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As a journalist, advocate, and professor, Michael Frome has spent decades engaged with conservation topics and has taken particular interest in America’s national parks. He draws on this experience and knowledge to address what remains to be done in order to truly value and preserve these special places. Part memoir, part history, and part broadside against those who would diminish this heritage, Rediscovering National Parks in the Spirit of John Muir, through thoughtful reflections and ruminations, bears witness to the grandeur of our parks and to the need for a renewed sense of appreciation and individual responsibility for their care.

In recollections of his encounters and conversations with key people in national park history, Frome discusses park politics, conflicts between use and preservation, and impacts of commercialization. He proposes a dedicated return to the true spirit in which the parks were established, in the manner of John Muir. He advocates maintaining these lands as wild sanctuaries, places where we can find inspiration, solitude, silence, balance, and simplicity, reminding us why we must preserve our national treasures and why we need to connect with the deeper values they hold. 

This compilation, by an international grouping of scholars, focuses on the nature of Caribbean rock art or rock graphics and makes clear the region's substantial and distinctive rock art tradition. Thorough and comparative, it includes data on the history of rock graphic research, the nature of the assemblages (image numbers, types, locations), and the legal, conservation, and research status of the image sites. Chapters on these topics cover research on the islands of Cuba, Haiti, Dominican Republic, the Bahamas, Jamaica, Puerto Rico, U.S. Virgin Islands, Guadeloupe, Aruba, and Bonaire. The prehispanic rock art and other ceremonial structures and artifacts, along with enthnohistorical accounts of the region at Contact, projected backward in time, all point to an active ritual and ceremonial life involving commoners, religious specialists, and elites in differing and interconnected roles and for diverse purposes. The selective use of common rock graphic design and physical elements can be seen in the distribution and execution of the carved and painted images. Pecked, ground, abraded, and scratched petroglyphs, along with pictographs done frequently in red, black, white and orange hues are found on a range of rock surfaces including limestones, granites, diorites, and andesites. Caves/rock shelters and rock formations associated with water sources (water ways, pools, ocean) account for the two most common locations, followed by ball court sites, inland rock outcroppings and beach rock.

 

In addition to specific area presentations, the work includes a review of recent advances in Caribbean rock graphic studies including dating and interpretative models; the application of a new documentation method and resulting computer manipulation advantages; a conservation project in Jamaica that has implications for the preservation and interpretation of the site; and a proposed dating sequence for the Lesser Antillean

Windward Islands.