522 books match the query 'Gender' and 30 start with p

cover of Partners in Conflict: The Politics of Gender, Sexuality, and Labor in the Chilean Agrarian Reform, 1950–1973

Partners in Conflict

The Politics of Gender, Sexuality, and Labor in the Chilean Agrarian Reform, 1950–1973

Heidi Tinsman

Duke University Press, 2002

Partners in Conflict examines the importance of sexuality and gender to rural labor and agrarian politics during the last days of Chile’s latifundia system of traditional landed estates and throughout the governments of Eduardo Frei and Salvador Allende. Heidi Tinsman analyzes differences between men’s and women’s participation in Chile’s Agrarian Reform movement and considers how conflicts over gender and sexuality shape the contours of working-class struggles and national politics.

Tinsman restores women to a scholarly narrative that has been almost exclusively about men, recounting the centrality of women’s labor to the pre-Agrarian Reform world of the hacienda during the 1950s and recovering women’s critical roles in union struggles and land occupations during the Agrarian Reform itself. Providing a theoretical framework for understanding why the Agrarian Reform ultimately empowered men more than women, Tinsman argues that women were marginalized not because the Agrarian Reform ignored women but because, under both the Frei and Allende governments, it promoted the male-headed household as the cornerstone of a new society. Although this emphasis on gender cooperation stressed that men should have more respect for their wives and funneled unprecedented amounts of resources into women’s hands, the reform defined men as its protagonists and affirmed their authority over women.

This is the first monographic social history of Chile’s Agrarian Reform in either English or Spanish, and the first historical work to make sexuality and gender central to the analysis of the reforms.
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cover of Passionate Discontent: Creativity, Gender, and French Symbolist Art

Passionate Discontent

Creativity, Gender, and French Symbolist Art

Patricia Mathews

University of Chicago Press, 2000

Passionate Discontent is an erudite study of the relationship between gender and genius in late nineteenth-century French Symbolism. Born in an era of crisis, the Symbolist art movement was characterized by withdrawal to a mystical, antibourgeois world of the mind and spirit. While Symbolists idealized the "poète maudit," a creative, mad genius exhibiting an emotional state of heightened awareness and "passionate discontent," female artists displaying similar symptoms were dismissed as hysterical.

Art historian Patricia Mathews traverses the artistic, social, and scientific discourses of fin-de-siècle France in order to illuminate the Symbolist construction of a feminized aesthetic that nonetheless excluded female artists from its realm. Along the way, Mathews proffers important new readings of the art of such Symbolists as Gauguin, van Gogh and Moreau, as well as that of their female contemporaries Camille Claudel and Suzanne Valadon. Passionate Discontent is an important contribution to art historical and women's studies.

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cover of Passionate Fictions: Gender, Narrative, and Violence in Clarice Lispector

Passionate Fictions

Gender, Narrative, and Violence in Clarice Lispector

Marta Peixoto

University of Minnesota Press, 1994

Passionate Fictions was first published in 1994. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

"Clarice Lispector is the premiere Latin American woman prose writer of this century," Suzanne Ruta noted in the New York Times Book Review, "but because she is a woman and a Brazilian, she has remained virtually unknown in the United States." Passionate Fictions provides American readers with a critical introduction to this remarkable writer and offers those who already know Lispector's fiction a deeper understanding of its complex workings.

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cover of Patriarchy on the Line: Labor, Gender, and Ideology in the Mexican Maquila Industry

Patriarchy on the Line

Labor, Gender, and Ideology in the Mexican Maquila Industry

Susan Tiano

Temple University Press, 1994

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cover of Patterns in Circulation: Cloth, Gender, and Materiality in West Africa

Patterns in Circulation

Cloth, Gender, and Materiality in West Africa

Nina Sylvanus

University of Chicago Press, 2016

In this book, Nina Sylvanus tells a captivating story of global trade and cross-cultural aesthetics in West Africa, showing how a group of Togolese women—through the making and circulation of wax cloth—became influential agents of taste and history. Traveling deep into the shifting terrain of textile manufacture, design, and trade, she follows wax cloth around the world and through time to unveil its critical role in colonial and postcolonial patterns of exchange and value production.
           
