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Indonesia is home to diverse peoples who differ from one another in terms of physical appearance as well as social and cultural practices. The way such matters are understood is partly rooted in ideas developed by racial scientists working in the Netherlands Indies beginning in the late nineteenth century, who tried to develop systematic ways to define and identify distinctive races. Their work helped spread the idea that race had a scientific basis in anthropometry and craniology, and was central to people’s identity, but their encounters in the archipelago also challenged their ideas about race.

In this new monograph, Fenneke Sysling draws on published works and private papers to describe the way Dutch racial scientists tried to make sense of the human diversity in the Indonesian archipelago. The making of racial knowledge, it contends, cannot be explained solely in terms of internal European intellectual developments. It was ‘on the ground’ that ideas about race were made and unmade with a set of knowledge strategies that did not always combine well. Sysling describes how skulls were assembled through the colonial infrastructure, how measuring sessions were resisted, what role photography and plaster casting played in racial science and shows how these aspects of science in practice were entangled with the Dutch colonial Empire.

Realizing the Dream of R. A. Kartini: Her Sisters’ Letters from Colonial Java presents a unique collection of documents reflecting the lives, attitudes, and politics of four Javanese women in the early twentieth century. Joost J. Coté translates the correspondence between Raden Ajeng Kartini, Indonesia’s first feminist, and her sisters, revealing for the first time her sisters’ contributions in defining and carrying out her ideals. With this collection, Coté aims to situate Kartini’s sisters within the more famous Kartini narrative–and indirectly to situate Kartini herself within a broader narrative.

The letters reveal the emotional lives of these modern women and their concerns for the welfare of their husbands and the success of their children in rapidly changing times. While by no means radical nationalists, and not yet extending their horizons to the possibility of an Indonesian nation, these members of a new middle class nevertheless confidently express their belief in their own national identity.

Realizing the Dream of R. A. Kartini is essential reading for scholars of Indonesian history, providing documentary evidence of the culture of modern, urban Java in the late colonial era and an insight into the ferment of the Indonesian nationalist movement in which these women and their husbands played representative roles.

A young couple poses before a painted backdrop depicting a modern building set in a volcanic landscape; a college student grabs his camera as he heads to a political demonstration; a man poses stiffly for his identity photograph; amateur photographers look for picturesque images in a rural village; an old woman leafs through a family album. In Refracted Visions, Karen Strassler argues that popular photographic practices such as these have played a crucial role in the making of modern national subjects in postcolonial Java. Contending that photographic genres cultivate distinctive ways of seeing and positioning oneself and others within the affective, ideological, and temporal location of Indonesia, she examines genres ranging from state identification photos to pictures documenting family rituals.
Oriented to projects of selfhood, memory, and social affiliation, popular photographs recast national iconographies in an intimate register. They convey the longings of Indonesian national modernity: nostalgia for rural idylls and “tradition,” desires for the trappings of modernity and affluence, dreams of historical agency, and hopes for political authenticity. Yet photography also brings people into contact with ideas and images that transcend and at times undermine a strictly national frame. Photography’s primary practitioners in the postcolonial era have been Chinese Indonesians. Acting as cultural brokers who translate global and colonial imageries into national idioms, these members of a transnational minority have helped shape the visual contours of Indonesian belonging even as their own place within the nation remains tenuous. Refracted Visions illuminates the ways that everyday photographic practices generate visual habits that in turn give rise to political subjects and communities.

Sasaks, a people of the Indonesian archipelago, cope with one of the country's worst health records by employing various medical traditions, including their own secret ethnomedical knowledge. But anxiety, in the presence and absence of illness, profoundly shapes the ways Sasaks use healing and knowledge. Hay addresses complex questions regarding cultural models, agency, and other relationships to conclude that the ethnomedical knowledge they use to cope with their illnesses ironically inhibits improvements in their health care.

M. Cameron Hay is a NSF Advance Fellow and an Assistant Adjunct Professor at the UCLA Center for Culture and Health.

Aceh is a region that is no stranger to violent conflict and tragedy. This special territory of Indonesia has faced occupation, fallen into civil war, and was brutalized by the deadly 2004 tsunami. While these forces have altered the lives of the Aceh people, their very experiences of suffering and recovery have changed thanks to the globalization of psychiatry.

In this book, Catherine Smith examines the global reach of the contested, yet compelling, concept of trauma. She explores how what is considered “trauma” has expanded well beyond the bounds of therapeutic practice to become a powerful cultural idiom shaping the ways people understand the effects of violence and imagine possible responses to suffering. In Aceh, conflict survivors have incorporated the ideas of trauma into their local languages, healing practices, and political imaginaries. The appearance of this idiom of distress into the Acehnese medical-moral landscape provides an ethnographic perspective on suffering and recovery, and contributes to our contemporary debates about the international reach of psychiatry and the cultural consequences as it spreads beyond the domain of medicine.

Resistance on the National Stage analyzes the ways in which, between 1985 and 1998, modern theater pracxadtitioners in Indonesia contributed to a rising movement of social protest against the long-governing New Order regime of President Suharto. It examines the work of an array of theater groups and networks from Jakarta, Bandung, and Yogyakarta that pioneered new forms of theater-making and new themes that were often presented more directly and critically than previous groups had dared to do.

Michael H. Bodden looks at a wide range of case studies to show how theater contributed to and helped build the opposition. He also looks at how specific combinations of social groups created tensions and gave modern theater a special role in bridging social gaps and creating social networks that expanded the reach of the prodemocracy movement. Theater workers constructed new social networks by involving peasants, Muslim youth, industrial workers, and lower-middle-class slum dwellers in theater productions about their own lives. Such networking and resistance established theater as one significant arena in which the groundwork for the ouster of Suharto in May 1998, and the succeeding Reform era, was laid.

Resistance on the National Stage will have broad appeal, not only for scholars of contemporary Indonesian culture and theater, but also for those interested in Indonesian history and politics, as well as scholars of postcolonial theater and culture.

The diary of 24-year-old Indonesian medical student Suhario Padmodiwiryo,
alias ‘Hario Kecik,” Revolution in the City of Heroes is an evocative first-hand
account of the popular uprising in Surabaya. It vividly portrays the chaotic swirl
of events and the heady emotion of young people ready to sacrifice their lives
for independence.


Newly liberated from nearly four brutal years under Japanese control, the
people of Indonesia faced great uncertainty in October 1945. As the British
Army attempted to take control of the city of Surabaya, maintain order and
deal with surrendered Japanese personnel, their actions were interpreted by
the young residents of Surabaya as a plan to restore Dutch colonial rule. In
response, the youth of the city seized Japanese arms and repelled the force sent
to occupy the city. They then held off British reinforcements for two weeks,
battling tanks and heavy artillery with little more than light weapons and sheer
audacity. Though eventually defeated, Surabaya’s defenders had set the stage
for Indonesia’s national revolution.