2018 books match the query 'Political aspects' and 103 start with r

cover of Reichsrock: The International Web of White-Power and Neo-Nazi Hate Music

Reichsrock

The International Web of White-Power and Neo-Nazi Hate Music

Dyck, Kirsten

Rutgers University Press, 2016

From rap to folk to punk, music has often sought to shape its listeners’ political views, uniting them as a global community and inspiring them to take action. Yet the rallying potential of music can also be harnessed for sinister ends. As this groundbreaking new book reveals, white-power music has served as a key recruiting tool for neo-Nazi and racist hate groups worldwide. 
 
Reichsrock shines a light on the international white-power music industry, the fandoms it has spawned, and the virulently racist beliefs it perpetuates. Kirsten Dyck not only investigates how white-power bands and their fans have used the internet to spread their message globally, but also considers how distinctly local white-power scenes have emerged in Western Europe, Eastern Europe, Latin America, the United States, and many other sites. While exploring how white-power bands draw from a common well of nationalist, racist, and neo-Nazi ideologies, the book thus also illuminates how white-power musicians adapt their music to different locations, many of which have their own terms for defining whiteness and racial otherness. 
 
Closely tracking the online presence of white-power musicians and their fans, Dyck analyzes the virtual forums and media they use to articulate their hateful rhetoric. This book also demonstrates how this fandom has sparked spectacular violence in the real world, from bombings to mass shootings. Reichsrock thus sounds an urgent message about a global menace. 
 
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cover of Reimagining National Belonging: Post-Civil War El Salvador in a Global Context

Reimagining National Belonging

Post-Civil War El Salvador in a Global Context

Robin Maria DeLugan

University of Arizona Press, 2012

Reimagining National Belonging is the first sustained critical examination of post–civil war El Salvador. It describes how one nation, after an extended and divisive conflict, took up the challenge of generating social unity and shared meanings around ideas of the nation. In tracing state-led efforts to promote the concepts of national culture, history, and identity, Robin DeLugan highlights the sites and practices—as well as the complexities—of nation-building in the twenty-first century.

Examining events that unfolded between 1992 and 2011, DeLugan both illustrates the idiosyncrasies of state and society in El Salvador and opens a larger portal into conditions of constructing a state in the present day around the globe—particularly the process of democratization in an age of neoliberalism. She demonstrates how academics, culture experts, popular media, and the United Nations and other international agencies have all helped shape ideas about national belonging in El Salvador. She also reveals the efforts that have been made to include populations that might have been overlooked, including indigenous people and faraway citizens not living inside the country’s borders. And she describes how history and memory projects have begun to recall the nation’s violent past with the goal of creating a more just and equitable nation.

This illuminating case study fills a gap in the scholarship about culture and society in contemporary El Salvador, while offering an “ethnography of the state” that situates El Salvador in a global context.
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cover of Religion and the Politics of Time

Religion and the Politics of Time

Noah Shusterman

Catholic University of America Press, 2010

Religion and the Politics of Time is an extensive study of the changes in religious holidays in Old Regime and Revolutionary France.
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cover of Remaindered Life

Remaindered Life

Neferti X. Tadiar

Duke University Press, 2022

In Remaindered Life Neferti X. M. Tadiar offers a new conceptual vocabulary and framework for rethinking the dynamics of a global capitalism maintained through permanent imperial war. Tracking how contemporary capitalist accumulation depends on producing life-times of disposability, Tadiar focuses on what she terms remaindered life—practices of living that exceed the distinction between life worth living and life worth expending. Through this heuristic, Tadiar reinterprets the global significance and genealogy of the surplus life-making practices of migrant domestic and service workers, refugees fleeing wars and environmental disasters, criminalized communities, urban slum dwellers, and dispossessed Indigenous people. She also examines artists and filmmakers in the Global South who render forms of various living in the midst of disposability. Retelling the story of globalization from the side of those who reach beyond dominant protocols of living, Tadiar demonstrates how attending to remaindered life can open up another horizon of possibility for a radical remaking of our present global mode of life.
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cover of Remaking Beijing: Tiananmen Square and the Creation of a Political Space

Remaking Beijing

Tiananmen Square and the Creation of a Political Space

Wu Hung

University of Chicago Press, 2005

In 1949, Beijing still retained nearly all of its time-honored character and magnificence. But when Chairman Mao rejected the proposal to build a new capital for the People's Republic of China and decided to stay in the ancient city, he initiated a long struggle to transform Beijing into a shining beacon of socialism. So began the remaking of the city into a modern metropolis rife with monuments, public squares, exhibition halls, and government offices.