Sylvanus brings wax cloth’s unique and complex history to light: born as a nineteenth-century Dutch colonial effort to copy Javanese batik cloth for Southeast Asian markets, it was reborn as a status marker that has dominated the visual economy of West African markets. Although most wax cloth is produced in China today, it continues to be central to the expression of West African women’s identity and power. As Sylvanus shows, wax cloth expresses more than this global motion of goods, capital, aesthetics, and labor—it is a form of archive where intimate and national memories are stored, always ready to be reanimated by human touch. By uncovering this crucial aspect of West African material culture, she enriches our understanding of global trade, the mutual negotiations that drive it, and the how these create different forms of agency and subjectivity.
 
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cover of Performing Glam Rock: Gender and Theatricality in Popular Music

Performing Glam Rock

Gender and Theatricality in Popular Music

Philip Auslander

University of Michigan Press, 2006

When it first appeared in the early 1970s, glam rock not only caused a stir among audiences and performers, it also stood counterculture and psychedelic rock on their heads. Glam rock was outrageous and overtly theatrical, and its unforgettable characters-adorned with flamboyant costumes and heavy makeup and accompanied by elaborately constructed sets-were personified by performers such as Marc Bolan, David Bowie, Bryan Ferry, and Suzi Quatro. A sea change in rock performance had occurred.

Yet glam was as much about substance as style, and Performing Glam Rock delves into the many ways glam paved the way for new explorations of identity in terms of gender, sexuality, and performance. Philip Auslander positions glam historically and examines it as a set of performance strategies, exploring the ways in which glam rock-while celebrating the showmanship of 1950s rock and roll-began to undermine rock's adherence to the ideology of authenticity in the late 1960s.

In this important study of a too-often-overlooked phenomenon, Auslander takes a fresh look at the genius of the glam movement and introduces glam to a new generation of performance enthusiasts and scholars alike.

Philip Auslander is Professor in the School of Literature, Communication, and Culture at the Georgia Institute of Technology and author of numerous books, including Liveness: Performance in a Mediatized Culture and Presence and Resistance: Postmodernism and Cultural Politics in Contemporary American Performance. He is editor of the major reference work Performance: Critical Concepts and coeditor, with Carrie Sandahl, of Bodies in Commotion: Disability and Performance.
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cover of Performing Kinship: Narrative, Gender, and the Intimacies of Power in the Andes

Performing Kinship

Narrative, Gender, and the Intimacies of Power in the Andes

By Krista E. Van Vleet

University of Texas Press, 2008

In the highland region of Sullk'ata, located in the rural Bolivian Andes, habitual activities such as sharing food, work, and stories create a sense of relatedness among people. Through these day-to-day interactions—as well as more unusual events—individuals negotiate the affective bonds and hierarchies of their relationships. In Performing Kinship, Krista E. Van Vleet reveals the ways in which relatedness is evoked, performed, and recast among the women of Sullk'ata.

Portraying relationships of camaraderie and conflict, Van Vleet argues that narrative illuminates power relationships, which structure differences among women as well as between women and men. She also contends that in the Andes gender cannot be understood without attention to kinship.

Stories such as that of the young woman who migrates to the city to do domestic work and later returns to the highlands voicing a deep ambivalence about the traditional authority of her in-laws provide enlightening examples of the ways in which storytelling enables residents of Sullk'ata to make sense of events and link themselves to one another in a variety of relationships. A vibrant ethnography, Performing Kinship offers a rare glimpse into an compelling world.

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cover of Photography after Photography: Gender, Genre, History

Photography after Photography

Gender, Genre, History

Abigail Solomon-Godeau

Duke University Press, 2017

Presenting two decades of work by Abigail Solomon-Godeau, Photography after Photography is an inquiry into the circuits of power that shape photographic practice, criticism, and historiography. As the boundaries that separate photography from other forms of artistic production are increasingly fluid, Solomon-Godeau, a pioneering feminist and politically engaged critic, argues that the relationships between photography, culture, gender, and power demand renewed attention. In her analyses of the photographic production of Cindy Sherman, Robert Mapplethorpe, Susan Meiselas, Francesca Woodman, and others, Solomon-Godeau refigures the disciplinary object of photography by considering these practices through an examination of the determinations of genre and gender as these shape the relations between photographers, their images, and their viewers. Among her subjects are the 2006 Abu Ghraib prison photographs and the Cold War-era exhibition The Family of Man, insofar as these illustrate photography's embeddedness in social relations, viewing relations, and ideological formations.
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cover of Pillar of Salt: Gender, Memory, and the Perils of Looking Back

