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“This book,” the author tells us in his preface, “is intended to be a picture of life on a farm in Southern Ohio in the 1930s.” It is a faithful portrait of farm life as thousands of men and women experienced it from one end of the country to the other and from pioneering times to the present century.

Originally published in 1938 to enthusiastic reviews and commercial success, RFD is the story of one couple’s trials with leaving the comforts of city life for a chance to get back to the land.

From his farm near Chillicothe, Ohio, Charles Allen Smart gives a realistic rendering of what it meant to farm in the 1930s. It is part of the book’s intrinsic honesty that it could not be as good as Walden. Thoreau had worked out a philosophy that suited him and that he was ready to recommend to others. Mr. Smart had no prescription for the general ailments, beyond a belief that creating things is important and that owning, buying, and selling things are unimportant.

What he tells us throughout this unusual book is that for him life on this particular farm, in this particular house, with this particular set-up of friends, neighbors, dogs, sheep, hens, cattle, trees, corn, vegetables, grass, and weather, costs less in human values than life in New York City—or in Chillicothe.

Ohio University Press is especially pleased to reissue this midwestern classic with a new foreword by noted farm writer Gene Logsdon.

“Every day is an anxiety in my ways of getting to the water. . . . I’ve become so attuned to it, so scared of it, so in love with it that sometimes I can only think by the sea. It is the only place I feel at home.”
 
Many of us visit the sea. Admire it. Even profess to love it. But very few of us live it. Philip Hoare does. He swims in the sea every day, either off the coast of his native Southampton or his adopted Cape Cod. He watches its daily and seasonal changes. He collects and communes with the wrack—both dead and never living—that it throws up on the shingle. He thinks with, at, through the sea.
 
All of which should prepare readers: RISINGTIDEFALLINGSTAR is no ordinary book. It mounts no straight-ahead argument. It hews to no single genre. Instead, like the sea itself, it moves, flows, absorbs, transforms. In its pages we find passages of beautiful nature and travel writing, lyrical memoir, seams of American and English history and much more. We find Thoreau and Melville, Bowie and Byron, John Waters and Virginia Woolf, all linked through a certain refusal to be contained, to be strictly defined—an openness to discovery and change. Running throughout is an air of elegy, a reminder that the sea is an ending, a repository of lost ships, lost people, lost ways of being. It is where we came from; for Hoare, it is where he is going.
 
“Every swim is a little death,” Hoare writes, “but it is also a reminder that you are alive.” Few books have ever made that knife’s edge so palpable. Read RISINGTIDEFALLINGSTAR. Let it settle into the seabed of your soul. You’ll never forget it.

How do race and nature work as terrains of power? From eighteenth-century claims that climate determined character to twentieth-century medical debates about the racial dimensions of genetic disease, concepts of race and nature are integrally connected, woven into notions of body, landscape, and nation. Yet rarely are these complex entanglements explored in relation to the contemporary cultural politics of difference. This volume takes up that challenge. Distinguished contributors chart the traffic between race and nature across sites including rainforests, colonies, and courtrooms.

Synthesizing a number of fields—anthropology, cultural studies, and critical race, feminist, and postcolonial theory—this collection analyzes diverse historical, cultural, and spatial locations. Contributors draw on thinkers such as Fanon, Foucault, and Gramsci to investigate themes ranging from exclusionary notions of whiteness and wilderness in North America to linguistic purity in Germany. Some essayists focus on the racialized violence of imperial rule and evolutionary science and the biopolitics of race and class in the Guatemalan civil war. Others examine how race and nature are fused in biogenetic discourse—in the emergence of “racial diseases” such as sickle cell anemia, in a case of mistaken in vitro fertilization in which a white couple gave birth to a black child, and even in the world of North American dog breeding. Several essays tackle the politics of representation surrounding environmental justice movements, transnational sex tourism, and indigenous struggles for land and resource rights in Indonesia and Brazil.

