1713 books match the query '21St Century' and 83 start with r

cover of Respect and Loathing in American Democracy: Polarization, Moralization, and the Undermining of Equality

Respect and Loathing in American Democracy

Polarization, Moralization, and the Undermining of Equality

Jeff Spinner-Halev and Elizabeth Theiss-Morse

University of Chicago Press, 2024

A deep examination of why respect is in short supply in politics today and why it matters.

Respect is in trouble in the United States. Many Americans believe respecting others is a necessary virtue, yet many struggle to respect opposing partisans. Surprisingly, it is liberal citizens, who hold respect as central to their view of democratic equality, who often have difficulty granting respect to others. Drawing on evidence from national surveys, focus groups, survey experiments, and the views of political theorists, Jeff Spinner-Halev and Elizabeth Theiss-Morse explain why this is and why respect is vital to—and yet so lacking in—contemporary US politics.

Respect and Loathing in American Democracy argues that liberals and conservatives are less divided than many believe, but alienate one another because they moralize different issues. Liberals moralize social justice, conservatives champion national solidarity, and this worldview divide keeps them at odds.

Respect is both far-reaching and vital, yet it is much harder to grant than many recognize, partly because of the unseen tension between respect, social justice, and national solidarity. Respect and Loathing in American Democracy proposes a path forward that, while challenging, is far from impossible for citizens to traverse.

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cover of Responsive Democracy: Increasing State Accountability in East Asia

Responsive Democracy

Increasing State Accountability in East Asia

Jeeyang Rhee Baum

University of Michigan Press, 2011

"Responsive Democracy is a pioneering contribution to the political analysis of administrative law in East Asia. Both political scientists and legal academics will greatly benefit from the author's in-depth analysis of the intersection between presidential power and administrative law in the contrasting cases of South Korea, Taiwan, and the Philippines."
---Susan Rose-Ackerman, Yale University Law School

"Baum's book is a very significant contribution because it focuses on a part of the world that has often been neglected in studies of democratization. It focuses attention on the nuts and bolts of what we mean by democratic consolidation and responsiveness. Indeed, if more political science were written with this clarity, we would all enjoy reading the literature much more!"
---Joseph Fewsmith, Boston University

Under what conditions is a newly democratic government likely to increase transparency, accountability, and responsiveness to its citizens? What incentives might there be for bureaucrats, including those appointed by a previously authoritarian government, to carry out the wishes of an emerging democratic regime? Responsive Democracy addresses an important problem in democratic transition and consolidation: the ability of the chief executive to control the state bureaucracy.

Using three well-chosen case studies---the Philippines, South Korea, and Taiwan---Jeeyang Rhee Baum explores the causes and consequences of codifying rules and procedures in a newly democratic government. In the Philippines, a president facing opposition has the option of appointing and dismissing officials at will and, therefore, has no need for administrative procedure acts. However, in South Korea and Taiwan, presidents employ such legislation to rein in recalcitrant government agencies, and, as a consequence, increase transparency, accountability, and responsiveness. Moreover, as Baum demonstrates by drawing upon surveys conducted both before and after implementation, administrative procedural reforms in South Korea and Taiwan improved public confidence in and attitudes toward democratic institutions.  

Jeeyang Rhee Baum is a Research Fellow at the Ash Center for Democratic Governance and Innovation, John F. Kennedy School of Government, Harvard University.

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cover of Restaging the Future: Neoliberalization, Theater, and Performance in Britain

Restaging the Future

Neoliberalization, Theater, and Performance in Britain

Louise Owen

Northwestern University Press, 2023

An examination of neoliberal ideology’s ascendance in 1990s and 2000s British politics and society through its effect on state-supported performance practices

Post-Thatcher, British cultural politics were shaped by the government’s use of the arts in service of its own social and economic agenda. Restaging the Future: Neoliberalization, Theater, and Performance in Britain interrogates how arts practices and cultural institutions were enmeshed with the particular processes of neoliberalization mobilized at the end of the twentieth century and into the twenty-first.

Louise Owen traces the uneasy entanglement of performance with neoliberalism's marketization of social life. Focusing on this political moment, Owen guides readers through a wide range of performance works crossing multiple forms, genres, and spaces—from European dance tours, to Brazilian favelas, to the streets of Liverpool—attending to their distinct implications for the reenvisioned future in whose wake we now live.

Analyzing this array of participatory dance, film, music, public art, and theater projects, Owen uncovers unexpected affinities between community-based, experimental, and avant-garde movements. Restaging the Future provides key historical context for these performances, their negotiations of their political moment, and their themes of insecurity, identity, and inequality, created in a period of profound ideological and socioeconomic change.
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cover of Resurgency: Outlasting the War on Terror in Iraq

Resurgency

Outlasting the War on Terror in Iraq

Kali Rubaii

Duke University Press, 2026

Resurgency examines how Iraqi farmers outlast the long shadow of US military intervention as they return to repair their war-damaged homeland. Based on detailed ethnographic research, Kali Rubaii expands the temporal and descriptive definitions of war, displacement, and resistance.

