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Between 1900 and the late 1950s, Mexican border towns came of age both as tourist destinations and as emerging cities. Commercial photographers produced thousands of images of their streets, plazas, historic architecture, and tourist attractions, which were reproduced as photo postcards. Daniel Arreola has amassed one of the largest collections of these border town postcards, and in this book, he uses this amazing visual archive to offer a new way of understanding how the border towns grew and transformed themselves in the first half of the twentieth century, as well as how they were pictured to attract American tourists.

Postcards from the Río Bravo Border presents nearly two hundred images of five significant towns on the lower Río Bravo—Matamoros, Reynosa, Nuevo Laredo, Piedras Negras, and Villa Acuña. Using multiple images of sites within each city, Arreola tracks changes both within the cities as places and in the ways in which the cities have been pictured for tourist consumption. He makes a strong case that visual imagery has a shaping influence on how we negotiate and think about places, creating a serial scripting or narrating of the place. Arreola also shows how postcard images, when systematically and chronologically arranged, can tell us a great deal about how Mexican border towns have been viewed over time. This innovative visual approach demonstrates that historical imagery, no less than text or maps, can be assembled to tell a compelling geographical story about place and time.

Magical realism has become almost synonymous with Latin American fiction, but this way of representing the layered and often contradictory reality of the topsy-turvy, late-capitalist, globalizing world finds equally vivid expression in U.S. multiethnic and British postcolonial literature and film. Writers and filmmakers such as Oscar "Zeta" Acosta, Ana Castillo, Julie Dash, Hanif Kureishi, and Salman Rushdie have made brilliant use of magical realism to articulate the trauma of dislocation and the legacies of colonialism that people of color experience in the postcolonial, multiethnic world.

This book seeks to redeem and refine the theory of magical realism in U.S. multiethnic and British postcolonial literature and film. Frederick Aldama engages in theoretically sophisticated readings of Ana Castillo's So Far from God, Oscar "Zeta" Acosta's Autobiography of a Brown Buffalo, Salman Rushdie's Midnight's Children, Shame, The Satanic Verses, and The Moor's Last Sigh, Julie Dash's Daughters of the Dust, and Stephen Frears and Hanif Kureishi's Sammy and Rosie Get Laid. Coining the term "magicorealism" to characterize these works, Aldama not only creates a postethnic critical methodology for enlarging the contact zone between the genres of novel, film, and autobiography, but also shatters the interpretive lens that traditionally confuses the transcription of the real world, where truth and falsity apply, with narrative modes governed by other criteria.

Over six decades after the polemical Sacco and Vanzetti case, in which the two anarchist Italian immigrants were convicted of first-degree murder and executed by the Commonwealth of Massachusetts, Young and Kaiser revisit the case's evidence as well as the key actors who determined its outcome. The authors situate their meticulous reexamination of the court evidence and prosecuting and defense arguments within the long-standing dispute between political leftists and conservatives regarding the integrity of the conviction, edifying the left's accusations of anti-Italianism and anti-anarchism. Their analysis magnifies both the likelihood of contrived evidence and the fallibility of our criminal justice system's impartiality, pointing to important questions concerning the nature of a fair trial and the influence of prejudice and politics in juridical processes. As such, Postmortem functions as a detailed introduction to the infamous 1921 Sacco and Vanzetti trial as well as a meditation on enduring dilemmas of the American judicial branch.

Explores the history of the “science of development” during the Cold War and how experts across the social sciences tried to create the tools to address the problem of poverty across Latin America.

In the mid-twentieth century, Latin America had the world’s starkest internal inequality. In Brazil in 1960, for example, the top 10 percent took upward of 60 percent of the country’s total income, while its entire bottom half took only 10 percent. As Patrick Iber shows in Poverty of the Imagination, this problem of poverty and social inequality focused the attention of social scientists on the task of articulating a “science of development.” In the context of the Cold War, this project drew the attention of the US government and the Ford Foundation, which hoped that peaceful development would prevent revolutions.