Wu Hung grew up in Beijing and experienced much of the city's makeover firsthand. In this lavishly illustrated work, he offers a vivid, often personal account of the struggle over Beijing's reinvention, drawing particular attention to Tiananmen Square—the most sacred space in the People's Republic of China. Remaking Beijing considers the square's transformation from a restricted imperial domain into a public arena for political expression, from an epic symbol of socialism into a holy relic of the Maoist regime, and from an official and monumental complex into a site for unofficial and antigovernment demonstrations.

Wu Hung also explores how Tiananmen Square has become a touchstone for official art in modern China—as the site for Mao's monumental portrait, as the location of museums narrating revolutionary history, and as the grounds for extravagant National Day parades celebrating the revolutionary masses. He then shows how in recent years the square has inspired artists working without state sponsorship to create paintings, photographs, and even performances that reflect the spirit of the 1989 uprisings and pose a forceful challenge to official artworks and the sociopolitical system that supports them.

Remaking Beijing will reward anyone interested in modern Chinese history, society, and art, or, more generally, in how urban renewal becomes intertwined with cultural and national politics.
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cover of Remaking the Citizen for New Times: History, Pedagogy and the Amar Chitra Katha

Remaking the Citizen for New Times

History, Pedagogy and the Amar Chitra Katha

Deepa Sreenivas

Seagull Books, 2024

An accessible cultural and literary critique of the right wing in India.
 
How does orthodoxy maintain its power over culture? In Remaking the Citizen for New Times, Deepa Sreenivas explores how the Amar Chitra Katha, a widely read comic series started in 1967 in India, influenced the historical and national consciousness of young readers in a conservative direction. Tacitly blaming Nehruvian welfarism of the time for the moral decline of the nation, the Amar Chitra Katha emerged as a literary articulation of the Indian right’s Hindu-nationalist ideology in a modern, bourgeois guise. To renew Hindutva hegemony, the comic series gave orthodox ideas a new sheen, both in its form and content, merging Western comic styles with Indian visual storytelling traditions on the one hand, and combining mythological characters with political figureheads into harmonious narratives on the other—making it difficult to sift history from myths and legends. Sreenivas deftly argues that these mythological-political tales emphasized the instructive rather than the informative potential of history, encouraging neoliberal values such as merit and hard work while ignoring caste or class as systemic issues.
 
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cover of Remembrance, History, and Justice: Coming to terms with traumatic pasts in democratic societies

Remembrance, History, and Justice

Coming to terms with traumatic pasts in democratic societies

Bogdan C. Iacob

Central European University Press, 2015

The twentieth century has left behind a painful and complicated legacy of massive trauma, monstrous crimes, radical social engineering, or collective/individual guilt syndromes that were often the premises for and the specters haunting the process of democratization in the various societies that emerged out of these profoundly de-structuring contexts. The present manuscript is a state of the art reassessment and analysis of how the interplay between memory, history, and justice generates insight that is multifariously relevant for comprehending the present and future of democracy without becoming limited to a Europe-centric framework of understanding. The manuscript is structured on three complementary and interconnected trajectories: the public use of history, politics of memory, and transitional justice. Key words 1. Europe, Eastern—Politics and government—1989– 2. Collective memory—Europe,Eastern. 3. Memory—Political aspects—Europe, Eastern. 4. Democratization—Social aspects—Europe, Eastern. 5. Europe, Eastern—Historiography—Socialaspects. 6. Europe, Eastern—Historiography—Political aspects. 7. Social justice—Europe, Eastern. 8. Post-communism—Europe, Eastern. 9. Fascism—Socialaspects—Europe, Eastern. 10. Dictatorship—Social aspects—Europe, Eastern.
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cover of Renegade Rhymes: Rap Music, Narrative, and Knowledge in Taiwan

Renegade Rhymes

Rap Music, Narrative, and Knowledge in Taiwan

Meredith Schweig

University of Chicago Press, 2022

A close look at how Taiwanese musicians are using rap music as a creative way to explore and reconcile Taiwanese identity and history.