In Resurgency, Kali Rubaii offers detailed ethnographic insight into how decades of war have affected everyday life in Iraq. Drawing on fieldwork in Anbar province and Iraqi Kurdistan in 2014–15 and 2021–24, Rubaii foregrounds the practices of displaced people who stubbornly outlast their occupiers, returning to homes that feel estranging, repairing war-damaged land, and surviving into futures to which they have been disinvited. Following Anbari farmers in their struggle to counter the social and environmental fallout from toxic military waste, depleted ecosystems, and transformed political economies, Resurgency expands the temporal and descriptive categories of what war is—and what resistance looks like. By asking what actions and dispositions make sense when conditions of survival are diminished, and when today may be better than tomorrow, Rubaii offers new methods and insights to those concerned about the possibilities of life amid environmental devastation, mass displacement, and the slow violence of the forever wars.
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cover of Resurrection: Comics in Post-Soviet Russia

Resurrection

Comics in Post-Soviet Russia

José Alaniz

The Ohio State University Press, 2022

Winner, 2023 Eisner Award for Best Comics-Related Book

Resurrection: Comics in Post-Soviet Russia traces the “kopecks to rubles” journey of Russian comics at the turn of the century. As the follow-up to José Alaniz’s groundbreaking Komiks: Comic Art in Russia (2010), Resurrection authoritatively and exhaustively details the Russian comic landscape of the last three decades: beginning after the 1991 fall of the Soviet Union and encompassing the fourth Putin administration, the COVID-19 crisis, and beyond. Bolstering his analysis with interviews with some of the major figures in Russia’s comics industry, Alaniz particularly focuses on the representation of masculinity, disability, historical trauma, and superheroes, as well as on the recent rise of fandom, alternative micropresses, and nonfiction graphic narrative. Resurrection is a sweeping discussion of the metamorphosis of contemporary Russian comic art from its rebirth to its entry into mainstream culture.
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cover of Return Engagements: Contemporary Art's Traumas of Modernity and History in Sài Gòn and Phnom Penh

Return Engagements

Contemporary Art's Traumas of Modernity and History in Sài Gòn and Phnom Penh

Viet Lê

Duke University Press, 2021

In Return Engagements artist and critic Việt Lê examines contemporary art in Cambodia and Việt Nam to rethink the entwinement of militarization, trauma, diaspora, and modernity in Southeast Asian art. Highlighting artists tied to Phnom Penh and Sài Gòn and drawing on a range of visual art as well as documentary and experimental films, Lê points out that artists of Southeast Asian descent are often expected to address the twin traumas of armed conflict and modernization, and shows how desirable art on these themes is on international art markets. As the global art market fetishizes trauma and violence, artists strategically align their work with those tropes in ways that Lê suggests allow them to reinvent such aesthetics and discursive spaces. By returning to and refashioning these themes, artists such as Tiffany Chung, Rithy Panh, and Sopheap Pich challenge categorizations of “diasporic” and “local” by situating themselves as insiders and outsiders relative to Cambodia and Việt Nam. By doing so, they disrupt dominant understandings of place, time, and belonging in contemporary art.
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cover of Return from the World: Economic Growth and Reverse Migration in Brazil

Return from the World

Economic Growth and Reverse Migration in Brazil

Gregory Duff Morton

University of Chicago Press, 2024

An anthropologist’s investigation of why some Brazilians choose to leave behind a booming economy and return to their villages.

In Return from the World, anthropologist Gregory Duff Morton traces the migrations of Brazilian workers who leave a thriving labor market and return to their home villages to become peasant farmers. Morton seeks to understand what it means to turn one’s back deliberately on the promise of economic growth.

Giving up their positions in factories, at construction sites, and as domestic workers, these migrants travel thousands of miles back to villages without running water or dependable power. There, many take up subsistence farming. Some become activists with the MST, Brazil’s militant movement of landless peasants. Bringing their stories vividly to life, Morton dives into the dreams and disputes at play in finding freedom in the shared rejection of growth.
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cover of Returning to My Father's Kitchen: Essays

Returning to My Father's Kitchen

Essays

Monica Macansantos

Northwestern University Press, 2025

A young Filipino writer’s odyssey toward home, in the wake of the loss of her poet father
 
Feeling untethered after her beloved poet father passes away while she is living abroad, Monica Macansantos decides to return to the Philippines to regain her bearings. But with her father gone and her adult life rooted in the United States and New Zealand, can the land of her birth still serve as a place of healing?
 
In fifteen richly felt essays, Macansantos considers her family’s history in the Philippines, her own experiences as an exile, and the parent who was the heart of her family’s kitchen, whether standing at the stove to prepare dinner or sitting at the table to scribble in his notebook. Macansantos finds herself remaking her father’s chicken adobo, but also closely rereading his poems. As she reckons with his identity as an artist, she also comes into her own as a writer, and she invites us to consider whether it is possible to carry our homes with us wherever we go.
 
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cover of Reverberations across Small-Scale British Theatre: Politics, Aesthetics and Forms

Reverberations across Small-Scale British Theatre

Politics, Aesthetics and Forms

Edited by Patrick Duggan and Victor Ukaegbu

Intellect Books, 2013

Between 1960 and 2010, a new generation of British avant-garde theater companies, directors, designers, and performers emerged. Some of these companies and individuals have endured to become part of theater history while others have disappeared from the scene, mutated into new forms, or become part of the establishment. Reverberations across Small-Scale British Theatre at long last puts these small-scale British theater companies and personalities in the scholarly spotlight. By questioning what “Britishness” meant in relation to the small-scale work of these practitioners, contributors articulate how it is reflected in the goals, manifestos, and aesthetics of these companies. 
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cover of Reversing the Gaze: What If the Other Were You?