This book examines the five central frameworks that emerged to explain poverty: from dependency theory on the Marxist left; to theories of modernization, the culture of poverty, and marginality in the center; to neoliberalism on the right. Iber shows how each rose (and fell) by connecting them to political projects such as the War on Poverty in the United States and the dictatorship of Augusto Pinochet in Chile. Through vivid portraits of key thinkers, he shows how each was shaped by the environment of the Cold War and the presence of the Ford Foundation. It is a story with surprising turns: What began for Ford as a Cold War project to support university “modernization” changed as dictatorships took control of much of the region. Then, Ford took the side of the dissidents, supporting an antipoverty agenda for the restoration of democracy. A guide to some of the most important ideas in global development and Latin American studies alike, this book also shows how scholars and institutions faced down authoritarian threats—and won.

A collection of essays that challenges how we interpret history by focusing on the nexus of two concepts— “power” and “time”—as they manifest in a wide variety of case studies.

Time is the backdrop of historical inquiry, yet it is much more than a featureless setting for events. Different temporalities interact dynamically; sometimes they coexist tensely, sometimes they clash violently. In this innovative volume, editors Dan Edelstein, Stefanos Geroulanos, and Natasha Wheatley challenge how we interpret history by focusing on the nexus of two concepts—“power” and “time”—as they manifest in a wide variety of case studies. Analyzing history, culture, politics, technology, law, art, and science, this engaging book shows how power is constituted through the shaping of temporal regimes in historically specific ways. Power and Time includes seventeen essays on human rights; sovereignty; Islamic, European, Chinese, and Indian history; slavery; capitalism; revolution; the Supreme Court; the Anthropocene; and even the Manson Family. Power and Time is an agenda-setting volume, highlighting the work of some of the world’s most respected and original contemporary historians and posing fundamental questions for the craft of history.

Practicing Classics is a memoir about education in America between the end of WWII and the early 21st century. Not only does it consider memory, its truths, and its deceptions, but it also unravels the complexities of class, race, gender, and social positioning in education. Lee Pearcy’s story begins with the 1957 desegregation crisis at Little Rock Central High School and its aftermath, describing how growing up in this environment shaped his academic and personal life.

As he came to study Latin and then Classics, Pearcy’s education intersected with the student disturbances at Columbia University in 1968 and a feminist revolution that brought significant numbers of women into the classical professoriate. He gives a first-hand account of a scandalous episode in the toxic administrative culture that characterized the classics department at the University of Texas in the 1980s. Against the background of these events, he unfolds his own education as a classicist and his development from apprentice to journeyman to confident teacher of Latin and Greek. Practicing Classics will engage readers who care about American education, classical studies, or the ways that choices, chances, and contingencies shaped one man’s life.

The recent vast upsurge in social science scholarship on job precarity has generally little to say about earlier forms of this phenomenon. Eloisa Betti’s monograph convincingly demonstrates on the example of Italy that even in the post-war phase of Keynesian stability and welfare state, precarious labor was an underlying feature of economic development. She examines how in this short period exceptional politics of labor stability prevailed. The volume then presents the processes whereby labor precarity regained momentum— under the name of flexibility— in the post-Fordist phase from the early 1980s, taking on new forms in the Craxi and Berlusconi eras.

Multiple actors are addressed in the analysis. The book gives voice to intellectuals, scholars, politicians and trade unionists as they have framed the concept and debates on precarious work from the 1950s onwards. Views of labor law experts, politicians and public servants are investigated in regard to labor regulations. Positions of the very precarians are explored, ranging from rural women, industrial homeworkers and blue-collar workers to physicians, university researchers and trainees, unveiling the emergence of anti-precarity social movements. The continuous role of women’s associations and feminist groups in opposing labor precarity since the 1950s is prominently exposed.

When Maud Russell (1893-1989) first sailed for China in 1917, she traveled as one of a number of “foreign secretaries” dispatched by the YWCA to do “Woman’s Work for Woman.” A product of the Progressive Era, she sought to bring the benefits of Christianity and Western civilization to a new generation of Chinese women struggling to find their own path to modernity in the wake of the 1911 Republican Revolution. Instead, over the next twenty-six years, Russell was herself transformed—from Christian liberal reformer to committed Marxist revolutionary.