Like many states emerging from oppressive political rule, Taiwan saw a cultural explosion in the late 1980s, when nearly four decades of martial law under the Chinese Nationalist Party ended. As members of a multicultural, multilingual society with a complex history of migration and colonization, Taiwanese people entered this moment of political transformation eager to tell their stories and grapple with their identities. In Renegade Rhymes, ethnomusicologist Meredith Schweig shows how rap music has become a powerful tool in the post-authoritarian period for both exploring and producing new knowledge about the ethnic, cultural, and political history of Taiwan.
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Schweig draws on extensive ethnographic fieldwork, taking readers to concert venues, music video sets, scenes of protest, and more to show how early MCs from marginalized ethnic groups infused rap with important aspects of their own local languages, music, and narrative traditions. Aiming their critiques at the educational system and a neoliberal economy, new generations of rappers have used the art form to nurture associational bonds and rehearse rituals of democratic citizenship, making a new kind of sense out of their complicated present.
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cover of Replace the State: How to Change the World When Elections and Protests Fail

Replace the State

How to Change the World When Elections and Protests Fail

Sasha Davis

University of Minnesota Press, 2025

A practical call to action against oppression

 

Across the globe, millions of people have participated in protests and marches, donated to political groups, or lobbied their representatives with the aim of creating lasting social change, overturning repressive laws, or limiting environmental destruction. Yet very little seems to improve for those affected by rapacious governments. Replace the State brings new hope for social justice movements by looking to progressive campaigns that have found success by unconventional, and more direct, means.

 

Sasha Davis, an activist and scholar of radical environmental advocacy, focuses on the strategies of movements, many of them Indigenous, that have occupied contested sites and demonstrated their effectiveness at managing or governing them. Including case studies of resistance to development on Indigenous lands in Hawai‘i, nuclear testing in the Nevada desert, and the U.S. military occupation of Okinawa, he offers insight and direction for activists, students, academics, and others dedicated to protecting and improving the well-being of their communities and beyond.

 

It would be easy to succumb to pessimism and political apathy in the face of governing institutions that are increasingly unresponsive to calls for change and repressive in response to protest, even as they violate human rights, ignore existential climate catastrophes, and concentrate power into fewer and fewer hands. Instead, Davis finds inspiration for genuine political change through social movements that are successfully “replacing the state” and taking over the day-to-day governance of threatened places. From contesting environmental abuse to reasserting Indigenous sovereignty, these social movements demonstrate how people can collectively wrest control over their communities from oppressive governments and manage them with a more egalitarian ethics of care.

 

 

Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

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cover of Replaying Marc Anthony: Sonic, Political, and Cultural Resonances

Replaying Marc Anthony

Sonic, Political, and Cultural Resonances

Frances R. Aparicio

The Ohio State University Press, 2025

Replaying Marc Anthony is the first book-length study of Marc Anthony’s cultural, aesthetic, and political contributions to Latinx popular music and Latinx communities. Despite the trivializing label of “Latino pop,” Anthony’s repertoire has had a tremendous impact on his audience, particularly within the US Latinx community. Considering his music outside of limiting frameworks imposed by the music industry, Frances R. Aparicio situates Anthony’s songs within specific musical genealogies and histories, demonstrating that his songs not only foster healing from colonial violence but also produce, textually and sonically, multiple identities that resonate with his listeners. Relistening to five of Anthony’s most canonical songs—“Preciosa,” “Hasta Que Te Conocí,” “I Need to Know,” “Aguanile,” and “Vivir Mi Vida”—Aparicio traces the circulation of these sonic texts, examining their social, cultural, gender, and political meanings. Among the myriad topics Marc Anthony’s music critically reflects on are Puerto Rican and Diasporican itinerant subjectivities, Blackness, environmental crises, MexiRican sonic exchanges, Latinidad, masculinities, struggles with belonging as an “American,” and Global South solidarities.
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cover of Reproduction, Globalization, and the State: New Theoretical and Ethnographic Perspectives

Reproduction, Globalization, and the State

New Theoretical and Ethnographic Perspectives

Carole H. Browner and Carolyn F. Sargent, eds.

