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In the mid-eighteenth century, the Ottawa chief Pontiac (also spelled Ponteach) led an intertribal confederacy that resisted British power in the Great Lakes region. This event was immortalized in the play Ponteach, or the Savages of America: A Tragedy, attributed to the infamous frontier soldier Robert Rogers. Never performed, it is one of the earliest theatrical renderings of the region, depicting its hero in a way that called into question eighteenth-century constructions of Indigenous Americans.
Sämi Ludwig contends that Ponteach's literary and artistic merits are worthy of further exploration. He investigates questions of authorship and analyzes the play's content, embracing its many contradictions as enriching windows into the era. In this way, he suggests using Ponteach as a tool to better understand British imperialism in North America and the emerging theatrical forms of the Young Republic.

Robert Rogers, commander of Rogers’ Rangers during the French and Indian War, was the war’s best-known colonial military hero and, in the ensuing peace, one of the best-known Americans of any description, rivaling Benjamin Franklin in popularity. He was revered in the colonies as an example of the self-made man based on merit, in contrast to the hide-bound, hierarchical British military establishment. Yet this American icon ultimately alienated his peers,fought as a loyalist in the Revolutionary War, ruined himself financially, and died in obscurity in London, estranged from the country of his birth. Rogers is known today for his role in developing the mystique of the modern Ranger, but what explains his meteoric rise and his long, depressing fall?
            Robert Rogers, Ranger: The Rise and Fall of an American Icon by Martin Klotz is a fresh look at the life of this famous, yet highly flawed man. Rogers undeniably had great personal strengths. He was brave nearly to the point of fearlessness. He was physically robust, always the one to cover the retreat, carry the wounded, or go for help when no one else could carry on. He was an intrepid explorer who wrote with eloquence about the splendors of the American frontier. He was bold and unconventional, good at thinking outside the box. He was an outstanding scout and intelligence gatherer who provided invaluable service to a British army inexperienced in woodland warfare. At the same time Rogers had enormous weaknesses that undermined his ability to lead effectively. His boldness was never tempered by judgment, and he was prone to grandiose schemes that came to nothing or, worse, to disaster. His constant self-promotion—including embellishing and lying about his battlefield successes—contributed to his popularity but damaged his reputation with peers and superiors. He succumbed to alcoholism and gambling, was profligate, especially with money—his debts were enormous—and routinely skirted the edges of the law. Rogers never found a comfortable place in America. Instead, his aristocratic patrons in London, who knew him mostly from his own self-description, gave him his most valuable opportunities, including commanding an important military and trading center on the colonial frontier and establishing the Queen’s Rangers to fight alongside Crown forces during the Revolution. But when the British cause failed in America, Rogers became an anathema on both sides of the Atlantic. A fascinating inquiry into an eighteenth-century life, Robert Rogers, Ranger presents this American legend as he lived, crossing the line between fame and misfortune.