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98 books match the query 'Labor movement' and 2 start with p

cover of Palomino: Clinton Jencks and Mexican-American Unionism in the American Southwest

Palomino

Clinton Jencks and Mexican-American Unionism in the American Southwest

James J. Lorence

University of Illinois Press, 2013

The first comprehensive biography of progressive labor organizer, peace worker, and economist Clinton Jencks (1918–2005), this book explores the life of one of the most important political and social activists to appear in the Southwestern United States in the twentieth century. A key figure in the radical International Union of Mine, Mill, and Smelter Workers (IUMMSW) Local 890 in Grant County, New Mexico, Jencks was involved in organizing not only the mine workers but also their wives in the 1951 strike against the Empire Zinc Company. He was active in the production of the 1954 landmark labor film dramatizing the Empire Zinc strike, Salt of the Earth, which was heavily suppressed during the McCarthy era and led to Jencks's persecution by the federal government.
 
Labor historian James J. Lorence examines the interaction between Jencks's personal experience and the broader forces that marked the world and society in which he worked and lived. Following the work of Jencks and his equally progressive wife, Virginia Derr Jencks, Lorence illuminates the roots and character of Southwestern unionism, the role of radicalism in the Mexican-American civil rights movement, the rise of working-class feminism within Local 890 and the Grant County Mexican American community, and the development of Mexican-American identity in the Southwest. Chronicling Jencks's five-year-long legal battle against charges of perjury, this biography also illustrates how civil liberties and American labor were constrained by the specter of anticommunism during the Cold War.
 
Drawing from extensive research as well as interviews and correspondence, this volume highlights Clinton Jencks's dramatic influence on the history of labor culture in the Southwest through a lifetime devoted to progress and change for the social good.

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cover of Picturing the Proletariat: Artists and Labor in Revolutionary Mexico, 1908–1940

Picturing the Proletariat

Artists and Labor in Revolutionary Mexico, 1908–1940

By John Lear

University of Texas Press, 2017

Thomas McGann Memorial Prize, Rocky Mountain Council on Latin American Studies, 2017
Runner-up, Humanities Book Prize, Mexico Section of the Latin American Studies Association, 2018

In the wake of Mexico’s revolution, artists played a fundamental role in constructing a national identity centered on working people and were hailed for their contributions to modern art. Picturing the Proletariat examines three aspects of this artistic legacy: the parallel paths of organized labor and artists’ collectives, the relations among these groups and the state, and visual narratives of the worker. Showcasing forgotten works and neglected media, John Lear explores how artists and labor unions participated in a cycle of revolutionary transformation from 1908 through the presidency of Lázaro Cárdenas (1934–1940). Lear shows how middle-class artists, radicalized by the revolution and the Communist Party, fortified the legacy of the prerevolutionary print artisan José Guadalupe Posada by incorporating modernist, avant-garde, and nationalist elements in ways that supported and challenged unions and the state. By 1940, the state undermined the autonomy of radical artists and unions, while preserving the image of both as partners of the “institutionalized revolution.”

This interdisciplinary book explores the gendered representations of workers; the interplay of prints, photographs, and murals in journals, in posters, and on walls; the role of labor leaders; and the discursive impact of the Spanish Civil War. It considers “los tres grandes”—Rivera, Siquieros, and Orozco—while featuring lesser-known artists and their collectives, including Saturnino Herrán, Leopoldo Méndez, Santos Balmori, and the League of Revolutionary Writers and Artists (LEAR). The result is a new perspective on the art and politics of the revolution.

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