73 books match the query 'Indians of Central America' and 3 start with r

cover of Reassessing the Aztatlán World: Ethnogenesis and Cultural Continuity in Northwest Mesoamerica

Reassessing the Aztatlán World

Ethnogenesis and Cultural Continuity in Northwest Mesoamerica

Edited by Michael D. Mathiowetz and John M. D. Pohl

University of Utah Press, 2024

The Aztatlán tradition of northwest Mesoamerica (AD 850/900–1350+) is one of the most understudied and enigmatic cultural developments in the Americas. This volume presents a spectrum of interdisciplinary research into Aztatlán societies, combining innovative archaeological methods with historical and ethnographic investigations. The results offer significant revelations about west Mexico’s critical role in over a millennium of cultural interaction between Indigenous societies in northwest and northeast Mexico, the Greater U.S. Southwest, Mesoamerica, lower Central America, and beyond.

Volume contributors show how those responsible for the Aztatlán tradition were direct ancestors of diverse Indigenous peoples such as the Náayeri (Cora), Wixárika (Huichol), O’dam (Tepehuan), Caz’ Ahmo (Caxcan), Yoeme (Yaqui), Yoreme (Mayo), and others who continue to reside across the former Aztatlán region and its frontiers. The prosperity of the Aztatlán tradition was achieved through long-distance networks that fostered the development of new ritual economies and integrated peoples in Greater Mesoamerica with those in the U.S. Southwest/Mexican Northwest.
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cover of Reshaping the World: Debates on Mesoamerican Cosmologies

Reshaping the World

Debates on Mesoamerican Cosmologies

Ana Díaz

University Press of Colorado, 2019

Reshaping the World is a nuanced exploration of the plurality, complexity, and adaptability of Precolumbian and colonial-era Mesoamerican cosmological models and the ways in which anthropologists and historians have used colonial and indigenous texts to understand these models in the past. Since the early twentieth century, it has been popularly accepted that the Precolumbian Mesoamerican cosmological model comprised nine fixed layers of underworld and thirteen fixed layers of heavens. This layered model, which bears a close structural resemblance to a number of Eurasian cosmological models, derived in large part from scholars’ reliance on colonial texts, such as the post–Spanish Conquest Codex Vaticanus A and Florentine Codex.
 
By reanalyzing and recontextualizing both indigenous and colonial texts and imagery in nine case studies examining Maya, Zapotec, Nahua, and Huichol cultures, the contributors discuss and challenge the commonly accepted notion that the cosmos was a static structure of superimposed levels unrelated to and unaffected by historical events and human actions. Instead, Mesoamerican cosmology consisted of a multitude of cosmographic repertoires that operated simultaneously as a result of historical circumstances and regional variations. These spaces were, and are, dynamic elements shaped, defined, and redefined throughout the course of human history. Indigenous cosmographies could be subdivided and organized in complex and diverse arrangements—as components in a dynamic interplay, which cannot be adequately understood if the cosmological discourse is reduced to a superposition of nine and thirteen levels.
 
Unlike previous studies, which focus on the reconstruction of a pan-Mesoamerican cosmological model, Reshaping the World shows how the movement of people, ideas, and objects in New Spain and neighboring regions produced a deep reconfiguration of Prehispanic cosmological and social structures, enriching them with new conceptions of space and time. The volume exposes the reciprocal influences of Mesoamerican and European theologies during the colonial era, offering expansive new ways of understanding Mesoamerican models of the cosmos.
 
Contributors:
Sergio Botta, Ana Díaz, Kerry Hull, Katarzyna Mikulska, Johannes Neurath, Jesper Nielsen, Toke Sellner Reunert†, David Tavárez, Alexander Tokovinine, Gabrielle Vail
 
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cover of Resilient Memories: Amerindian Cognitive Schemas in Latin American Art

Resilient Memories

Amerindian Cognitive Schemas in Latin American Art

Arij Ouweneel

The Ohio State University Press, 2018

Arij Ouweneel’s Resilient Memories: Amerindian Cognitive Schemas in Latin American Art takes a cognitive approach to the mediation of collective memory by works of art. In looking at cultural production of Amerindians—the transnational mnemonic community comprised of indígenas, originarios, mestizos, and cholos—Ouweneel argues that cultural memories and identity are not simply the sum total of individuals’ expressions of self, but that some cultural artifacts become privileged to inform the heart of the mnemonic community. Ouweneel seeks to identify a series of cognitive schemas as the foundation of an Amerindian Cognitive Unconsciousness as a viable alternative to the Freudian Dynamic Unconscious. Art, then, serves to trigger the cognitive schemas embedded within the Amerindian community and act as the mediator of collective memory. 
 
Exploring works ranging in popularity, from Alfonso Cuarón’s Y Tu Mamá También to the paintings of Peruvian artists Claudia Coca and Jorge Miyagui, and from Mexican Zapatistas to hip-hop, Ouweneel details the ways in which artists interact with the embodied memory of the community but also assert their own place within it as crucial, furthering their audiences’ understanding of and interaction with existing cultural schemas. In this way, Ouweneel shows that memories must serve the present or they will be forgotten.
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