173 books match the query 'Ireland' and 9 start with p

cover of Packy Jim: Folklore and Worldview on the Irish Border

Packy Jim

Folklore and Worldview on the Irish Border

Ray Cashman

University of Wisconsin Press, 2017

Growing up on a secluded smuggling route along the border of Northern Ireland and the Republic, Packy Jim McGrath regularly heard the news, songs, and stories of men and women who stopped to pass the time until cover of darkness. In his early years, he says, he was all ears—but now it is his turn to talk.

Ray Cashman, who has been interviewing McGrath for more than fifteen years, demonstrates how Packy Jim embellishes daily conversation with stories of ghosts and fairies, heroic outlaws and hateful landlords. Such folklore is a boundless resource that he uses to come to grips with the past and present, this world and the next. His stories reveal an intricate worldview that is both idiosyncratic and shared—a testament to individual intelligence and talent, and a window into Irish vernacular culture.
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cover of Painting History: The Murals of Northern Ireland, 1908–2024

Painting History

The Murals of Northern Ireland, 1908–2024

Tony Crowley

Amherst College Press, 2025

Painting History: The Murals of Northern Ireland, 1908–2024 is the first book-length study of the oldest and most enduring tradition of political wall art. Tony Crowley shows how muralism became an important medium for the unionist and loyalist community in its political domination of public space before and after Partition. The text also demonstrates that nationalists and republicans painted few murals before the start of the 1981 Hunger Strike, during which they painted wall art across republican areas of Northern Ireland as a way of publicizing their cause. In the context of a divided society, by the mid 1980s murals had become an established genre for the expression of political demands and aspirations.

In Painting History, Tony Crowley provides a detailed analysis of the complex tradition of muralism in the context of the history that produced it, with particular attention given to the cultural politics of this remarkable form. The book also raises and discusses a series of theoretical questions about murals and muralism that transcend Northern Ireland: issues of propriety and legality, form and content, authority and censorship. The work ends with a consideration of the future of the murals in a still polarized but changing region.

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cover of Partition: How and Why Ireland was Divided

Partition

How and Why Ireland was Divided

Ivan Gibbons

Haus Publishing, 2022

Gibbons uncovers the origins of the Partition of Ireland.

The Partition of Ireland in 1921, which established Northern Ireland and saw it incorporated into the United Kingdom, sparked immediate civil war and a century of unrest. Today, the Partition remains the single most contentious issue in Irish politics, but its origins—how and why the British divided the island—remain obscured by decades of ensuing struggle.
           
Cutting through the partisan divide, Partition takes readers back to the first days of the twentieth century to uncover the concerns at the heart of the original conflict. Drawing on extensive primary research, Ivan Gibbons reveals how the idea to divide Ireland came about and gained popular support as well as why its implementation proved so controversial and left a century of troubles in its wake.
 
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cover of Performance Art in Ireland: A History

Performance Art in Ireland

A History

Edited by Áine Phillips

Intellect Books, 2015

The first book devoted to Irish performance art and the first attempt at a history of this art form in the north and south of Ireland, this book brings together contributions by prominent Irish artists and major academics. It features rigorous critical and theoretical analysis as well as historical commentaries that provide an absorbing sense of the rich histories of performance art in Ireland. Presenting diverse visual documentation of performance art practices, this collection shows how performance art in Ireland engaged with—and in turn influenced and led by—contemporary performance and live art internationally.
 
Copublished with the Live Art Development Agency.
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cover of Poetry in the Museums of Modernism: Yeats, Pound, Moore, Stein

Poetry in the Museums of Modernism

Yeats, Pound, Moore, Stein

Catherine Paul

University of Michigan Press, 2002

This book explores the relationships between four modernist poets and the museums that helped shape their writing. During the early twentieth century, museums were trying to reach a wider audience and used displayed objects to teach that audience about art, culture, and ecology. Writers such as Yeats, Pound, Moore, and Stein borrowed strategies and techniques from museums in order to create literary modernism. Poetry in the Museums of Modernism places these writers' poetry and prose within the context of specific gallery spaces, curatorial practices, displayed objects, and exhibition objectives of the museums that inspired them, exposing the ways in which literary modernism is linked to museums.
Although critics have attested to the importance of the visual arts to literary modernists and have begun to explore the relationships between literary production and social institutions, before now no one has examined the particular institutions in which modernist poets found the artworks, specimens, and other artifacts that inspired their literary innovations. Catherine Paul's book offers the reader a fresh encounter with modernism that will interest literary and art historians, literary theorists, critics, and scholars in cultural studies and museum studies.
Catherine Paul is Associate Professor of English, Clemson University.
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cover of Politics of James Connolly

Politics of James Connolly

Kieran Allen

Pluto Press, 1990

Born in 1868 and executed by the British in 1916 for his role in the Easter Rising, the work of Irish national hero James Connolly has long been misunderstood. From Fianna Fáil and Sinn Féin, to conservative Irish nationalists and the Church, many groups have claimed Connolly as their own, his ideas and strategies used and distorted to justify particular political positions.