Reversing the Gaze

What If the Other Were You?

Geneviève Makaping

Rutgers University Press, 2023

Tired of being scrutinized, criticized, and fetishized for her black skin, Cameroon-born scholar Geneviève Makaping turns the tables on Italy’s white majority, regarding them through the same unsparing gaze to which minorities have traditionally been subjected. As she candidly recounts her experiences—first across Africa and then as a migrant Black woman in Italy—Makaping describes acts of racist aggression that are wearying and degrading to encounter on a daily basis. She also offers her perspective on how various forms of inequality based on race, color, gender, and class feed off each other. Reversing the Gaze invites readers to confront the question of racism through the retelling of everyday occurrences that we might have experienced as victims, perpetrators, or witnesses. 
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cover of Revertigo: An Off-Kilter Memoir

Revertigo

An Off-Kilter Memoir

Floyd Skloot

University of Wisconsin Press, 2014

One March morning, writer Floyd Skloot was inexplicably struck by an attack of unrelenting vertigo that ended 138 days later as suddenly as it had begun. With body and world askew, everything familiar had transformed. Nothing was ever still. Revertigo is Skloot’s account of that unceasingly vertiginous period, told in an inspired and appropriately off-kilter form.
            This intimate memoir—tenuous, shifting, sometimes humorous—demonstrates Skloot’s considerable literary skill honed as an award-winning essayist, memoirist, novelist, and poet. His recollections of a strange, spinning world prompt further musings on the forces of uncertainty, change, and displacement that have shaped him from childhood to late middle age, repeatedly knocking him awry, realigning his hopes and plans, even his perceptions. From the volatile forces of his mercurial, shape-shifting early years to his obsession with reading, acting, and writing, from the attack of vertigo to a trio of postvertigo (but nevertheless dizzying) journeys to Spain and England, and even to a place known only in his mother’s unhinged fantasies, Skloot makes sense of a life’s phantasmagoric unpredictability.

Finalist, Sarah Winnemucca Award for Creative Nonfiction, Oregon Book Awards
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cover of Revolution Squared: Tahrir, Political Possibilities, and Counterrevolution in Egypt

Revolution Squared

Tahrir, Political Possibilities, and Counterrevolution in Egypt

Atef Shahat Said

Duke University Press, 2024

In Revolution Squared Atef Shahat Said examines the 2011 Egyptian Revolution to trace the expansive range of liberatory possibilities and containment at the heart of every revolution. Drawing on historical analysis and his own participation in the revolution, Said outlines the importance of Tahrir Square and other physical spaces as well as the role of social media and digital spaces. He develops the notion of lived contingency—the ways revolutionary actors practice and experience the revolution in terms of the actions they do or do not take—to show how Egyptians made sense of what was possible during the revolution. Said charts the lived contingencies of Egyptian revolutionaries from the decade prior to the revolution’s outbreak to its peak and the so-called transition to democracy to the 2013 military coup into the present. Contrary to retrospective accounts and counterrevolutionary thought, Said argues that the Egyptian Revolution was not doomed to defeat. Rather, he demonstrates that Egyptians did not fully grasp their immense clout and that limited reformist demands reduced the revolution’s potential for transformation.
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cover of Revolution in Rojava: Democratic Autonomy and Women's Liberation in the Syrian Kurdistan

Revolution in Rojava

Democratic Autonomy and Women's Liberation in the Syrian Kurdistan

Michael Knapp, Ercan Ayboga, and Anja Flach

Pluto Press, 2016

“Their first-hand experiences and active participation in the anti-capitalist society being built in the region make this the first detailed account of the popular revolution….The definitive book so far on Rojava."― Morning Star                                         
 
Revolution in Rojava tells the story of Rojava's groundbreaking experiment in what they call democratic confederalism, a communally organized democracy that is fiercely anti-capitalist and committed to female equality, while rejecting reactionary nationalist ideologies.
 
Rooted in the ideas of imprisoned Kurdish leader Abdullah Ocalan, the system is built on effective gender quotas, bottom-up democratic structures, far-sighted ecological policies, and a powerful militancy that has allowed the region to keep ISIS at bay.
 
Given the widespread violence and suffering in Syria, it's not unreasonable that outsiders look at the situation as unrelentingly awful. And while the reality of the devastation is undeniable, there is reason for hope in at least one small pocket of the nation: the cantons of Rojava in Syrian Kurdistan, where in the wake of war people are quietly building one of the most progressive societies in the world today. Chapters here include:
 
*Rojava's Diverse Cultures
*Democratic Confederalism 
*The Liberation
*A Women's Revolution
*Democratic Autonomy in Rojava
*Civil Society Associations
*The Theory of the Rose: Defense 
*The New Justice System
*Democratization of Education
*Health Care 
*The Social Economy
*Ecological Challenges 
 
This first full-length study of democratic developments in Rojava tells an extraordinary and powerfully hopeful story of a little-known battle for true freedom in dark times. With excellent first-hand background information about this important, but little understood struggle, Revolution in Rojava will educate and inspire the reader to learn more about Rojava, Syria, and the fight for change in one of the world’s most dangerous regions.
 
