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One chapter is devoted to Charles Bukowski, the celebrity face of the city’s poetry. Other chapters discuss the ways that poets explore “Interiors” and “Exteriors” throughout the cityscape. Goldstein also provides ample connections to the novels, films, art, and politics of Southern California. In clear prose, Poetry Los Angeles examines the strategies by which poets make significant places meaningful and memorable to readers of every region of the U.S. and elsewhere.

Based on five years of ethnography, archival research, census data analysis, and interviews, Police, Power, and the Production of Racial Boundaries reveals how the LAPD, city prosecutors, and business owners struggled to control who should be considered “dangerous” and how they should be policed in Los Angeles. Sociologist Ana Muñiz shows how these influential groups used policies and everyday procedures to criminalize behaviors commonly associated with blacks and Latinos and to promote an exceedingly aggressive form of policing.
 
Muñiz illuminates the degree to which the definitions of “gangs” and “deviants” are politically constructed labels born of public policy and court decisions, offering an innovative look at the process of criminalization and underscoring the ways in which a politically powerful coalition can define deviant behavior. As she does so, Muñiz also highlights the various grassroots challenges to such policies and the efforts to call attention to their racist effects. Muñiz describes the fight over two very different methods of policing: community policing (in which the police and the community work together) and the “broken windows” or “zero tolerance” approach (which aggressively polices minor infractions—such as loitering—to deter more serious crime). Police, Power, and the Production of Racial Boundaries also explores the history of the area to explain how Cadillac-Corning became viewed by outsiders as a “violent neighborhood” and how the city’s first gang injunction—a restraining order aimed at alleged gang members—solidified this negative image. As a result, Muñiz shows, Cadillac-Corning and other sections became a test site for repressive practices that eventually spread to the rest of the city.

Policing Space is a fascinating firsthand account of how the Los Angeles Police Department attempts to control its vast, heterogeneous territory. As such, the book offers a rare, ground-level look at the relationship between the control of space and the exercise of power.

Author Steve Herbert spent eight months observing one patrol division of the LAPD on the job. A compelling story in itself, his fieldwork with the officers in the Wilshire Division affords readers a close view of the complex factors at play in how the police define and control territory, how they make and mark space. A remarkable ethnography of a powerful police department, underscored throughout with telling on-the-scene vignettes, this book is also an unusually intensive analysis of the exercise of territorial power-and of territoriality as a key component of police power. Unique in its application of fieldwork and theory to this complex subject, it should prove valuable to readers in urban and political geography, urban and political sociology, and criminology, as well as those who wonder about the workings of the LAPD.