Duke University Press, 2011

Reproduction, Globalization, and the State conceptualizes and puts into practice a global anthropology of reproduction and reproductive health. Leading anthropologists offer new perspectives on how transnational migration and global flows of communications, commodities, and biotechnologies affect the reproductive lives of women and men in diverse societies throughout the world. Based on research in Africa, the Americas, Asia, and Western Europe, their fascinating ethnographies provide insight into reproduction and reproductive health broadly conceived to encompass population control, HIV/AIDS, assisted reproductive technologies, paternity tests, sex work, and humanitarian assistance. The contributors address the methodological challenges of research on globalization, including ways of combining fine-grained ethnography with analyses of large-scale political, economic, and ideological forces. Their essays reveal complex interactions among global and state population policies and politics; public health, human rights, and feminist movements; diverse medical systems; various religious practices, doctrines, and institutions; and intimate relationships and individual aspirations.

Contributors. Aditya Bharadwaj, Caroline H. Bledsoe, Carole H. Browner, Junjie Chen, Aimee R. Eden, Susan L. Erikson, Didier Fassin, Claudia Lee Williams Fonseca, Ellen Gruenbaum, Matthew Gutmann, Marcia C. Inhorn, Mark B. Padilla, Rayna Rapp, Lisa Ann Richey, Carolyn Sargent, Papa Sow, Cecilia Van Hollen, Linda Whiteford

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cover of Resistance on the National Stage: Theater and Politics in Late New Order Indonesia

Resistance on the National Stage

Theater and Politics in Late New Order Indonesia

Michael H. Bodden

Ohio University Press, 2010

Resistance on the National Stage analyzes the ways in which, between 1985 and 1998, modern theater pracxadtitioners in Indonesia contributed to a rising movement of social protest against the long-governing New Order regime of President Suharto. It examines the work of an array of theater groups and networks from Jakarta, Bandung, and Yogyakarta that pioneered new forms of theater-making and new themes that were often presented more directly and critically than previous groups had dared to do.

Michael H. Bodden looks at a wide range of case studies to show how theater contributed to and helped build the opposition. He also looks at how specific combinations of social groups created tensions and gave modern theater a special role in bridging social gaps and creating social networks that expanded the reach of the prodemocracy movement. Theater workers constructed new social networks by involving peasants, Muslim youth, industrial workers, and lower-middle-class slum dwellers in theater productions about their own lives. Such networking and resistance established theater as one significant arena in which the groundwork for the ouster of Suharto in May 1998, and the succeeding Reform era, was laid.

Resistance on the National Stage will have broad appeal, not only for scholars of contemporary Indonesian culture and theater, but also for those interested in Indonesian history and politics, as well as scholars of postcolonial theater and culture.

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cover of Resisting Extractivism: Peruvian Gold, Everyday Violence, and the Politics of Attention

Resisting Extractivism

Peruvian Gold, Everyday Violence, and the Politics of Attention

Michael Wilson Becerril

Vanderbilt University Press, 2021

ACRL's Choice Outstanding Academic Title of 2021

Peru is classified as one of the deadliest countries in the world for environmental defenders, where activists face many forms of violence. Through an ethnographic and systematic comparison of four gold-mining conflicts in Peru, Resisting Extractivism presents a vivid account of subtle and routine forms of violence, analyzing how meaning-making practices render certain types of damage and suffering noticeable while occluding others. The book thus builds a theory of violence from the ground up—how it is framed, how it impacts people’s lived experiences, and how it can be confronted. By excavating how the everyday interactions that underlie conflicts are discursively concealed and highlighted, this study assists in the prevention and transformation of violence over resource extraction in Latin America.

