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In the twilight of the third century C.E., the unity of the Western world was threatened by financial crisis, invasion, and plague. The Syrian city Palmyra had long protected Rome against Persian invasion, but under its queen Zenobia, Palmyra broke away from Roman hegemony. The Roman Empire had never been closer to disintegration, nor had it suffered so much before at the hands of a woman.
This volume is the first comprehensive historical treatment in any language of Roman Syria, the revolt of Zenobia, and the city of Palmyra. Drawing on discoveries in archaeology, the history of the Silk Road, numismatics, and Roman and Persian history, Richard Stoneman has assembled a rich collage of knowledge about this intriguing period. As he tells the story of this major revolt and its leader, the author surveys the history of the spice trade in antiquity, the religious ferment of third- century Syria, early modern travelers to Palmyra, and in particular Zenobia's changing image through the ages.
The lucid text and numerous illustrations will attract all who are intrigued by the third- century Roman Empire and its frontiers, by pre-Islamic Arab culture, by Roman Syria and Palmyra itself, and by the fascinating Queen Zenobia.
". . . an excellent synthesis of current knowledge and a sound introduction to the third cen-tury, especially in the East. . . ."--Journal of Military History
". . . Stoneman provides an excellent and readable introduction to what is known about Palmyra, and particularly the astonishing period in the mid-third century A.D. . . . [He] marshalls recent reinterpretations of the politics of the eastern frontier by both historians and archaeologists, as well as the inspiration of his own visits to Syria, to underline Palmyra's unique commercial position and the ability over the centuries of Roman rule of its ethnically and religiously highly heterogeneous ruling class to exploit the caravan trade from East and South Asia to their economic and political advantage."--Greece & Rome
Richard Stoneman has published numerous books on the ancient world and on travel in the Eastern Mediterranean. He is Senior Editor at Routledge.

A lively and concise survey of current scholarship on difficult but fascinating texts by this Epicurean poet and philosopher

Erin K. Moodie presents a rigorous yet accessible guide to Plautus’ satirical play Poenulus for use in the contemporary classroom. Likely written and staged in the years following the Second Punic War between Rome and Carthage, Poenulus tells the tale of a young Carthaginian,

the adopted son and heir of the man who purchased him as a slave when he was a child, who is in love with a female Carthaginian slave and prostitute. The comedy, especially Plautus’ portrayal of his main character, compels the reader to consider Rome’s relationship with Carthage, its former enemy; Plautus’ role in choosing and adapting plays for the Roman stage; and the constraints of the palliata genre.

The full Latin text, based primarily on that of Friedrich Leo, is included in this volume. Moodie’s detailed introduction, map, and comprehensive notes approach the text from multiple angles, enabling the advanced undergraduate or graduate student to grapple directly with the issues

Poenulus raises. Her commentary, clearly correlated with specific points in the text by the use of line numbers, provides assistance with early Latin grammar and syntax, Plautine meter, Roman history, and the influences on and performance contexts of Roman comedy. The commentary also introduces students to modern scholarship on the genre, including metatheatrical interpretations and performance criticism.

“A comprehensive, user-friendly tool for students of Plautus and ancient comedy . . . almost everything that a student could ask seems to have been anticipated by the author.”
—Radd Ehrman, Kent State University

 

"The first translation from the Greek that I ever did was the apple orchard of Sappho in my fifteenth year. It left me so excited with accomplishment that I couldn't sleep well for nights. Since that time, on the freight trains of my youthful years of wandering, in starlit camps on desert and mountain ranges, in snow-covered cabins, on shipboard, in bed, in the bath, in love, in time of loneliness and despair, in jail, while employed as an attendant of the insane, and on many other jobs and in many other places, the Anthology and the lyric poets of Greece have been my constant companions." --Kenneth Rexroth from the Foreword
Friend to the Beats, organizer of the Six Gallery poetry reading in 1955, and iconoclastic poet extraordinare, Kenneth Rexroth here turns his imagination to a selection of verses from the Greek Anthology. In his lively style he successfully captures the spirit of the originals by such poets as Sappho, Anyte, Glykon, Antipatros, Leonidas, Askelpiades, and Ammianos. Students of the classics as well as poets and translators will welcome this collection for the insight and dexterity of its unconventional editor.
Kenneth Rexroth (1905-1982), poet, critic, and translator, is also noted for his translations from the Chinese and Japanese. Widely prolific, he helped usher in the Beat movement in the 1950s and is widely considered to have invented the idea of San Francisco as a center of literary innovation. David Mulroy is Associate Professor in the Department of Foreign Languages and Linguistics, University of Wisconsin, Milwaukee. He is the translator of Early Greek Lyric Poetry and Horace's Odes and Epodes.

