91 books match the query 'Desire' and 7 start with r

cover of Race Gender & Desire

Race Gender & Desire

Elliott Butler-Evans

Temple University Press, 1991

"Butler-Evans's work is everywhere sensitive to the nuances of textual disruptions, to subtle shifts of point of view and to rhetorical dissonance. His dense and adroit readings of even the most familiar writings force the reader to reconsider his or her relation to and understanding of the text in question.... An influential contribution to one of the most exciting new areas of literary study and critical/theoretical debate." --Valerie Smith, Princeton University Employing interpretive strategies from semiotics, narratology, feminist theory, and ideological analysis, Elliott Butler-Evans explores the manner in which the politics of race and gender overdetermine the narrative structures of the fiction of Toni Cade Bambara, Toni Morrison, and Alice Walker. He argues that their writing is "often the site of dissonance, ruptures, and...a kind of narrative violence generated by...these two distinctly different, and often contending, expressions of desire." For novelists such as those considered, the identification "black women writers" suggests the ideological duality that both limits and expands the meanings within their literature. After locating the nationalist, black aesthetic, and black feminist discourses in the writings of Morrison, Bambara, and Walker, Butler-Evans argues for a problematic tension between the racial and gender ideologies in the authors' fictions of the 1970s. In a concluding chapter, he demonstrates how the writers' use of post-modern narrative strategies enables them to figure a black feminist ideological position in their fictions of the 1980s. "A work of engaging, challenging scholarship. The critical matrix that informs many of the important issues in contemporary critical/literary theory and a fine understanding of the often-dismissed Black Arts Movement whose suppositions, as he demonstrates, find refiguration in--and are challenged by--the work of Bambara, Morrison, and Walker.... He offers a much-needed study that boldly asserts the appropriateness of poststructuralist Afrocentric/feminist literary analysis. Many scholars are starving for sophisticated theoretical analysis of the brilliant work of Afro American writers such as Morrison, Walker, and Bambara. Butler-Evans's provocative study will provide such readers with much food for though, and may permanently alter the ways in which we read these writers." --Michael Awkward, Center of Afro-American and African Studies, University of Michigan, Ann Arbor
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cover of Race and the Education of Desire: Foucault's History of Sexuality and the Colonial Order of Things

Race and the Education of Desire

Foucault's History of Sexuality and the Colonial Order of Things

Ann Laura Stoler

Duke University Press, 1995

Michel Foucault’s History of Sexuality has been one of the most influential books of the last two decades. It has had an enormous impact on cultural studies and work across many disciplines on gender, sexuality, and the body. Bringing a new set of questions to this key work, Ann Laura Stoler examines volume one of History of Sexuality in an unexplored light. She asks why there has been such a muted engagement with this work among students of colonialism for whom issues of sexuality and power are so essential. Why is the colonial context absent from Foucault’s history of a European sexual discourse that for him defined the bourgeois self? In Race and the Education of Desire, Stoler challenges Foucault’s tunnel vision of the West and his marginalization of empire. She also argues that this first volume of History of Sexuality contains a suggestive if not studied treatment of race.
Drawing on Foucault’s little-known 1976 College de France lectures, Stoler addresses his treatment of the relationship between biopower, bourgeois sexuality, and what he identified as “racisms of the state.” In this critical and historically grounded analysis based on cultural theory and her own extensive research in Dutch and French colonial archives, Stoler suggests how Foucault’s insights have in the past constrained—and in the future may help shape—the ways we trace the genealogies of race.
Race and the Education of Desire will revise current notions of the connections between European and colonial historiography and between the European bourgeois order and the colonial treatment of sexuality. Arguing that a history of European nineteenth-century sexuality must also be a history of race, it will change the way we think about Foucault.
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cover of Reading Chican@ Like a Queer: The De-Mastery of Desire

Reading Chican@ Like a Queer

The De-Mastery of Desire

By Sandra K. Soto

University of Texas Press, 2010

A race-based oppositional paradigm has informed Chicano studies since its emergence. In this work, Sandra K. Soto replaces that paradigm with a less didactic, more flexible framework geared for a queer analysis of the discursive relationship between racialization and sexuality. Through rereadings of a diverse range of widely discussed writers—from Américo Paredes to Cherríe Moraga—Soto demonstrates that representations of racialization actually depend on the sexual and that a racialized sexuality is a heretofore unrecognized organizing principle of Chican@ literature, even in the most unlikely texts. Soto gives us a broader and deeper engagement with Chican@ representations of racialization, desire, and both inter- and intracultural social relations.

While several scholars have begun to take sexuality seriously by invoking the rich terrain of contemporary Chicana feminist literature for its portrayal of culturally specific and historically laden gender and sexual frameworks, as well as for its imaginative transgressions against them, this is the first study to theorize racialized sexuality as pervasive to and enabling of the canon of Chican@ literature. Exemplifying the broad usefulness of queer theory by extending its critical tools and anti-heteronormative insights to racialization, Soto stages a crucial intervention amid a certain loss of optimism that circulates both as a fear that queer theory was a fad whose time has passed, and that queer theory is incapable of offering an incisive, politically grounded analysis in and of the current historical moment.

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cover of Realism after the Individual: Women, Desire, and the Modern American Novel

Realism after the Individual

Women, Desire, and the Modern American Novel

Rafael Walker

University of Chicago Press, 2026

A study of the transformation of the realist novel in the hands of early-twentieth-century American writers, who adapted this quintessentially nineteenth-century genre to the conditions of their age. 
 
