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Unlock the stories of Pablo Neruda’s rare nineteenth-century carved-wood ship figurehead collection in Chile, why they mattered in his tumultuous life, and how we benefit from them now.

Poet Pablo Neruda’s nineteenth-century ship figurehead collection in Chile is one of the most significant in the world. Containing carved wood images of dramatically postured men and women, these figures are now better understood due to years of research, a willingness to challenge Neruda’s ever-changing stories about them, and a realization that the names Neruda chose for his figureheads perhaps had more to do with his life than theirs. The rhythm and beauty of Neruda’s worn wood figures is counterpoint to his own tumultuous life as an author, politician, and communist dissident.

Collecting ship figureheads was central to Neruda’s passion for owning things made of wood, a material he said was his best friend, and for standing out among others as he gradually built the public persona that helped move him toward winning the Nobel Prize in Literature. With his choir of immobilized figureheads stationed upright in his living room and facing the Pacific Ocean, Neruda was surrounded by dramatic images from the sea that ignited his most powerful feelings. 

The nineteenth century saw figureheads on the bows of ships of sail and steam, yet when a figurehead was lost or removed, its history soon disappeared. The significant ship figureheads that Neruda avidly collected preserve that history and reveal new dimensions concerning his life and work. Each year, his collection is viewed by thousands of visitors to the Pablo Neruda Foundation’s house museum at Isla Negra.

Balcones Prize Winner in Nonfiction

In 2015, Ben Miller and the poet Anne Pierson Wiese moved from New York City to Sioux Falls, South Dakota, to explore their midwestern roots and to focus on their writing careers. Working a day job in a hospital, Miller had a front-row seat to the COVID-19 pandemic as it moved from the coasts to the urban Midwest. Pandemonium Logs casts an unflinching eye on the state of the worker in the US health-care system during a global pandemic, giving voice to the doctors, nurses, support staff, patients, and families caught in the complex swirl of daily dilemmas and crucial choices.

In unsparing yet sympathetic prose, Ben Miller creates an intimate portrait of the impact of COVID on the diverse people of South Dakota. Through a wide range of characters—from understandably confused patients to quietly competent nurses—he explores the human complexities of the crisis: a doctor based in Mumbai who treats critically ill patients in the Dakotas via a tenuous hodgepodge of telehealth apparatus, a Hydra of six workplace trainers who together cannot train one employee to do one job, a vice president of corporate hospitality who lives to rip down safety signs as fast as nurses post them, a ninety-year-old hospital volunteer who pushes wheelchairs containing patients half his age.

In Pandemonium Logs, Miller provides precise and moving observations of ordinary people doing extraordinary things.

A collection of essays that offers an intimate view of Larry McMurtry, America’s preeminent western novelist, through the eyes of a pantheon of writers he helped shape through his work over the course of his unparalleled literary life.

When he died in 2021, Larry McMurtry was one of America’s most revered writers. The author of treasured novels such as Lonesome Dove and The Last Picture Show, and coauthor of the screenplays for Brokeback Mountain and Streets of Laredo, McMurtry created unforgettable characters and landscapes largely drawn from his life growing up on the family’s hardscrabble ranch outside his hometown of Archer City, Texas. Pastures of the Empty Page brings together fellow writers to honor the man and his impact on American letters.

Paulette Jiles, Stephen Harrigan, Stephanie Elizondo Griest, and Lawrence Wright take up McMurtry’s piercing and poetic vision—an elegiac literature of place that demolished old myths of cowboy culture and created new ones. Screenwriting partner Diana Ossana reflects on their thirty-year book and screenwriting partnership; other contributors explore McMurtry’s reading habits and his passion for bookselling. And brother Charlie McMurtry shares memories of their childhood on the ranch. In contrast to his curmudgeonly persona, Larry McMurtry emerges as a trustworthy friend and supportive mentor. McMurtry was famously self-deprecating, but as his admirers attest, this self-described “minor regional writer” was an artist for the ages.

Pierre Guyotat est une figure majeure, avant même Tombeau pour cinq cent mille soldats et bien au-delà, de la mémoire de la guerre d’indépendance algérienne. Idiotie est l’une des œuvres récentes les plus importantes sur ce sujet. C’est le fait de la guerre, vécue en appelé jugé récalcitrant et mis au cachot, mais aussi des voyages post-indépendance, de la rencontre avec la langue, la géologie, la faune et la flore algériennes, de la défense publique de Mohamed Laïd Moussa. Les fictions, les carnets sont marqués par l’empreinte de la terre, des langues, des corps algériens.

