52 books match the query 'Nature in literature' and 5 start with r

cover of Reader Of The Purple Sage: Essays On Western Writers And Environmental Literature

Reader Of The Purple Sage

Essays On Western Writers And Environmental Literature

Ann Ronald

University of Nevada Press, 2003

Literary scholar Ann Ronald gathers her most notable published essays about Nevada, environmental writing, and Western American literature in one volume. These essays reflect Ronald’s wide-ranging interests. Here are deeply informed, critical essays on writers as diverse as Zane Gray, Edward Abbey, Wallace Stegner, and Terry Tempest Williams, as well as the Tonopah Ladies—a group of literary women who found their voices in the unlikely setting of a mining boomtown—and on such varied topics as the image of Reno in nineteenth- and twentieth-century fiction. Included are several recent essays in which Ronald thoughtfully discusses the burgeoning field of environmental writing, some of its principal themes and concerns, and its best-known practitioners.

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cover of Reading Nature: The Evolution of American Nature Writing

Reading Nature

The Evolution of American Nature Writing

John Seibert Farnsworth

Michigan State University Press, 2025

Reading Nature highlights the ten books that most influenced the scope and direction of literary natural history in the United States. It explores how American nature writing came to focus on the deep observation of wild landscapes and how the genre evolved over 163 years, beginning with the publication of Henry David Thoreau’s Walden in 1854. The volume also examines Mary Austin’s Land of Little Rain (1903), John Burroughs’s Ways of Nature (1905), Aldo Leopold’s A Sand County Almanac (1949), Rachel Carson’s The Sea around Us (1951), Edward Abbey’s Desert Solitaire (1968), Annie Dillard’s Pilgrim at Tinker Creek (1974), Terry Tempest Williams’s Refuge (1991), Robin Wall Kimmerer’s Braiding Sweetgrass (2013), and J. Drew Lanham’s The Home Place (2016). This book features a series of close readings exploring how these authors transformed popular understanding of the natural world.
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cover of Reading The Trail: Exploring The Literature And Natural History Of The California Crest

Reading The Trail

Exploring The Literature And Natural History Of The California Crest

Corey Lee Lewis

University of Nevada Press, 2005

A provocative new way to read and interpret the classic works of John Muir, Mary Austin, and Gary Snyder, and to bring their ideas into the discussion of ecological values and the current environmental crisis. Lewis combines a perceptive discussion of their work and ideas with an engaging account of his own trail experiences as hiker/backpacker and volunteer trail builder, proposing that such a field-based, interdisciplinary approach to literary study and outdoors experience can enrich our appreciation for the work of nature writers.

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cover of Rethinking Reality: Lucretius and the Textualization of Nature

Rethinking Reality

Lucretius and the Textualization of Nature

Duncan F. Kennedy

University of Michigan Press, 2002

How deeply into the structure of physical reality do the effects of our way of representing it reach? To what extent do constructivist accounts of scientific theorizing involve realist assumptions, and vice versa? This book provides a lucid and concise introduction to contemporary debates, taking as its theme the question of the relationship of representation and reality. It treats in an attractive and accessible way the historical, philosophical, and literary aspects of this question. In particular, it explores how the present relates to and configures claims to scientific knowledge from the past, taking as its main case study On the Nature of Things (De Rerum Natura), the poem on physics written by the Roman poet Lucretius in the 50s B.C.E.
The book engages in a sustained argument about realist assumptions in scientific and other discourses through detailed analysis and discussion of some of the most important recent contributions to this debate. Engaging sympathetically but not uncritically with constructivist accounts of scientific knowledge, the book takes up a sustained critique of recent contributions to that debate, including those of Ian Hacking, Evelyn Fox Keller, Bruno Latour, and Hans-Jörg Rheinberger. What are the implications of regarding such knowledge as "discovered" or "invented"? How is the rhetoric of such claims to be identified and the pretentions of those claims assessed?In what ways can realist and constructivist approaches be reconciled? How do these considerations affect the way we read scientific texts from the past and regard them historically?
What emerges is a fresh and challenging assessment of the role of time and temporal perspective in assessing claims to knowledge in scientific thought and of the importance of textuality to the history of knowledge. A wide variety of readers, from classicists and intellectual historians to epistemologists of science, will enjoy and learn from Rethinking Reality.
Duncan Kennedy is Reader in Latin Literature and the Theory of Criticism, University of Bristol. He is also the author of The Arts of Love: Five Studies in the Discourse of Roman Love Elegy.
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cover of Romantic Things: A Tree, a Rock, a Cloud

Romantic Things

A Tree, a Rock, a Cloud

Mary Jacobus

University of Chicago Press, 2012

Our thoughts are shaped as much by what things make of us as by what we make of them. Lyric poetry is especially concerned with things and their relationship to thought, sense, and understanding. In Romantic Things, Mary Jacobus explores the world of objects and phenomena in nature as expressed in Romantic poetry alongside the theme of sentience and sensory deprivation in literature and art.
 
Jacobus discusses objects and attributes that test our perceptions and preoccupy both Romantic poetry and modern philosophy. John Clare, John Constable, Rainer Maria Rilke, W. G. Sebald, and Gerhard Richter make appearances around the central figure of William Wordsworth as Jacobus explores trees, rocks, clouds, breath, sleep, deafness, and blindness in their work. While she thinks through these things, she is assisted by the writings of Maurice Merleau-Ponty, Jacques Derrida, and Jean-Luc Nancy. Helping us think more deeply about things that are at once visible and invisible, seen and unseen, felt and unfeeling, Romantic Things opens our eyes to what has been previously overlooked in lyric and Romantic poetry.
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