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Much of the most influential work on Joyce over the last decade has been devoted to the study of gender representation, performance, privilege, and anxiety. Among other results, this work has made the heterosexual imperative visible as an arbitrary ideological limit. Now, in Quare Joyce, some of the most prominent scholars of Joyce address themselves directly to questions of homoerotic desire in Joyce's work, drawing on and furthering queer theory in a dazzling set of essays. Beyond simply locating another layer of cultural import in Joyce's endlessly rich oeuvre, this project reconstructs a whole other creative and critical history for his writing. The twelve essays, organized in pairs under the headings "Intersexualities," "Rethinking the Closet," "Homophobia and Misogyny," "Homocolonial Relations," "Joyce's Lesbian Other," and "Recent Controversies," explore the range of Joyce's work, from "An Encounter" through Finnegans Wake, and take on three related tasks: to redress the compulsory heterosexuality that has traditionally hampered even the most sophisticated and progressive scholarship on Joyce; to import a queer theory perspective; and to take up the manifold question of homosexuality as it pertains to the always slippery articulation of Joyce's life and work. Quare Joyce will directly interest not only Joyceans, modernists, and students of Irish literature, but also scholars in the fields of postcolonial and queer theory, gay and cultural studies.

Queer Velocities: Time, Sex, and Biopower on the Early Modern Stage explores how seventeenth-century French theater represents queer desire. In this book, the first queer theoretical treatment of canonical French theater, Jennifer Eun-Jung Row proposes that these velocities, moments of unseemly haste or strategic delay, sparked new kinds of attachments, intimacies, and erotics. Rather than rely on fixed identities or analog categories, we might turn to these affectively saturated moments of temporal sensation to analyze queerness in the premodern world.

The twin innovations of precise, portable timepieces and the development of the theater as a state institution together ignited new types of embodiments, orderly and disorderly pleasures, and normative and wayward rhythms of life. Row leverages a painstakingly formalist and rhetorical analysis of tragedies by Jean Racine and Pierre Corneille to show how the staging of delay or haste can critically interrupt the normative temporalities of marriage, motherhood, mourning, or sovereignty—the quotidian rhythms and paradigms so necessary for the biopolitical management of life. Row’s approach builds on the queer turn to temporality and Elizabeth Freeman’s notion of the chronobiopolitical to wager that queerness can also be fostered by the sensations of disruptive speed and slowness. Ultimately, Row suggests that the theater not only contributed to the glitter of Louis XIV’s absolutist spectacle but also ignited new forms of knowing and feeling time, as well as new modes of loving, living, and being together.
 

Knowing that queer voices have been making themselves heard in Germany, Switzerland, and Austria decades before Stonewall, editors Gary Schmidt and Merrill Cole curated thrilling snapshots of prose fiction from more than twenty contemporary writers whose work defies stereotypes, disciplines, and expectations. These authors produce fiction for adults and young people that celebrates the multiplicity of the present, casts a queer eye on the past, and interrogates LGBTQ+ futures.

These outstanding texts exemplify the glittering variety of styles, themes, settings, and subjects addressed by openly queer authors who write in German today. They explore identity, sexuality, history, fantasy, loss, and discovery. Their authors, narrators, and characters explore gender nonconformity and living queer everywhere from city centers to rural communities. They are gay, lesbian, bisexual, trans, and nonbinary. They are exiles, immigrants, and travelers through time and space.

Witty, titillating, and a delight to read, Quertext opens up new worlds of experience for readers interested in queer life beyond the Anglophone world.

Featuring work by Jürgen Bauer • Ella Blix • Claudia Breitsprecher • Lovis Cassaris • Gunther Geltinger • Joachim Helfer • Odile Kennel • Friedrich Kröhnke • Anja Kümmel • Marko Martin • Hans Pleschinski • Christoph Poschenrieder • Peter Rehberg • Michael Roes • Sasha Marianna Salzmann • Angela Steidele • Antje Rávik Strubel • Alain Claude Sulzer • Antje Wagner • J. Walther • Tania Witte • Yusuf Yeşilöz

Quixotic Authority reveals how deeply absorbed reading was inextricable from and essential to British women's professional writing and cultural commentary from the mid-eighteenth to the mid-nineteenth century. The trope of quixotism, what we might today call "fangirling," had distinctly gendered implications, as the female quixote was almost exclusively associated with uncritical, overly absorptive novel reading, and often portrayed as a self-centered, deluded, ill-educated home-wrecker who must be reformed or punished. But what do we make of the fact that women wrote most of the depictions of female quixotes in novels of this period? Jodi Wyett shows that authors such as Charlotte Lennox and Jane Austen wrote quixote narratives to assert their own professional cachet as well as validate the passion and intelligence of women novel readers. Harnessing the power of the genre, they debunked proscriptive contemporary discourse denigrating both women and the novel. This book redefines the female quixote as a fierce fangirl both modeled in fiction and embodied by her creators.