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cover of Rewriting Crusoe: The Robinsonade across Languages, Cultures, and Media

Rewriting Crusoe

The Robinsonade across Languages, Cultures, and Media

Jakub Lipski

Bucknell University Press, 2020

Published in 1719, Defoe’s Robinson Crusoe is one of those extraordinary literary works whose importance lies not only in the text itself but in its persistently lively afterlife. German author Johann Gottfried Schnabel—who in 1731 penned his own island narrative—coined the term “Robinsonade” to characterize the genre bred by this classic, and today hundreds of examples can be identified worldwide. This celebratory collection of tercentenary essays testifies to the Robinsonade’s endurance, analyzing its various literary, aesthetic, philosophical, and cultural implications in historical context. Contributors trace the Robinsonade’s roots from the eighteenth century to generic affinities in later traditions, including juvenile fiction, science fiction, and apocalyptic fiction, and finally to contemporary adaptations in film, television, theater, and popular culture. Taken together, these essays convince us that the genre’s adapt- ability to changing social and cultural circumstances explains its relevance to this day.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
 
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cover of Rewriting Islam: Decolonialism, Justice, and Contemporary Muslimah Literature

Rewriting Islam

Decolonialism, Justice, and Contemporary Muslimah Literature

Hasnul Insani Djohar

The Ohio State University Press, 2024

In Rewriting Islam, Hasnul Insani Djohar examines how women writers of the Ummah, or Muslim religious community, portray Muslim women fighting for gender and social justice while living as minorities in prosperous countries. Focusing on the body of Muslimah writing that has emerged since the US invasion of Iraq in 2003, Djohar considers fiction such as Mohja Kahf’s The Girl in the Tangerine Scarf, Randa Jarrar’s A Map of Home, Laila Lalami’s Hope and Other Dangerous Pursuits, and G. Willow Wilson’s Alif the Unseen. Djohar also examines poetry, memoirs, and short stories. Together, these works depict the diversity of Muslimah identities and cultures worldwide. Operating within postcolonial and Islamic studies frameworks, Djohar investigates how these writers contribute to larger debates around gender and globalization—including justice for immigrants and refugees, who are often blamed for social problems rather than recognized as victims of US imperialism and transnational capitalist globalization. By way of close readings and careful attention to historical, cultural, and religious contexts, Djohar illuminates how Muslimah American writers decolonize justice and white sovereignty by elevating interconnectedness, spirituality, and sisterhood across diverse communities.
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cover of Rhetoric and Writing Studies in the New Century: Historiography, Pedagogy, and Politics

Rhetoric and Writing Studies in the New Century

Historiography, Pedagogy, and Politics

Edited by Cheryl Glenn and Roxanne Mountford

Southern Illinois University Press, 2017

This collection of essays investigates the historiography of rhetoric, global perspectives on rhetoric, and the teaching of writing and rhetoric, offering diverse viewpoints. Addressing four major areas of research in rhetoric and writing studies, contributors consider authorship and audience, discuss the context and material conditions in which students compose, cover the politics of the field and the value of a rhetorical education, and reflect on contemporary trends in canon diversification. Providing both retrospective and prospective assessments, Rhetoric and Writing Studies in the New Century offers original research by important figures in the field.
 
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cover of Rick Perry: A Political Life

Rick Perry

A Political Life

Brandon Rottinghaus

University of Texas Press, 2024

How Rick Perry navigated and shaped Texas politics as the state’s longest serving governor.

Rick Perry, the charming rancher, pilot, and politician from West Texas who was governor from 2000 to 2015, is one of the most important but polarizing figures in the state's history. Over the nearly forty years he spent in the political arena, his political instincts served as a radar primed to sense future political opportunities. Hugging the arc of Texas political change, he shifted from a rural, “blue dog” Democrat to one of the most conservative politicians the state had elected up to that time, overseeing the enactment of controversial redistricting, voting, and abortion measures. Yet his evolution was complicated and incomplete, as his stands on such topics as immigration, vaccine requirements, and the use of state funds to attract business ran into opposition from a growing and ever-more conservative wing of the Republican Party in Texas—and the nation.

Rick Perry is both a biography of Perry as a politician and a study of the shifts in state politics that took place during his time in office. Demonstrating that Perry ranks among the most consequential governors in Texas history, Brandon Rottinghaus chronicles the profound ways he accumulated power and shaped the governorship.

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cover of Right in Michigan's Grassroots: From the KKK to the Michigan Militia

Right in Michigan's Grassroots

From the KKK to the Michigan Militia

JoEllen McNergney Vinyard

University of Michigan Press, 2011

"A real contribution to Michigan history that gets to the root of the movements in twentieth-century American history that upon reflection can bring a certain discomfort and unease."
---Francis X. Blouin, Director of the Bentley Historical Library, University of Michigan

Throughout the twentieth century, Michigan became home to nearly every political movement in America that emerged from the grassroots. Citizens organized on behalf of concerns on the "left," on the "right," and in the "middle of the road." Right in Michigan's Grassroots: From the KKK to the Michigan Militia is about the people who supported movements that others, then and later, would denounce as disgraceful---members of the Ku Klux Klan during the 1920s, the followers of Father Charles Coughlin in the 1930s, anti-Communists and the John Birch Society in the post–World War II era, and the members of the Michigan Militia who first appeared in the 1990s.

