Results by title

70 books match the query 'Prisons' and 8 start with p

cover of Performing Arts in Prisons: Creative Perspectives

Performing Arts in Prisons

Creative Perspectives

Edited by Michael Balfour, Brydie-Leigh Bartleet, Linda Davey, John Rynne, and Huib Schippers

Intellect Books, 2019

This book explores prison arts in Australia, USA, UK, and Chile, and creates a new framework for understanding its practices. There is a growing body of evidence that suggests music, theatre, poetry, and dance can contribute to prisoner wellbeing, management, rehabilitation, and reintegration. Performing Arts in Prison represents a range of distinct perspectives on the subject, from an inspector of prisons to the voice of the prisoner. The book includes a spectrum of arts approaches and models of practice alongside theory, critical commentary, and accounts of personal experience to present a full analysis of the value and effects of creative arts in prison.
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cover of Prison Etiquette: The Convict's Compendium of Useful Information

Prison Etiquette

The Convict's Compendium of Useful Information

Edited by Holley Cantine and Dachine Rainer. Foreword by Philip Metres.

Southern Illinois University Press, 2001

Of the fifty thousand Americans who declared themselves conscientious objectors during World War II, nearly six thousand went to prison, many serving multiyear sentences in federal lockups. Some conscientious objectors, notably Robert Lowell, William Everson, and William Stafford, went on to become important figures in the literary life of their country, while others were participants and teachers in the civil rights and antiwar movements of the 1950s, 1960s, and 1970s. This long out-of-print book, reprinted from the rare original 1951 edition, collects firsthand accounts by conscientious objectors who were imprisoned for their beliefs.

Prison Etiquette is illustrated with eleven line drawings by Lowell Naeve.

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cover of Prison Land: Mapping Carceral Power across Neoliberal America

Prison Land

Mapping Carceral Power across Neoliberal America

Brett Story

University of Minnesota Press, 2019

From broken-window policing in Detroit to prison-building in Appalachia, exploring the expansion of the carceral state and its oppressive social relations into everyday life

Prison Land offers a geographic excavation of the prison as a set of social relations—including property, work, gender, and race—enacted across various landscapes of American life. Prisons, Brett Story shows, are more than just buildings of incarceration bound to cycles of crime and punishment. Instead, she investigates the production of carceral power at a range of sites, from buses to coalfields and from blighted cities to urban financial hubs, to demonstrate how the organization of carceral space is ideologically and materially grounded in racial capitalism.

Story’s critically acclaimed film The Prison in Twelve Landscapes is based on the same research that informs this book. In both, Story takes an expansive view of what constitutes contemporary carceral space, interrogating the ways in which racial capitalism is reproduced and for which police technologies of containment and control are employed. By framing the prison as a set of social relations, Prison Land forces us to confront the production of new carceral forms that go well beyond the prison system. In doing so, it profoundly undermines both conventional ideas of prisons as logical responses to the problem of crime and attachment to punishment as the relevant measure of a transformed criminal justice system. 

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cover of Prison Song: Music and Incarceration in the United States

Prison Song

Music and Incarceration in the United States

David Metzer

University of Michigan Press, 2026

From Johnny Cash to Jay-Z, musicians have long used their voices to challenge the injustices of the prison system. Prison Song: Music and Incarceration in the United States reveals how musicians have confronted the prison system by telling the life stories of imprisoned individuals, creating empathetic bonds between listeners and those individuals, and critiquing the racial and social inequalities that incarceration preys upon. Prison Song takes a broad, interdisciplinary approach to explore how artists across genres—hip hop, country, blues, folk, rock, jazz, and classical—have protested the prison system. David Metzer examines the works of incarcerated, formerly incarcerated, and non-incarcerated musicians from diverse racial and ethnic backgrounds. Drawing on a wide range of sources, including prison records, government reports, legislation, court decisions, and scholarship from carceral studies, each chapter reveals how musicians responded to developments in the prison system at particular historical moments and how their works have shaped public understanding of the prison system in the United States.
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cover of Prisons and Patriots: Japanese American Wartime Citizenship, Civil Disobedience, and Historical Memory

Prisons and Patriots

Japanese American Wartime Citizenship, Civil Disobedience, and Historical Memory

Cherstin Lyon

Temple University Press, 2011

Prisons and Patriots provides a detailed account of forty-one Nisei (second-generation Japanese Americans), known as the Tucsonians, who were imprisoned for resisting the draft during WWII. Cherstin Lyon parallels their courage as resisters with that of civil rights hero Gordon Hirabayashi, well known for his legal battle against curfew and internment, who also resisted the draft. These dual stories highlight the intrinsic relationship between the rights and the obligations of citizenship, particularly salient in times of war.

