1787 books match the query 'Literary Collections' and 58 start with r

cover of Rome's Visceral Reactions: Politics and Poetics in Flesh and Blood

Rome's Visceral Reactions

Politics and Poetics in Flesh and Blood

Caitlin Hines

University of Michigan Press, 2026

In ancient Rome, the Latin word viscera denoted the inner parts of the body, where physical sensations related to fear and anger could be felt and whose injury meant certain death. Viscera were also entangled with religious, political, and reproductive imagery: the word could refer to cuts of sacrificial meat, the inner workings of a governing body, a mother’s fertile womb, and the offspring she has carried. It appears in scientific descriptions of human anatomy, in elaborations of violent deaths, accusations of political conspiracy, and the laments of parents who must watch their children die. The sudden expansions of viscera into vivid metaphors for the body politic, the violated womb, and the desecrated sacrifice materialized in parallel with watershed moments in Roman history, reflecting urgent contemporary anxieties about politics, reproduction, and succession. Rome’s Visceral Reactions traces and interprets the semantic history of viscera, whose progressive acquisition of new meanings offers a compelling case for the dynamic interaction between body metaphor, semantic change, and political crisis at Rome.

Caitlin Hines follows the history of viscera from its earliest attestations through the end of the Julio-Claudian period and considers the works of Lucretius, Cicero, Vergil, Livy, Ovid, Seneca, and Lucan. Applying theories of embodied cognition and semantic change, Hines demonstrates how Roman authors influenced the development of their language through the invention, reception, and affirmation of innovative meanings and how pressing political and cultural crises could shape, and be shaped in return, by the sophisticated linguistic games of the Roman literary elite.
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cover of Ron Vawter's Life in Performance

Ron Vawter's Life in Performance

Theresa Smalec

Seagull Books, 2018

From 1974 to 1994, Ron Vawter was a staple of New York’s downtown theater scene, first with the Performance Group and later as a founding member of the Wooster Group. Ron Vawter’s Life in Performance is the first book focused on this incomparable actor’s specific contributions to ensemble theater, while also covering his solo projects. Through a combination of archival research and oral testimony—including interviews with Willem Dafoe, Spalding Gray, Elizabeth LeCompte, Gregory Mehrten, Richard Schechner, and Marianne Weems—Vawter emerges as an unsung innovator whose metamorphosis from soldier to avant-garde star was hardly accidental. Theresa Smalec reconstructs Vawter’s years in amateur theater, his time in the National Guard, and his professional body of work.
 
Partly recuperative history, Ron Vawter’s Life in Performance explores the complex intersections of individual and group biography. It also offers a unique perspective on an era that spanned from the Vietnam War to the AIDS crisis, putting Vawter’s own activism at the forefront. This volume’s broad historical and cultural reach, coupled with its careful study of a beloved yet enigmatic performer, will make it a tremendous resource for theater scholars and practitioners.
 
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cover of Roughneck Grace: Farmer Yoga, Creeping Codgerism, Apple Golf, and Other Brief Essays from on and off the Back Forty

Roughneck Grace

Farmer Yoga, Creeping Codgerism, Apple Golf, and Other Brief Essays from on and off the Back Forty

Michael Perry

Wisconsin Historical Society Press, 2016

New York Times bestselling author, humorist, and newspaper columnist Michael Perry returns with a new collection of bite-sized essays from his Sunday Wisconsin State Journal column, “Roughneck Grace.” Perry’s perspectives on everything from cleaning the chicken coop to sharing a New York City elevator with supermodels will have you snorting with laughter on one page, blinking back tears on the next, and--no matter your zip code--nodding in recognition throughout.

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cover of Rude Pursuits and Rugged Peaks: Schoolcraft's Ozark Journal, 1818-1819

Rude Pursuits and Rugged Peaks

Schoolcraft's Ozark Journal, 1818-1819

H. Schoolcraft

University of Arkansas Press, 1996

In the winter of 1818, Henry Rowe Schoolcraft set out from Potosi, Missouri, to document lead mines in the interior of the Ozarks. Intending only to make his fortune by publishing an account of the area's mineral resources, he became the first skilled observer to witness and record frontier life in the Ozarks.