In AD 79, Mt. Vesuvius erupted in two stages. While the first stage was incredibly destructive, it was the second stage, a so-called pyroclastic flow, that inundated Pompeii with a combination of superheated gases, pumice, and rocks, killing tens of thousands of people and animals and burying them in ash and mud.

During excavations of the town in 1863, Giuseppe Fiorelli, the director of the dig, poured plaster of paris into a cavity under the soil revealed by a workman's pick. When the plaster set and the mound was uncovered, all were amazed to see the secret that the ground had held for 1,800 years: a detailed cast of an ancient Pompeian such as no one had seen before, frozen in the instant of dying and complete in every respect, including outlines of the clothes he was wearing at the time of the destruction. The bodies, photographed and exhibited in the specially built Pompeii Museum, completely changed the world's ideas of life in ancient Italy.

Pompeii's Living Statues is a narrative account, supported by contemporary documents, of the remarkable discovery of those ancient victims preserved in the volcanic mud of Vesuvius.

Eugene Dwyer examines these casts and related records, the originals of a number of which (along with their museum) were lost in World War II bombing. As he considers the casts as archaeological and cultural pieces, he also discusses Pompeii and its artifacts in the context of Italian unification and party politics, the development of modern excavation methods, and the challenges of maintaining a very large archaeological site. Dwyer's clear organization and writing style, combined with a collection of photographs and engravings, make for a fascinating exploration of Pompeii and its victims.

The Description of the World (Chorographia), written by Pomponius Mela, was last translated into English over 400 years ago, and is the earliest surviving geographical work in Latin. Although first published at the height of the Roman Empire, in roughly 44 C.E., Pomponius Mela's work circulated during Europe's great Age of Exploration. His description is in the form of a voyage around the three "known" continents--Africa, Asia, and Europe. Mela integrates geographical description with more familiar historical, cultural, and mythological information. F. E. Romer's translation and commentary on this work help the reader to appreciate the intellectual and physical shape of the ancient world as Mela and the Romans perceived it.

Frank Romer's introduction assesses Mela as a literary and geographic writer, while his translation matches Mela's style. Mela knows of the Chinese and reports geographical and cultural information about Sri Lanka and India, as well as Mediterranean and European locales that are less remote to his experience. The outer edges of all the continents, including Europe, however, remained unfamiliar to the Romans, and it is on the inhabited world's outer edges that the creatures of legend and mythology were believed to live. Romer's commentary clarifies specific ideas raised in the text. He identifies and explains issues, and he points the reader to ancient sources and modern studies.

This new study will intrigue students and teachers of ancient history. This edition of Mela's geography will be of interest to map lovers, historians, classicists, and anyone interested in history of travel, geography, and education.

F.E. Romer is Professor and Chair of the Department of Foreign Languages and Literatures, East Carolina University. He is the author of numerous articles and has received awards for both his writing and teaching.

For more than eleven hundred years, the Vestal Virgins dedicated their lives to the goddess Vesta, protector of the Roman state. Though supervised by a male priest, the Pontifex Maximus, they had privileges beyond those of most women; like Roman men, they dispensed favors and influence on behalf of their clients and relatives. In 1883, Rodolfo Lanciani, Director of Antiquities for Rome, discovered the first Vestal statues. The recovery of the Vestals’ house, and the objects contained therein, was an exciting moment in Roman archaeology. Newspapers were filled with details about the huge numbers of sculptures, inscriptions, jewelry, coins, and terracotta figures.