Realism after the Individual offers a new theoretical paradigm for understanding realist novels published in the United States between 1900 and 1920, a period that has been described wrongheadedly as a “gulf” or a “valley” in American literary history. In this generation of writers, only three have remained in favor among critics: Kate Chopin, Edith Wharton, and Theodore Dreiser. Others have disappeared from view altogether—writers such as Robert Grant, Robert Herrick, and Booth Tarkington, all of whom were critically acclaimed bestsellers in their day.

As Rafael Walker shows, this generation of writers deserves new attention for the way they revised many core facets of the nineteenth-century novel in response to the historical shifts around it. This generation of novelists not only rejected liberal individualism but also formulated alternative paradigms for conceptualizing selfhood. The result was a slew of woman-centered realist novels that broke with literary precedent: The novels punish characters not for desiring too much but for failing to desire enough, they depict subjectivity not as private and interior but as outward-facing, and they view closure not as the novel’s aim but as a convention to flout. Realism after the Individual both revises prevailing views of American realism and lays the foundation for an alternative account of the development of literary modernism, one that illuminates the continuity between realism and the modernism that followed it.
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cover of Regimes of Desire: Young Gay Men, Media, and Masculinity in Tokyo

Regimes of Desire

Young Gay Men, Media, and Masculinity in Tokyo

Thomas Baudinette

University of Michigan Press, 2021

Shinjuku Ni-chōme is a nightlife district in central Tokyo filled with bars and clubs targeting the city’s gay male community. Typically understood as a “safe space” where same-sex attracted men and women from across Japan’s largest city can gather to find support from a relentlessly heteronormative society, Regimes of Desire reveals that the neighborhood may not be as welcoming as previously depicted in prior literature. Through fieldwork observation and interviews with young men who regularly frequent the neighborhood’s many bars, the book reveals that the district is instead a space where only certain performances of gay identity are considered desirable. In fact, the district is highly stratified, with Shinjuku Ni-chōme’s bar culture privileging “hard” masculine identities as the only legitimate expression of gay desire and thus excluding all those men who supposedly “fail” to live up to these hegemonic gendered ideals.

Through careful analysis of media such as pornographic videos, manga comics, lifestyle magazines and online dating services, this book argues that the commercial imperatives of the Japanese gay media landscape and the bar culture of Shinjuku Ni-chōme act together to limit the agency of young gay men so as to better exploit them economically. Exploring the direct impacts of media consumption on the lives of four key informants who frequent the district’s gay bars in search of community, fun and romance, Regimes of Desire reveals the complexity of Tokyo’s most popular “gay town” and intervenes in debates over the changing nature of masculinity in contemporary Japan.

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cover of Return to Warden's Grove: Science, Desire, and the Lives of Sparrows

Return to Warden's Grove

Science, Desire, and the Lives of Sparrows

Christopher Norment

University of Iowa Press, 2008

Based on three seasons of field research in the Canadian Arctic, Christopher Norment's exquisitely crafted meditation on science and nature, wildness and civilization, is marked by bottomless prose, reflection on timeless questions, and keen observations of the world and our place in it. In an era increasingly marked by cutting-edge research at the cellular and molecular level, what is the role for scientists of sympathetic observation? What can patient waiting tell us about ourselves and our place in the world?

His family at home in the American Midwest, Norment spends months on end living in isolation in the Northwest Territories, studying the ecology of the Harris's Sparrow. Although the fourteenth-century German mystic Meister Eckhardt wrote, "God is at home, we are in the far country," Norment argues that an intellectual, emotional, and spiritual "far country" can be found in the lives of animals and arctic wilderness. For Norment, "doing science" can lead to an enriched aesthetic and emotional connection to something beyond the self and a way to develop a sacred sense of place in a world that feels increasingly less welcoming, certain, and familiar. 

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cover of Rough Rider in the White House: Theodore Roosevelt and the Politics of Desire

Rough Rider in the White House

Theodore Roosevelt and the Politics of Desire

Sarah Watts

University of Chicago Press, 2003

Who was Theodore Roosevelt? Most of us think of him as one of America's greatest presidents, a champion of progressive politics, and a master statesman. But many feared the political power that Roosevelt wielded. Woodrow Wilson once called him "the most dangerous man of the age." Mark Twain thought him "clearly insane." William James scorned the "flood of bellicose emotion" he let loose during his presidency. Even his biographer, Edmund Morris, is astonished at Roosevelt's "irrational love of battle."

In this book, Sarah Watts probes this dark side of the Rough Rider, presenting a fascinating psychological portrait of a man whose personal obsession with masculinity profoundly influenced the fate of a nation. Drawing on his own writings and on media representations of him, Watts attributes the wide appeal of Roosevelt's style of manhood to the way it addressed the hopes and anxieties of men of his time. Like many of his contemporaries, Roosevelt struggled with what it meant to be a man in the modern era. He saw two foes within himself: a fragile weakling and a primitive beast. The weakling he punished and toughened with rigorous, manly pursuits such as hunting, horseback riding, and war. The beast he unleashed through brutal criticism of homosexuals, immigrants, pacifists, and sissies—anyone who might tarnish the nation's veneer of strength and vigor. With his unabashed paeans to violence and aggressive politics, Roosevelt ultimately offered American men a chance to project their longings and fears onto the nation and its policies. In this way he harnessed the primitive energy of men's desires to propel the march of American civilization—over the bodies of anyone who might stand in its way.

Written with passion and precision, this powerful revisioning of an American icon will forever alter the way we see Theodore Roosevelt and his political legacy.

"A superb scholarly study of how Roosevelt built his political base on the aspiration and fears of men in a rapidly changing nation and world."—Charles K. Piehl, Library Journal

"A thought-provoking and innovative study of the dark side of Roosevelt's personality. . . . [Watt's] arguments are clear, passionate, and thoroughly supported."—Elizabeth A. Bennion, Journal of Interdisciplinary History

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