67 books match the query 'Sea' and 3 start with p

cover of Paradise in the Sea of Sorrow: Our Minamata Disease

Paradise in the Sea of Sorrow

Our Minamata Disease

Ishimure Michiko

University of Michigan Press, 2003

In the early 1950s, numerous cases of organic mercury poisoning were discovered in the fishing villages around Minamata, Japan. Yet for decades after, victims of what is now known as Minamata disease suffered neglect, discrimination, and ostracism by Minamata residents, local government, labor unions, Minamata disease certification committees, and fishers’ cooperatives. Fifty years later, renewed efforts began to conserve the environment and reconcile with victims of poisoning, including a flurry of museum-building, citizen waste recycling campaigns, and conferences, symposia, and exhibitions. But this rapprochement in the 1990s took place slowly and with difficulty, as the pain of previous decades was still alive and aching.
Ishimure Michiko served as a key activist and spokesperson for the Minamata protest movement, producing over forty volumes of writings in various genres: docufiction, historical novels, reportage, autobiography, poetry, children’s books, and a Nō drama. Beyond playing an outsized role in organizing the Minamata struggle, Ishimure influenced the movement’s cultural history and memory and articulated its symbolic legacy.
Paradise in the Sea of Sorrow is a powerful record of victims’ suffering and the movement to support them. Its lyrical descriptions of fishing villages and fishers’ way of life, as well as of the scenic beauty of the Shiranui Sea area, are among the most effective in contemporary Japanese literature. Paradise is a work of testimonial resistance literature—a militant, hybrid autoethnography featuring both a local community as a plurality of speakers and an autobiographical voice through which Ishimure plays an unassuming participant observer who insists on the accuracy, truthfulness, and necessity of her testimony.
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cover of People in a Sea of Grass: Archaeology's Changing Perspective on Indigenous Plains Communities

People in a Sea of Grass

Archaeology's Changing Perspective on Indigenous Plains Communities

Edited by Matthew E. Hill and Lauren W. Ritterbush

University of Utah Press, 2021

Ninety years ago Great Plains archaeologists such as Waldo Wedel and William Duncan Strong made foundational contributions to American archaeology, enabling new discoveries, insights, and interpretations. This volume explores how twenty-first-century archaeologists have built upon, remodeled, and sometimes rejected the inferences of these earlier scholars with updated overviews and analyses.

Contributors highlight how Indigenous Plains groups participated in large-scale social networks in which ideas, symbols, artifacts, and people moved across North America over the last 2,000 years. They also discuss cultural transformation, focusing on key demographic, economic, social, and ceremonial factors associated with change, including colonization and integration into the social and political economies of transatlantic societies. Cultural traditions covered include Woodland-era Kansas City Hopewell, late prehistoric Central Plains tradition, and ancestral and early historic Wichita, Pawnee and Arikara, Kanza, Plains Apache, and Puebloan migrants. As the first review of Plains archaeology in more than a decade, this book brings studies of early Indigenous
peoples of the central and southern Plains into a new era.
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cover of People of the Desert and Sea: Ethnobotany of the Seri Indians

People of the Desert and Sea

Ethnobotany of the Seri Indians

Richard Stephen Felger, Mary Beck Moser

University of Arizona Press, 1985

"People of the Desert and Sea is one of those books that should not have to wait a generation or two to be considered a classic. A feast for the eye as well as the mind, this ethnobotany of the Seri Indians of Sonora represents the most detailed exploration of plant use by a hunting-and-gathering people to date. . . . Scholarship in the best sense of the term—precise without being pedantic, exhaustive without exhausting its readers."—Journal of Arizona History

"To read and gaze through this elegantly illustrated book is to be exposed, as if through a work of science fiction, to an astonishing and unknown cultural world."—North Dakota Quarterly

 
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