Pillar of Salt

Gender, Memory, and the Perils of Looking Back

Haaken, Janice

Rutgers University Press, 2000

 Pillar of Salt introduces the controversy over recollections of childhood sexual abuse as the window onto a much broader field of ideas concerning memory, storytelling, and the psychology of women. The book moves beyond the poles of “true” and “false” memories to show how women’s stories reveal layers of gendered and ambiguous meanings, spanning a wide historical, cultural, literary, and clinical landscape. The author offers the concept of transformative remembering as an alternative framework for looking back, one that makes use of fantasy in understanding the narrative truth of childhood recollections.Haaken provides an alternative reading of clinical material, showing how sexual storytelling transcends the symbolic and the “real” and how cultural repression of desire remains as problematic for women as the psychological legacy of trauma.
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cover of Pillar of Salt: Gender, Memory, and the Perils of Looking Back

Pillar of Salt

Gender, Memory, and the Perils of Looking Back

Haaken, Janice

Rutgers University Press, 1998

 Pillar of Salt introduces the controversy over recollections of childhood sexual abuse as the window onto a much broader field of ideas concerning memory, storytelling, and the psychology of women. The book moves beyond the poles of “true” and “false” memories to show how women’s stories reveal layers of gendered and ambiguous meanings, spanning a wide historical, cultural, literary, and clinical landscape. The author offers the concept of transformative remembering as an alternative framework for looking back, one that makes use of fantasy in understanding the narrative truth of childhood recollections.Haaken provides an alternative reading of clinical material, showing how sexual storytelling transcends the symbolic and the “real” and how cultural repression of desire remains as problematic for women as the psychological legacy of trauma.
[more]
cover of Pink and Blue: Gender, Culture, and the Health of Children

Pink and Blue

Gender, Culture, and the Health of Children

Elena Conis

Rutgers University Press, 2021

In modern pediatric practice, gender matters. From the pink-and-blue striped receiving blankets used to swaddle newborns, to the development of sex-specific nutrition plans based on societal expectations of the stature of children, a gendered culture permeates pediatrics and children’s health throughout the twentieth and early twenty-first centuries. This book provides a look at how gender has served as one of the frameworks for pediatric care in the U.S. since the specialty’s inception. Pink and Blue deploys gender—often in concert with class and race—as the central critical lens for understanding the function of pediatrics as a cultural and social project in modern U.S. history.
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cover of Playing the Other: Gender and Society in Classical Greek Literature

Playing the Other

Gender and Society in Classical Greek Literature

Froma I. Zeitlin

University of Chicago Press, 1995

Relations between the sexes was a pervasive concern of ancient Greek thought and literature, extending from considerations of masculine and feminine roles in domestic and political spheres to the organization of the cosmos in a pantheon of gods and goddesses. In Playing the Other Froma Zeitlin explores the diversity and complexity of these interactions through the most influential literary texts of the archaic and classical periods ranging from epic (Homer) and didactic poetry (Hesiod) to the theatrical productions of tragedy and comedy in fifth-century Athens.

Zeitlin demonstrates the indispensable workings of gender as a major factor in Greek social, religious, and cultural practices and in more abstract ideas about nature and culture, public and private, citizen and outsider, self and other, and mortal and immortal. Focusing on the prominence of female figures in these male authored texts, she enlarges our perspective on critical components of political order and civic identity by including issues of sexuality, the body, modes of male and female maturation, and speculations about parentage, kinship, and reproductive strategies. Along with considerations of genre, poetics, and theatrical mimesis, she points to the powerful mythmaking capacities of Greek culture for creating memorable paradigms and dramatic scenarios that far exceed simple notions of male and female opposition and predictable enforcement of social norms. Consisting of both new and revised essays, Playing the Other is a wide-ranging account of a central category of Greek literature by a scholar who pioneered an approach to classics through the perspective of gender.
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cover of Politics of Rightful Killing: Civil Society, Gender, and Sexuality in Weblogistan

Politics of Rightful Killing

Civil Society, Gender, and Sexuality in Weblogistan

Sima Shakhsari

Duke University Press, 2020

In the early 2000s, mainstream international news outlets celebrated the growth of Weblogistan—the online and real-life transnational network of Iranian bloggers—and depicted it as a liberatory site that gave voice to Iranians. As Sima Shakhsari argues in Politics of Rightful Killing, the common assumptions of Weblogistan as a site of civil society consensus and resistance to state oppression belie its deep internal conflicts. While Weblogistan was an effective venue for some Iranians to “practice democracy,” it served as a valuable site for the United States to surveil bloggers and express anti-Iranian sentiment and policies. At the same time, bloggers used the network to self-police and enforce gender and sexuality norms based on Western liberal values in ways that unwittingly undermined Weblogistan's claims of democratic participation. In this way, Weblogistan became a site of cybergovernmentality, where biopolitical security regimes disciplined and regulated populations. Analyzing online and off-line ethnography, Shakhsari provides an account of digital citizenship that raises questions about the internet's relationship to political engagement, militarism, and democracy.
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cover of Politics, Gender, and the Mexican Novel, 1968-1988: Beyond the Pyramid