Contributors. Bruce Braun, Giovanna Di Chiro, Paul Gilroy, Steven Gregory, Donna Haraway, Jake Kosek, Tania Murray Li, Uli Linke, Zine Magubane, Donald S. Moore, Diane Nelson, Anand Pandian, Alcida Rita Ramos, Keith Wailoo, Robyn Wiegman

In Rachel Carson and Her Sisters, Robert K. Musil redefines the achievements and legacy of environmental pioneer and scientist Rachel Carson, linking her work to a wide network of American women activists and writers and introducing her to a new, contemporary audience.Rachel Carson was the first American to combine two longstanding, but separate strands of American environmentalism—the love of nature and a concern for human health. Widely known for her 1962 best-seller, Silent Spring, Carson is today often perceived as a solitary “great woman,” whose work single-handedly launched a modern environmental movement. But as Musil demonstrates, Carson’s life’s work drew upon and was supported by already existing movements, many led by women, in conservation and public health.

On the fiftieth anniversary of her death, this book helps underscore Carson’s enduring environmental legacy and brings to life the achievements of women writers and advocates, such as Ellen Swallow Richards, Dr. Alice Hamilton, Terry Tempest Williams, Sandra Steingraber, Devra Davis, and Theo Colborn, all of whom overcame obstacles to build and lead the modern American environmental movement.

Can plants move? Can they think? Can they act? In Radical Science, Mary Bowden shows that debates about plants’ capabilities are not new but can be traced to the nineteenth century, where they moved from scientific inquiries to popular articles and literary fiction. Examining the work of nineteenth-century physiological botanists, Bowden expands beyond Charles Darwin’s work in the field to uncover the full story of these debates and the impacts they had on literature, culture, and people. While many have interpreted the frequent comparisons between plants and people in nineteenth-century literature to be exemplary of aesthetic values or sexual symbolism, Bowden maintains that comparisons between plants and women, members of the working class, and people of color reiterate botanical debates about how to recognize agency in beings that are assumed to be passive. Studying the scientific texts of Darwin and Maria Elizabetha Jacson alongside social problem novels by Elizabeth Gaskell and Charles Kingsley and early science fiction by H. G. Wells, Radical Science foregrounds the connection between science and literature and ultimately suggests that we look to the propositions of nineteenth-century physiological botany to find more sustaining models of social and environmental relationship.

Are "animal welfare" supporters indistinguishable from the animal exploiters they oppose? Do reformist measures reaffirm the underlying principles that make animal exploitation possible in the first place? In this provocative book, Gary L. Francione argues that the modern animal rights movement has become indistinguishable from a century-old concern with the welfare of animals that in no way prevents them from being exploited.

Francione maintains that advocating humane treatment of animals retains a sense of them as instrumental to human ends. When they are considered dispensable property, he says, they are left fundamentally without "rights." Until the seventies, Francione claims, this was the paradigm within which the Animal Rights Movement operated, as demonstrated by laws such as the Federal Humane Slaughter Act of 1958.

In this wide-ranging book, Francione takes the reader through the philosophical and intellectual debates surrounding animal welfare to make clear the difference between animal rights and animal welfare. Through case studies such as campaigns against animal shelters, animal laboratories, and the wearing of fur, Francione demonstrates the selectiveness and confusion inherent in reformist programs that target fur, for example, but leave wool and leather alone.

The solution to this dilemma, Francione argues, is not in a liberal position that espouses the humane treatment of animals, but in a more radical acceptance of the fundamental inalienability of animal rights.

On the morning of August 14, 1909, a small, diverse group including Professor Byron Cummings of the University of Utah, Government Land Office surveyor William Douglass, pioneer archaeologist and trader John Weatherill, and Paiute guide Nasja Begay gazed at the largest structure of its kind in the world-Rainbow Bridge. Their presence marked the official discovery of the magnificent natural bridge, which spans 275 feet and towers 291 feet above the stream bed below it. Of the discovery party, only Nasja Begay had seen the stone arch before; he was one of a probably small number of Paiutes and Navajos, the true modern discoverers, who had visited it. In 1910, an executive order issued under the still fresh Antiquities Act created Rainbow Bridge National Monument, one of the first.

This was only the beginning of the Rainbow Bridge historical record. Its fame was soon widespread, but for many years its visitors would be few, their numbers restricted by the long arduous trail around Navajo Mountain to the site. Those few and the tour guides and businesses that emerged to serve them, especially at Rainbow Lodge, were an interesting mix though. The bridge's story included such western figures as trader Louisa Weatherill, wife of John and a Navajo speaker who was the first Anglo to hear of the bridge; Barry Goldwater, who for a time owned and operated Rainbow Lodge; Zane Grey, who wrote about the bridge; and David Brower, the Sierra Club leader who got wrapped up in the intersection of the Rainbow Bridge story with that of Glen Canyon Dam. Its construction and the filling of Lake Powell behind it made Rainbow Bridge a battleground, key territory in the larger war over water and conservation in the West. The remote, hard to reach national monument was supposed to define a limit to Colorado River reclamation but instead was inundated by Lake Powell and the tide of visitors who then could reach the foot of the bridge by boat. Though Rainbow is now easily and frequently visited and National Park Service amenities are in place, access to Rainbow Bridge is still an evolving and controversial issue.

