70 books match the query 'Language Arts' and 4 start with r
Kelly Blewett
Utah State University Press, 2026
Reconceptualizing Response reframes instructor feedback, one of the most consequential practices in rhetoric and writing studies, as a site of linguistic justice. Instructor response is not merely technical commentary; it is contested terrain where students’ identities, experiences, and language varieties must be named, supported, and celebrated.
Contributors represent a wide range of institutional contexts—including two-year colleges, four-year universities, HBCUs, HSIs, SLACs, and PWIs—and write from diverse positionalities, amplifying current debates and productive tensions in the field. Organized around four key moves—looking back, looking within, looking up, and looking around—the book invites readers to critically examine the ideologies underlying feedback practices; recognize how instructors' positionality, values, and beliefs are communicated through feedback; align feedback with students’ needs; and reconsider the broader classroom ecology required for justice. Bridging linguistic justice and feedback studies, this collection provides concrete tools and frameworks, as well as sample rubrics, course policies, and fresh approaches to assessment.
Ideal for graduate students, writing program administrators, faculty teaching future writing instructors, and anyone seeking to transform classroom practice, Reconceptualizing Response offers guiding questions for reflection and practical strategies for change. This volume reimagines instructor response as a catalyst for equity, consciousness-raising, and transformation, calling instructors not only to comment on writing but also to use feedback to dismantle oppressive logics and foster linguistic justice.
LuMing Mao and Morris Young
Utah State University Press, 2008
David G. Holmes
Southern Illinois University Press, 2004
Revisiting Racialized Voice:African American Ethos in Language and Literature argues that past misconceptions about black identity and voice, codified from the 1870s through the 1920s, inform contemporary assumptions about African American authorship and ethos. Tracing elements of racial consciousness in the works of Frederick Douglass, Charles Chesnutt, W. E. B. DuBois, Zora Neale Hurston, and others, David G. Holmes urges a revisiting of narratives from this period to strengthen and advance notions about racialized writing and to shape contemporary composition pedagogies.
Pointing to the intersection of African American identity, literature, and rhetoric, Revisiting Racialized Voice begins to construct rhetorically workable yet ideologically flexible definitions of black voice. Holmes maintains that political pressure to embrace“color blindness” endangers scholars’ ability to uncover links between racialized discourses of the past and those of the present, and he calls instead for a reassessment of the material realities and theoretical assumptions race represents and with which it has been associated.
Lynette Bradley
University of Michigan Press, 1985