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In Painting History, Tony Crowley provides a detailed analysis of the complex tradition of muralism in the context of the history that produced it, with particular attention given to the cultural politics of this remarkable form. The book also raises and discusses a series of theoretical questions about murals and muralism that transcend Northern Ireland: issues of propriety and legality, form and content, authority and censorship. The work ends with a consideration of the future of the murals in a still polarized but changing region.

A comprehensive history of masks in France from the seventeenth to the nineteenth century. 

Masks can conceal, disguise, or protect. They can guard status, inspire delight, or spread fear. They can also betray trust through insincerity, deceit, and hypocrisy. In Paris Concealed, historian James H. Johnson offers a sweeping history of masks both visible and unseen from the time of Louis XIV to the late nineteenth century, exploring the complex roles that masking and unmasking have played in the fashioning of our social selves.
 
Drawing from memoirs, novels, plays, and paintings, Paris Concealed explores the many domains in which masks have been decisive. Beginning in the court of Versailles, Johnson charts the genesis of courtly politesse and its widespread condemnation by Enlightenment philosophers and political thinkers. He describes strategies deployed in the era of the French Revolution for unmasking traitors and later efforts to penetrate criminal disguises through telltale marks on the body. He portrays the disruptive power of masks in public balls and carnivals and, with the coming of modernity, evokes their unsettling presence within the unconscious. 
 
Compellingly written and beautifully illustrated, Paris Concealed lays bare the mask’s transformations, from marking one’s position in a static society to inspiring imagined identities in meritocracies to impeding the elusive search for one’s true self.  To tell the history of masks, Johnson shows, is to tell the history of modern selfhood.

An illuminating investigation into why some parties evolve with their times while others fall behind.

Around the world, established political parties face mounting pressures: insurgents on the Left and Right, altered media environments, new policy challenges, and the erosion of traditional strongholds, to name just a few. Yet parties have differed enormously in their ability to move with the times and update their offers to voters. This variation matters. While adaptation does not guarantee a party’s electoral success, the failure to modernize can spell its decline, even collapse, and create openings for radical and populist parties that may threaten the future of liberal democracy.

Parties under Pressure examines why some parties adapt meaningfully to social, economic, and political transformations while others flounder, focusing especially on the fate of Western Europe’s Christian democratic parties. Matthias Dilling reveals the under-appreciated importance of party factions. While very high levels of factionalism are counter-productive and create paralysis, more moderate levels of factionalism help parties to adapt by giving visibility to fresh groups and ideas. Dilling draws on extensive archival research in Germany, Italy, and Austria, as well as evidence from France, Japan, and beyond. Taking a comparative-historical approach, Parties under Pressure sheds new light on parties’ varying records of adaptive reforms over more than seventy-five years.

Since World War II London has become a significantly multiracial city. Some of the earliest agents of its transformation were young men and women recruited in the late 1950s from Barbados, then a British colony, to work in the metropolis’s nationalized public transportation system and in its hospitals. These Barbadians met, married, settled in London, and raised Londoner children. In 1987-88 John Western conducted a series of interviews with twelve such families--both parents and children. Their vivid words fill A Passage to England with insight, human, and, often, poignancy. Here is a rich perspective on thirty years or more of London social history.

In order to understand National Socialism one must recognize its religious nature. Many Germans were attracted to the party by its pledge to re-establish a true community of the people, a goal that was celebrated as “holy”.
     Not only did Hitler promise to solve political, social, and economic problems, he also responded to a widely felt need for salvation. The prospect of salvation elevated politics into the realm of religion and lent meaning to the lives of those who embraced it.
      In this work Klaus Vondung explores the various forms in which the elevation of politics into the sphere of religion was expressed in the Third Reich: in the faith of committed National Socialists, in the party’s cult events which celebrated the “community  of the people” as a “community of faith” and the Fuhrer as “savior”, and in the persecution of the Jews that was ‘justified’ in religious terms by demonizing Jews as the “evil enemies of humanity” responsible for the world’s ills. This apocalyptic worldview was the extreme manifestation of the religious nature of National Socialism and, in the final analysis, the only plausible explanation for the intention of exterminating the Jews that led to the holocaust.

Three generations of a family of lawyers have run a firm founded in 1893 in the small city of Becskerek (today in Serbian Zrenjanin), first part of the Austro-Hungarian Habsburg monarchy, then Hungary, then Yugoslavia, then for a while under German occupation, then again part of Yugoslavia and finally Serbia. In the Banat district of the province of Vojvodina, the multiplicity of languages and religions and changes of place-names was a matter of course.