Like fluttering shards of stained glass, butterflies possess a unique power to pierce and stir the human soul. Indeed, the ancient Greeks explicitly equated the two in a single word, psyche, so that from early times butterflies were not only a form of life, but also an idea. Profound and deeply personal, written with both wisdom and wit, Peter Marren’s Rainbow Dust explores this idea of butterflies—the why behind the mysterious power of these insects we do not flee, but rather chase.

At the age of five, Marren had his “Nabokov Moment,” catching his first butterfly and feeling the dust of its colored scales between his fingers. It was a moment that would launch a lifetime’s fascination rivaling that of the famed novelist—a fascination that put both in good company. From the butterfly collecting and rearing craze that consumed North America and Europe for more than two hundred years (a hobby that in some cases bordered on madness), to the potent allure of butterfly iconography in contemporary advertisements and their use in spearheading calls to conserve and restore habitats (even though butterflies are essentially economically worthless), Marren unveils the many ways in which butterflies inspire us as objects of beauty and as symbols both transient and transcendent.

Floating around the globe and through the whole gamut of human thought, from art and literature to religion and science, Rainbow Dust is a cultural history rather than merely a natural one, a tribute to butterflies’ power to surprise, entertain, and obsess us. With a sway that far surpasses their fragile anatomy and gentle beat, butterfly wings draw us into the prismatic wonders of the natural world—and, in the words of Marren, these wonders take flight.

Ranching is as much a part of the West as its wide-open spaces. The mystique of rugged individualism has sustained this activity well past the frontier era and has influenced how we view—and value—those open lands.

Nathan Sayre now takes a close look at how the ranching ideal has come into play in the conversion of a large tract of Arizona rangeland from private ranch to National Wildlife Refuge. He tells how the Buenos Aires Ranch, a working operation for a hundred years, became not only a rallying point for multiple agendas in the "rangeland conflict" after its conversion to a wildlife refuge but also an expression of the larger shift from agricultural to urban economies in the Southwest since World War II.

The U.S. Fish and Wildlife Service bought the Buenos Aires Ranch in 1985, removed all livestock, and attempted to restore the land to its "original" grassland in order to protect an endangered species, the masked bobwhite quail. Sayre examines the history of the ranch and the bobwhite together, exploring the interplay of social, economic, and ecological issues to show how ranchers and their cattle altered the land—for better or worse—during a century of ranching and how the masked bobwhite became a symbol for environmentalists who believe that the removal of cattle benefits rangelands and wildlife.

Sayre evaluates both sides of the Buenos Aires controversy—from ranching's impact on the environment to environmentalism's sometimes misguided efforts at restoration—to address the complex and contradictory roles of ranching, endangered species conservation, and urbanization in the social and environmental transformation of the West. He focuses on three dimensions of the Buenos Aires story: the land and its inhabitants, both human and animal; the role of government agencies in shaping range and wildlife management; and the various species of capital—economic, symbolic, and bureaucratic—that have structured the activities of ranchers, environmentalists, and government officials.

The creation of the Buenos Aires National Wildlife Refuge has been a symbolic victory for environmentalists, but it comes at the cost of implicitly legitimizing the ongoing fragmentation and suburbanization of Arizona's still-wild rangelands. Sayre reveals how the polarized politics of "the rangeland conflict" have bound the Fish and Wildlife Service to a narrow, ineffectual management strategy on the Buenos Aires, with greater attention paid to increasing tourism from birdwatchers than to the complex challenge of restoring the masked bobwhite and its habitat. His findings show that the urban boom of the late twentieth century echoed the cattle boom of a century before—capitalizing on land rather than grass, humans rather than cattle—in a book that will serve as a model for restoration efforts in any environment.

