Results by title
482 books match the query '17th century' and 19 start with r
Race and Affect in Early Modern English Literature
Carole Mejia LaPerle
Arizona Center for Medieval and Renaissance Studies, 2021
Race and Affect in Early Modern English Literature puts the fields of critical race studies and affect theory into dialogue. Doing so opens a new set of questions: What are the emotional experiences of racial formation and racist ideologies? How do feelings—through the physical senses, emotional passions, or sexual encounters—come to signify race? What is the affective register of anti-blackness that pervades canonical literature? How can these visceral forms of racism be resisted in discourse and in practice? By investigating how race feels, this book offers new ways of reading and interpreting literary traditions, religious differences, gendered experiences, class hierarchies, sexuality, and social identities. So far scholars have shaped the discussion of race in the early modern period by focusing on topics such as genealogy, language, economics, religion, skin color, and ethnicity. This book, however, offers something new: it considers racializing processes as visceral, affective experiences.
Race to Infinity
Early Modern Distinctions Between Literature and ScienceDavid L. Sedley
Northwestern University Press, 2027
Studying the early modern split between science and literature and the aftermath of their division
The conception of computers as thinking machines and literature as a social field stems from the early modern phenomenon of competing over the infinite as an object not just of contemplation but of appropriation in a race toward virtual control. The rediscovery of this origin undoes a collective forgetting of what technology and texts have in common, what they don’t, and what they can and ought to be in the future. David L. Sedley offers a new history of literature and science’s disciplinary divide—its origin and significance—tracing a series of points along the emerging frontier between these two fields. At each point there are two objects in play and two authors who push the objects in opposite directions: on the one hand, mechanical arts and the essay, probability theory and the novel, and geometry and epic; on the other, Montaigne and Bacon, Pascal and Lafayette, and Hobbes and Milton. Each of these authors, Sedley shows, tried to render an object either algorithmic or infinite to oppose the other’s efforts. Ultimately, Race to Infinity: Early Modern Distinctions Between Literature and Science illuminates the fortunes of the literary in the digital revolution and beyond.
Racine
From Ancient Myth to Tragic ModernityMitchell Greenberg
University of Minnesota Press, 2009
A study of all of the major tragedies of Jean Racine, France's preeminent dramatist-and, according to many, its greatest and most representative author-Mitchell Greenberg's work offers an exploration of Racinian tragedy to explain the enigma of the plays' continued fascination.
Greenberg shows how Racine uses myth, in particular the legend of Oedipus, to achieve his emotional power. In the seventeenth-century tragedies of Racine, almost all references to physical activity were banned from the stage. Yet contemporary accounts of the performances describe vivid emotional reactions of the audiences, who were often reduced to tears. Greenberg demonstrates how Racinian tragedy is ideologically linked to Absolutist France's attempt to impose the "order of the One" on its subjects. Racine's tragedies are spaces where the family and the state are one and the same, with the result that sexual desire becomes trapped in a closed, incestuous, and highly formalized universe.
Greenberg ultimately suggests that the politics and sexuality associated with the legend of Oedipus account for our attraction to charismatic leaders and that this confusion of the state with desire explains our continued fascination with these timeless tragedies.
Radical Tragedy
Religion, Ideology and Power in the Drama of Shakespeare and His ContemporariesJonathan Dollimore
Duke University Press, 2004
Realism and Role-Play
The Human Figure in French Art from Callot to the Brothers Le NainMarika Takanishi Knowles
University of Delaware Press, 2011
Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Reassessing Reform
Christopher M. Bellitto
Catholic University of America Press, 2012
Recipes and Everyday Knowledge
Medicine, Science, and the Household in Early Modern EnglandElaine Leong
University of Chicago Press, 2018
In Recipes and Everyday Knowledge, Elaine Leong situates recipe knowledge and practices among larger questions of gender and cultural history, the history of the printed word, and the history of science, medicine, and technology. The production of recipes and recipe books, she argues, were at the heart of quotidian investigations of the natural world or “household science”. She shows how English homes acted as vibrant spaces for knowledge making and transmission, and explores how recipe trials allowed householders to gain deeper understandings of sickness and health, of the human body, and of natural and human-built processes. By recovering this story, Leong extends the parameters of natural inquiry and productively widens the cast of historical characters participating in and contributing to early modern science.
Reframing the Northern Rio Grande Pueblo Economy
Edited by Scott G. Ortman
University of Arizona Press, 2019
Economists recognize scale, agglomeration, the division of labor, international trade, and control over violence as important determinants of socioeconomic development in the modern world. But is a development framework appropriate for understanding Rio Grande archaeology? What do we learn about contemporary Pueblo culture and its resiliency when Pueblo history is viewed through this lens? What does the exercise teach us about the determinants of economic growth more generally?
