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Beginning in the late fifteenth century, more than two million people were taken from areas that lay behind the Bight of Benin, enslaved, and forced into the perilous Middle Passage bound for the New World. While a vast swath of scholarly work on this region has explored the relationships among the transatlantic slave trade’s ruling elites and overseas merchants, the practices that shaped the region’s political and cultural dynamics, especially those that dealt with other kinds of trade, have yet to be thoroughly examined.

Sandra T. Barnes offers a history focused on the Benin Region’s patchwork of small states and ports that saw a constant movement of people and goods for centuries. As such, this book widens the lens of scholarship to include people of all social levels behind the political rivalries and dynamic changes that marked the period. Barnes concentrates on protective relationships and the violence people were forced to endure during a fast-moving, tumultuous period of history, examining how they organized their lives and why this mattered. The result is a refreshingly original work that challenges long-held assumptions about West Africa’s past, explaining what life was like for people on the coast during the transatlantic slave trade.

Sabino Canyon, a desert canyon in the American Southwest near Tucson, Arizona, is enjoyed yearly by thousands of city residents as well as visitors from around the world. Picturing Sabino tells the story of the canyon’s transformation from a barely known oasis, miles from a small nineteenth-century town, into an immensely popular recreation area on the edge of a modern metropolis. Covering a century of change, from 1885 to 1985, this work rejoices in the canyon’s natural beauty and also relates the ups and downs of its protection and enjoyment.

The story is vividly told through numerous historical photographs, lively anecdotes, and an engaging text, informed by decades of research by David Wentworth Lazaroff. Along the way the reader makes the acquaintance of ordinary picnickers as well as influential citizens who helped to reshape the canyon, while witnessing the canyon’s evolving relationship with its growing urban neighbor. The book will fascinate readers who are already familiar with Sabino Canyon, as well as anyone with an interest in local or regional history, or in historical photography.

Postcards have a magical pull. They allow us to see the past through charming relics that allow us to travel back in time. Daniel D. Arreola’s Postcards from the Baja California Border offers a window into the historical and geographical past of storied Mexican border communities. Once-popular tourist destinations from the 1900s through the 1950s, the border communities explored in Postcards from the Baja California Border used to be filled with revelers, cabarets, curio shops, and more. The postcards in this book show the bright and dynamic past of California’s borderlands while diving deep into the historic and geographic significance of the imagery found on the postcards.

This form of place study calls attention to how we can see a past through a serial view of places, by the nature of repetition, and the photographing of the same place over and over again. Arreola draws our focus to townscapes, or built landscapes, of four border towns—Tijuana, Mexicali, Tecate, and Algodones—during the first half of the twentieth century. With an emphasis on the tourist’s view of these places, this book creates a vivid picture of what life was like for tourists and residents of these towns in the early and mid-twentieth century. Postcards from the Baja California Border is a rich and fascinating experience, one that takes you on a time-travel journey through border town histories and geographies while celebrating the visual intrigue of postcards.

 

Protest Arts, Gender, and Social Change: Fiction, Popular Songs, and the Media in Hausa Society across Borders by Ousseina Alidou examines how a new generation of novelists, popular songwriters, and musical performers in contemporary Hausa society are using their creative works to effect social change. This book empathizes with the reality of the forms of oppression, social isolation, and marginalization that vulnerable and underprivileged communities in contemporary Hausa society in Northern Nigeria and the Niger Republic have been experiencing from the mid-1980s to the present. It also highlights the ways in which song performances produce an intertextual dialogue between their lyrics and visual dramatic narratives to raise awareness against social ills, including gender-based violence and social inequalities exposed by biomedical health pandemics such as HIV and COVID-19. In these creative Hausa narratives, the oppressed and marginalized have agency in articulating their own experiences.

While there is an abundance of social science studies giving voice to the dominant actors of hegemonic violence in Hausa society, there is a dearth of works that center the voices of the afflicted, unprivileged, and marginalized class, among whom are women and youth. One aim of this book is to examine the ways popular songs and fiction fill up the humanistic urgency to capture the dignity of the life of those dehumanized by local, national, and international hegemonic religious and secular forces. The book focuses on the resistance narratives of one female novelist and six song composers and performers that generate alternative counterhegemonic responses to dominant patriarchal discourses produced by cultural, religious, and political elites, thus reaching out to marginalized local and national communities and global audiences. Alidou interweaves the social, political, and biomedical epidemics with the concept of “Hausa interiority” to create a unique perspective on contemporary Hausa culture and politics through the lens of artistic productions.