From the merlin to the golden eagle, the goshawk to the honey buzzard, James Macdonald Lockhart’s stunning debut is a quest of beak, talon, wing, and sky. On its surface, Raptor is a journey across the British Isles in search of fifteen species of birds of prey, but as Lockhart seeks out these elusive predators, his quest becomes so much more: an incomparably elegant elegy on the beauty of the British landscape and, through the birds, a journey toward understanding an awesome power at the heart of the natural world—a power that is majestic and frightening in its strength, but also fragile.

Taking as his guide the nineteenth-century Scottish naturalist and artist William MacGillivray, Lockhart loosely follows the historical trail forged by MacGillivray as he ventured from Aberdeen to London filling his pockets with plants and writing and illustrating the canonical A History of British Birds. Linking his journey to that of his muse, Lockhart shares his own encounters with raptors ranging from the scarce osprey to the successfully reintroduced red kite, a species once protected by medieval royal statute, revealing with poetic immediacy the extraordinary behaviors of these birds and the extreme environments they call home.

Creatures both worshipped and reviled, raptors have a talon-hold on the human heart and imagination. With his book, Lockhart unravels these complicated ties in a work by turns reverent and euphoric—an interweaving of history, travel, and nature writing at its best. A hymn to wanderers, to the land and to the sky, and especially to the birds, Raptor soars.

Since its foundation in 1860, the Oxford University Museum of Natural History has become a key center for scientific study, its much-loved building an icon for visitors from around the world. The museum now holds more than seven million scientific specimens, including five million insects, half a million fossil specimens, and half a million zoological specimens. It also holds an extensive collection of archival material relating to important naturalists such as Charles Darwin, William Jones, and James Charles Dale.
            This lavishly illustrated book features highlights from the collections, ranging from David Livingstone’s tsetse fly specimens to Mary Anning’s ichthyosaur, and from crabs collected by Darwin during his voyage on the Beagle to the iconic Dodo, the only soft tissue specimen of the species in existence. Also featured are the first described dinosaur bones, found in a small Oxfordshire village, the Red Lady of Paviland (who was in fact a man who lived 29,000 years ago), and a meteorite from the planet Mars.
            Each item tells a unique story about natural history, the history of science, collecting, or the museum itself. Rare & Wonderful offers unique insight into the extraordinary wealth of information and fascinating tales that can be gleaned from these collections.

Literary scholar Ann Ronald gathers her most notable published essays about Nevada, environmental writing, and Western American literature in one volume. These essays reflect Ronald’s wide-ranging interests. Here are deeply informed, critical essays on writers as diverse as Zane Gray, Edward Abbey, Wallace Stegner, and Terry Tempest Williams, as well as the Tonopah Ladies—a group of literary women who found their voices in the unlikely setting of a mining boomtown—and on such varied topics as the image of Reno in nineteenth- and twentieth-century fiction. Included are several recent essays in which Ronald thoughtfully discusses the burgeoning field of environmental writing, some of its principal themes and concerns, and its best-known practitioners.

A provocative new way to read and interpret the classic works of John Muir, Mary Austin, and Gary Snyder, and to bring their ideas into the discussion of ecological values and the current environmental crisis. Lewis combines a perceptive discussion of their work and ideas with an engaging account of his own trail experiences as hiker/backpacker and volunteer trail builder, proposing that such a field-based, interdisciplinary approach to literary study and outdoors experience can enrich our appreciation for the work of nature writers.

Reading the Shape of Nature vividly recounts the turbulent early history of the Museum of Comparative Zoology at Harvard and the contrasting careers of its founder Louis Agassiz and his son Alexander. Through the story of this institution and the individuals who formed it, Mary P. Winsor explores the conflicting forces that shaped systematics in the second half of the nineteenth century. Debates over the philosophical foundations of classification, details of taxonomic research, the young institution's financial struggles, and the personalities of the men most deeply involved are all brought to life.

In 1859, Louis Agassiz established the Museum of Comparative Zoology to house research on the ideal types that he believed were embodied in all living forms. Agassiz's vision arose from his insistence that the order inherent in the diversity of life reflected divine creation, not organic evolution. But the mortar of the new museum had scarcely dried when Darwin's Origin was published. By Louis Agassiz's death in 1873, even his former students, including his son Alexander, had defected to the evolutionist camp. Alexander, a self-made millionaire, succeeded his father as director and introduced a significantly different agenda for the museum.