The contributors in this volume argue that ideas from economics and complexity science, when suitably adapted, provide a compelling approach to the archaeological record. Contributors consider what we can learn about socioeconomic development through archaeology and explore how Pueblo culture and institutions supported improvements in the material conditions of life over time. They examine demographic patterns; the production and exchange of food, cotton textiles, pottery, and stone tools; and institutional structures reflected in village plans, rock art, and ritual artifacts that promoted peaceful exchange. They also document change through time in various economic measures and consider their implications for theories of socioeconomic development.
The archaeological record of the Northern Rio Grande exhibits the hallmarks of economic development, but Pueblo economies were organized in radically different ways than modern industrialized and capitalist economies. This volume explores the patterns and determinants of economic development in pre-Hispanic Rio Grande Pueblo society, building a platform for more broadly informed research on this critical process.
Regimens of the Mind
Boyle, Locke, and the Early Modern Cultura Animi TraditionSorana Corneanu
University of Chicago Press, 2011
Rembrandt's Jews
Steven Nadler
University of Chicago Press, 2004
Rembrandt's Jews puts this myth to the test as it examines both the legend and the reality of Rembrandt's relationship to Jews and Judaism. In his elegantly written and engrossing tour of Jewish Amsterdam—which begins in 1653 as workers are repairing Rembrandt's Portuguese-Jewish neighbor's house and completely disrupting the artist's life and livelihood—Steven Nadler tells us the stories of the artist's portraits of Jewish sitters, of his mundane and often contentious dealings with his neighbors in the Jewish quarter of Amsterdam, and of the tolerant setting that city provided for Sephardic and Ashkenazic Jews fleeing persecution in other parts of Europe. As Nadler shows, Rembrandt was only one of a number of prominent seventeenth-century Dutch painters and draftsmen who found inspiration in Jewish subjects. Looking at other artists, such as the landscape painter Jacob van Ruisdael and Emmanuel de Witte, a celebrated painter of architectural interiors, Nadler is able to build a deep and complex account of the remarkable relationship between Dutch and Jewish cultures in the period, evidenced in the dispassionate, even ordinary ways in which Jews and their religion are represented—far from the demonization and grotesque caricatures, the iconography of the outsider, so often found in depictions of Jews during the Middle Ages and the Renaissance.
Through his close look at paintings, etchings, and drawings; in his discussion of intellectual and social life during the Dutch Golden Age; and even through his own travels in pursuit of his subject, Nadler takes the reader through Jewish Amsterdam then and now—a trip that, under ever-threatening Dutch skies, is full of colorful and eccentric personalities, fiery debates, and magnificent art.
Renaissance Beasts
Of Animals, Humans, and Other Wonderful CreaturesEdited by Erica Fudge
University of Illinois Press, 2004
Taking as its starting point the popularity of speaking animals in sixteenth-century literature and ending with the decline of the imperial Ménagerie during the French Revolution, Renaissance Beasts uses the lens of human-animal relationships to view issues as diverse as human status and power, diet, civilization and the political life, religion and anthropocentrism, spectacle and entertainment, language, science and skepticism, and domestic and courtly cultures.
Within these pages scholars from a variety of disciplines discuss numerous kinds of texts--literary, dramatic, philosophical, religious, political--by writers including Calvin, Montaigne, Sidney, Shakespeare, Descartes, Boyle, and Locke. Through analysis of these and other writers, Renaissance Beasts uncovers new and arresting interpretations of Renaissance culture and the broader social assumptions glimpsed through views on matters such as pet ownership and meat consumption.
Renaissance Beasts is certainly about animals, but of the many species discussed, it is ultimately humankind that comes under the greatest scrutiny.
Renaissance Revivals
City Comedy and Revenge Tragedy in the London Theater, 1576-1980Wendy Griswold
University of Chicago Press, 1986
Repertory of Shakespeare's Company, 1594–1613
Roslyn Lander Knutson
University of Arkansas Press, 1991
Representing the Troubles in Irish Short Fiction
Michael L. Storey
Catholic University of America Press, 2004
Reveries of Community
French Epic in the Age of Henri IV, 1572–1616Katherine S. Maynard
Northwestern University Press, 2018
Traditionally united by une foi, une loi, un roi (one faith, one law, one king), France under Henri IV was cleaved into warring factions of Catholics and Huguenots. The country suffered episodes of bloodshed such as the St. Bartholomew’s Day Massacre, even as attempts were made to attenuate the violence through frequent edicts, including those of St. Germain (1570) and Nantes (1598). Maynard examines the rich and often dismissed body work written during these bloody decades: Pierre de Ronsard’s Franciade, Guillaume Salluste Du Bartas’s La Judit and La Sepmaine, Sébastian Garnier’s La Henriade, Agrippa d’Aubigné’s Les Tragiques, and others. She traces how French poets, taking classics such as Virgil’s Aeneid and Homer’s Iliad as their models, reimagined possibilities for French reconciliation and unity.
