Results by title

Looks at the ways social change is expressed through debates over identities and bodies

In bodies and selves, we can see politics, economics, and culture play out, and the tensions and crises of society made visible. The women’s movement, lobbies for the elderly, pro-choice and pro-life movements, AIDS research and education, pedophilia and repressed memory, global sports spectacles, organ donor networks, campaigns for safe sex, chastity, or preventive medicine—all are aspects of the contemporary politics of bodies and identities touched on in this book. Three broad themes run through the collection: how the body is constructed in various ways for different purposes, how the electronic media and its uses shape selves and sensualities and contribute to civic discourse, and how global capitalism acts as a direct force in these processes. By taking a distinctly cross-cultural and comparative approach, this volume explores more fully than ever the political, economic, institutional, and cultural settings of corporeality, identity, and representation.

Contributors: Antonella Fabri, John Jay College and New York Academy of Medicine; Eva Illouz, Hebrew U of Jerusalem; Philip W. Jenks, Portland State U; Lauren Langman, Loyola U; Timothy W. Luke, Virginia Polytechnic Institute and State U; Timothy McGettigan, Colorado State U, Pueblo; Margaret J. Tally, SUNY, Empire State College.

In Prosthetic Memories, Hyaesin Yoon examines the entanglements of humans, animals, and technologies across South Korea and the United States at the turn of the twenty-first century. Interrogating a variety of body-technology interfaces, Yoon outlines an emergent mode of prosthetic memory in which human memory is extended into both machines and animals. Prosthetic memory overflows and provides an alternative to familiar human perception, Western scientific reason, and other senses of knowledge in ways that can foster networks of solidarity, care, and empathy between human and nonhuman subjects. Among other sites and subjects, Yoon examines tongue surgery to correct English pronunciation in Korea, Asian American poetry that engages the human-machine divide, transnational dog cloning, and stem cell research, each of which activates potent postcolonial feminist mnemonics and alliances. In so doing, Yoon narrates the countermemories of racialized, gendered, diasporic, queer, and marginalized human and nonhuman others that work against the violent and isolating biopolitical and neoliberal forces in contemporary society.

From COVID to climate-change-induced wildfires and hurricanes, we live in an era when catastrophes have become the new normal. But even though these events affect us all, some members of society are more vulnerable to harm than others. 
 
This essay collection explores how the definition of catastrophe might be expanded to include many forms of large-scale structural violence on communities, species, and ecosystems. Using feminist methodologies, the contributors to Public Catastrophes, Private Losses trace the connections between seemingly unrelated forms of violence such as structural racism, environmental degradation, and public health crises. In contrast to a news media that focuses on mass fatalities and immediate consequences, these essays call our attention to how catastrophes can also involve slow violence with long-term effects. 
 
The authors also consider how these catastrophes are profoundly shaped by government action or inaction, offering a powerful critique of how government neglect has cost lives and demonstrating how vulnerable populations can be better protected. The essays in this collection examine how public catastrophes imprint themselves on lives, as individuals and communities narrate, process, and grapple with legacies of loss. The book is thus a feminist intervention that challenges the binary between public and private, personal and political.

In Puta Life, Juana María Rodríguez probes the ways that sexual labor and Latina sexuality become visual phenomena. Drawing on state archives, illustrated biographies, documentary films, photojournalistic essays, graphic novels, and digital spaces, she focuses on the figure of the puta—the whore, that phantasmatic figure of Latinized feminine excess. Rodríguez’s eclectic archive features the faces and stories of women whose lives have been mediated by sex work's stigmatization and criminalization—washerwomen and masked wrestlers, porn stars and sexiles. Rodríguez examines how visual tropes of racial and sexual deviance expose feminine subjects to misogyny and violence, attuning our gaze to how visual documentation shapes perceptions of sexual labor. Throughout this poignant and personal text, Rodríguez brings the language of affect and aesthetics to bear upon understandings of gender, age, race, sexuality, labor, disability, and migration. Highlighting the criminalization and stigmatization that surrounds sex work, she lingers on those traces of felt possibility that might inspire more ethical forms of relation and care.