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Tradition, Modernity, and the Making of Modern Orthodoxy.

For many histories of Modern Orthodox Judaism, Rabbi Samson Raphael Hirsch stands as the primary architect of the movement's encounter with modernity. In Rabbi Esriel Hildesheimer and the Creation of a Modern Jewish Orthodoxy, distinguished scholar David Ellenson expands that narrative by recovering the life, thought, and enduring influence of one of Hirsch's most important contemporaries. Through a careful examination of Rabbi Esriel Hildesheimer's writings, leadership, educational initiatives, and responses to the social and intellectual challenges of nineteenth-century Europe, Ellenson demonstrates how Hildesheimer helped forge a model of Orthodoxy that remained firmly committed to Jewish tradition while engaging constructively with the modern world.

Set against a period of profound cultural, political, and religious transformation, this volume explores the tensions confronting European Jewry as modernization, secular education, religious pluralism, and changing political realities reshaped Jewish communal life. Ellenson shows how Hildesheimer addressed these challenges not through rigid isolation but through a pragmatic and intellectually sophisticated approach that balanced fidelity to halakhah with openness to selected aspects of modern culture and scholarship. His vision helped establish a framework for Modern Orthodoxy that continues to influence contemporary Jewish thought and practice.

Beyond its biographical focus, the study provides broader insights into the emergence of Modern Orthodoxy as a religious and intellectual movement. By illuminating Hildesheimer's efforts to integrate traditional scholarship with contemporary realities, Ellenson offers readers a deeper understanding of how Judaism has negotiated the relationship between heritage and change. The result is both a compelling portrait of an influential rabbinic figure and an important examination of the forces that shaped modern Jewish religious identity.

Rabbi Esriel Hildesheimer and the Creation of a Modern Jewish Orthodoxy is essential reading for scholars and students of Jewish studies, religious studies, theology, European history, intellectual history, and modern Judaism. It will also appeal to rabbis, educators, and general readers seeking to understand the historical roots of contemporary Orthodox Jewish life and the ongoing dialogue between tradition and modernity.

A definitive biography illuminating the scientific, industrial, and exploratory contributions of America’s pioneering economic geologist.

Raphael Pumpelly: Gentleman Geologist of the Gilded Age provides an excellent opportunity to look at the development of the profession of geology during the years spanned by his career, from 1860 to the early twentieth century. In this period, the practical applications of geology to resource development were of major importance, but geologists were also investigating new subjects, such as petrology, geomorphology, glaciology, and structural geology. These investigations resulted in an explosion of knowledge in these areas and in the growth of subdisciplines. Pumpelly did research in these fields but like others of his generation did not limit himself to any one of them; he remained a generalist in a time of increasing specialization, a transitional figure in a period of rapid change.
 

For too long, the visual culture of the American South has been framed through narrow lenses: elite patronage, regional nostalgia, and selective narratives that privilege whiteness while overlooking the complexity of the region’s artistic production. Reading Southern Art: Essays on the Visual Arts in the United States from the Colonies to Today intervenes decisively in this tradition, illuminating the vast visual and material history of the South through works produced by a variety of artists across the region. 

Edited by Rachel Stephens, this collection examines Southern art from the seventeenth century until today, covering a diverse variety of media, from traditional fine arts to material and visual culture, ephemera, and public monuments. Analyzing an array of works, from portraits to vernacular traditions to contemporary artistic practice, Reading Southern Art considers how histories, visual and otherwise, are constructed and revised and how the art of the American South has shaped, and been shaped by, such contested histories. 

Jane Austen has more readers today than at any time in history. Many of Austen’s legions of fans, however, came to her novels after first seeing films or other adaptations made for twenty-first-century audiences. Austen herself conversely spent her literary career undermining romantic clichés and rethinking novel conventions. Confident that she and her contemporaries shared a common reading culture, Austen deliberately constructed her novels to set readerly expectations, only to disrupt or confound those expectations by challenging her readers’ assumptions and values. In Reading with Jane Austen, Elaine Bander carefully rereads the great author’s novels—beginning with her late work of juvenilia, “Catharine, or The Bower,” and ending with her final fragment, “Sanditon”—against the rich context of late Georgian literary and intellectual culture. In doing so, Bander invites us into the transformative experience that Austen intentionally designed for her earliest readers, adding new layers of appreciation for those who love her work.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

Elaine Bander speaking at the Atwater Library in Quebec (https://youtu.be/UeEjFOfp9cQ?si=Wv2hsLxkGK157WZI)
 

Exploring the books and reading practices behind the creation of Transcendentalist philosophy and community

Transcendentalism emerged in early 19th century New England as a uniquely American philosophical, spiritual, and literary movement. Its first generation of thinkers—including Ralph Waldo Emerson, Theodore Parker, and Margaret Fuller—created a worldview that stressed the inherent goodness of the “self-reliant” individual and the presence of the divine in nature. These intellectuals gathered in informal symposia devoted to what Emerson called “creative reading,” a practice that stresses the transformative potential of the written word that was central to the movement’s emergence, growth, and spread. But what were these thinkers reading and how did it influence the development of Transcendentalism?