The book draws on a controlled, qualitative comparison of four case studies, extensive ethnographic research conducted over fourteen months of fieldwork, analysis of over nine hundred archives and documents, and unprecedented access to more than 250 semi-structured interviews with key actors across industry, the state, civil society, and the media. Michael Wilson Becerril identifies, traces, and compares these dynamics to explain how similar cases can lead to contrasting outcomes—insights that may be usefully applied in other contexts to save lives and build better futures.
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cover of Resisting Spirits: Drama Reform and Cultural Transformation in the People's Republic of China

Resisting Spirits

Drama Reform and Cultural Transformation in the People's Republic of China

Maggie Greene

University of Michigan Press, 2019

Resisting Spirits is a reconsideration of the significance and periodization of literary production in the high socialist era, roughly 1953 through 1966, specifically focused on Mao-era culture workers’ experiments with ghosts and ghost plays. Maggie Greene combines rare manuscript materials—such as theatre troupes’ annotated practice scripts—with archival documents, memoirs, newspapers, and films to track key debates over the direction of socialist aesthetics. Through arguments over the role of ghosts in literature, Greene illuminates the ways in which culture workers were able to make space for aesthetic innovation and contestation both despite and because of the constantly shifting political demands of the Mao era. Ghosts were caught up in the broader discourse of superstition, modernization, and China’s social and cultural future. Yet, as Greene demonstrates, the ramifications of those concerns as manifested in the actual craft of writing and performing plays led to further debates in the realm of literature itself: If we remove the ghost from a ghost play, does it remain a ghost play? Does it lose its artistic value, its didactic value, or both? At the heart of Greene’s intervention is “just reading”: the book regards literature first as literature, rather than searching immediately for its political subtext, and the voices of dramatists themselves finally upstage those of Mao’s inner circle. Ironically, this surface reading reveals layers of history that scholars of the Mao era have often ignored, including the ways in which social relations and artistic commitments continued to inform the world of art. Resisting Spirits thus illuminates the origins of more famous literary inquisitions, showing how the arguments surrounding ghost plays and the fates of their authors place the origins of the Cultural Revolution several years earlier, with a radical new shift in the discourse of theatre.
 
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cover of Resonant Violence: Affect, Memory, and Activism in Post-Genocide Societies

Resonant Violence

Affect, Memory, and Activism in Post-Genocide Societies

Kerry Whigham

Rutgers University Press, 2022

From the Holocaust in Europe to the military dictatorships of Latin America to the enduring violence of settler colonialism around the world, genocide has been a defining experience of far too many societies. In many cases, the damaging legacies of genocide lead to continued violence and social divisions for decades. In others, however, creative responses to this identity-based violence emerge from the grassroots, contributing to widespread social and political transformation. Resonant Violence explores both the enduring impacts of genocidal violence and the varied ways in which states and grassroots collectives respond to and transform this violence through memory practices and grassroots activism. By calling upon lessons from Germany, Poland, Argentina, and the Indigenous United States, Resonant Violence demonstrates how ordinary individuals come together to engage with a violent past to pave the way for a less violent future.
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cover of Resource Radicals: From Petro-Nationalism to Post-Extractivism in Ecuador

Resource Radicals

From Petro-Nationalism to Post-Extractivism in Ecuador

Thea Riofrancos

Duke University Press, 2020

In 2007, the left came to power in Ecuador. In the years that followed, the “twenty-first-century socialist” government and a coalition of grassroots activists came to blows over the extraction of natural resources. Each side declared the other a perversion of leftism and the principles of socioeconomic equality, popular empowerment, and anti-imperialism. In Resource Radicals, Thea Riofrancos unpacks the conflict between these two leftisms: on the one hand, the administration's resource nationalism and focus on economic development; and on the other, the anti-extractivism of grassroots activists who condemned the government's disregard for nature and indigenous communities. In this archival and ethnographic study, Riofrancos expands the study of resource politics by decentering state resource policy and locating it in a field of political struggle populated by actors with conflicting visions of resource extraction. She demonstrates how Ecuador's commodity-dependent economy and history of indigenous uprisings offer a unique opportunity to understand development, democracy, and the ecological foundations of global capitalism.
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cover of Resowing the Seeds of War: Presidential Peace Rhetoric since 1945