Lyon considers how wartime civil disobedience has been remembered through history—how soldiers have been celebrated for their valor while resisters have been demonized as unpatriotic. Using archival research and interviews, she presents a complex picture of loyalty and conflict among first-generation Issei and Nisei. Lyon contends that the success of the redress movement has made room for a narrative that neither reduces the wartime confinement to a source of shame nor proffers an uncritical account of heroic individuals.

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cover of Prisons of Poverty

Prisons of Poverty

Loïc Wacquant

University of Minnesota Press, 2009

An international best seller dissects the globalization of penal policies “made in U.S.A.” as part of the spread of neoliberalism

In the early 1990s, Mayor Rudolph Giuliani launched a zero-tolerance campaign aimed at street disorders and petty offenders, incarnated in the infamous “squeegee man.” New York City soon became a planetary showcase for an aggressive approach to law enforcement that, despite its extravagant costs and the absence of connection to the crime drop, came to be admired and imitated by other cities in the United States, Western Europe, and Latin America.

In Prisons of Poverty, Loïc Wacquant tracks the incubation and internationalization of the slogans, theories, and measures composing this new punitive “common sense,” fashioned to curb mounting urban inequality and marginality in the metropolis. He finds that a network of Reagan-era conservative think tanks (led by the Manhattan Institute) forged them as weapons in their crusade to dismantle the welfare state and, in effect, to criminalize poverty. He traces their import and export through the agency of the media and the pro-market policy institutes that have mushroomed across the European Union, particularly in Tony Blair’s Britain. And he shows how academics helped smuggle U.S. techniques of penalization into their countries by dressing them up in scholarly garb.Now available in English for the first time in an expanded edition, Prisons of Poverty reveals how the Washington consensus on economic deregulation and welfare retrenchment was extended to encompass punitive crime control because the invisible hand of the market necessitates and calls forth the iron fist of the penal state.
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cover of Prisons, Race, and Masculinity in Twentieth-Century U.S. Literature and Film

Prisons, Race, and Masculinity in Twentieth-Century U.S. Literature and Film

Peter Caster

The Ohio State University Press, 2008

In Prisons, Race, and Masculinity, Peter Caster demonstrates the centrality of imprisonment in American culture, illustrating how incarceration, an institution inseparable from race, has shaped and continues to shape U.S. history and literature in the starkest expression of what W. E. B. DuBois famously termed “the problem of the color line.”

A prison official in 1888 declared that it was the freeing of slaves that actually created prisons: “we had to establish means for their control. Hence came the penitentiary.” Such rampant racism co ntributed to the criminalization of black masculinity in the cultural imagination, shaping not only the identity of prisoners (collectively and individually) but also America’s national character. Caster analyzes the representations of imprisonment in books, films, and performances, alternating between history and fiction to describe how racism influenced imprisonment during the decline of lynching in the 1930s, the political radicalism in the late 1960s, and the unprecedented prison expansion through the 1980s and 1990s. Offering new interpretations of familiar works by William Faulkner, Eldridge Cleaver, and Norman Mailer, Caster also engages recent films such as American History X, The Hurricane, and The Farm: Life Inside Angola Prison alongside prison history chronicled in the transcripts of the American Correctional Association. This book offers a compelling account of how imprisonment has functioned as racial containment, a matter critical to U.S. history and literary study.

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cover of Punishment in Paradise: Race, Slavery, Human Rights, and a Nineteenth-Century Brazilian Penal Colony

Punishment in Paradise

Race, Slavery, Human Rights, and a Nineteenth-Century Brazilian Penal Colony

Peter M. Beattie

Duke University Press, 2015

Throughout the nineteenth century the idyllic island of Fernando de Noronha, which lies two hundred miles off Brazil's northeastern coast, was home to Brazil's largest forced labor penal colony. In Punishment in Paradise Peter M. Beattie uses Noronha as a case study to understand nineteenth-century Brazil's varied social and cultural values, especially in relation to justice, class, color, civil condition, human rights and labor. As Brazil’s slave population declined after 1850, the use of colonial-era disciplinary practices at Noronha—such as flogging and forced labor—stoked anxieties about human rights and Brazil’s international image. Beattie contends that the treatment of slaves, convicts, and other social categories subject to coercive labor extraction were interconnected and that reforms that benefitted one of these categories made them harder to deny to others. In detailing Noronha's history and the end of slavery as part of an international expansion of human rights, Beattie places Brazil firmly in the purview of Atlantic history.
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