Results by title

This book’s six essays pertain to the “piercing of the clouds,” or the experience of heavenly mysteries, which characterizes lectio divina practiced well. Moreover, these peer-reviewed essays give special attention to the practice of lectio divina during preparation for ministry, especially the ministry of Catholic priests. That being said, any current or prospective Bible-reader may profit from this book; most of its content applies to Catholic seminarians and literate Christians alike. Here follow brief descriptions of each chapter. Laurence Kriegshauser, OSB, begins the book with a chapter on the Western monastic tradition of lectio divina and seminary formation, including an historical survey of lectio divina, a description of its characteristics, and reflections on its practice in seminaries. Michael Magee reflects upon the implications of exegetical method for lectio divina, with a comparison and critique of three commentaries’ treatments of John 6. Konrad Schaefer, OSB, advocates for fostering growth and formation through lectio divina, beginning his chapter with a description of its theological underpinnings and then taking up some practical considerations for students. Marcin Kowalski focuses on meditatio of lectio divina following upon exegesis-informed lectio, with an examination of Romans 7:7–25 as a test case. Daniel Keating examines oratio and contemplatio (and actio) of lectio divina, giving attention to theologians from twelfth-century Carthusian Prior Guigo II to Pope Benedict XVI. Anthony Giambrone, OP, contributes the final essay, on searching the Scriptures and the mystery of preaching. For him, exquisitio (intellectual engagement) leads to supplicatio (prayerful supplication), which culminates in praedicatio (preaching).

Multimodal composition is becoming increasingly popular in university classrooms as faculty, students, and institutions come to recognize that old and new technologies have enabled, and even demanded, the use of more than one composing mode for communicating, solving problems, and keeping up with the latest discourse. Professionalizing Multimodal Composition embraces and enacts multimodal composition in various writing courses and programs by exploring institutional, programmatic, and individual faculty initiatives for capacity building and human resource development across institutions.
 
Academic leaders, scholars, and faculty who have successfully designed and launched academic programs or faculty development initiatives discuss the theoretical and logistical questions considered in their design, the outcomes they achieved, and how others can emulate them. This exchange of knowledge, insight, experiences, and lessons learned among community members is critical for enabling or inspiring other programs, departments, and institutions to conceive, design, and launch academic programs or faculty development initiatives for their own faculty.
 
The larger goal of professionalizing is to work with teaching faculty to increase their interactional expertise with multimodal composition, and this collection offers a set of models for how faculty can do that at their own institutions and in their own programs.