Resowing the Seeds of War

Presidential Peace Rhetoric since 1945

Stephen J. Heidt

Michigan State University Press, 2021

Ending a war, as Fred Charles Iklé wrote, poses a much greater challenge than beginning one. In addition to issues related to battle tactics, prisoners of war, diplomatic relations, and cease-fire negotiations, ending war involves domestic political calculations. Balancing the tides of public opinion versus policy needs poses a deep and enduring problem for presidents. In a first-of-its-kind study, Resowing the Seeds of War explains how Presidents Truman, Eisenhower, Nixon, and Obama managed the political, policy, and bureaucratic challenges that arise at the end of war via a series of rhetorical choices that reframe, modify, or unravel depictions of national enemies, the cause of the conflict, and the stakes for the nation and world. This end-of-war rhetoric justifies ending hostilities, rationalizes postwar national policy, argues for the construction of postwar security arrangements, and often sustains public support for massive financial investment in reconstruction. By tracking presidential manipulations of savage imagery from World War II to the War on Terror, this book concludes that even as  metaphoric reframing facilitates exit from conflict, it incurs unexpected consequences that make national involvement in the next conflict more likely.
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cover of Respect and Loathing in American Democracy: Polarization, Moralization, and the Undermining of Equality

Respect and Loathing in American Democracy

Polarization, Moralization, and the Undermining of Equality

Jeff Spinner-Halev and Elizabeth Theiss-Morse

University of Chicago Press, 2024

A deep examination of why respect is in short supply in politics today and why it matters.

Respect is in trouble in the United States. Many Americans believe respecting others is a necessary virtue, yet many struggle to respect opposing partisans. Surprisingly, it is liberal citizens, who hold respect as central to their view of democratic equality, who often have difficulty granting respect to others. Drawing on evidence from national surveys, focus groups, survey experiments, and the views of political theorists, Jeff Spinner-Halev and Elizabeth Theiss-Morse explain why this is and why respect is vital to—and yet so lacking in—contemporary US politics.

Respect and Loathing in American Democracy argues that liberals and conservatives are less divided than many believe, but alienate one another because they moralize different issues. Liberals moralize social justice, conservatives champion national solidarity, and this worldview divide keeps them at odds.

Respect is both far-reaching and vital, yet it is much harder to grant than many recognize, partly because of the unseen tension between respect, social justice, and national solidarity. Respect and Loathing in American Democracy proposes a path forward that, while challenging, is far from impossible for citizens to traverse.

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cover of Restaging the Future: Neoliberalization, Theater, and Performance in Britain

Restaging the Future

Neoliberalization, Theater, and Performance in Britain

Louise Owen

Northwestern University Press, 2023

An examination of neoliberal ideology’s ascendance in 1990s and 2000s British politics and society through its effect on state-supported performance practices

Post-Thatcher, British cultural politics were shaped by the government’s use of the arts in service of its own social and economic agenda. Restaging the Future: Neoliberalization, Theater, and Performance in Britain interrogates how arts practices and cultural institutions were enmeshed with the particular processes of neoliberalization mobilized at the end of the twentieth century and into the twenty-first.

Louise Owen traces the uneasy entanglement of performance with neoliberalism's marketization of social life. Focusing on this political moment, Owen guides readers through a wide range of performance works crossing multiple forms, genres, and spaces—from European dance tours, to Brazilian favelas, to the streets of Liverpool—attending to their distinct implications for the reenvisioned future in whose wake we now live.

Analyzing this array of participatory dance, film, music, public art, and theater projects, Owen uncovers unexpected affinities between community-based, experimental, and avant-garde movements. Restaging the Future provides key historical context for these performances, their negotiations of their political moment, and their themes of insecurity, identity, and inequality, created in a period of profound ideological and socioeconomic change.
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cover of Restaging the Sixties: Radical Theaters and Their Legacies

Restaging the Sixties

Radical Theaters and Their Legacies

Edited by James M. Harding and Cindy Rosenthal

University of Michigan Press, 2006

In the volatile period of the late sixties and early seventies, several theater groups came to prominence in the United States, informing and shaping activist theater as we know it today. Restaging the Sixties examines the artistry, politics, and legacies of eight radical collectives: the Living Theatre, the Open Theatre, the Performance Group, the San Francisco Mime Troupe, El Teatro Campesino, At the Foot of the Mountain, the Free Southern Theater, and Bread and Puppet Theater. Each of the specially commissioned essays is from a leading theater artist, critic, or scholar. The essays follow a three-part structure that first provides a historical overview of each group’s work, then an exploration of the group’s significant contributions to political theater, and finally, the legacy of those contributions.

