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For a brief period from the late 1950s to the mid-1960s, folk music captured a mass audience in the United States, as college students and others swarmed to concerts by the likes of Peter, Paul & Mary, Joan Baez, and Bob Dylan. In this comprehensive study, Ronald D. Cohen reconstructs the history of this singular cultural moment, tracing its origins to the early decades of the twentieth century. Drawing on scores of interviews and numerous manuscript collections, as well as his own extensive files, Cohen shows how a broad range of traditions—from hillbilly, gospel, blues, and sea shanties to cowboy, ethnic, and political protest music—all contributed to the genre known as folk. He documents the crucial work of John Lomax and other collectors who, with the assistance of recording companies, preserved and distributed folk music in the 1920s. 

During the 1930s and 1940s, the emergence of left-wing politics and the rise of the commercial music marketplace helped to stimulate wider interest in folk music. Stars emerged, such as Woody Guthrie, Leadbelly, Pete Seeger, Burl Ives, and Josh White. With the success of the Weavers and the Kingston Trio in the 1950s, the stage was set for the full-blown “folk revival” of the early 1960s. Centered in New York's Greenwich Village and sustained by a flourishing record industry, the revival spread to college campuses and communities across the country. It included a wide array of performers and a supporting cast of journalists, club owners, record company executives, political activists, managers, and organizers. By 1965 the boom had passed its peak, as rock and roll came to dominate the marketplace, but the folk revival left an enduring musical legacy in American culture.

Perhaps best known for Broadside, the influential magazine they founded in 1962, Agnes “Sis” Cunningham and Gordon Friesen have long been renowned figures on the American left. In this book, these two dedicated social activists—Sis the folk musician and Gordon the radical journalist—offer a spirited account of their personal and political odyssey. The story is illustrated with numerous photographs and drawings. 

Born into poverty in rural Oklahoma, further shaped by the hardships of the “dustbowl” Depression years, Sis and Gordon were already committed to radical causes when they met and married in 1941. A short time later they moved to New York City, where they befriended Pete Seeger and Woody Guthrie. Sis joined the folk protest group the Almanac Singers, and Gordon continued his work as a journalist. Although blacklisted for their political views during the McCarthy era, Sis and Gordon persevered and eventually launched Broadside, which they continued to produce for almost twenty years. The magazine was instrumental in promoting the careers of many singer-songwriters, publishing the first works of such artists as Bob Dylan, Janis Ian, Phil Ochs, Buffy Sainte-Marie, and Tom Paxton, as well as the works of more established figures, including Malvina Reynolds and Pete Seeger. Indeed, Broadside gave birth to a musical revival that energized the country and forged a vital link between the folk music of the 1930s and 1940s and the urban folk revivalists of the 1960s and 1970s.

A Classic of Blues Literature inductee into the Blues Foundation's Blues Hall of Fame

Drawing on archives and interviews with musicians, Red River Blues remains an acclaimed work of blues scholarship. Bruce Bastin traces the origins of the music to the turn of the twentieth century, when African Americans rejected slave songs, worksongs, and minstrel music in favor of a potent new vehicle for secular musical expression. Bastin looks at the blues' early emerging popularity and its spread via the Great Migration, delves into a wealth of field recordings, and looks at the careers of Brownie McGhee, Blind Boy Fuller, Curly Weaver, Sonny Terry, and many other foundational artists.