Molly M. Lindner examines the sculptural presentation of the Vestal Virgins and investigates what images of long-dead women tell us about their lives. She addresses why these portraits were created, and why they only began to appear in the late first or second century CE—much later than portraits of other Roman priestesses and nonimperial women. Lindner sheds light on the distinctions between a Vestal portrait and portraits of other priestesses, and considers why Vestal portraits do not copy each other’s headdresses and hairstyles. In addition to the extensive illustrations that complement the text, a catalog of all known Vestal portraits displays historical clues embedded in the hairstyles and facial features of the Vestals and other women of their day. In Portraits of the Vestal Virgins, Priestesses of Ancient Rome, Lindner has given a voice to the long-silent women of these extraordinary marble portraits.

 

In three magisterial essays, Peter Brown, one of the world's foremost scholars of the society and culture of late antiquity, explores the emergence in late Roman society of "the poor" as a distinct social class, one for which the Christian church claimed a special responsibility. It is the story of how a society came to see itself as responsible for the care of a particular class of people -- a class that had not previously been cared for -- and of who benefited from that shift in interests. In his characteristically elegant and lucid prose, Brown seeks to recover the pre-Christian status of poor people, the actual nature of the relations between the Christian church and the poor, and the true motivations -- sometimes sincere, sometimes self-serving -- behind Christian rhetoric of love for the poor. He draws not only on the standard Greek and Latin sources for the later Roman Empire, but also on Jewish sources to document the interactions between Middle Eastern provincial societies and classical Roman traditions. Brown gracefully illuminates a crucial transition from classical to Christian culture: the emergence of a new understanding of what society -- and the Church -- owes to the poor that continues to resonate.

Peter Brown, perhaps the greatest living authority on Mediterranean civilization in late antiquity, traces the growing power of Christian bishops as they wrested influence from philosophers, who had traditionally advised the rulers of Graeco-Roman society.  In the new “Christian empire,” the ancient bonds of citizen to citizen and of each city to its benefactors were replaced by a common Christianity and common loyalty to a distant, Christian autocrat.  This transformation of the Roman empire from an ancient to a medieval society, he argues, is among the most far-reaching consequences of the rise of Christianity.

An investigation of the transformation of the Roman state from Republic to dynastic monarchy

    Prostitutes and Courtesans in the Ancient World explores the implications of sex-for-pay across a broad span of time, from ancient Mesopotamia to the early Christian period. In ancient times, although they were socially marginal, prostitutes connected with almost every aspect of daily life. They sat in brothels and walked the streets; they paid taxes and set up dedications in religious sanctuaries; they appeared as characters—sometimes admirable, sometimes despicable—on the comic stage and in the law courts; they lived lavishly, consorting with famous poets and politicians; and they participated in otherwise all-male banquets and drinking parties, where they aroused jealousy among their anxious lovers.

    The chapters in this volume examine a wide variety of genres and sources, from legal and religious tracts to the genres of lyric poetry, love elegy, and comic drama to the graffiti scrawled on the walls of ancient Pompeii. These essays reflect the variety and vitality of the debates engendered by the last three decades of research by confronting the ambiguous terms for prostitution in ancient languages, the difficulty of distinguishing the prostitute from the woman who is merely promiscuous or adulterous, the question of whether sacred or temple prostitution actually existed in the ancient Near East and Greece, and the political and social implications of literary representations of prostitutes and courtesans.

Tacitus’ narrative of 69 CE, the year of the four emperors, is famous for its description of a series of coups that sees one man after another crowned. Many scholars seem to read Tacitus as though he wrote only about the constricted world of imperial Rome and the machinations of emperors, courtiers, and victims of the principate; even recent work on the Histories either passes over or lightly touches upon civil unrest and revolts in the provinces. In Provincial Soldiers and Imperial Instability in the Histories of Tacitus, Jonathan Master looks beyond imperial politics and finds threats to the Empire’s stability among unassimilated foreign subjects who were made to fight in the Roman army.

Master draws on scholarship in political theory, Latin historiography, Roman history, and ethnic identity to demonstrate how Tacitus presented to his contemporary audience in Trajanic Rome the dangerous consequences of the city’s failure to reward and incorporate its provincial subjects. Master argues that Tacitus’ presentation of the Vitellian and Flavian armies, and especially the Batavian auxiliary soldiers, reflects a central lesson of the Histories: the Empire’s exploitation of provincial manpower (increasingly the majority of all soldiers under Roman banners) while offering little in return, set the stage for civil wars and ultimately the separatist Batavian revolt.