The volume explores how creations such as the Living Theatre's Paradise Now and the Performance Group’s Dionysus in 69 overlapped with political interests that, in the late 1960s, highlighted the notion of social collectives as a radical alternative to mainstream society. Situating theatrical practice within this socio-political context, the book considers how radical theaters sought to redefine the relationship between theater and political activism, and how, as a result, they challenged the foundations of theater itself.

James M. Harding is Associate Professor of English at Mary Washington University. His other books include Not the Other Avant-Garde: The Transnational Foundations of Avant-Garde Performance.

Cindy Rosenthal is Associate Professor of Theatre Studies, Hofstra University.

“A useful introduction to an eclectic period of experimental theater, providing portraits of the major political theaters and engaging with new vigor many of the era’s familiar aesthetic and ideological concerns. The writers offer a provocative history of theater’s attraction to (and occasional anxiety over) activism.”
--Marc Robinson, Yale University
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cover of Revisiting Women's Cinema: Feminism, Socialism, and Mainstream Culture in Modern China

Revisiting Women's Cinema

Feminism, Socialism, and Mainstream Culture in Modern China

Lingzhen Wang

Duke University Press, 2021

In Revisiting Women’s Cinema, Lingzhen Wang ponders the roots of contemporary feminist stagnation and the limits of both commercial mainstream and elite minor cultures by turning to socialist women filmmakers in modern China. She foregrounds their sociopolitical engagements, critical interventions, and popular artistic experiments, offering a new conception of socialist and postsocialist feminisms, mainstream culture, and women’s cinema. Wang highlights the films of Wang Ping and Dong Kena in the 1950s and 1960s and Zhang Nuanxin and Huang Shuqin in the 1980s and 1990s to unveil how they have been profoundly misread through extant research paradigms entrenched in Western Cold War ideology, post-second-wave cultural feminism, and post-Mao intellectual discourses. Challenging received interpretations, she elucidates how socialist feminism and culture were conceptualized and practiced in relation to China’s search not only for national independence and economic development but also for social emancipation, proletarian culture, and socialist internationalism. Wang calls for a critical reevaluation of historical materialism, socialist feminism, and popular culture to forge an integrated emancipatory vision for future transnational feminist and cultural practices.
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cover of Revolting Indolence: The Politics of Slacking, Lounging, and Daydreaming in Queer and Trans Latinx Culture

Revolting Indolence

The Politics of Slacking, Lounging, and Daydreaming in Queer and Trans Latinx Culture

Marcos Gonsalez

University of Texas Press, 2024

2026 Bronze Medal for the Best LGBTQ+ Themed Book, Conference on Latin American History (CLAH)
2025 Honorable Mention, John Leo & Dana Heller Award for Best Single Work, Anthology, Multi-Authored, or Edited Book in LGBTQ Studies, Popular Culture Association (PCA)
2025 Honorable Mention, Alan Bray Memorial Book Prize, GL/Q Caucus of the Modern Language Association and the Q/T Caucus of the American Studies Association

How indolent practices in Latinx LGBTQ culture challenge capitalist imperatives to be productive.

Revolting Indolence makes a case for laziness as an aesthetic-political strategy for countering the oppressive logics of cisheteronormative racial capitalism. Focusing on ways in which queer and trans Latinx people demonstrate the unwillingness of their participation in “productivist” ethics and allied respectability politics, Marcos Gonsalez argues that slacking off, lounging, daydreaming, and partying are liberatory practices—revolts that in turn are treated as revolting.

