805 books match the query '18th Century' and 37 start with r
ERIK BOND
The Ohio State University Press, 2007
Terry Eagleton
University of Minnesota Press, 1982
Betty Joseph
University of Chicago Press, 2003
Elaine Bander
Bucknell University Press, 2026
Jane Austen has more readers today than at any time in history. Many of Austen’s legions of fans, however, came to her novels after first seeing films or other adaptations made for twenty-first-century audiences. Austen herself conversely spent her literary career undermining romantic clichés and rethinking novel conventions. Confident that she and her contemporaries shared a common reading culture, Austen deliberately constructed her novels to set readerly expectations, only to disrupt or confound those expectations by challenging her readers’ assumptions and values. In Reading with Jane Austen, Elaine Bander carefully rereads the great author’s novels—beginning with her late work of juvenilia, “Catharine, or The Bower,” and ending with her final fragment, “Sanditon”—against the rich context of late Georgian literary and intellectual culture. In doing so, Bander invites us into the transformative experience that Austen intentionally designed for her earliest readers, adding new layers of appreciation for those who love her work.
Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Elaine Bander speaking at the Atwater Library in Quebec (https://youtu.be/UeEjFOfp9cQ?si=Wv2hsLxkGK157WZI)
John A. Nagy
Westholme Publishing, 2007
How General Washington Avoided the Peril From Within His Own Forces
"It gives me great pain to be obliged to solicit the attention of the honorable Congress to the state of the army...the greater part of the army is in a state not far from mutiny...I know not to whom to impute this failure, but I am of the opinion, if the evil is not immediately remedied and more punctuality observed in future, the army must absolutely break up."—George Washington, September 1775
Mutiny has always been a threat to the integrity of armies, particularly under trying circumstances, and since Concord and Lexington, mutiny had been the Continental Army's constant traveling companion. It was not because the soldiers lacked resolve to overturn British rule or had a lack of faith in their commanders. It was the scarcity of food—during winter months it was not uncommon for soldiers to subsist on a soup of melted snow, a few peas, and a scrap of fat—money, clothing, and proper shelter, that forced soldiers to desert or organize resistance. Mutiny was not a new concept for George Washington. During his service in the French and Indian War he had tried men under his command for the offense and he knew that disaffection and lack of morale in an army was a greater danger than an armed enemy.
In Rebellion in the Ranks: Mutinies of the American Revolution, John A. Nagy provides one of the most original and valuable contributions to American Revolutionary War history in recent times. Mining previously ignored British and American primary source documents and reexamining other period writings, Nagy has corrected misconceptions about known events, such as the Pennsylvania Line Mutiny, while identifying for the first time previously unknown mutinies. Covering both the army and the navy, Nagy relates American officers' constant struggle to keep up the morale of their troops, while highlighting British efforts to exploit this potentially fatal flaw.
Thomas Reinert
Duke University Press, 1996
Vincent Phillip Muñoz
University of Chicago Press, 2022
Ellis Sandoz
University of Missouri Press, 2006
Thomas C. Hubka
Brandeis University Press, 2022
Sämi Ludwig
University of Wisconsin Press, 2020
Mark Z. Christensen
University Press of Colorado, 2019
Rebecca Anne Barr
Bucknell University Press, 2025
Sergio Serulnikov
Duke University Press, 2013
Shirley L. Green
Westholme Publishing, 2026
Jeremy D. Popkin
Duke University Press, 1990
Emily C. Bruce
University of Massachusetts Press, 2021
Jakub Lipski
Bucknell University Press, 2020
Emily M. West
Bucknell University Press, 2027
In the eighteenth century, “technology” didn’t name a particular device or a process. It referred instead to written accounts of the mechanical arts, a now-obsolete category encompassing the wide range of work done by hand, from baking bread to building ships. Rewriting the Mechanic examines how these written descriptions, circulating across genres in eighteenth-century Britain, transformed certain mechanical arts by imagining them as newly innovative, authoritative, and able to make speculative possibilities real—as what we now call technological. Reversing the familiar story in which literature simply reflects technological change, West draws on the work of Robert Hooke, Aphra Behn, Daniel Defoe, Maria Edgeworth, and Jane Austen to demonstrate the influence of literary techniques on ideas about masculinity, power, and the body, and how these texts helped to bring the very idea of technological modernity into being.
Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Mark Garrett Longaker
University of Alabama Press, 2007
Catherine L. Hobbs
Southern Illinois University Press, 2002
Changes in English studies today, particularly the rise of cultural studies, have forced reexaminations of historical genealogies. Three complex figures whose places are currently being reassessed include the Neapolitan Giambattista Vico (1668 –1744), the Frenchman Etienne de Condillac (1714 –1780), and the Scotsman James Burnet(t), Lord Monboddo (1714 –1799) in our histories of communication, linguistics, English studies, and now rhetoric.
In Rhetoric on the Margins of Modernity: Vico, Condillac, Monboddo, Catherine L. Hobbs focuses primarily on these three key figures in whose work rhetoric and linguistics intertwine as they respond to emerging attitudes and values of science and philosophy in the eighteenth century. Through her examination of works of Vico, Condillac, Monboddo and other marginal figures, Hobbs presents a different and more nuanced view of the transformation of rhetoric from classical to modern.
In order to redefine each figure’s position, Hobbs brings together the histories of linguistics, literature, rhetoric, and communication, rather than leaving them isolated in separate disciplines. She examines each figure’s theory of language origin and development as it has motivated their rhetorical theories. The result is Rhetoric on the Margins of Modernity: Vico, Condillac, Monboddo, an original and significant account of the formation of modern rhetoric.
Stephen E Lucas
Michigan State University Press, 2022
Wye Jamison Allanbrook
University of Chicago Press, 1984

