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While the population of Indigenous peoples living in Mexico’s cities has steadily increased over the past four decades, both the state and broader society have failed to recognize this geographic heterogeneity by continuing to expect Indigenous peoples to live in rural landscapes that are anathema to a modern Mexico.

This book examines the legacy of the racial imaginary in Mexico with a focus on the Wixarika (Huichol) Indigenous peoples of the western Sierra Madre from the colonial period to the present. Through an examination of the politics of identity, space, and activism among Wixarika university students living and working in the western Mexican cities of Tepic and Guadalajara, geographer Diana Negrín analyzes the production of racialized urban geographies and reveals how Wixarika youth are making claims to a more heterogeneous citizenship that challenges these deep-seated discourses and practices. Through the weaving together of historical material, critical interdisciplinary scholarship, and rich ethnography, this book sheds light on the racialized history, urban transformation, and contemporary Indigenous activism of a region of Mexico that has remained at the margins of scholarship.

 

George W. Bush is widely regarded as a president of transformative significance. This volume analyzes the ambitious but controversial agenda that he has pursued at home and abroad. The contributors assess Bush's presidency in terms of its historical context, first-term record, and second-term prospects. They consider his administration from the perspective of its engagement in an ideologically driven project to consolidate conservative ascendancy over U.S. politics and public policy and to promote America's interests and values in the unipolar world. They evaluate the elements of political change and continuity in George Bush's America. The book also focuses on the extent to which the Bush agenda is new or a continuation of previous trends. Contributors also examine how far Bush has succeeded in overcoming political, institutional, and international resistance to his conservative agenda, and they evaluate his prospects for further success.
Contributors include John Dumbrell (University of Leicester, UK), Martin Durham (University of Wolverhampton, UK), Godfrey Hodgson (Rothermere American Institute, Oxford University, UK), Steven Hurst (Manchester Metropolitan University, UK), Klaus Larres (Royal Holloway College, University of London, UK), Bob McKeever (University of Reading, UK), John Owens (University of Westminster, UK), Rob Singh (Birkbeck College, University of London, UK), and Alex Waddan (University of Sunderland, UK).

"A real contribution to Michigan history that gets to the root of the movements in twentieth-century American history that upon reflection can bring a certain discomfort and unease."
---Francis X. Blouin, Director of the Bentley Historical Library, University of Michigan

Throughout the twentieth century, Michigan became home to nearly every political movement in America that emerged from the grassroots. Citizens organized on behalf of concerns on the "left," on the "right," and in the "middle of the road." Right in Michigan's Grassroots: From the KKK to the Michigan Militia is about the people who supported movements that others, then and later, would denounce as disgraceful---members of the Ku Klux Klan during the 1920s, the followers of Father Charles Coughlin in the 1930s, anti-Communists and the John Birch Society in the post–World War II era, and the members of the Michigan Militia who first appeared in the 1990s.

The book explores the complex historical circumstances in Michigan that prompted the emergence of these organizations and led everyday men and women to head off, despite ridicule or condemnation, with plans unsanctioned and tactics unorthodox, variously brandishing weapons of intimidation, discrimination, fearmongering, and terror. Drawing heavily on primary sources, including the organizations' files and interviews with some of their leaders and surviving members, JoEllen Vinyard provides a far more complete portrait of these well-known extremist groups than has ever been available.

Superbly edited and annotated, this collection of the writings of John Wilkes Booth constitutes a major new primary source that contributes to scholarship on Abraham Lincoln, the Civil War, and nineteenth-century theater history. The nearly seventy documents--more than half published here for the first time--include love letters written during the summer of 1864, when Booth was conspiring against Lincoln, explicit statements of Booth's political convictions, and the diary he kept during his futile twelve-day flight after the assassination.
 

The DREAM Act, bipartisan legislation first introduced in Congress in 2001, would provide conditional residency for undocumented youth brought to the United States as children. It recognizes that undocumented youth have done nothing wrong and that they should be allowed to work, to go to school, and to travel. The bill makes college more affordable through in-state tuition and gives the undocumented a path to citizenship if they graduate from college or serve in the military. Congress has failed to pass the DREAM Act, and fourteen states have filled the gap by implementing their own laws and policies that provide educational benefits to undocumented students. Right to DREAM makes a compelling argument for the DREAM Act and comprehensive immigration reform. William A. Schwab explores the key issues surrounding this legislation: What are the issues that divide? What do the proponents and opponents of the DREAM Act argue? Is there a middle ground? Is compromise possible? Answering these questions, Schwab explains the legal issues surrounding the education of immigrant children, who immigrates and why, how four waves of immigration have shaped the nation, the effects of immigrants on the U.S. economy and culture, and the process of becoming an American. Schwab analyzes the DREAM Act, deferred action, and immigration policy. He weaves personal stories of undocumented youth throughout the book and advocates for the economic, political, and social benefits of the DREAM Act that would bring undocumented youth out of the shadows and into the mainstream of society.

The original architects of rock ’n’ roll were black musicians including Little Richard, Etta James, and Chuck Berry. Jimi Hendrix electrified rock with his explosive guitar in the late 1960s. Yet by the 1980s, rock music produced by African Americans no longer seemed to be “authentically black.” Particularly within the music industry, the prevailing view was that no one—not black audiences, not white audiences, and not black musicians—had an interest in black rock. In 1985 New York-based black musicians and writers formed the Black Rock Coalition (brc) to challenge that notion and create outlets for black rock music. A second branch of the coalition started in Los Angeles in 1989. Under the auspices of the brc, musicians organized performances and produced recordings and radio and television shows featuring black rock. The first book to focus on the brc, Right to Rock is, like the coalition itself, about the connections between race and music, identity and authenticity, art and politics, and power and change. Maureen Mahon observed and participated in brc activities in New York and Los Angeles, and she conducted interviews with more than two dozen brc members. In Right to Rock she offers an in-depth account of how, for nearly twenty years, members of the brc have broadened understandings of black identity and black culture through rock music.

The cowboy songs and dusty Texas car rides of his youth set Patrick B. Mullen on a lifelong journey into the sprawling Arcadia of American music. That music fused so-called civilized elements with native forms to produce everything from Zydeco to Conjunto to jazz to Woody Guthrie. The civilized/native idea, meanwhile, helped develop Mullen's critical perspective, guide his love of music, and steer his life's work. Part scholar's musings and part fan's memoir, Right to the Juke Joint follows Mullen from his early embrace of country and folk to the full flowering of an idiosyncratic, omnivorous interest in music. Personal memory merges with a lifetime of fieldwork in folklore and anthropology to provide readers with a deeply informed analysis of American roots music. Mullen opens up on the world of ideas and his own tireless fandom to explore how his cultural identity--and ours--relates to concepts like authenticity and "folkness." The result is a charming musical map drawn by a gifted storyteller whose boots have traveled a thousand tuneful roads.