Guyotat contribua aussi à établir, dans la création et l’action publique, des relations nouvelles avec l'Algérie, ses auteurs, comme avec celles et ceux qui, en France, venaient de ce pays.

Cet ouvrage offre la parole à des figures de la recherche et de la création issues d’Algérie, de France et d’ailleurs. Il permet de découvrir un regard unique sur l’Algérie, affectueux et savant, celui d’un des plus grands auteurs de langue française.

Contributions de Ferroudja Allouache, Amina Azza Bekkat, Catherine Brun, Donatien Grau, Denis Hollier, Karima Lazali, Gérard Nguyen Van Khan, Philippe Roger, Tiphaine Samoyault, Nadia Sebkhi, Todd Shepard, Noura Wedell.

Written with exquisite sensitivity and wit, this memoir by one of Mexico’s foremost men of letters describes coming of age during the violence of the Mexican Revolution and “living dangerously” as an openly homosexual man in a brutally machista society.

Salvador Novo (1904–1974) was a provocative and prolific cultural presence in Mexico City through much of the twentieth century. With his friend and fellow poet Xavier Villaurrutia, he cofounded Ulises and Contemporáneos, landmark avant-garde journals of the late 1920s and 1930s. At once “outsider” and “insider,” Novo held high posts at the Ministries of Culture and Public Education and wrote volumes about Mexican history, politics, literature, and culture. The author of numerous collections of poems, including XX poemas, Nuevo amor, Espejo, Dueño mío, and Poesía 1915–1955, Novo is also considered one of the finest, most original prose stylists of his generation.

Pillar of Salt is Novo’s incomparable memoir of growing up during and after the Mexican Revolution; shuttling north to escape the Zapatistas, only to see his uncle murdered at home by the troops of Pancho Villa; and his initiations into literature and love with colorful, poignant, complicated men of usually mutually exclusive social classes. Pillar of Salt portrays the codes, intrigues, and dynamics of what, decades later, would be called “a gay ghetto.” But in Novo’s Mexico City, there was no name for this parallel universe, as full of fear as it was canny and vibrant. Novo’s memoir plumbs the intricate subtleties of this world with startling frankness, sensitivity, and potential for hilarity. Also included in this volume are nineteen erotic sonnets, one of which was long thought to have been lost.

A study illuminating the cultural intersections of gender, performance, and national identity in nineteenth-century America.

Priscilla Cooper Tyler and the American Scene, 1816–1889 by Elizabeth T. Coleman is a historical and cultural study that brings renewed attention to a remarkable yet often overlooked figure in nineteenth-century American life. The daughter of renowned actor Thomas Cooper, Priscilla Tyler occupied a unique position at the intersection of theatrical culture, literary expression, and political society during a period of profound national transformation.

Tracing Tyler’s life from her early involvement in the stage to her later roles within influential social and political circles, Coleman situates her subject within the broader cultural landscapes of antebellum America, the Civil War, and Reconstruction. Through letters, performances, and social connections, Tyler emerges as an astute observer and participant in the evolving American scene, offering insight into the roles women played in shaping artistic, intellectual, and public life.

The book explores themes of identity, performance, gender, and cultural change, revealing how Tyler’s experiences illuminate the complex interplay between private life and public history. Coleman’s study not only reconstructs the biography of a significant historical figure but also contributes to a deeper understanding of nineteenth-century American theater, literature, and society.

This volume is an important resource for scholars and readers interested in American studies, women’s history, and the cultural history of the nineteenth century.

A personal take on Proust’s In Search of Lost Time, written by a woman born into the aristocratic world it describes.

Proust’s In Search of Lost Time is many things: a staggering literary achievement, an evocation of an elite milieu, a complex reckoning with memory. For Laure Murat, it was also a map of the world into which she was born—the world of the French Aristocracy. Descended from French nobility on both sides, Murat saw the châteaux and balls of In Search of Lost Time as the backdrop to her own family story, understood anew through Proust’s eyes.

In this beautiful book, Murat explores both the oppressive constraints of the aristocratic life and the fluidity and linguistic virtuosity of Proust’s astonishing seven-volume novel, which shifts focus from codes of behavior to the experience of living. In Proust, a Family Affair, Murat celebrates the emancipating power of literature and the rewards of paying close attention to a text that may, in turn, provoke a close and loving attendance to the self.

Originally published in French, Proust, a Family Affair has won the Prix Médicis and was shortlisted for France’s most coveted literary award, the Prix Goncourt. This readable, moving translation into English by Charlotte Mandell will appeal to lovers of Proust and to all readers who appreciate personal explorations of literary masterpieces.