226 books match the query 'Southwest, New' and 11 start with r
Jennifer Nez Denetdale
University of Arizona Press, 2007
Jill E Neitzel with contributions by Ann L. W. Stodder, Laurie Webster, and Jane H. Hill
University of Utah Press, 2016
In the prehistoric Southwest, if you traveled from one community to another, you would have observed tremendous diversity in how people looked and spoke. This volume is the first to look at how prehistoric people’s appearance and speech conveyed their identities. Previously, Southwest archaeologists have studied identity using architecture, ceramics, textiles, and jewelry. This book uses a holistic, comparative approach to consider all aspects of appearance. Advocating a people-centered perspective for studying the past, Neitzel and her colleagues show how these characteristics conveyed information about an individual’s social status, cultural affiliation, inter-group connections, religious beliefs, and ceremonial roles.
Contributors: Ann L. W. Stodder, Museum of New Mexico, and Department of Anthropology, The University of New Mexico; Laurie Webster, University of Arizona; and Jane H. Hill, School of Anthropology, University of Arizona (emerita)
Edited by María Herrera-Sobek
University of Arizona Press, 1993
By Charles Bowden, foreword by James Galvin
University of Texas Press, 2018
“At its best, Red Line can read like an original synthesis of Peter Matthiessen and William Burroughs . . . a brave and interesting book.”
—David Rieff, Los Angeles Times Book Review
“Charles Bowden’s Red Line is a look at America through the window of the southwest. His vision is as nasty, peculiar, brutal, as it is intriguing and, perhaps, accurate. Bowden offers consciousness rather than consolation, but in order to do anything about our nightmares we must take a cold look and Red Line casts the coldest eye in recent memory.”
—Jim Harrison
One of Charles Bowden’s earliest books, Red Line powerfully conveys a desert civilization careening over the edge—and decaying at its center. Bowden’s quest for the literal and figurative truth behind the assassination of a murderous border-town drug dealer becomes a meditation on the glories of the desert landscape, the squalors of the society that threatens it, and the contradictions inherent in trying to save it.
Edited by Donna M. Glowacki and Scott Van Keuren
University of Arizona Press, 2012
The mid-thirteenth century AD marks the beginning of tremendous social change among Ancestral Pueblo peoples of the northern US Southwest that foreshadow the emergence of the modern Pueblo world. Regional depopulations, long-distance migrations, and widespread resettlement into large plaza-oriented villages forever altered community life. Archaeologists have tended to view these historical events as adaptive responses to climatic, environmental, and economic conditions. Recently, however, more attention is being given to the central role of religion during these transformative periods, and to how archaeological remains embody the complex social practices through which Ancestral Pueblo understandings of sacred concepts were expressed and transformed.
The contributors to this volume employ a wide range of archaeological evidence to examine the origin and development of religious ideologies and the ways they shaped Pueblo societies across the Southwest in the centuries prior to European contact. With its fresh theoretical approach, it contributes to a better understanding of both the Pueblo past and the anthropological study of religion in ancient contexts This volume will be of interest to both regional specialists and to scholars who work with the broader dimensions of religion and ritual in the human experience.
Susan C. Ryan
University Press of Colorado, 2024
Pardis Mahdavi
Duke University Press, 2025
Herbert Eugene Bolton; Foreword by John L. Kessell
University of Arizona Press, 1984
Mark K. Briggs
University of Arizona Press, 1996
Rod Penner
The Artist Book Foundation, 2022
Rod Penner infuses his photorealistic paintings of the American southwest with a cinematic quality in the first major monograph on this contemporary realist artist.
The abandoned and forgotten landscapes of rural southwestern towns are the favored subjects of Rod Penner's paintings. His deft use of contrasts in his images—despondency and hope, isolation and nostalgia—evokes memories of The Last Picture Show and elicits complex responses from viewers. "I'm interested in the look of things and the quality of being there," he says. "A moment that is completely frozen with all the variety of textures; rust on poles, crumbling asphalt, light hitting the grass."
Penner's works are based on his photographs, digital video stills, and his experience of the rural landscapes of Texas and New Mexico. He depicts desolate, often deserted locations, the character of old houses and abandoned buildings, weather, and unique geography. His chosen scenes are infused with a cinematic quality that is the result of the exquisite light that he captures with his meticulous process. "The finished paintings should evoke contrasting responses of melancholy and warmth, desolation and serenity," he says.
Penner's hyperrealistic technique meticulously records both the iconic imagery and the beauty in the ashes of these once-prosperous streets and nighborhoods that still endure. The incredible poignant scenes evoke a universalism, a collective experience seen through the lens of Americana. "You won't find any hidden or overt socio-political meaning in my work and at the same time I hope that by utilizing what I find in the American landscape I'm able to connect to viewers on a deeper psychological level."
James E. Snead
University of Arizona Press, 2001