Kieran Allen breaks this mould, assessing the founder of the Irish Marxist movement ideas from a revolutionary socialist perspective. Allen considers the strengths and weaknesses of Connolly’s revolutionary strategy, the effect of his commitment to international socialism on his nationalist loyalties and arguing that, ultimately, Connolly's enduring relevance derives from his anti-imperialism. Any socialist movement today ignores this book at its peril.
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cover of Postcolonial Dublin: Imperial Legacies And The Built Environment

Postcolonial Dublin

Imperial Legacies And The Built Environment

Andrew Kincaid

University of Minnesota Press, 2006

For hundreds of years, Ireland has been a testing ground for colonizing techniques. Postcolonial Dublin shows how perpetrators of colonialism have made use of urban planning and architecture to underscore and legitimate ideologies. From suburban development to building facades, the conflict between nationalists and colonialists has inscribed itself on Dublin’s landscape. Andrew Kincaid illustrates how the architecture and urban planning of Dublin have been integral to debates about nationalism, modernism, and Ireland’s relationship to the rest of the world. Looking at objects such as Londonderry’s Market House, Patrick Abercrombie’s Dublin of the Future, and the urban renewal project of today’s Temple Bar, Kincaid highlights Ireland’s colonial history and the significance of architecture in the evolution of national identity. In doing so, he demonstrates how ideology “spatializes” itself. Postcolonial Dublin engages the prevailing historical representations of Irish nationalism, arguing that the evolving city reflected a debate over who would hold the reins of power. Bringing the tools of literary criticism and postcolonial theory to bear on the field of urban studies, Kincaid places Dublin at the forefront of debates over modernism, modernity, and globalization.Andrew Kincaid is assistant professor of English at the University of Wisconsin, Milwaukee.
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cover of Pregnant on Arrival: Making the Illegal Immigrant

Pregnant on Arrival

Making the Illegal Immigrant

Eithne Luibhéid

University of Minnesota Press, 2013

“State alert as pregnant asylum seekers aim for Ireland.” “Country Being Held Hostage by Con Men, Spongers, and Those Taking Advantage of the Maternity Residency Policy.” From 1997 to 2004, headlines such as these dominated Ireland’s mainstream media as pregnant immigrants were recast as “illegals” entering the country to gain legal residency through childbirth. As immigration soared, Irish media and politicians began to equate this phenomenon with illegal immigration that threatened to destroy the country’s social, cultural, and economic fabric.

Pregnant on Arrival explores how pregnant immigrants were made into paradigmatic figures of illegal immigration, as well as the measures this characterization set into motion and the consequences for immigrants and citizens. While focusing on Ireland, Eithne Luibhéid’s analysis illuminates global struggles over the citizenship status of children born to immigrant parents in countries as diverse as the United States, Hong Kong, and elsewhere. Scholarship on the social construction of the illegal immigrant calls on histories of colonialism, global capitalism, racism, and exclusionary nation building but has been largely silent on the role of nationalist sexual regimes in determining legal status. Eithne Luibhéid turns to queer theory to understand how pregnancy, sexuality, and immigrants’ relationships to prevailing sexual norms affect their chances of being designated as legal or illegal.

Pregnant on Arrival offers unvarnished insight into how categories of immigrant legal status emerge and change, how sexual regimes figure prominently in these processes, and how efforts to prevent illegal immigration ultimately redefine nationalist sexual norms and associated racial, gender, economic, and geopolitical hierarchies.

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cover of Protecting the Empire’s Frontier: Officers of the 18th (Royal Irish) Regiment of Foot during Its North American Service, 1767–1776

Protecting the Empire’s Frontier

Officers of the 18th (Royal Irish) Regiment of Foot during Its North American Service, 1767–1776

Steven M. Baule

Ohio University Press, 2013

Protecting the Empire’s Frontier tells stories of the roughly eighty officers who served in the 18th (Royal Irish) Regiment of Foot, which served British interests in America during the crucial period from 1767 through 1776. The Royal Irish was one of the most wide-ranging regiments in America, with companies serving on the Illinois frontier, at Fort Pitt, and in Boston, New York, and Philadelphia, with some companies taken as far afield as Florida, Spanish Louisiana, and present-day Maine. When the regiment was returned to England in 1776, some of the officers remained in America on staff assignments. Others joined provincial regiments, and a few joined the American revolutionary army, taking up arms against their king and former colleagues.

Using a wide range of archival resources previously untapped by scholars, the text goes beyond just these officers’ service in the regiment and tells the story of the men who included governors, a college president, land speculators, physicians, and officers in many other British regular and provincial regiments. Included in these ranks were an Irishman who would serve in the U.S. Congress and as an American general at Yorktown; a landed aristocrat who represented Bath as a member of Parliament; and a naval surgeon on the ship transporting Benjamin Franklin to France. This is the history of the American Revolutionary period from a most gripping and everyday perspective.

An epilogue covers the Royal Irish’s history after returning to England and its part in defending against both the Franco-Spanish invasion attempt and the Gordon Rioters. With an essay on sources and a complete bibliography, this is a treat for professional and amateur historians alike.

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