In Reading with the Transcendentalists, renowned literary scholar Philip F. Gura focuses on 10 American, British, and European books that were essential to the movement’s thoughts, writings, and activities. Many of the authors of these books—James Marsh, Madame de Staël, Samson Reed, George Ripley, Thomas Carlyle, Albert Brisbane, and George Sand—stood outside of Transcendentalism yet profoundly influenced it. Others such as Emerson, Parker, and Fuller were the movement’s central architects, whose writings in turn inspired the next generation, including Henry David Thoreau and Caroline Healey Dall. Each of these books challenged prevailing religious, philosophical, and social conventions in ways that resonated deeply with burgeoning Transcendentalist ideals.

Blending intellectual biography with book history, Gura crafts a captivating cultural history that reconstructs the dynamic social networks of the early Transcendentalists, in which ideas from the written word circulated, evolved, and acquired new meanings. The result is an rich portrait of reading as a creative and communal act, and an exploration of how books ignite curiosity, sustain friendship, and catalyze intellectual transformation. Through a carefully developed narrative structure that is filled not only with books and reading but with headline-worthy scandals, disputes, and falling outs and realignments, Gura traces the historical arc of a transnational intellectual movement that helped lay the foundation for the idea of “America.”

    Readers often have regarded with curiosity the creative life of the poet. In this passionate and authoritative new study, David Bethea illustrates the relation between the art and life of nineteenth-century poet Alexander Pushkin, the central figure in Russian thought and culture. Bethea shows how Pushkin, on the eve of his two-hundredth birthday, still speaks to our time. He indicates how we as modern readers might "realize"— that is, not only grasp cognitively, but feel, experience—the promethean metaphors central to the poet's intensely "sculpted" life. The Pushkin who emerges from Bethea's portrait is one who, long unknown to English-language readers, closely resembles the original both psychologically and artistically.
    Bethea begins by addressing the influential thinkers Freud, Bloom, Jakobson, and Lotman to show that their premises do not, by themselves, adequately account for Pushkin's psychology of creation or his version of the "life of the poet." He then proposes his own versatile model of reading, and goes on to sketches the tangled connections between Pushkin and his great compatriot, the eighteenth-century poet Gavrila Derzhavin. Pushkin simultaneously advanced toward and retreated from the shadow of his predecessor as he created notions of poet-in-history and inspiration new for his time and absolutely determinative for the tradition thereafter.

2018 Choice Outstanding Academic Title

Against a smoldering backdrop of violence, this study analyzes the various degrees of slave resistance--from the perspectives of both slave and master--and how they differed in various regions of antebellum Florida. In particular, Rivers demonstrates how the Atlantic world view of some enslaved blacks successfully aided their escape to freedom, a path that did not always lead North but sometimes farther South to the Bahama Islands and Caribbean. Identifying more commonly known slave rebellions such as the Stono, Louisiana, Denmark (Telemaque) Vesey, Gabriel, and the Nat Turner insurrections, Rivers argues persuasively that the size, scope, and intensity of black resistance in the Second Seminole War makes it the largest sustained slave insurrection ever to occur in American history.

Meticulously researched, Rebels and Runaways offers a detailed account of resistance, protest, and violence as enslaved blacks fought for freedom.

Long ago dubbed the “Paradise of America,” Northampton, Massachusetts, is also known as the home of visionaries—from the Reverend Jonathan Edwards, father of the First Great Awakening, to George W. Benson, brother-in-law of William Lloyd Garrison and a founder of the utopian Northampton Association for Education and Industry. During the mid-nineteenth century the town became a center of political abolitionism and a hub in the Underground Railroad. In this book, Bruce Laurie profiles five rebellious figures who launched Northampton's abolitionist movement—Sylvester Judd Jr., John Payson Williston, David Ruggles, Henry Sherwood Gere, and Erastus Hopkins. Through their individual stories he traces the evolution of the antislavery movement in western Massachusetts and links it to broader developments in economics, civil life, and political affairs. 

Northampton's abolitionists were a heterodox group, yet most were intrepid devotees of democracy and racial equality, idealists who enjoyed genuine friendships and political alliances with African Americans. Several even took the bold step of hiring African Americans in their businesses. They avoided the doctrinal rivalries that sometimes troubled the antislavery movement in other places, skillfully steering clear of the xenophobic nativism that infected Massachusetts politics in the mid–1850s and divided the Republican Party at large. Although a prohibitionist faction disrupted the Northampton abolitionist movement for a time, the leaders prevailed on the strength of their personal prestige and political experience, making the seat of Hampshire County what one of them called an abolitionist “stronghold.”