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Place-Making in Indigenous Communities in Mesoamerica and the US Southwest explores shared Indigenous place-making concepts and practices across culturally diverse regions of Mesoamerica and the US Southwest from both historical and contemporary perspectives. Drawing on multidisciplinary research approaches, the volume demonstrates how Indigenous communities create and maintain deep connections to landscapes through stories, rituals, and reciprocal relationships, stressing the dynamic nature of the place-making process.

Contributors emphasize themes that crosscut Mesoamerican and Southwestern Indigenous cultures, including place-making through the (re)activation of primordial time, how people and spiritual energies embodied in geographical features of the land co-define time and space, the role of nonlocal materials and beings in establishing new—and often prestigious—place-based connections, and the impact of colonialism and neocolonialism on place-making and identity. Integrating archaeological evidence with contemporary ethnographic work, contributors explore the significance of places like Chichen Itzá's Balankanche cave as manifestations of primordial emergence sites. They also examine Hopi pilgrimages to ancestral shrines and how places such as Mirador Mountain in Chiapas, Cerro Danush in Oaxaca, and Black Mesa near San Ildefonso Pueblo continue to serve as focal points for ritual processions and community belonging.

Organized into sections emphasizing deep-time perspectives and contemporary heritage issues, Place-Making in Indigenous Communities in Mesoamerica and the US Southwest advocates for collaborative research approaches that center Indigenous voices and knowledge systems. By highlighting the deep connections between Indigenous communities and their sacred landscapes, this work brings a new perspective to ongoing conversations centered on land—one that urges engagement with Indigenous communities in a spirit of openness, collaboration, and respect.

Planning Quechua Families: Indigenous Reproduction and the Peruvian State examines how reproductive health is shaped by a history of colonial power, state intervention, and social upheaval. This ethnography is centered on the experiences of Indigenous women in the Andes. The book situates contemporary family planning within the legacy of forced sterilizations and political violence during the era of Shining Path terrorism. Drawing on extensive fieldwork, Rebecca Irons brings together the perspectives of both Quechua women and the health-care workers who serve them, offering a nuanced account of how reproductive services are experienced, negotiated, and contested in rural clinics.

The book explores how reproductive health is embedded within broader processes of social change, including “Incanization,” shifting ideas of citizenship, and efforts to integrate marginalized communities into the Peruvian nation. Irons demonstrates how Indigenous understandings of kinship, health, and identity intersect with state policies and biomedical practices, revealing forms of violence that are often less visible but deeply consequential. 

By placing Indigenous reproductive experiences within a wider cultural and political context, Planning Quechua Families provides a critical perspective on how power operates through intimate aspects of life in the contemporary Andes.

This book is part of a concentrated series of books that examines child maltreatment across minoritized, cultural groups.Specifically, this volume addresses American Indian and Alaska Native populations. However, in an effort to contextualize the experiences of 574 federally recognized tribes and 50+ state recognized tribes, as well as villages, the authors focus on populations within rural and remote regions and discuss the experiences of some tribal communities throughout US history. It should be noted that established research has primarily drawn attention to the pervasive problems impacting Indigenous individuals, families, and communities. Aligned with an attempt to adhere to a decolonizing praxis, the authors share information in a strength-based framework for the Indigenous communities discussed within the text. The authors review federally funded programs (prevention, intervention, and treatment) that have been adapted for tribal communities (e.g., Safecare) and include cultural teachings that address child maltreatment. The intention of this book is to inform researchers, practitioners, policy makers, and advocates about the current state of child maltreatment from an Indigenous perspective.

Exploring how Indigenous media has flourished across Canada from the 1990s to the present

 

In the early 1990s, Indigenous media experienced a boom across Canada, resulting in a vast landscape of film, TV, and digital media. Coinciding with a resurgence of Indigenous political activism, Indigenous media highlighted issues around sovereignty and Indigenous rights to broader audiences in Canada. In Producing Sovereignty, Karrmen Crey considers the conditions—social movements, state policy, and evolutions in technology—that enabled this proliferation. 

Exploring the wide field of media culture institutions, Crey pays particular attention to those that Indigenous media makers engaged during this cultural moment, including state film agencies, arts organizations, provincial broadcasters, and more. Producing Sovereignty ranges from the formation of the Aboriginal Film and Video Art Alliance in the early 1990s and its partnership with the Banff Centre for the Arts to the Canadian Broadcasting Corporation’s 2016 production of Highway of Tears—an immersive 360-degree short film directed by Anishinaabe filmmaker Lisa Jackson—highlighting works by Indigenous creators along the way and situating Indigenous media within contexts that pay close attention to the role of media-producing institutions.

Importantly, Crey focuses on institutions with limited scholarly attention, shifting beyond the work of the National Film Board of Canada to explore lesser-known institutions such as educational broadcasters and independent production companies that create programming for the Aboriginal Peoples Television Network. Through its refusal to treat Indigenous media simply as a set of cultural aesthetics, Producing Sovereignty offers a revealing media history of this cultural moment.