131 books match the query 'Republic of South Africa' and 4 start with p

cover of Playing the Changes: Jazz at an African University and on the Road

Playing the Changes

Jazz at an African University and on the Road

Darius Brubeck and Catherine Brubeck

University of Illinois Press, 2024

Catherine and Darius Brubeck’s 1983 move to South Africa launched them on a journey that helped transform jazz education. Blending biography with storytelling, the pair recount their time at the University of KwaZulu-Natal, where they built a pioneering academic program in jazz music and managed and organized bands, concerts, and tours around the world.

The Brubecks and the musicians faced innumerable obstacles, from the intensification of apartheid and a lack of resources to the hardscrabble lives that forced even the most talented artists to the margins. Building a program grounded in multi-culturalism, Catherine and Darius encouraged black and white musicians to explore and expand the landscape of South African jazz together Their story details the sometimes wily, sometimes hilarious problem-solving necessary to move the institution forward while offering insightful portraits of South African jazz players at work, on stage, and providing a soundtrack to the freedom struggle and its aftermath.

Frank and richly detailed, Playing the Changes provides insiders’ accounts of how jazz intertwined with struggle and both expressed and resisted the bitter unfairness of apartheid-era South Africa.

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cover of Privileged Minorities: A History of Wealth Concentration in South Africa

Privileged Minorities

A History of Wealth Concentration in South Africa

Mesrob Vartavarian

Ohio University Press, 2026

Explores how anticolonial movements in South Africa enabled enduring inequality through the rise of privileged minorities and exclusive economic advantages

In Privileged Minorities, Mesrob Vartavarian examines a central paradox in South African history: how a nation shaped by anticolonial struggle became fertile ground for wealth concentration and enduring inequality. While these contradictions are not unique to South Africa, its historical trajectory offers broader insights into persistent disparities across African societies.

Vartavarian argues that the rise of privileged minorities—small, exclusive groups that dominate political and economic life—paralleled the development of successful anticolonial movements. These minorities secured exclusive advantages, defined as benefits and protections that enabled material accumulation. Such advantages included land seizures, racialized labor systems, access to coercive institutions, favorable regulatory environments, and targeted state expenditures. Though these mechanisms could foster overall economic growth, they disproportionately benefited select oligarchies and middle classes.

The book traces how distinct sociocultural groups in South Africa navigated and negotiated these advantages from the Dutch colonial era through the rise and decline of African National Congress rule. Rather than dismantling minority privilege, challenges from marginalized groups often served to reshape entrenched advantages by incorporating new actors into existing structures. These dynamics produced composite systems of accumulation that sustained inequality. Through this historical lens, Privileged Minorities offers a compelling framework for understanding how structural advantage persists and evolves, even in the wake of liberation.

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cover of Projecting Nation: South African Cinemas after 1994

Projecting Nation

South African Cinemas after 1994

Cara Moyer-Duncan

Michigan State University Press, 2020

In 1994, not long after South Africa made its historic transition to multiracial democracy, the nation’s first black-majority government determined that film had the potential to promote social cohesion, stimulate economic development, and create jobs. In 1999 the new National Film and Video Foundation was charged with fostering a vibrant, socially engaged, and self-sufficient film industry. What are the results of this effort to create a truly national cinematic enterprise? Projecting Nation: South African Cinemas after 1994 answers that question by examining the ways in which national and transnational forces have shaped the representation of race and nation in feature-length narrative fiction films. Offering a systematic analysis of cinematic texts in the context of the South African film industry, author Cara Moyer-Duncan analyzes both well-known works like District 9 (2009) and neglected or understudied films like My Shit Father and My Lotto Ticket (2008) to show how the ways filmmakers produce cinema and the ways diverse audiences experience it—whether they watch major releases in theaters in predominantly white suburban enclaves or straight-to-DVD productions in their own homes—are informed by South Africans’ multiple experiences of nation in a globalizing world.
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cover of Promise and Despair: The First Struggle for a Non-Racial South Africa

Promise and Despair

The First Struggle for a Non-Racial South Africa

Martin Plaut

Ohio University Press, 2016

The struggle for freedom in South Africa goes back a long way. In 1909, a remarkable interracial delegation of South Africans traveled to London to lobby for a non-racialized constitution and franchise for all. Among their allies was Mahatma Gandhi, who later encapsulated lessons from the experience in his most important book, Hind Swaraj. Though the mission failed, the London debates were critical to the formation of the African National Congress in 1912.

With impeccable storytelling and rich character depictions, Martin Plaut describes the early quest for black franchise and the seeds it planted for a new South Africa. While most people believe that black South Africans obtained the vote in 1994, men of all races voted in the Cape Colony for almost a century, sometimes deciding election outcomes. The London mission was part of a long history of nonwhite political agency.

Taking as its centerpiece the 1909 delegation, Promise and Despair covers the twelve years between the South African War and the First World War, during which the major forces that would shape twentieth-century South Africa were forged. Plaut reveals new details of the close collaboration between Gandhi and the ANC leadership during the Indian-South African community’s struggle for their rights, the influence of the American South on South African racial practices, and the workings of the Imperial system.

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