Politics, Gender, and the Mexican Novel, 1968-1988

Beyond the Pyramid

By Cynthia Steele

University of Texas Press, 1992

The student massacre at Tlatelolco in Mexico City on October 2, 1968, marked the beginning of an era of rapid social change in Mexico. In this illuminating study, Cynthia Steele explores how the writers of the next two decades responded to the massacre and to the social crisis it signaled in terms of political change and gender identity.

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cover of Polygamy in Primetime: Media, Gender, and Politics in Mormon Fundamentalism

Polygamy in Primetime

Media, Gender, and Politics in Mormon Fundamentalism

Janet Bennion

Brandeis University Press, 2011

Recently, polygamy has become a “primetime” phenomenon. Television shows like Big Love and Sister Wives demonstrate the “progressive” side of polygamy, while horror stories from victims of abusive marriages offer less upbeat experiences among the adherents of the fundamentalist Church of Jesus Christ of Latter Day Saints (FLDS Church). Bennion, herself a product of Mormon polygamy, seeks to dispel the myths and misinformation that surround this topic. This study, based on seventeen years of ethnographic research among the Allred Group (Apostolic United Brethren) and on an analysis of recent blog journal entries written by a range of polygamous women, examines the variety and complexity of contemporary Mormon fundamentalist life in the Intermountain West. Although Bennion highlights problems associated with polygamy, including evidence that some forms are at high risk for father-child incest, she challenges the media-driven depiction of plural marriage as uniformly abusive and harmful to women. She shows how polygamist families can provide both economic security and social sustenance for some women, and how the authority of the husband can be undermined by the stresses of providing for multiple wives and children. Going beyond the media’s obsession with the sexual aspects of polygamous marriage, Bennion offers a rich description of familial, social, and legal contexts. Throughout, she makes the case for legalizing polygamy in order to allow greater visibility and regulation of the practice.
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cover of Power and Gender in Renaissance Spain: Eight Women of the Mendoza Family, 1450-1650

Power and Gender in Renaissance Spain

Eight Women of the Mendoza Family, 1450-1650

Edited by Helen Nader

University of Illinois Press, 2003

The Mendoza family was one of Spain's most prominent Renaissance dynasties, and this collection, a groundbreaking overview of two hundred years of Spanish history, provides in-depth portraits of eight of its female members.
 
These essays explore the lives of powerful women whose lineage gave them status within a patriarchal society designed to keep women from public life. Each of the influential and literary women discussed in this volume handled her status differently, and their concerns were not dissimilar from the concerns of feminists today: the blurring of the personal and the political, public versus private space, language and voice, and property.
 
Spanning the two centuries between Juana Pimentel, a widow who manipulated the patronage system to her own ends, and Luisa de Carvajal y Mendoza, who rejected both convent and marriage in favor of missionary work, Power and Gender in Renaissance Spain reveals a complex society in which women were limited by law, and yet their social status made those laws negotiable.
 
These women found that their personal agendas had a broad societal impact, challenging the laws of the land and patriarchal assumptions about women's inferiority.
 
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cover of Precarious Professionals: Gender, Identities and Social Change in Modern Britain

Precarious Professionals

Gender, Identities and Social Change in Modern Britain

Edited by Heidi Egginton and Zoë Thomas

University of London Press, 2021

Precarious Professionals details the fight for equality in the workplace, particularly among women and queer people in nineteenth and twentieth-century Britain.
 
Precarious Professionals uncovers the inequalities and insecurities which lay at the heart of professional life in nineteenth and twentieth-century Britain. This book challenges conventional categories in the history of work, exploring instead the everyday labor of maintaining a professional identity on the margins of the traditional professions. Situating new historical perspectives on gender at the forefront of their research, the contributors explore how professional cultures could not only define themselves against but often flourished outside of, the confines of patriarchal codes and structures.