The book explores the complex historical circumstances in Michigan that prompted the emergence of these organizations and led everyday men and women to head off, despite ridicule or condemnation, with plans unsanctioned and tactics unorthodox, variously brandishing weapons of intimidation, discrimination, fearmongering, and terror. Drawing heavily on primary sources, including the organizations' files and interviews with some of their leaders and surviving members, JoEllen Vinyard provides a far more complete portrait of these well-known extremist groups than has ever been available.

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cover of Rising Powers and Foreign Policy Revisionism: Understanding BRICS Identity and Behavior Through Time

Rising Powers and Foreign Policy Revisionism

Understanding BRICS Identity and Behavior Through Time

Cameron G. Thies and Mark David Nieman

University of Michigan Press, 2017

In Rising Powers and Foreign Policy Revisionism, Cameron Thies and Mark Nieman examine the identity and behavior of the BRICS (Brazil, Russia, India, China, and South Africa) over time in light of academic and policymaker concerns that rising powers may become more aggressive and conflict-prone. The authors develop a theoretical framework that encapsulates pressures for revisionism through the mechanism of competition and pressures for accommodation and assimilation through the mechanism of socialization.  The identity and behavior of the BRICS should be a product of the push and pull of these two forces as mediated by their domestic foreign policy processes.

State identity is investigated qualitatively through the use of role theory and the identification of national role conceptions. Both economic and militarized conflict behavior are examined using Bayesian change-point modeling, which identifies structural breaks in time series data, revealing potential wholesale revision of foreign policy. Using this innovative approach to show that the behavior of rising powers is governed not simply by the structural dynamics of power but also by the roles that these rising powers define for themselves, they assert that this process will likely lead to a much more evolutionary approach to foreign policy and will not necessarily generate international conflict.
 
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cover of Rite, Flesh, and Stone: The Matter of Death in Contemporary Spanish Culture

Rite, Flesh, and Stone

The Matter of Death in Contemporary Spanish Culture

Antonio Córdoba

Vanderbilt University Press, 2021

Forensic science provides information and data behind the circumstances of a particular death, but it is culture that provides death with meaning. With this in mind, Rite, Flesh, and Stone proposes cultural matters of death as its structuring principle, operating as frames of the expression of mortality within a distinct set of coordinates. The chapters offer original approaches to how human remains are handled in the embodied rituals and social performances of contemporary funeral rites of all kinds; furthermore, they explore how dying flesh and corpses are processed by means of biopolitical technologies and the ethics of (self-)care, and how the vibrant and breathing materiality of the living is transformed into stone and analogous kinds of tangible, empirical presence that engender new cartographies of memory. Each coming from a specific disciplinary perspective, authors in this volume problematize conventional ideas about the place of death in contemporary Western societies and cultures using Spain as a case study.

Materials analyzed here—ranging from cinematic and literary fictions, to historical archives and anthropological and ethnographic sources—make explicit a dynamic scenario where actors embody a variety of positions toward death and dying, the political production of mortality, and the commemoration of the dead. Ultimately, the goal of this volume is to chart the complex network in which the disenchantment of death and its reenchantment coexist, and biopolitical control over secularized bodies overlaps with new avatars of the religious and non-theistic desires for memorialization and transcendence.
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cover of Ritual and Capital

Ritual and Capital

Edited by Bard Graduate Center and Wendy's Subway

Bard Graduate Center, 2020

Ritual and Capital is an expansive volume that collects an interdisciplinary range of voices and genres that reflect on ritual as a form of resistance against capitalism. The poems, essays, and artworks included in this anthology explore habits and practices formed to subvert, subsist, and survive under the repression of capital. These works explore the refuge in ritual, how ritual practices might endow objects with qualities that resist market values, the use of ritual in embodied practices of healing and care, and how ritual strengthens communities.

The publication of Ritual and Capital is the culmination of a series of public readings organized by Wendy’s Subway, a nonprofit organization in Brooklyn, as part of their Spring 2017 Reading Room residency at the Bard Graduate Center. Copublished by the Bard Graduate Center and Wendy’s Subway, Ritual and Capital is the first title in the BGCX series, a publication series designed to expand time-based programming after the events themselves have ended. Springing from the generative spontaneity of conversation, performance, and hands-on engagement as their starting points, these experimental publishing projects will provide space for continued reflection and research in a form that is inclusive of a variety of artists and makers.
 
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cover of River Crossings: Contemporary Art Comes Home

River Crossings

Contemporary Art Comes Home

Jason Rosenfeld

The Artist Book Foundation, 2015

In a unique and groundbreaking 2015 presentation of important contemporary art rarely seen in the traditional environs of the Hudson River Valley, the Thomas Cole National Historic Site and Olana, Frederic Edwin Church's Persian-inspired mansion, showcased the work of contemporary American artists such as Chuck Close, Cindy Sherman, Maya Lin, Martin Puryear, and Gregory Crewdson, some of the 30 artists featured in the exhibition. Stephen Hannock, celebrated Luminist painter and one of the exhibition's co-curators, stated that "this is a terrific opportunity to open up contemporary art, as well as these historic properties, to audiences who will see firsthand these shared artistic concerns."