Robert Neuman
University of Chicago Press, 1994
Andreas K. E. Mueller
Bucknell University Press, 2021
Edited by Amelia F. Miller and A. R. Riggs
University of Massachusetts Press, 2007
Michael Demson
Bucknell University Press, 2020
Michael Demson
Bucknell University Press, 2025

Evan Gottlieb
The Ohio State University Press, 2014
Paula R. Feldman and Theresa M. Kelley
Brandeis University Press, 1995
John Savarese
The Ohio State University Press, 2020
John T. Scott
University of Chicago Press, 2020
Aaron M. Hyman
J. Paul Getty Trust, The, 2021
Winner of the Latin American Studies Association's 2022 Best Book in Colonial Latin American Studies.
This book examines the reception in Latin America of prints designed by the Flemish artist Peter Paul Rubens, showing how colonial artists used such designs to create all manner of artworks and, in the process, forged new frameworks for artistic creativity.
Peter Paul Rubens (1577–1640) never crossed the Atlantic himself, but his impact in colonial Latin America was profound. Prints made after the Flemish artist’s designs were routinely sent from Europe to the Spanish Americas, where artists used them to make all manner of objects.
Rubens in Repeat is the first comprehensive study of this transatlantic phenomenon, despite broad recognition that it was one of the most important forces to shape the artistic landscapes of the region. Copying, particularly in colonial contexts, has traditionally held negative implications that have discouraged its serious exploration. Yet analyzing the interpretation of printed sources and recontextualizing the resulting works within period discourse and their original spaces of display allow a new critical reassessment of this broad category of art produced in colonial Latin America—art that has all too easily been dismissed as derivative and thus unworthy of sustained interest and investigation. This book takes a new approach to the paradigms of artistic authorship that emerged alongside these complex creative responses, focusing on the viceroyalties of New Spain and Peru in the seventeenth and eighteenth centuries. It argues that the use of European prints was an essential component of the very framework in which colonial artists forged ideas about what it meant to be a creator.
Abhishek Chatterjee
Temple University Press, 2017
Rulers and Capital in Historical Perspective explains why modern banking and credit systems emerged in the nineteenth century only in certain countries that then subsequently industrialized and became developed.
Tracing the contemporaneous cases of India and the United States over time, Abhishek Chatterjee identifies the factors that were crucial to the development and regulation of a modern banking and credit system in the United States during the first third of the nineteenth century. He contrasts this situation with India’s, where the state never formally incorporated a sophisticated private credit system, and thus relegated it to the sphere of the informal economy.
Chatterjee identifies certain features in both societies, often—though not always—associated with colonialism, that tended to restrict the formation of modern institutionalized money and credit markets. Rulers and Capital in Historical Perspective demonstrates thatnotwithstanding the many other differences between the North American colonies (prior to independence), and India, the same facets of their relationships with Great Britain prevented the emergence of a modern banking system in the two respective societies.
Thomas Barran
Northwestern University Press, 2002

Muriel Atkin
University of Minnesota Press, 1980
Russia and Iran, 1780–1828 was first published in 1980. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Modern Russo-Iranian relations date from the late eighteenth century, when after several centuries of commercial and diplomatic contact, the two nations entered a period of extended warfare for possession of the Caucasian borderlands, disputed territory that eventually fell to Russia. In her history of that struggle, Muriel Atkin reasseses the motives of major figures on both sides and views the Iranians with more sympathy than Western and Russian historians have usually accorded them. Russia embarked on her course in the Caucasus for reasons connected with defense or trade, and with a longterm imperial goal based on uncritical acceptance of prevailing European doctrines of empire. The new dynasty in Iran, on the other hand, had to fend off Russian attack and secure the borderlands in order to justify its basic claim to power. In the end, the wars brought major disruption to the already unstable borderlands, and left Iran with a discredited government and a controversy over reforms and relations with the West that would continue to cause turmoil in subsequent generations.
Edited and Translated by Amanda Ewington
Iter Press, 2014
Lydia Black
University of Alaska Press, 2004
Black's work challenges the standard perspective on the Russian period in Alaska as a time of unbridled exploitation of Native inhabitants and natural resources. Without glossing over the harsher aspects of the period, Black acknowledges the complexity of relations between Russians and Native peoples.
She chronicles the lives of ordinary men and women, the merchants and naval officers, laborers and clergy, who established Russian outposts in Alaska. These early colonists carried with them the Orthodox faith and the Russian language; their legacy endures in architecture and place names from Baranof Island to the Pribilofs.
This deluxe volume features fold-out maps and color illustrations of rare paintings and sketches from Russian, American, Japanese, and European sources, many have never before been published. An invaluable source for historians and anthropologists, this accessible volume brings to life a dynamic period in Russian and Alaskan history. A tribute to Black's life as a scholar and educator, Russians in Alaska will become a classic in the field.