To trace Louis and Alexander's arguments and the style of science they established at the museum, Winsor uses many fascinating examples that even zoologists may find unfamiliar. The locus of all this activity, the museum building itself, tells its own story through a wonderful series of archival photographs.

Rebuilding Community after Katrina chronicles the innovative and ambitious partnership between Cornell University’s City and Regional Planning department and ACORN Housing, an affiliate of what was the nation’s largest low-income community organization. These unlikely allies came together to begin to rebuild devastated neighborhoods in New Orleans after Hurricane Katrina.  

The editors and contributors to this volume allow participants’ voices to show how this partnership integrated careful, technical analysis with aggressive community outreach and organizing. With essays by activists, organizers, community members, and academics on the ground, Rebuilding Community after Katrina presents insights on the challenges involved in changing the way politicians and analysts imagined the future of New Orleans’ Ninth Ward. 

What emerges from this complex drama are lessons about community planning, organizational relationships, and team building across multi-cultural lines. The accounts presented in Rebuilding Community after Katrina raise important and sensitive questions about the appropriate roles of outsiders in community-based planning processes.

The first English translation of Johannes Weigelt's 1927 classic makes available the seminal work in taphonomy, the study of how organisms die, decay, become entombed in sediments, and fossilize over time. Weigelt emphasized the importance of empirical work and made extensive observations of modern carcasses on the Texas Gulf Coast. He applied the results to evidence from the fossil record and demonstrated that an understanding of the postmortem fate of modern animals is crucial to making sound inferences about fossil vertebrate assemblages and their ecological communities.

Weigelt spent sixteen months on the Gulf Coast in the mid-1920s, gathering evidence from the carcasses of cattle and other animals in the early stages of preservation. This book reports his observations. He discusses death and decomposition; classifies various modes of death (drowning, cold, dehydration, fire, mud, quicksand, oil slicks, etc.); documents and analyzes the positions of carcasses; presents detailed data on carcass assemblages at the Smither's Lake site in Texas; and, in a final chapter, makes comparisons to carcass assemblages from the geologic past. He raises questions about whether much of the fossil record is a product of unusual events and, if so, what the implications are for paleoecological studies.

The English edition of Recent Vertebrate Carcasses includes a foreword and a translator's note that comment on Weigelt's life and the significance of his work. The original bibliography has been brought up to date, and, where necessary, updated scientific and place names have been added to the text in brackets. An index of names, places, and subjects is included, and Weigelt's own photographs of carcasses and drawings of skeletons illustrate the text.

Surprisingly, glimmerings of ecofeminist theory that would emerge a century later can be detected in women’s poetry of the late Victorian period. In Reconceiving Nature, Patricia Murphy examines the work of six ecofeminist poets—Augusta Webster, Mathilde Blind, Michael Field, Alice Meynell, Constance Naden, and L. S. Bevington—who contested the exploitation of the natural world. Challenging prevalent assumptions that nature is inferior, rightly subordinated, and deservedly manipulated, these poets instead “reconstructed” nature.

This penetrating work culls key concepts from grassroots activism to hold critical social theory accountable to the needs, ideas, and organizational practices of the global justice movement. The resulting critique of neoliberalism hinges on place-based struggles of groups marginalized by globalization and represents a brave rethinking of politics, economy, culture, and professionalism.

Providing new practical and conceptual tools for responding to human and environmental crises in Appalachia and beyond, Recovering the Commons radically revises the framework of critical social thought regarding our stewardship of the civic and ecological commons. Herbert Reid and Betsy Taylor ally social theory, field sciences, and local knowledge in search of healthy connections among body, place, and commons that form a basis for solidarity as well as a vital infrastructure for a reliable, durable world. Drawing particularly on the work of philosophers Maurice Merleau-Ponty, John Dewey, and Hannah Arendt, the authors reconfigure social theory by ridding it of the aspects that reduce place and community to sets of interchangeable components. Instead, they reconcile complementary pairs such as mind/body and society/nature in the reclamation of public space.

With its analysis embedded in philosophical and material contexts, this penetrating work culls key concepts from grassroots activism to hold critical social theory accountable to the needs, ideas, and organizational practices of the global justice movement. The resulting critique of neoliberalism hinges on place-based struggles of groups marginalized by globalization and represents a brave rethinking of politics, economy, culture, and professionalism.