The journal kept by Schoolcraft as he traveled ninety days in the rugged terrain of southern Missouri and northern Arkansas was originally published in 1821 and has become an essential record of Ozark territorial society and natural history documenting some of the earliest American settlers in the region, the power and beauty of many lost portions of the White River, the majesty of the open prairies, and the wealth of wildlife once found in the Ozarks.
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cover of Rudolf

Rudolf

Marian Pankowski

Northwestern University Press, 1996

This novel, set in the 1970s, tells the story of the "author," a middle-aged Polish professor who lives abroad but who earlier survived the Nazi concentration camps, and Rudolf, an old man. Told in stream of consciousness as well as through a triangular correspondence among Rudolf, the author, and the author's mother, the story emerges as a tale of subversion and liberation that echoes Gombrowicz in its exploration of transgressive desire. It will be of great interest to those interested in Polish literature and to readers of gay and lesbian literature.
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cover of Russian Absurd: Selected Writings

Russian Absurd

Selected Writings

Daniil Kharms, Translated from the Russian by Alex Cigale

Northwestern University Press, 2017

A writer who defies categorization, Daniil Kharms has come to be regarded as an essential artist of the modernist avant-garde. His writing, which partakes of performance, narrative, poetry, and visual elements, was largely suppressed during his lifetime, which ended in a psychiatric ward where he starved to death during the siege of Leningrad. His work, which survived mostly in notebooks, can now be seen as one of the pillars of absurdist literature, most explicitly manifested in the 1920s and ’30s Soviet Union by the OBERIU group, which inherited the mantle of Russian futurism from such poets as Vladimir Mayakovsky and Velimir Khlebnikov. This selection of prose and poetry provides the most comprehensive portrait of the writer in English translation to date, revealing the arc of his career and including a particularly generous selection of his later work.

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cover of Ruth Hall and Other Writings by Fanny Fern

Ruth Hall and Other Writings by Fanny Fern

Edited by Joyce W Warren

Rutgers University Press, 1986

When Ruth Hall was originally published in 1855, it caused a sensation. In it, Fanny Fern (Sara Payson Willis Parton) portrays a mid-nineteenth-century woman who realizes the American Dream solely on her own becoming the incarnation of the American individualist-regarded at that time as a role designed exclusively for men. Based on the author's life, the novel reflects her spirit of practical feminism-that a woman was only truly independent when she was financially independent.

Fanny Fern was one of the most popular American writers of the mid-nineteenth century, the first woman newspaper columnist in the United States, and the most highly paid newspaper writer of her day. This volume gathers together for the first time almost one hundred selections of her best work as a journalist. Writing on such taboo subjects as prostitution, venereal disease, divorce, and birth control, Fern stripped the façade of convention from some of society's most sacred institutions, targeting cant and hypocrisy, pretentiousness and pomp.

Fern portrays a mid-nineteenth century woman who becomes the incarnartion of the American individualist, something regarded as exclusively for men.

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cover of raúlrsalinas and the Jail Machine: My Weapon Is My Pen

raúlrsalinas and the Jail Machine

My Weapon Is My Pen

Selected writings by Raúl R. Salinas

University of Texas Press, 2006

Raúl R. Salinas is regarded as one of today's most important Chicano poets and human rights activists, but his passage to this place of distinction took him through four of the most brutal prisons in the country. His singular journey from individual alienation to rage to political resistance reflected the social movements occurring inside and outside of prison, making his story both personal and universal.

This groundbreaking collection of Salinas' journalism and personal correspondence from his years of incarceration and following his release provides a unique perspective into his spiritual, intellectual, and political metamorphosis. The book also offers an insider's view of the prison rebellion movement and its relation to the civil rights and anti-war movements of the 1960s and 1970s. The numerous letters between Salinas and his family, friends, and potential allies illustrate his burgeoning political awareness of the cause and conditions of his and his comrades' incarceration and their link to the larger political and historical web of social relations between dominant and subaltern groups. These collected pieces, as well as two interviews with Salinas—one conducted upon his release from prison in 1972, the second more than two decades later—reveal to readers the transformation of Salinas from a street hipster to a man seeking to be a part of something larger than himself. Louis Mendoza has painstakingly compiled a body of work that is autobiographical, politically insurgent, and representative.

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