Precarious Professionals offers twelve fascinating case studies, ranging between the 1840s and the 1960s. From pioneering female lawyers and scientists to ballet dancers, secretaries, historians, humanitarian relief workers, social researchers, and Cold War diplomats, this book reveals that precarity was a thread woven throughout the very fabric of modern professional life. Together, these essays enrich our understanding of the histories and mysteries of professional identity and help us to reimagine the future of work in precarious times.
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cover of Presence and Desire: Essays on Gender, Sexuality, Performance

Presence and Desire

Essays on Gender, Sexuality, Performance

Jill Dolan

University of Michigan Press, 1993

This book critically bridges feminist theory and theatrical practice. Dolan examines how performance can subvert normative constructs of gender and sexuality. The collection evaluates mainstream theater, academic stages, subcultural venues, and performance in daily life. It centers sexuality as a primary analytical framework to explore queer visibility and cultural representation. It bridges contemporary feminist theory, poststructuralism, and theatrical practice and places sexuality at the center of its analytical framework to explore how theatrical representation can subvert normative constructs of gender and desire. Dolan evaluates a vast spectrum of performance spaces—ranging from mainstream professional and academic stages to subcultural venues, pornography, and everyday social interactions—to champion queer visibility and claim recognition for women's bodies. Ultimately, the volume functions as a foundational text in performance studies and LGBTQ+ cultural criticism, demonstrating how deliberate theatrical strategies can provoke American culture to actively dismantle and reimagine its traditional social relations

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cover of Prevention: Gender, Sexuality, HIV, and the Media in Côte d'Ivoire

Prevention

Gender, Sexuality, HIV, and the Media in Côte d'Ivoire

Christine Cynn

The Ohio State University Press, 2018

Approximately 70% of the global total of people living with HIV/AIDS in 2016 were in sub-Saharan Africa. After delayed governmental responses, the media has been consistently deployed as an essential tool for prevention. But HIV prevention campaigns reflect multiple conflicting and shifting agendas that encompass far more than the imparting of information about how to limit the spread of the virus. In Prevention: Gender, Sexuality, HIV, and the Media in Côte d’Ivoire, Christine Cynn draws from postcolonial, queer, and feminist film and media studies to critique global HIV prevention efforts and how they attempt to reshape gendered sexualities and notions of family in line with the rationality of neoliberalism.
More specifically, Cynn argues that through the bolstering of normative conceptions of gendered sexualities and families, HIV prevention media campaigns seek to actively create proper subjects, a goal corresponding with nation-building projects and reproducing their terms of belonging. During periods of increasingly virulent political and economic struggles in Côte d’Ivoire, such HIV prevention messages have lent support to lender- and state-mandated structural adjustment policies and to the exclusionary logic that casts some—such as those suffering from AIDS-related illnesses, those labeled as “homosexual,” sex workers, intravenous drug users, and the HIV-positive child—as implicitly unassimilable to the community and nation. Deeply interdisciplinary, Prevention brings to light new forms of exclusion and expands scholarship on gender and sexual normativities as it intersects with that on public health, neoliberalism, and film and media.
 
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cover of Primate Encounters: Models of Science, Gender, and Society

Primate Encounters

Models of Science, Gender, and Society

Edited by Shirley C. Strum and Linda Marie Fedigan

University of Chicago Press, 2000

A provocative collective reflection on primatology and its relations to broader cultural, historical, and social issues, Primate Encounters brings together both scientists and those who study them to investigate precisely what kind of science primatology is.

"[A] fascinating study . . . on how and why ideas about primate society have changed. The volume consists of dialogues among scientists from different disciplines, national traditions, scientific culture, generations, standpoints, and genders. . . . A wonderful reflection on the discipline of primatology and on science in general."—Science Books and Films

"Primate Encounters should be required reading for anyone about to embark on a career in the field. But it equally valuable for its miscellany of opinions, recollections and off-the-cuff remarks, as well as for its thoughtful observations, 'outrageous ravings' and humour (from the elders in the field). It gives us a glimpse of how scientists work together to understand their place in the world."—Deborah L. Mazolillo, Times Literary Supplement
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cover of Private Women, Public Lives: Gender and the Missions of the Californias

Private Women, Public Lives

Gender and the Missions of the Californias

By Bárbara O. Reyes

University of Texas Press, 2009

Through the lives and works of three women in colonial California, Bárbara O. Reyes examines frontier mission social spaces and their relationship to the creation of gendered colonial relations in the Californias. She explores the function of missions and missionaries in establishing hierarchies of power and in defining gendered spaces and roles, and looks at the ways that women challenged, and attempted to modify, the construction of those hierarchies, roles, and spaces.