What is practically unprecedented, all files, folders and documents of the law office have survived. They concern marriages, divorces, births and testaments, as well as expulsions, emigrations, incarcerations and releases of these largely rural and small-town dwellers. Mundane cases reflect times through war, peace, revolution and counter-revolution, through serfdom and freedom, through comfort and poverty. The files also show everyday lives shaped in spite of history. Tibor Várady transforms them into affecting and vivid vignettes, selecting and commenting without sentimentality but with empathy. The law office of the three generations of the Várady family demonstrates that the legal profession permits and in difficult times even requires its members to defend the ordinary men and women against the powers of state and society.

A new account of the emergence of modern cultural politics through a study of music and theater in Berlin around 1800.

Berlin around 1800 has been seen—at the time and since—as somewhat behind other major European cities in terms of its musical culture, peripheral to the momentous developments attributed to the period.  By contrast, early nineteenth-century Berlin has been exhaustively studied as the site of a nascent German-national movement and the Prussian Reforms. In Performing Politics, Katherine Hambridge examines the confluence of music and politics in Berlin around 1800, engaging directly with the themes of being behind/ahead, central/peripheral, in order to tell new stories about nineteenth-century German history, musical and otherwise.

Performing Politics emphasizes events as much as repertoires, and non-canonical repertoires over the more familiar music of this period: dynastic birthday celebrations, the music of historical dramas, political song and communal singing, popular music theater. By focusing our attention on the unfamiliar specificity of Berlin Nationaltheater, Hambridge reenergizes our understanding of 1800–1815 as a key period in the development of musical and political modernity. Using sources largely unexploited by musicologists, and phenomena neglected by historians, she reveals the quotidian aesthetics, values, and practices that shaped both the sociopolitical narratives and musical developments of the time. Performing Politics is thus not only a history of music and theater in Berlin at a critical moment, but a music history of modern cultural politics.

Winner of the 2025 Dance Studies Association de la Torre Bueno Book Prize

Performing the Greek Crisis explores the impact of the Greek financial crisis (2009–19) on the performing arts sector in Greece, and especially on contemporary concert dance. When Greece became the first European Union member to be threatened with default, the resulting budget cuts pushed dance to develop in unprecedented directions. The book examines the repercussions that the crisis had on artists’ daily lives and experiences, weaving the personal with the political to humanize a phenomenon that, to date, had been examined chiefly through economic and statistical lenses. Informed by the author’s experience of growing up in Greece and including interviews and rich descriptions of performances,  the book offers a glimpse into a pivotal moment in Greek history. 

In Greece, dance (and, by extension, the body) has historically held a central role in the process of national identity construction. When the crisis broke out, artists had to navigate through a precariously fluctuating landscape, with their bodies as their only stable referent. By centering the analysis of the Greek crisis on the dancing bodies, Performing the Greek Crisis is able to examine the various ways that artists reconceptualized their history and reframed ideas of national belonging, race, citizenship, and immigration.

Leads scholars and anyone who cares about the humanities into more effectively analyzing the fate of the humanities and digging into the very idea of the humanities as a way to find meaning and coherence in the world.

The humanities, considered by many as irrelevant for modern careers and hopelessly devoid of funding, seem to be in a perpetual state of crisis, at the mercy of modernizing and technological forces that are driving universities towards academic pursuits that pull in grant money and direct students to lucrative careers. But as Paul Reitter and Chad Wellmon show, this crisis isn’t new—in fact, it’s as old as the humanities themselves. 

Today’s humanities scholars experience and react to basic pressures in ways that are strikingly similar to their nineteenth-century German counterparts. The humanities came into their own as scholars framed their work as a unique resource for resolving crises of meaning and value that threatened other cultural or social goods. The self-understanding of the modern humanities didn’t merely take shape in response to a perceived crisis; it also made crisis a core part of its project. Through this critical, historical perspective, Permanent Crisis can take scholars and anyone who cares about the humanities beyond the usual scolding, exhorting, and hand-wringing into clearer, more effective thinking about the fate of the humanities. Building on ideas from Max Weber and Friedrich Nietzsche to Helen Small and Danielle Allen, Reitter and Wellmon dig into the very idea of the humanities as a way to find meaning and coherence in the world. 

Peter Mundy was an English merchant trader of the seventeenth century who spent most of his life traveling the world, including western Europe, Poland, and Istanbul. Fueled by an insatiable curiosity about the world around him, Mundy kept a detailed account of his travels, illustrated throughout with his own lively drawings of the people and animals he encountered.