188 books match the query 'Middle Eastern' and 2 start with q

cover of Questions and Their Retinue: Selected Poems of Hatif Janabi

Questions and Their Retinue

Selected Poems of Hatif Janabi

Hatif Janabi

University of Arkansas Press, 1996

Hatif Janabi’s poems are passionate, jolting, apocalyptic, and painful. They deal with war and death, perception and truth, drawing from his family life, his exile in Poland, the Gulf War, violence in Iraq, and his experience in the United States.

The speaker in many of Janabi’s poems moves from a confrontational stance to one of resigned desperation, and from coyness to deep longing, where, occasionally, hope surfaces. The associative processes and the often bizarre surreal imagery he employs are very effective in expressing his profound sense of political and spiritual alienation. Janabi is among a generation of Arab poets who, because of censorship, can speak only obliquely about the harsh reality of their lives. In these poems he has created symbolic landscapes that attempt to reveal the political, social, and psychological stresses with which suffering people live.

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cover of Quiet Orient Riot

Quiet Orient Riot

Nathalie Khankan

Omnidawn, 2020

Quiet Orient Riot is an exploration of the tendons of motherhood, its mutinies and munificences. It is also a book of births and the politics of birth-regimes. Recounting a journey to bear a Palestinian child in the occupied Palestinian territory, the poems conjure up maternity as forecast, tally, weapon; its many filtrations through liturgical command and demographic anxiety. Maternity is made possible through contingent access to Israel’s sophisticated fertility treatment infrastructure, and it’s made impossible as it coincides with Israel’s 2009 assault on the Gaza Strip. What kind of language, then, can hold a body inside a body through emergency, diminishment, and into resistance and bloom? What kind of language might hold precarious humanhood?
 
Most significantly, Quiet Orient Riot asks of itself, without release or relief: can a text seek linguistic disorientation and reorientation both? Can a text walk the tightrope from detail to detail to envision a kind of awareness that is kin to worship? Quiet Orient Riot does not shy away from a word like “worship.” Nor does it shy away from how such worship might manifest in the words of a poem, bowing to a “chirpy printed sound” in Palestine and a forest of “little justices.”

She is the winner of the 2019 Omnidawn 1st/2nd Poetry Book Contest, chosen by Dawn Lundy Martin.


 
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