767 books match the query 'Hispanic & Latino Studies' and 5 start with q

cover of Queer Relajo: Feeling the Nightscapes of Mexicanidad

Queer Relajo

Feeling the Nightscapes of Mexicanidad

David Tenorio

University of Michigan Press, 2025

2026 Dance Studies Association de la Torre Bueno First Book Award Shortlist Finalist

In 2015, Mexico City declared itself a “gay-friendly” city and followed up with a gay tourist guide and new laws permitting changes to gender markers on legal documents, sanctioning same-sex marriage, and allowing joint adoption of children. At the same time, patterns of violence and discrimination against women, trans, and queer people have continued throughout the country. In Queer Relajo, David Tenorio argues that while Mexico City aims to bring visibility to queer sociality, the benefits of legitimizing queer space remain unclear. 

Combining readings of film, digital media, and performance with drag autoethnography, Queer Relajo quite literally plays with how relajo (or playfulness) structures the spaces of queer nightlife in urban contexts by revealing how nighttime intimacy can minimize the paralyzing effects of violence and precarity in a neoliberal Mexico. Considering the political implications of when a queer/trans person is present at night, Tenorio argues that queer feelings of play are not only essential to sexual liberation, but also resist neoliberal commodification and heteronormative extraction. 

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cover of Queer Ricans: Cultures and Sexualities in the Diaspora

Queer Ricans

Cultures and Sexualities in the Diaspora

Lawrence La Fountain-Stokes

University of Minnesota Press, 2009

Exploring cultural expressions of Puerto Rican queer migration from the Caribbean to New York, Philadelphia, Chicago, and San Francisco, Lawrence La Fountain-Stokes analyzes how artists have portrayed their lives and the discrimination they have faced in both Puerto Rico and the United States.

Highlighting cultural and political resistance within Puerto Rico’s gay, lesbian, bisexual, and transgender subcultures, La Fountain-Stokes pays close attention to differences of gender, historical moment, and generation, arguing that Puerto Rican queer identity changes over time and is experienced in very different ways. He traces an arc from 1960s Puerto Rico and the writings of Luis Rafael Sánchez to New York City in the 1970s and 1980s (Manuel Ramos Otero), Philadelphia and New Jersey in the 1980s and 1990s (Luz María Umpierre and Frances Negrón-Muntaner), and Chicago (Rose Troche) and San Francisco (Erika López) in the 1990s, culminating with a discussion of Arthur Avilés and Elizabeth Marrero’s recent dance-theater work in the Bronx.

Proposing a radical new conceptualization of Puerto Rican migration, this work reveals how sexuality has shaped and defined the Puerto Rican experience in the United States.
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cover of Queer in a Legal Sense: Brown Citizenship and Other Lawful Fictions

Queer in a Legal Sense

Brown Citizenship and Other Lawful Fictions

José A. de la Garza Valenzuela

University of Texas Press, 2026

Contrasting works by queer Chicano writers against the legal landscape of sexuality and migration to interrogate the “lawful fiction” that denies queer migrants citizenship and community.

Activists for immigrants and queer people under assault by US authorities focus overwhelmingly on protections presumed to be afforded by citizenship through narratives that have rarely had a place for queer immigrants, who have consistently faced special obstacles to legal entry and citizenship that only recently are being applied more widely. Queer in a Legal Sense studies literary works by gay Chicanx writers alongside instruments of law, showing through this juxtaposition how racialized queer people have been imagined as nonviable from the standpoint of citizenship. In stories by John Rechy, Arturo Islas, Rigoberto González, Michael Nava, and Jaime Cortez, José de la Garza Valenzuela finds what has gone missing in the migrant movement’s pursuit of gendered avenues to civic participation. Further, these works illuminate the production of fictions in canons of law, like those announced by the Florida legislature’s “Purple Pamphlet” and by the US Supreme Court in Boutilier v. INS and Bowers v. Hardwick. Queer in a Legal Sense argues that, through selective ommissions and inclusions, legal fictions place queerness outside the boundaries of citizenship and powerfully undermine queer representation in pro-migrant advocacy.

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cover of Quinceañera Style: Social Belonging and Latinx Consumer Identities

Quinceañera Style

Social Belonging and Latinx Consumer Identities

By Rachel Valentina González

University of Texas Press, 2019

Winner of the Emily Toth Award for Best Single Work in Women's Studies, Popular Culture Association
Co-winner of the Elli Kongas Maranda Prize, Women's Section of the American Folklore Society (AFS)

A dynamic study of social negotiation and consumerism in the coming-of-age quinceañera celebration and the impact of normalizing spectacles of luxury.

Quinceañera celebrations, which recognize a girl’s transition to young womanhood at age fifteen, are practiced in Latinx communities throughout the Americas. But in the consumer-driven United States, the ritual has evolved from a largely religious ceremony to an elaborate party where social status takes center stage. Examining the many facets of this contemporary debut experience, Quinceañera Style reports on ethnographic fieldwork in California, Texas, the Midwest, and Mexico City to reveal a complex, compelling story. Along the way, we meet a self-identified transwoman who uses the quinceañera as an intellectual space in her activist performance art. We explore the economic empowerment of women who own barrio boutiques specializing in the quinceañera’s many accessories and made-in-China gowns. And, of course, we meet teens themselves, including a vlogger whose quince-planning tips have made her an online sensation.

Disrupting assumptions, such as the belief that Latino communities in the United States can’t desire upward mobility without abandoning ethnoracial cultural legacies, Quinceañera Style also underscores the performative nature of class and the process of constructing a self in the public, digital sphere.

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cover of Quixote's Soldiers: A Local History of the Chicano Movement, 1966–1981

Quixote's Soldiers

A Local History of the Chicano Movement, 1966–1981

By David Montejano

University of Texas Press, 2010

In the mid-1960s, San Antonio, Texas, was a segregated city governed by an entrenched Anglo social and business elite. The Mexican American barrios of the west and south sides were characterized by substandard housing and experienced seasonal flooding. Gang warfare broke out regularly. Then the striking farmworkers of South Texas marched through the city and set off a social movement that transformed the barrios and ultimately brought down the old Anglo oligarchy. In Quixote’s Soldiers, David Montejano uses a wealth of previously untapped sources, including the congressional papers of Henry B. Gonzalez, to present an intriguing and highly readable account of this turbulent period. Montejano divides the narrative into three parts. In the first part, he recounts how college student activists and politicized social workers mobilized barrio youth and mounted an aggressive challenge to both Anglo and Mexican American political elites. In the second part, Montejano looks at the dynamic evolution of the Chicano movement and the emergence of clear gender and class distinctions as women and ex-gang youth struggled to gain recognition as serious political actors. In the final part, Montejano analyzes the failures and successes of movement politics. He describes the work of second-generation movement organizations that made possible a new and more representative political order, symbolized by the election of Mayor Henry Cisneros in 1981.
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