Results by title
225 books match the query 'Modernism' and 8 start with r
Reading "The Waste Land"
Modernism and the Limits of InterpretationJewel Spears Brooker
University of Massachusetts Press, 1990
This study of T.S. Eliot's The Waste Land guides the reader through the poem line by line, taking into account a number of previous interpretations. Aims to offer a part-by-part analysis of the poem with periodic summations and a meditation on the limits of interpretation and the problematic nature of reading in the late 20th century.
Rebel Women
Feminism, Modernism and the Edwardian NovelJane Eldridge Miller
University of Chicago Press, 1996
"Miller's is the best account we have, not only of Edwardian women novelists, but of early 20th-century women novelists; the measure of her achievement is that the distinction no longer seems workable." —David Trotter, The London Review of Books
Reckoning with Millet's "Man with a Hoe," 1863–1900
Scott Allan
J. Paul Getty Trust, The, 2023
A monumentalizing portrayal of a peasant bowed over by brutal toil, Man with a Hoe (1860–62) by Jean-François Millet (1814–1875) is arguably the most art historically significant painting in the J. Paul Getty Museum’s collection of nineteenth-century European art. This volume situates the work in the arc of Millet’s career and traces its fascinating and contentious reception, from its scandalous debut at the 1863 Paris Salon to the years following its acquisition by American collectors in the 1890s. The essays examine the painting’s tumultuous public life, beginning in France, where critics attacked it on aesthetic and political grounds as a radical realist provocation; through its transformative movement in the art market during the remaining years of the artist’s life and following his death; to its highly publicized arrival in California as a celebrated masterpiece. In the United States it was enlisted to serve philanthropic interests, became the subject of a popular poem, and once again became embroiled in controversy, in this case one that was strongly inflected by American racial politics. This is the first publication dedicated to the work since its acquisition by the Getty Museum in 1985.
This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from September 12 to December 10, 2023.
Regenerating Japan
Organicism, Modernism and National Destiny in Oka Asajiro's Evolution and Human LifeGregory Sullivan
Central European University Press, 2018
As the first step toward a comprehensive reinterpretation of the role of evolutionary science and biomedicine in pre-1945 Japan, this book addresses the early writings of that era’s most influential exponent of shinkaron (evolutionism), the German-educated research zoologist and popularizer of biomedicine, Oka Asajirō (1868–1944). Concentrating on essays that Oka published in the years during and after the Russo-Japanese War (1904–5), the author describes the process by which Oka came to articulate a programmatic modernist vision of national regeneration that would prove integral to the ideological climate in Japan during the first half of the twentieth century. In contrast to other scholars who insist that Oka was merely a rationalist enlightener bent on undermining state Shinto orthodoxy, Gregory Sullivan maintains that Oka used notions from evolutionary biology of organic individuality—especially that of the nation as a super-organism—to underwrite the social and geopolitical aims of the Meiji state.
The author suggests that this generative scientism gained wide currency among early twentieth-century political and intellectual elites, including Emperor Hirohito himself, who had personal connections to Oka. The wartime ideology may represent an unfinished attempt to synthesize Shinto fundamentalism and the eugenically-oriented modernism that Oka was among the first to articulate.
René Magritte
The Artist’s MaterialsCatherine Defeyt
J. Paul Getty Trust, The, 0
René Magritte (1898–1967) is the most famous Belgian artist of the twentieth century and a celebrated representative of the Surrealist movement. Much has been written about his practices, artistic community, and significance within the history of modernism, but little has been documented regarding his process.
This volume examines fifty oil paintings made by Magritte between 1921 and 1967, now held at the Royal Museums of Fine Arts of Belgium. This technical study of his works using noninvasive scientific imaging and chemical analysis reveals the artist’s painting materials, his habit of overpainting previous compositions, and the origins and mechanisms of surface and pigment degradation. Of interest to conservators, scientists, curators, and enthusiasts of twentieth-century art, this book expands our understanding of Magritte the artist and provides new and useful findings that will inform strategies for the future care of his works.
Resisting Abstraction
Robert Delaunay and Vision in the Face of ModernismGordon Hughes
University of Chicago Press, 2014
With Resisting Abstraction, the first English-language study of Delaunay in more than thirty years, Gordon Hughes mounts a powerful argument that Delaunay was not only one of the earliest artists to tackle abstraction, but the only artist to present his abstraction as a response to new scientific theories of vision. The colorful, optically driven canvases that Delaunay produced, Hughes shows, set him apart from the more ethereal abstraction of contemporaries like Kandinsky, Mondrian, Kazimir Malevich, and František Kupka. In fact, Delaunay emphatically rejected the spiritual motivations and idealism of that group, rooting his work instead in contemporary science and optics. Thus he set the stage not only for the modern artists who would follow, but for the critics who celebrated them as well.
Revelation of Modernism
Response to Cultural Crises in Fin-de-Siécle PaintingAlbert Boime
University of Missouri Press, 2008
Among postimpressionist painters, Van Gogh, Seurat, Cézanne, and Gauguin produced a remarkable body of work that responded to a cultural and spiritual crisis in the avant-garde world—influences that pushed them toward an increasing reliance on science, literature, and occultism. In Revelation of Modernism, renowned art historian Albert Boime reappraises specific works by these masters from a perspective more appreciative of the individuals’ inner conflicts, offering the art world a new understanding of a period fraught with apocalyptic fears and existential anxieties.
Building on the seminal observations of Sven Lövgren from a half-century ago, Boime rejects popular notions of “art for art’s sake” and rethinks an entire movement to suggest that history, rather than expressive urge, is the driving force that shapes art. He reconsiders familiar masterpieces from a fresh perspective, situating the art in the contexts of history both real and speculative, of contemporary philosophy, and of science to depict modernism as a development that ultimately failed.
Boime expands on what we think we know about these figures and produces startling new revelations about their work. From the political history of Seurat’s Parade de cirque to the astronomical foundations of Van Gogh’s Starry Night, he draws analogies between literary sources and social, personal, and political strategies that have eluded most art historians. He offers a richer and more complex vision of Cézanne, considering the artist as an Old Testament figure in search of the Promised Landscape. And he provides a particularly detailed look at Gauguin—on whom Boime has never previously published—that takes a closer look at the artist’s The Vision after the Sermon and its allusions to Eliphas Lévi’s writings, sheds light on the sources for From whence do we come? and offers new thoughts about Gauguin’s various self-portraits.
Boime’s latest contribution further testifies to his status as one of our most important living art historians. As entertaining as it is eloquent, Revelation of Modernism is a bold and groundbreaking work that should be required reading for all who wish to understand the contradictory origins and development of modernism and its role in history.
Romance of Commerce and Culture
Capitalism, Modernism, and the Chicago-Aspen Crusade for Cultural Reform, Revised EditionJames Sloan Allen
University Press of Colorado, 2002