The works of art selected for the exhibition were shown at the two venues to encourage visitors to experience both of the distinguished properties and the grandeur of their surroundings, and to present a complete overview and understanding of these contemporary works in a location where many art historians believe American art was born. The accompanying publication, River Crossings: Contemporary Art Comes Home, provides readers with a lavish record of this extraordinary and innovative exhibition, and offers unique and highly informative perspectives on the continuity of the American artistic tradition in two of the nation's most historic sites.

In addition to an impressive plate section of more than 60 works with brief artist biographies and descriptive narratives for the individual works, this comprehensive presentation features noteworthy, exceptional contributions. Stephen Hannock's preface details the development of this remarkable exhibition, while co-curator Jason Rosenfeld reveals in his essay the exhibition's importance relative to historical perception as he considers Cole's and Church's support of conemporary art in their time. Cultural historian Maurice Berger considers the realities of race and gender from the nineteenth-century Hudson River Valley to the present, and Marvin Heiferman, curator and writer, examines photography in the exhibition and its connections to Church's work and his use of the medium. Award-winning architectural and landscape photographer Peter Aaron generously provided the stunning installation, exterior, and landscape photographs, a gorgeous complement to this outstanding catalogue.

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cover of Robert Ashley

Robert Ashley

Kyle Gann

University of Illinois Press, 2012

This book explores the life and works of the pioneering opera composer Robert Ashley, one of the leading American composers of the post-Cage generation. Ashley's innovations began in the 1960s when he, along with Alvin Lucier, Gordon Mumma, and David Behrman, formed the Sonic Arts Union, a group that turned conceptualism toward electronics. He was also instrumental in the influential ONCE Group, a theatrical ensemble that toured extensively in the 1960s.During his tenure as its director, the ONCE Festival in Ann Arbor presented most of the decade's pioneers of the performing arts. Particularly known for his development of television operas beginning with Perfect Lives, Ashley spun a long series of similar text/music works, sometimes termed "performance novels." These massive pieces have been compared with Wagner's Ring Cycle for the vastness of their vision, though the materials are completely different, often incorporating noise backgrounds, vernacular music, and highly structured, even serialized, musical structures.
 
Drawing on extensive research into Ashley's early years in Ann Arbor and interviews with Ashley and his collaborators, Kyle Gann chronicles the life and work of this musical innovator and provides an overview of the avant-garde milieu of the 1960s and 1970s to which he was so central. Gann examines all nine of Ashley's major operas to date in detail, along with many minor works, revealing the fanatical structures that underlie Ashley's music as well as private references hidden in his opera librettos.
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cover of Robo Sacer: Necroliberalism and Cyborg Resistance in Mexican and Chicanx Dystopias

Robo Sacer

Necroliberalism and Cyborg Resistance in Mexican and Chicanx Dystopias

David S. Dalton

Vanderbilt University Press, 2023

Harvey L. Johnson Publication Award, Southwest Council of Latin American Studies, 2026
Premio Alambique, Alambique: Revista Académica de Ciencia Ficción y Fantasía, 2025

Robo Sacer engages the digital humanities, critical race theory, border studies, biopolitical theory, and necropolitical theory to interrogate how technology has been used to oppress people of Mexican descent—both within Mexico and in the United States—since the advent of the North American Free Trade Agreement (NAFTA) in 1994. As the book argues, robo-sacer identity emerges as transnational flows of bodies, capital, and technology become an institutionalized state of exception that relegates people from marginalized communities to the periphery.

And yet the same technology can be utilized by the oppressed in the service of resistance. The texts studied here represent speculative stories about this technological empowerment. These texts theorize different means of techno-resistance to key realities that have emerged within Mexican and Chicano/a/x communities under the rise and reign of neoliberalism. The first three chapters deal with dehumanization, the trafficking of death, and unbalanced access to technology. The final two chapters deal with the major forms of violence—feminicide and drug-related violence—that have grown exponentially in Mexico with the rise of neoliberalism. These stories theorize the role of technology both in oppressing and in providing the subaltern with necessary tools for resistance.

Robo Sacer builds on the previous studies of Sayak Valencia, Irmgard Emmelhainz, Guy Emerson, Achille Mbembe, and of course Giorgio Agamben, but it differentiates itself from them through its theorization on how technology—and particularly cyborg subjectivity—can amend the reigning biopolitical and necropolitical structures of power in potentially liberatory ways. Robo Sacer shows how the cyborg can denaturalize constructs of zoē by providing an outlet through which the oppressed can tell their stories, thus imbuing the oppressed with the power to combat imperialist forces.

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cover of Roller Derby: The History of an American Sport

Roller Derby

The History of an American Sport

By Michella M. Marino

University of Texas Press, 2021

Since 1935, roller derby has thrilled fans and skaters with its constant action, hard hits, and edgy attitude. However, though its participants’ athleticism is undeniable, roller derby has never been accepted as a “real” sport. Michella M. Marino, herself a former skater, tackles the history of a sport that has long been a cultural mainstay for one reason both utterly simple and infinitely complex: roller derby has always been coed.

