124 books match the query 'Twenty - First Century' and 10 start with r
Katharine M. Donato
Russell Sage Foundation, 2020
Edited by Maha Marouan and Merinda Simmons
University of Alabama Press, 2013
Johan Leemans
Catholic University of America Press, 2011
Ellen C. Carillo
Utah State University Press, 2021
Rabbi Mark Washofsky, PhD
Central Conference of American Rabbis, 2010
Reform Responsa for the Twenty-First Century: Sh'eilot Ut'shuvot is the latest in an ongoing series of Reform Responsa. Drawing from the breadth of traditional and modern Jewish texts, law, and ideology, this two volumes set addresses over seventy contemporary topics, including conversion of adopted children, fertility treatments, patrilineal descent, issues of synagogue management, social justice activism, interfaith marriage, and rituals of death and mourning.
Rabbi Mark Washofsky, PhD
Central Conference of American Rabbis, 2010
Reform Responsa for the Twenty-First Century: Sh'eilot Ut'shuvot is part of an ongoing series of Reform Responsa. Drawing from the breadth of traditional and modern Jewish texts, law, and ideology, this two volumes set addresses over seventy contemporary topics, including conversion of adopted children, fertility treatments, patrilineal descent, issues of synagogue management, social justice activism, interfaith marriage, and rituals of death and mourning.
Mark Washofsky
Central Conference of American Rabbis, 2010
Victor E Flango
Temple University Press, 2017
Edited by Michael-John DePalma, Paul Lynch, and Jeff Ringer
Southern Illinois University Press, 2023
Expanding the scope of religious rhetoric
Over the past twenty-five years, the intersection of rhetoric and religion has become one of the most dynamic areas of inquiry in rhetoric and writing studies. One of few volumes to include multiple traditions in one conversation, Rhetoric and Religion in the Twenty-First Century engages with religious discourses and issues that continue to shape public life in the United States.
This collection of essays centralizes the study of religious persuasion and pluralism, considers religion’s place in U.S. society, and expands the study of rhetoric and religion in generative ways. The volume showcases a wide range of religious traditions and challenges the very concepts of rhetoric and religion. The book’s eight essays explore African American, Buddhist, Christian, Indigenous, Islamic, and Jewish rhetoric and discuss the intersection of religion with feminism, race, and queer rhetoric—along with offering reflections on how to approach religious traditions through research and teaching. In addition, the volume includes seven short interludes in which some of the field’s most accomplished scholars recount their experiences exploring religious rhetorics and invite readers to engage these exigent lines of inquiry.
By featuring these diverse religious perspectives, Rhetoric and Religion in the Twenty-First Century complicates the field’s emphasis on Western, Hellenistic, and Christian ideologies. The collection also offers teachers of writing and rhetoric a range of valuable approaches for preparing today’s students for public citizenship in our religiously diverse global context.
Tom Sellar and Yana Ross, eds.
Duke University Press, 0
In the first English-language collection to examine twenty-first-century Russian theater, this special issue of Theater also includes the complete texts of two new Russian plays, published for the first time in English. Ivan Vyrypaev’s Oxygen is a poetic panorama of new Russian identity set to techno music, and Danila Privalov’s 5-25 explores traditional Dostoyevskian existential themes in the language of a new generation. One contributor chronicles the sweeping cultural and institutional changes in the Russian theater since 2000, while another provides an overview of the regional theater system in the world’s most geographically vast country. Another essay explores the development of the new playwriting movement, identifying its key writers and producers. This special issue also includes interviews with the movement’s directors and producers. Additionally, it contains letters, previously unpublished in English, from the Moscow Art Theater’s Olga Bokshanskaya to the Russian theatrical titan Vladimir Nemirovich-Danchenko, reporting on the Moscow Art Theater’s legendary U.S. tour in 1920–22, which was recorded in theater history as a turning point for American acting.
Contributors. AKHE, Dmitri Chernikov, Nina Chusova, Marina Dmitrievskaya, Sasha Dugdale, John Freedman, Elena Gremina, Nina Karpova, Mindaugus Korbauskis, Ryan McKittrick, Arkady Ostrovsky, Danila Privalov, Victor Rizhakov, Yana Ross, Tom Sellar, Kirill Serebrennikov, Anatoly Smeliansky, Julia Smeliansky, Ivan Vyrypaev