In Recreational Colonialism and the Rhetorical Landscapes of the Outdoors, Kyle Boggs chronicles the struggle between Indigenous peoples who have rooted religious and cultural ties to outdoor sites across the US and elsewhere and the settlers who claim the right to freely recreate in those same places. Synthesizing theories of rhetoric, environmental studies, and settler colonialism, Boggs confronts the ways that settler colonial experiences and expectations have been narrated through rhetorical practices on these so-called public lands. Fusing journalism and personal narrative with scholarly research, Boggs’s argument comes to bear on his central case study of a northern Arizona ski development on a mountain held sacred by at least thirteen Indigenous tribes. In illuminating the striking ways that settler imaginaries are accommodated, performed, and sustained in the everyday, Boggs offers a powerful reminder that even during leisure activities (in this case, sports such as ultrarunning, rock climbing, and skiing), complex webs of power control who can access resources and land and who has the right to protect histories and cultures.

Red Deer: Behavior and Ecology of Two Sexes is the most extensive study yet available of reproduction in wild vertebrate. The authors synthesize data collected over ten years on a population of individually recognizable red deer, usually regarded as conspecific with the American elk. Their results reveal the extent of sex differences in behavior, reproduction, and ecology and make a substantial contribution to our understanding of sexual selection.

Drawing on detailed data from their sixteen-year study of red-winged blackbirds in the marshes of Washington's Columbia National Wildlife Refuge, Beletsky and Orians analyze the information redwings use to make breeding-season decisions and the consequences these decisions have for lifetime reproductive success. Because male and female redwings make different, and often independent, decisions—males focus on territory acquisition and maintenance, while females must choose when and where to nest and how much energy to invest in reproduction—the authors have taken the novel approach of studying the sexes separately.

Using analyses of observational data combined with field experiments and game-theoretical models, the authors provide new insights into the complex patterns of reproductive decision-making and breeding behavior in redwings. This book will be of interest to all who study social animals, including behavioral ecologists, evolutionary biologists, and ornithologists.

Winner of the 2020 New Mexico-Arizona Book Awards 
Winner of the inaugural Interim 2018 Test Site Poetry Series Prize

Refugia is a bright and hopeful voice in the current conversation about climate change. Kyce Bello’s stunning debut ponders what it means to inhabit a particular place at a time of enormous disruption, witnessing a beloved landscape as it gives way to, as Bello writes, “something other and unknown, growing beyond us.” Ultimately an exploration of resilience, Refugia brings to life the author’s home ground in Northern New Mexico and carefully observes the seasons in parallel with personal cycles of renewal and loss. These vivid poems touch upon history, inheritance, drought, and most of all, trees—be they Western conifers succumbing to warming temperatures, ramshackle orchards along the Rio Grande, or family trees reaching simultaneously into the past and future.

Like any wilderness, Refugia creates a terrain that is grounded in image and yet many-layered and complex. These poems write us back into an ecological language of place crucial to our survival in this time of environmental crisis.

What is it about Western society, ask the authors, that makes it possible for people to express great affection for animals as sentient creatures and simultaneously turn a blind eye to the most callous behavior toward them? Animals are sold as expensive commodities, used as food and clothing, killed as vermin, and hunted for sport. But they also are treated as members of the family, used as the cause célèbre of social movements, and made the subject of art, film, and poetry. Such contradictions motivate these unique ethnographers to venture into social worlds most people know about only in passing, such as veterinary clinics where companion animals are cared for, animal shelters where dogs and cats are "mercifully" euthanized, and primate labs where monkeys are kept for animal experimentation.

Arluke and Sanders are not distanced ethnographers. They worked in the clinics, shelters, and laboratories, cleaning cages, assisting in surgery, and participating in "sacrificing" animals for science or helping to provide them with an "easy death." In this book, the people who work with these animals and live through them talk to the authors about the strategies they adopt to cope with the stress of the job.

This fascinating book combines sociological analysis with ethnographic description to give us insight into the history and practice of how we as human beings construct animals, and by extrapolation, how we construct ourselves and others in relation to them.

In the series Animals, Culture, and Society, edited by Arnold Arluke and Clinton R. Sanders.

What has happened to our national parks?

Overcrowding and commercialization are commonplace, and with the increase in visitation has come not only congestion but crime. Yet visitor enjoyment seems to be a higher priority of those who manage the parks than the protection and perpetuation of natural systems. How could this have happened? Michael Frome, one of the most outspoken and highly regarded observers of our national parks, here shows how the original mission of the National Park Service has been undermined by politicization and bureaucratization.