Richly illustrated and drawing on oral histories, archival materials, media coverage, and personal experiences, Roller Derby is the first comprehensive history of this cultural phenomenon, one enjoyed by millions yet spurned by mainstream gatekeepers. Amid the social constraints of the mid-twentieth century, roller derby’s emphasis on gender equality attracted male and female athletes alike, producing gender relations and gender politics unlike those of traditional sex-segregated sports. In an enlightening feminist critique, Marino considers how the promotion of pregnancy and motherhood by roller derby management has simultaneously challenged and conformed to social norms. Finally, Marino assesses the sport’s present and future after its resurgence in the 2000s.

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cover of Ronald Harwood's Tragic Vision: A Critical Analysis of His Novels, Plays, and Screenplays

Ronald Harwood's Tragic Vision

A Critical Analysis of His Novels, Plays, and Screenplays

Ann C. Hall

University of Iowa Press, 2024

“Art has a lot to answer for.” So says Sarah Bernhardt in Ronald Harwood’s play After the Lions. Harwood’s own career can be summarized by that same quote as well.
         Ronald Harwood’s Tragic Vision offers the first critical analysis of prolific and award-winning British author Ronald Harwood (1934–2020). Though he received an Oscar for The Pianist, a knighthood, and numerous other awards and nominations, Harwood worked as a ghostwriter, script doctor, and veritable unknown for many years. As he became successful, many critics still misread his works and positioned him as a less-fashionable counterpart to his lifelong friend Harold Pinter. This study proposes a conceptual framework to approach his, and others’, work based on the genre of tragedy, offering a greater appreciation for and understanding of the Harwood canon.
 
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Rooms of Our Own

Susan Gubar

University of Illinois Press, 2006

With a little help from Virginia Woolf, Susan Gubar contemplates startling transformations produced by the women's movement in recent decades. What advances have women made and what still needs to be done? Taking Woolf's classic A Room of One's Own as her guide, Gubar engages these questions by recounting one year in the life of an English professor.

A meditation on the teaching of literature and on the state of the humanities today, her chapters also provide a crash course on the challenges and changes in feminist intellectual history over the past several decades: the influence of post-structuralism and of critical race, postcolonial, and cultural studies scholarship; the stakes of queer theory and the institutionalization of women's studies; and the effects of globalism and bioengineering on conversations about gender, sex, and sexuality. Yet Rooms of Our Own eschews a scholarly approach. Instead, through narrative criticism it enlists a thoroughly contemporary cast of characters who tell us as much about the comedies and tragedies of campus life today as they do about the sometimes contentious but invariably liberating feminisms of our future.

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Routine Crisis

An Ethnography of Disillusion

Sarah Muir

University of Chicago Press, 2021

Argentina, once heralded as the future of capitalist progress, has a long history of economic volatility. In 2001–2002, a financial crisis led to its worst economic collapse, precipitating a dramatic currency devaluation, the largest sovereign default in world history, and the flight of foreign capital. Protests and street blockades punctuated a moment of profound political uncertainty, epitomized by the rapid succession of five presidents in four months. Since then, Argentina has fought economic fires on every front, from inflation to the cost of utilities and depressed industrial output. When things clearly aren't working, when the constant churning of booms and busts makes life almost unlivable, how does our deeply compromised order come to seem so inescapable? How does critique come to seem so blunt, even as crisis after crisis appears on the horizon? What are the lived effects of that sense of inescapability?

Anthropologist Sarah Muir offers a cogent meditation on the limits of critique at this historical moment, drawing on deep experience in Argentina but reflecting on a truly global condition. If we feel things are being upended in a manner that is ongoing, tumultuous, and harmful, what would we need to do—and what would we need to give up—to usher in a revitalized critique for today's world? Routine Crisis is an original provocation and a challenge to think beyond the limits of exhaustion and reimagine a form of criticism for the twenty-first century.
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Ruins of Modernity

Julia Hell and Andreas Schönle, eds.

Duke University Press, 2009

Images of ruins may represent the raw realities created by bombs, natural disasters, or factory closings, but the way we see and understand ruins is not raw or unmediated. Rather, looking at ruins, writing about them, and representing them are acts framed by a long tradition. This unique interdisciplinary collection traces discourses about and representations of ruins from a richly contextualized perspective. In the introduction, Julia Hell and Andreas Schönle discuss how European modernity emerged partly through a confrontation with the ruins of the premodern past.

Several contributors discuss ideas about ruins developed by philosophers such as Immanuel Kant, Georg Simmel, and Walter Benjamin. One contributor examines how W. G. Sebald’s novel The Rings of Saturn betrays the ruins erased or forgotten in the Hegelian philosophy of history. Another analyzes the repressed specter of being bombed out of existence that underpins post-Second World War modernist architecture, especially Le Corbusier’s plans for Paris. Still another compares the ways that formerly dominant white populations relate to urban-industrial ruins in Detroit and to colonial ruins in Namibia. Other topics include atomic ruins at a Nevada test site, the connection between the cinema and ruins, the various narratives that have accrued around the Inca ruin of Vilcashuamán, Tolstoy’s response in War and Peace to the destruction of Moscow in the fire of 1812, the Nazis’ obsession with imperial ruins, and the emergence in Mumbai of a new “kinetic city” on what some might consider the ruins of a modernist city. By focusing on the concept of ruin, this collection sheds new light on modernity and its vast ramifications and complexities.