Reyes studies the criminal inquiry and depositions of Barbara Gandiaga, an Indian woman charged with conspiracy to murder two priests at her mission; the divorce petition of Eulalia Callis, the first lady of colonial California who petitioned for divorce from her adulterous governor-husband; and the testimonio of Eulalia Pérez, the head housekeeper at Mission San Gabriel who acquired a position of significant authority and responsibility but whose work has not been properly recognized. These three women's voices seem to reach across time and place, calling for additional, more complex analysis and questions: Could women have agency in the colonial Californias? Did the social structures or colonial processes in place in the frontier setting of New Spain confine or limit them in particular gendered ways? And, were gender dynamics in colonial California explicitly rigid as a result of the imperatives of the goals of colonization?

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cover of Producing Power: Ethnicity, Gender, and Class in a Caribbean Workplace

Producing Power

Ethnicity, Gender, and Class in a Caribbean Workplace

Kevin A. Yelvington

Temple University Press, 1995

In a small, locally owned Trinidadian factory that produces household goods, 80 percent of the line workers are women, almost all black or East Indian. The supervisors are all men, either white or East Indian. Kevin Yelvington worked for a year in this factory to study how ethnicity and gender are integral elements of the class structure, a social and economic structure that permeates all relations between men and women in the factory. These primary divisions determine the way the production process is ordered and labor divided.

Unlike women in other industries in "underdeveloped" parts of the world who are recruited by foreign firms, Caribbean women have always contributed to the local economy. Within this historical context, Yelvington outlines the development of the state, and addresses exploitation and domination in the labor process. Yelvington also documents the sexually charged interactions between workers and managers and explores how both use flirting and innuendo to their advantage. Weddings and other social events outside the factory provide insightful details about how the creation of social identities carries over to all aspects of the local culture.

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cover of Pronouncing and Persevering: Gender and the Discourses of Disputing in an African Islamic Court

Pronouncing and Persevering

Gender and the Discourses of Disputing in an African Islamic Court

Susan F. Hirsch

University of Chicago Press, 1998

The title of Susan Hirsch's study of disputes involving Swahili Muslims in coastal Kenya reflects the image of gender relations most commonly associated with Islamic law. Men need only "pronounce" divorce to resolve marital conflicts, while embattled and embittered wives must persevere by silently enduring marital hardships. But Hirsch's observations of Islamic courts uncover how Muslim women actively use legal processes to transform their domestic lives, achieving victories on some fronts but reinforcing their image as subordinate to men through the speech they produce in court.

Pronouncing and Persevering focuses closely on the language used in disputes, particularly how men and women narrate their claims and how their speech shapes and is shaped by gender hierarchy in postcolonial Swahili society. Based on field research and court testimony, Hirsch's book debunks the conventional view that women are powerless under Islamic law and challenges the dichotomies through which Islam and gender relations are currently understood.

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cover of Prophecy and Gender in the Hebrew Bible

Prophecy and Gender in the Hebrew Bible

L. Juliana Claassens

SBL Press, 2021

Multifaceted insights into female life in prophetic contexts

Both prophets and prophetesses shared God’s divine will with the people of Israel, yet the voices of these women were often forgotten due to later prohibitions against women teaching in public. This latest volume of the Bible and Women series focuses on the intersection of gender and prophecy in the Former Prophets (Joshua to 2 Kings) as well as in the Latter Prophets of the Hebrew Bible. Essays examine how women appear in the iconography of the ancient world, the historical background of the phenomenon of prophecy, political and religious resistance by women in the biblical text, and gender symbolism and constructions in prophetic material as well as the metaphorical discourse of God. Contributors Michaela Bauks, Athalya Brenner-Idan, Ora Brison, L. Juliana Claassens, Marta García Fernández, Irmtraud Fischer, Maria Häusl, Rainer Kessler, Nancy C. Lee, Hanne Løland Levinson, Christl M. Maier, Ilse Müllner, Martti Nissinen, Ombretta Pettigiani, Ruth Poser, Benedetta Rossi, Silvia Schroer, and Omer Sergi draw insight into the texts from a range of innovative gender-oriented approaches.

