy Dunnigan
Charles J. Erasmus
Frederick J. E. Gorman
Vera M. Green
William B. Griffen
Robert C. Harman
Mark P. Leone
Janet R. Moone
John van Willigen
Willard Walker

The settlement house movement, launched at the end of the nineteenth century by men and women of the upper middle class, began as an attempt to understand and improve the social conditions of the working class. It gradually came to focus on the "new immigrants"—mainly Italians, Slavs, Greeks, and Jews—who figured so prominently in this changing working class. Hull House, one of the first and best-known settlement houses in the United States, was founded in September 1889 on Chicago's West Side by Jane Addams and Ellen G. Starr. In a major new study of this famous institution and its place in the movement, Rivka Shpak Lissak reassesses the impact of Hull House on the nationwide debate over the place of immigrants in American society.

In a small, locally owned Trinidadian factory that produces household goods, 80 percent of the line workers are women, almost all black or East Indian. The supervisors are all men, either white or East Indian. Kevin Yelvington worked for a year in this factory to study how ethnicity and gender are integral elements of the class structure, a social and economic structure that permeates all relations between men and women in the factory. These primary divisions determine the way the production process is ordered and labor divided.

Unlike women in other industries in "underdeveloped" parts of the world who are recruited by foreign firms, Caribbean women have always contributed to the local economy. Within this historical context, Yelvington outlines the development of the state, and addresses exploitation and domination in the labor process. Yelvington also documents the sexually charged interactions between workers and managers and explores how both use flirting and innuendo to their advantage. Weddings and other social events outside the factory provide insightful details about how the creation of social identities carries over to all aspects of the local culture.