Regreening the National Parks tells how the Park Service has been transformed from a professional to a political agency and in the process has betrayed its own values by emphasizing recreation and "short-order wilderness served like fast food" rather than the preservation of the nation's natural heritage. Frome has drawn on both official documents and personal interviews to examine the policies--and personalities--behind the scenes at the National Park Service. He cites instances of personnel being forbidden to criticize public policy in which they found a conflict with conservation principles, and contends that, as the Park Service has become more bureaucratic, those for whom the environment deeply matters scarcely rise within its ranks. In considering the environmental abuse rampant today, Frome sees national parks as models of respect for nature and concludes his book with a ten-point program toward realizing that ideal.

Christian Knoeller presents a radical reinterpretation of environmental history set in the heartland of America. In an excellent model of narrative-based scholarship, this book dynamically reimagines American environmentalism across generations of writers, artists, and scientists. Knoeller starts out with Audubon, and cites Thoreau’s journals in the 1850s as he assesses an early 17th century account of New England’s natural resources by William Wood, showing the epic decline in game and bird populations in Concord. This reading of environmental history is replicated throughout with a gallery of novelists, poets, essayists, and other commentators as they explore ecological memory and environmental destruction. In apt discussions of Matthiessen, Lopez, Wendell Berry, William Stafford and many others, Knoeller offers vibrant insights into literary history. He also cites his own memoir of perpetual development on his family’s farm in Indiana, enriching the scholarship and making an urgent plea for the healing aesthetics of the imagination.
 
Reading across centuries and genres, Knoeller gives us a vibrant new appraisal of Midwestern/North American interior literary traditions and makes clear how vital environmental writing is to this region. To date, no one has written such an eloquent and comprehensive cross-genre analysis of Midwestern environmental literature.

Reimagining a Place for the Wild contains a diverse collection of personal stories that describe encounters with the remaining wild creatures of the American West and critical essays that reveal wildlife’s essential place in western landscapes. Gleaned from historians, journalists, biologists, ranchers, artists, philosophers, teachers, and conservationists, these narratives expose the complex challenges faced by wild animals and those devoted to understanding them. Whether discussing keystone species like grizzly bears and gray wolves or microfauna swimming the thermal depths of geysers, these accounts reflect the authors’ expertise as well as their wonder and respect for wild nature. The writers do more than inform our sensibilities; their narratives examine both humanity’s conduct and its capacity for empathy toward other life. A selection of photos and paintings punctuates the volume.

This collection sprang from the Reimagine Western Landscapes Symposium held at the University of Utah’s Taft-Nicholson Environmental Humanities Education Center in Centennial Valley, Montana. These testaments join a chorus of voices seeking improved relations with the western wild in the twenty-first century.

On any night in early June, if you stand on the right beaches of America’s East Coast, you can travel back in time all the way to the Jurassic. For as you watch, thousands of horseshoe crabs will emerge from the foam and scuttle up the beach to their spawning grounds, as they’ve done, nearly unchanged, for more than 440 million years.

Horseshoe crabs are far from the only contemporary manifestation of Earth’s distant past, and in Relics, world-renowned zoologist and photographer Piotr Naskrecki leads readers on an unbelievable journey through those lingering traces of a lost world. With camera in hand, he travels the globe to create a words-and-pictures portrait of our planet like no other, a time-lapse tour that renders Earth’s colossal age comprehensible, visible in creatures and habitats that have persisted, nearly untouched, for hundreds of millions of years.

Naskrecki begins by defining the concept of a relic—a creature or habitat that, while acted upon by evolution, remains remarkably similar to its earliest manifestations in the fossil record. Then he pulls back the Cambrian curtain to reveal relic after eye-popping relic: katydids, ancient reptiles, horsetail ferns, majestic magnolias, and more, all depicted through stunning photographs and first-person accounts of Naskrecki’s time studying them and watching their interactions in their natural habitats. Then he turns to the habitats themselves, traveling to such remote locations as the Atewa Plateau of Africa, the highlands of Papua New Guinea, and the lush forests of the Guyana Shield of South America—a group of relatively untrammeled ecosystems that are the current end point of staggeringly long, uninterrupted histories that have made them our best entryway to understanding what the prehuman world looked, felt, sounded, and even smelled like.

