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Reportage in the Chinese-Speaking World examines reportage as an important aesthetic form of cultural production in the Sinophone world. Originating as a proletarian nonfiction form in interwar Europe, reportage spread around the world, coming into its own in the Sinophone world from the 1930s to today. Going beyond fact-based journalism, reportage is pursued through a variety of artistic forms and media, from nonfiction writing to photography to documentary film. Reportage’s plurimedial representations facilitate and amplify intersectional struggles against multiple forms of social and political oppression. Engaging its audiences in affective ethico-political exchanges with (human or nonhuman) subjects, reportage promotes audiences’ empathetic responses to the democratic appeals of marginalized groups whose status, identity, or situation manifest emergent ethical challenges in the society of their time.

This work offers new understandings of reportage’s dialectical relationship with its readership by evoking sympathetic identifications with personal contemplations of place, hearth, and senses of belonging. Covering a breadth of media across mainland China, Taiwan, and the Sinophone diaspora in the United States and Japan, this book examines how intermediality cultivates distinctive expressions in reportage, cross-cultural empathy, and ethico-political relationships between the reporter, photographer, filmmaker, and their surroundings.

An English translation of an award-winning collection by Chinese poet Yan An.

Rock Arrangement by Yan An, a prominent contemporary Chinese poet, won the Sixth Lu Xun Literary Prize, China’s highest literary honor, in 2014. Representing China’s highest poetic achievements from 2010 to 2013, this poetry collection was translated into English for the first time and was a runner-up for Carnegie Mellon University Press’s 2025 Literary Translation Prize. 

Akin to eco-poetry in their core themes, characterized by surrealism, mythical elements, and high abstraction, and even abstruseness, these poems integrate regional culture, surrealist poetics, and philosophical reflection. They skillfully employ a variety of vivid rhetorical devices and create contrasts through unconventional combinations of imagery, developing a distinctive poetic and spiritual language. Rock Arrangement is a landmark work in contemporary Chinese poetry that combines intellectual depth with artistic innovation.

Rogues in the Postcolony is a study of Anglophone Indian picaresque novels that dramatize the impacts of extractive capitalism and colonial occupation on local communities in several Indian states. In this materialist history of development on the subcontinent, Stacey Balkan considers works by Amitav Ghosh, Indra Sinha, and Aravind Adiga that critique violent campaigns of enclosure and dispossession at the hands of corporate entities like the English East India Company and its many legatees. By foregrounding the intersections among landscape ideology, agricultural improvement, extractive capitalism, and aesthetic expression, Rogues in the Postcolony also attends to the complicity of popular aesthetic forms with political and economic policy, as well as the colonial and extractivist logics that often frame discussions around the so-called Anthropocene epoch.

Bringing together questions about settler-colonial practices and environmental injustice, Rogues in the Postcolony concludes with an investigation of new extractivist frontiers, including solar capitalism, and considers the possibility of imagining life after extraction on the Indian subcontinent and beyond.

Joko Widodo—popularly called Jokowi—ruled Indonesia for a decade, from 2014 to 2024. The world’s fourth-largest nation and third-largest democracy, Indonesia had embarked on a messy democratic transition in the late 1990s, with the country’s ethnic and religious heterogeneity posing significant challenges to governance. Initially seen as a reformer who might challenge oligarchic structures, Jokowi was slowly but steadily seen as himself being a threat to democracy. By the time Jokowi wrapped up his presidency, he had achieved the highest approval ratings among Indonesia’s post-authoritarian presidents—and became the president with the tightest grip over Indonesia’s political elite.

Based on exclusive interviews with Jokowi and many of Indonesia’s top leaders, Ruling Indonesia shows Jokowi as a president obsessively preoccupied with his economic development agenda, subordinating all other aspects of governance to this goal. His focused approach delivered economic successes and unprecedented popularity, but also seriously undermined the health of Indonesia’s democratic institutions. Offering a holistic appraisal of his decade in office, Marcus Mietzner analyzes Jokowi’s domestic record in the context of his attempts to position Indonesia more favorably in the international competition for power and resources. Crucially, his obsession to push Indonesia closer to industrialized status while neglecting democratic development represented the ambitions and trials of many Global South leaders who are trying to juggle economic development, growing Sino-American tensions around the world, and concerns for democratic rights. As such, this book provides valuable insights into how the great power rivalry of the 21st century and the global recession of democracy are playing out in central arenas of the Global South.