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cover of Protected Children, Regulated Mothers: Gender and the "Gypsy Question" in State Care in Postwar Hungary, 1949–1956

Protected Children, Regulated Mothers

Gender and the "Gypsy Question" in State Care in Postwar Hungary, 1949–1956

Eszter Varsa

Central European University Press, 2021

Protected Children, Regulated Mothers examines child protection in Stalinist Hungary as a part of twentieth-century East Central, Eastern, and Southeastern European history. Across the communist bloc, the prewar foster care system was increasingly replaced after 1945 by institutionalization in residential homes. This shift was often interpreted as a further attempt to establish totalitarian control. However, this study—based on hundreds of children's case files and interviews with institution leaders, teachers, and people formerly in state care—provides a new perspective. Rather than being merely a tool of political repression, state care in postwar Hungary was often shaped by the efforts of policy actors and educators to address the myriad of problems engendered by the social and economic transformations that emerged after World War II. This response built on, rather than broke with, earlier models of reform and reformatory education. Yet child protection went beyond safeguarding and educating children; it also focused on parents, particularly lone mothers, regulating not only their entrance to paid work but also their sexuality. In so doing, children's homes both reinforced and changed existing cultural and social patterns, whether about gendered division of work or the assimilation of minorities. Indeed, a major finding of the book is that state socialist child protection continued a centuries-long national project of seeking a “solution to the Gypsy question,” rooted in efforts to eliminate the perceived “workshyness” of Roma.

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cover of Protest Arts, Gender, and Social Change: Fiction, Popular Songs, and the Media in Hausa Society across Borders

Protest Arts, Gender, and Social Change

Fiction, Popular Songs, and the Media in Hausa Society across Borders

Ousseina D. Alidou

University of Michigan Press, 2024

Protest Arts, Gender, and Social Change: Fiction, Popular Songs, and the Media in Hausa Society across Borders by Ousseina Alidou examines how a new generation of novelists, popular songwriters, and musical performers in contemporary Hausa society are using their creative works to effect social change. This book empathizes with the reality of the forms of oppression, social isolation, and marginalization that vulnerable and underprivileged communities in contemporary Hausa society in Northern Nigeria and the Niger Republic have been experiencing from the mid-1980s to the present. It also highlights the ways in which song performances produce an intertextual dialogue between their lyrics and visual dramatic narratives to raise awareness against social ills, including gender-based violence and social inequalities exposed by biomedical health pandemics such as HIV and COVID-19. In these creative Hausa narratives, the oppressed and marginalized have agency in articulating their own experiences.

While there is an abundance of social science studies giving voice to the dominant actors of hegemonic violence in Hausa society, there is a dearth of works that center the voices of the afflicted, unprivileged, and marginalized class, among whom are women and youth. One aim of this book is to examine the ways popular songs and fiction fill up the humanistic urgency to capture the dignity of the life of those dehumanized by local, national, and international hegemonic religious and secular forces. The book focuses on the resistance narratives of one female novelist and six song composers and performers that generate alternative counterhegemonic responses to dominant patriarchal discourses produced by cultural, religious, and political elites, thus reaching out to marginalized local and national communities and global audiences. Alidou interweaves the social, political, and biomedical epidemics with the concept of “Hausa interiority” to create a unique perspective on contemporary Hausa culture and politics through the lens of artistic productions.
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cover of Provoking Agents: GENDER AND AGENCY IN THEORY AND PRACTICE

Provoking Agents

GENDER AND AGENCY IN THEORY AND PRACTICE

Edited by Judith Kegan Gardiner

University of Illinois Press, 1995

     "A major contribution in women's studies and in other disciplines
        dealing with issues of agency. The authors raise issues that are very
        important . . . and they raise them as they must be raised--by bridging
        theory and action." -- Kathryn Pine Addelson, author of Moral
        Passages: Toward a Collectivist Moral Theory
      Both the women's liberation movement and those who have studied it characterize
        agency as the capacity to make change in individual consciousness, personal
        lives, and society. The seventeen contributors to Provoking Agents
        explore whether--and how--feminist theory, writing, and other social practices
        can help readers move beyond seeing women as a powerless group to effecting
        changes in their own lives and, ultimately, becoming social activists.
        Topics in this multi-disciplinary collection range from maternal surrogacy
        to writing, from consciousness-raising to AIDS activism, from pornography
        to local organizing
 
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cover of Public Negotiations: Gender and Journalism in Contemporary US Latina/o Literature