Rhetoric, Science, and Magic in Seventeenth-century England
Ryan J. Stark
Catholic University of America Press, 2009
Rivall Friendship, by Bridget Manningham
Edited by Jean R. Brink
Arizona Center for Medieval and Renaissance Studies, 2021
The manuscript for Rivall Friendship was first acquired by the Newberry Library in 1937. At the time of the acquisition, the author of this seventeenth-century romance was anonymous. Scholar Jean R. Brink now suggests, based on dating of the manuscript and her analysis of its feminist themes, that the author was a woman. Specifically, Brink attributes the text to Bridget Manningham, who was the older sister of Thomas Manningham, a Jacobean and Caroline bishop, and the granddaughter of John Manningham, a diarist who recorded performances of Shakespeare’s plays.
Rivall Friendship is a post–English Civil War romance that examines proto-feminist issues, such as patriarchal dominance in the family and marriage. Manningham is scrupulous about maintaining verisimilitude, and unlike more fantastical romances of the period that feature monsters, giants, and magic, this text aspires to a level of probability in its historical and geographical details. The text of Rivall Friendship is accessible to most modern readers, particularly to students and scholars accustomed to working with seventeenth-century texts.
Rogues and Early Modern English Culture
Craig Dionne and Steve Mentz, Editors
University of Michigan Press, 2004
-Jonathan Dollimore, York University
"Rogues and Early Modern English Culture is an up-to-date and suggestive collection on a subject that all scholars of the early modern period have encountered but few have studied in the range and depth represented here."
-Lawrence Manley, Yale University
"A model of cross-disciplinary exchange, Rogues and Early Modern English Culture foregrounds the figure of the rogue in a nexus of early modern cultural inscriptions that reveals the provocation a seemingly marginal figure offers to authorities and various forms of authoritative understanding, then and now. The new and recent work gathered here is an exciting contribution to early modern studies, for both scholars and students."
-Alexandra W. Halasz, Dartmouth College
Rogues and Early Modern English Culture is a definitive collection of critical essays on the literary and cultural impact of the early modern rogue. Under various names-rogues, vagrants, molls, doxies, vagabonds, cony-catchers, masterless men, caterpillars of the commonwealth-this group of marginal figures, poor men and women with no clear social place or identity, exploded onto the scene in sixteenth-century English history and culture. Early modern representations of the rogue or moll in pamphlets, plays, poems, ballads, historical records, and the infamous Tudor Poor Laws treated these characters as harbingers of emerging social, economic, and cultural changes.
Images of the early modern rogue reflected historical developments but also created cultural icons for mobility, change, and social adaptation. The underclass rogue in many ways inverts the familiar image of the self-fashioned gentleman, traditionally seen as the literary focus and exemplar of the age, but the two characters have more in common than courtiers or humanists would have admitted. Both relied on linguistic prowess and social dexterity to manage their careers, whether exploiting the politics of privilege at court or surviving by their wits on urban streets.
Deftly edited by Craig Dionne and Steve Mentz, this anthology features essays from prominent and emerging critics in the field of Renaissance studies and promises to attract considerable attention from a broad range of readers and scholars in literary studies and social history.
Rubens in Repeat
The Logic of the Copy in Colonial Latin AmericaAaron M. Hyman
J. Paul Getty Trust, The, 2021
Winner of the Latin American Studies Association's 2022 Best Book in Colonial Latin American Studies.
This book examines the reception in Latin America of prints designed by the Flemish artist Peter Paul Rubens, showing how colonial artists used such designs to create all manner of artworks and, in the process, forged new frameworks for artistic creativity.
Peter Paul Rubens (1577–1640) never crossed the Atlantic himself, but his impact in colonial Latin America was profound. Prints made after the Flemish artist’s designs were routinely sent from Europe to the Spanish Americas, where artists used them to make all manner of objects.
Rubens in Repeat is the first comprehensive study of this transatlantic phenomenon, despite broad recognition that it was one of the most important forces to shape the artistic landscapes of the region. Copying, particularly in colonial contexts, has traditionally held negative implications that have discouraged its serious exploration. Yet analyzing the interpretation of printed sources and recontextualizing the resulting works within period discourse and their original spaces of display allow a new critical reassessment of this broad category of art produced in colonial Latin America—art that has all too easily been dismissed as derivative and thus unworthy of sustained interest and investigation. This book takes a new approach to the paradigms of artistic authorship that emerged alongside these complex creative responses, focusing on the viceroyalties of New Spain and Peru in the seventeenth and eighteenth centuries. It argues that the use of European prints was an essential component of the very framework in which colonial artists forged ideas about what it meant to be a creator.