The stories and images of Earth’s past assembled in Relics are beautiful, breathtaking, and unmooring, plunging the reader into the hitherto incomprehensible reaches of deep time. We emerge changed, astonished by the unbroken skein of life on Earth and attentive to the hidden heritage of our planet’s past that surrounds us. 

Imagine a typical morning--munching on a bowl of cereal, sipping coffee, dressing for the day, riding to work. Every moment of this common routine draws on the power of plants, and the centuries of development that brought wheat, coffee beans, cotton, and rubber--among many others--into our daily lives.

Remarkable Plants celebrates the wonder and utility of the green kingdom, taking a detailed look at how plants have shaped our world. It focuses on eighty key species and richly explores their history, highlighting their importance and bringing to light surprising stories. Organized thematically into eight sections, the book starts with “Transformers” (including rice, beans, olives) and moves through sections such as “Heal and Harm” (poppy, aloe, strychnos) and “Revered and Adored” (lotus, frankincense, rose). Each species is introduced with its common and scientific names and followed by an exploration of its cultural, historical, botanical, and symbolic associations. Hundreds of botanical illustrations show full plants as well as highlight distinctive leaves, blooms, and fruits.

Rooted in one of the world’s most important and renowned temples of greenery, the Royal Botanic Gardens, Kew, Remarkable Plants is a symbiotic balance of science and art that will open readers’ eyes to the deep influence of the natural world on our modern one.

Throughout our history trees have been central to our existence. They provide us with vital ingredients for life—food, medicine, materials, even the oxygen we breathe. Ecologically, they are crucial in controlling pollution and moderating the climate, and culturally they are important to our religions, folklore and art. It has also been shown that as well as greening our lives they can improve our health and mental well-being.

Remarkable Trees tells the unique story of more than sixty species, each selected for its resonance and connection with people. In portraits that combine vivid cultural and historical narrative with a firm scientific grounding, Christina Harrison and Tony Kirkham reveal fascinating details of trees from the world’s major environmental zones and habitats. Some are obvious superstars such as oaks, redwoods and coconut, while others are more surprising: we learn of the monkey puzzle, a tree native to Chile that “can grow for 1,000 years,” and of the manchineel, a tree that contains sap so toxic to human skin that it’s a risk to stand beneath it on a rainy day. In these pages are trees that are healers and killers, trees that serve as foundations of great buildings and grand feasts, and trees that leave us with a sense of wonder and of worry for their survival.

In a tribute to the artists and botanists who have been inspired by trees for centuries, this book is filled with 240 delightful illustrations. The varied and beautiful images come from the unrivalled archive at the Royal Botanic Gardens, Kew, and they bring this enlightening and enchanting volume to life.

While trees have supported us for millennia, we have recently lost that direct, deep connection with them. Harrison and Kirkham remind us that we do not have to look far to reestablish that relationship and that we can still cherish the splendor and significance of these quiet giants.

This wide-ranging collection of essays is intended to provoke both thought and action. The pieces collected here explore a variety of issues facing the American West—disappearing Native American languages, deteriorating air quality, suburban sprawl, species loss, grassland degradation, and many others—and suggest steps toward “healing.” More than “dealing with” or “solving,” according to the editors, healing addresses not just symptoms but their underlying causes, offering not just a temporary cure but a permanent one.

The signs of illness and trauma can seem omnipresent in today’s West: land and soil disrupted from mining, overgrazing, logging, and farming; wildlife habitat reduced and fragmented; native societies disturbed and threatened; open space diminished by cities and suburbs; wilderness destroyed by roads and recreation-seekers. But as these essays suggest, the “treatment program” for healing the West has many healthful side effects. Engaging in the kinds of projects suggested by contributors is therapeutic not only for the environment but for participants as well. Restoration, repair, and recovery can counter symptoms of despair with concentrated doses of promise and possibility.

The more “lesions” the West has, this book suggests, the more opportunities there are for westerners to revive and ultimately cure the ailing patient they have helped to create. The very idea of restoring the West to health, contributors and editors contend, unleashes our imaginations, sharpens our minds, and gives meaning to the ways we choose to live our lives. At the same time, acknowledging the profound difficulties of the work that lies ahead immunizes us against our own arrogance as we set about the task of healing the West.