Public Negotiations

Gender and Journalism in Contemporary US Latina/o Literature

Ariana E. Vigil

The Ohio State University Press, 2019

Ariana E. Vigil’s interdisciplinary study, Public Negotiations: Gender and Journalism in Contemporary US Latina/o Literature examines how the boundaries of the Latina/o public sphere are negotiated through mass media.  : Focusing on a wide range of twentieth- and twenty-first-century Latina/o literary texts that feature Latina/o media figures—works by Lucha Corpi, Oscar Zeta Acosta, Cherríe Moraga, and Rubén Salazar, among others—Vigil examines the relationship between Latina/o media and Latina/o publics and reflects on how literature demonstrates a sustained interest in this relationship.
Vigil also reveals how these conversations inevitably engage with gender concerns, showing how the role of gender in this relationship is neither static nor consistent over time. Examining how these works represent such things as gendered Latina/o counter publics, how Central American–American communities are gendered in relation to other US Latina/o communities, how and why gendered expressions of Latinidad are produced and marketed, and how print media provides an important space for dissemination of diverse ideas, Public Negotiations considers the way in which gender functions in terms of both the construction and reception of a Latina/o public in a transnational space. Through thorough examination and with deep insight, Vigil shows how literature can invaluably reflect current and historical issues surrounding media and the public sphere and help us imagine new, hopefully better, possibilities.
 
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cover of Public and Private: Gender, Class, and the British Novel (1764-1878)

Public and Private

Gender, Class, and the British Novel (1764-1878)

Patricia McKee

University of Minnesota Press, 1997

Public and Private was first published in 1997. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

This groundbreaking work examines the emergent and fluctuating relationship between the public and private social spheres of the late eighteenth and nineteenth centuries. By assessing novels such as Mary Shelley's Frankenstein and Jane Austen's Emma through the lens of the social theories of Jürgen Habermas and Michel Foucault, Patricia McKee presents a fresh and highly original contribution to literary studies.

McKee explores the themes of production and consumption as they relate to gender and class throughout the works of many of the most influential novels of the age including Tobias Smollett's Humphry Clinker, Horace Walpole's The Castle of Otranto, Emma, Frankenstein, Anthony Trollope's Barchester Towers, Charles Dickens's Little Dorrit and The Old Curiosity Shop, Mrs. Henry Wood's East Lynne, and Thomas Hardy's The Return of the Native.

McKee analyzes portrayals of a society in which abstract idealism belonged to knowledgeable, productive men and the realm of ignorance was left to emotional, consuming women and the uneducated. She traces the various ways British literature of the eighteenth and nineteenth centuries worked to reform this social experience. Topics include Dickens's attack on the bureaucratic use of knowledge to maintain the status quo; the function of antiprogressive depictions of knowledge in Trollope, Shelley, and Hardy; and Austen's characterization of the protagonist Emma as an exception in a society that denied women's productive use of knowledge.

Offering a sharp challenge to theorists who have charted a linear division of public and private experience, McKee highlights the unexpected configurations of the emergence of the public and private spheres and the effect of knowledge distribution across class and gender lines.

Patricia McKee is professor of English at Dartmouth College. She is the author of Heroic Commitment in Richardson, Eliot, and James (1986).

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cover of Putting On Appearances: Gender and Advertising

Putting On Appearances

Gender and Advertising

Diane Barthel

Temple University Press, 1989

In this lively critical analysis, Diane Barthel reveals the previously overlooked and underestimated depth of cultural meaning behind contemporary American advertising. Focusing mainly on ads for beauty products directed at women, she demonstrates how stereotypical gender identities are emphasized and how advertising itself creates a gendered relationship with the consumer. She explores psychological, sociological, and cultural messages in advertising to show how Putting on Appearances is anything but a purely personal matter, and how the social realities in which we are forced to live are conditioned by the personal appearances we choose to create.

Most advertisements are not sexually obvious, but rely instead on sexual story-telling in which seduction, deception, and passion are portrayed as acceptable means for achieving selfhood. Advertisements that proclaim, "Now is the time to paint your knees" speak with one form of authority: those that present the voice of the all-knowing scientist or the nurturing mother rely on others. Celebrities figure as professional beauties and wise older sisters, sharing their secrets with the consumer. "The Gentle Treatment Great Model Search Made Me a Star. Now it’s your turn."

Inseparable from the clothes we wear and the products we use are our ideas and fantasies about our bodies. Beauty products present beauty rituals as transcendent occasions, and diet products call up religious imagery of guilt and salvation. The body itself is to be anxiously manipulated and systematically worked over until the consumer "turns her body into...an advertisement for herself, a complicated sign to be read and admired."



In the series Women in the Political Economy, edited by Ronnie J. Steinberg.
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