Contributors. Kerstin Barndt, Jon Beasley-Murray, Russell A. Berman, Jonathan Bolton, Svetlana Boym, Amir Eshel, Julia Hell, Daniel Herwitz, Andreas Huyssen, Rahul Mehrotra, Johannes von Moltke, Vladimir Paperny, Helen Petrovsky, Todd Presner, Helmut Puff, Alexander Regier, Eric Rentschler, Lucia Saks, Andreas Schönle, Tatiana Smoliarova, George Steinmetz, Jonathan Veitch, Gustavo Verdesio, Anthony Vidler

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cover of Ruling Indonesia: Jokowi's Presidency in an Age of Democratic Crisis and Great Power Competition

Ruling Indonesia

Jokowi's Presidency in an Age of Democratic Crisis and Great Power Competition

Marcus Mietzner

University of Michigan Press, 2026

Joko Widodo—popularly called Jokowi—ruled Indonesia for a decade, from 2014 to 2024. The world’s fourth-largest nation and third-largest democracy, Indonesia had embarked on a messy democratic transition in the late 1990s, with the country’s ethnic and religious heterogeneity posing significant challenges to governance. Initially seen as a reformer who might challenge oligarchic structures, Jokowi was slowly but steadily seen as himself being a threat to democracy. By the time Jokowi wrapped up his presidency, he had achieved the highest approval ratings among Indonesia’s post-authoritarian presidents—and became the president with the tightest grip over Indonesia’s political elite.

Based on exclusive interviews with Jokowi and many of Indonesia’s top leaders, Ruling Indonesia shows Jokowi as a president obsessively preoccupied with his economic development agenda, subordinating all other aspects of governance to this goal. His focused approach delivered economic successes and unprecedented popularity, but also seriously undermined the health of Indonesia’s democratic institutions. Offering a holistic appraisal of his decade in office, Marcus Mietzner analyzes Jokowi’s domestic record in the context of his attempts to position Indonesia more favorably in the international competition for power and resources. Crucially, his obsession to push Indonesia closer to industrialized status while neglecting democratic development represented the ambitions and trials of many Global South leaders who are trying to juggle economic development, growing Sino-American tensions around the world, and concerns for democratic rights. As such, this book provides valuable insights into how the great power rivalry of the 21st century and the global recession of democracy are playing out in central arenas of the Global South.

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cover of Rural America in a Globalizing World: Problems and Prospects for the 2010's

Rural America in a Globalizing World

Problems and Prospects for the 2010's

Conner Bailey

West Virginia University Press, 2014

This fourth Rural Sociological Society decennial volume provides advanced policy scholarship on rural North America during the 2010’s, closely reflecting upon the increasingly global nature of social, cultural, and economic forces and the impact of neoliberal ideology upon policy, politics, and power in rural areas.

The chapters in this volume represent the expertise of an influential group of scholars in rural sociology and related social sciences. Its five sections address the changing structure of North American agriculture, natural resources and the environment, demographics, diversity, and quality of life in rural communities. 

 
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cover of Russian Foreign Policy in Transition: Concepts and Realities

Russian Foreign Policy in Transition

Concepts and Realities

Andrew Melville

Central European University Press, 2005

Through a compilation of foreign policy documents and statements, harnessed together by a section of analytic works, this book seeks to highlight the shift in Russian foreign policy at the beginning of the twenty-first century. This compilation presents the work of formative scholars in this field who are concerned with the evolution of Russia Foreign policy thinking and behavior. This volume compiles critical documents and statements (treaties, addresses and articles) that deal with the formation of new conceptions of security in the New World order. The articles critically evaluate the implications of these new initiatives and lend insight to these documents and statements in practice. They address a wide range of topics from the crisis in Kosovo to domestic Russian policy, with an eye to the future of Russian policy.
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cover of Russian Style: Performing Gender, Power, and Putinism

Russian Style

Performing Gender, Power, and Putinism

Julie A. Cassiday

University of Wisconsin Press, 2023

As the West liberalized its stance on sexuality and gender between 2000 and 2020, Vladimir Putin’s Russia moved in the opposite direction, remolding the performance of Russian citizenship according to a neoconservative agenda characterized by increasingly exaggerated gender roles. By connecting gendered and sexualized citizenship to developments in Russian popular culture, Julie A. Cassiday argues that heteronormativity and homophobia became a kind of politicized style under Putin’s leadership. However, the multiple modes of gender performativity simultaneously helped citizens resist and protest the state’s mandate of heteronormativity. Examining everything from memes to the Eurovision Song Contest and self-help literature, Cassiday untangles the discourse of gender to argue that drag, or travesti, became the performative trope par excellence in Putin’s Russia. Provocatively, Cassiday further argues that the exaggerated expressions of gender demanded by Putin’s regime are best understood as a form of cisgender drag. This smart and lively study provides critical, nuanced analysis of the relationship between popular culture and politics in Russia during Putin’s first two decades in power. 
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