Gonsalez explores how queer and trans Latinx artists refute discourses in which work is a moral good. In Paris Is Burning, RuPaul's Drag Race, documentary photography of queer and trans Latinx life in Los Angeles, and other sources, Gonsalez identifies two lazy styles: first, flagrant refusals of work that critique capitalist reason; and second, the invention of alternative aesthetic worlds beyond racial capitalism and violence targeting queer and trans people, whose rejection of the cisgender nuclear family paradigm is rightly seen as threatening the stability of a functioning capitalist system. Reclaiming laziness as a resource for radical imagining, Revolting Indolence asks us to do that which we want most and which capitalist exploitation can least tolerate: to slow down.

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cover of Revolutionaries to Race Leaders: Black Power and the Making of African American Politics

Revolutionaries to Race Leaders

Black Power and the Making of African American Politics

Cedric Johnson

University of Minnesota Press, 2007

The Black Power movement represented a key turning point in American politics. Disenchanted by the hollow progress of federal desegregation during the 1960s, many black citizens and leaders across the United States demanded meaningful self-determination. The popular movement they created was marked by a vigorous artistic renaissance, militant political action, and fierce ideological debate.

Exploring the major political and intellectual currents from the Black Power era to the present, Cedric Johnson reveals how black political life gradually conformed to liberal democratic capitalism and how the movement’s most radical aims—the rejection of white aesthetic standards, redefinition of black identity, solidarity with the Third World, and anticapitalist revolution—were gradually eclipsed by more moderate aspirations. Although Black Power activists transformed the face of American government, Johnson contends that the evolution of the movement as a form of ethnic politics restricted the struggle for social justice to the world of formal politics.

Johnson offers a compelling and theoretically sophisticated critique of the rhetoric and strategies that emerged in this period. Drawing on extensive archival research, he reinterprets the place of key intellectual figures, such as Harold Cruse and Amiri Baraka, and influential organizations, including the African Liberation Support Committee, the National Black Political Assembly, and the National Black Independent Political Party in postsegregation black politics, while at the same time identifying the contradictions of Black Power radicalism itself.

Documenting the historical retreat from radical, democratic struggle, Revolutionaries to Race Leaders ultimately calls for the renewal of popular struggle and class-conscious politics.

Cedric Johnson is assistant professor of political science at Hobart and William Smith Colleges.

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cover of Revolutionary Medicine: Health and the Body in Post-Soviet Cuba

Revolutionary Medicine

Health and the Body in Post-Soviet Cuba

P. Sean Brotherton

Duke University Press, 2012

Revolutionary Medicine is a richly textured examination of the ways that Cuba's public health care system has changed during the past two decades and of the meaning of those changes for ordinary Cubans. Until the Soviet bloc collapsed in 1989, socialist Cuba encouraged citizens to view access to health care as a human right and the state's responsibility to provide it as a moral imperative. Since the loss of Soviet subsidies and the tightening of the U.S. economic embargo, Cuba's government has found it hard to provide the high-quality universal medical care that was so central to the revolutionary socialist project. In Revolutionary Medicine, P. Sean Brotherton deftly integrates theory and history with ethnographic research in Havana, including interviews with family physicians, public health officials, research scientists, and citizens seeking medical care. He describes how the deterioration of health and social welfare programs has led Cubans to seek health care through informal arrangements, as well as state-sponsored programs. Their creative, resourceful pursuit of health and well-being provides insight into how they navigate, adapt to, and pragmatically cope with the rapid social, economic, and political changes in post-Soviet Cuba.
[more]
cover of Revolutionary Stagecraft: Theater, Technology, and Politics in Modern China

Revolutionary Stagecraft

Theater, Technology, and Politics in Modern China

Tarryn Li-Min Chun

University of Michigan Press, 2024

2026 NYU Joe Callaway Prize Winner

  • 2025 Association for Theatre in Higher Education Outstanding Book Award in Innovative Achievement Winner
  • 2024 Theatre Library Association George Freedley Memorial Award Co-Winner
  • American Society for Theatre Research Barnard Hewitt Award for Outstanding Research in Theatre History Finalist 

Revolutionary Stagecraft draws on a rich corpus of literary, historical, and technical materials to reveal a deep entanglement among technological modernization, political agendas, and the performing arts in modern China. This unique approach to Chinese theater history combines a close look at plays themselves, performance practices, technical theater details, and behind-the-scenes debates over “how to” make theater amid the political upheavals of China’s 20th century. The book begins at a pivotal moment in the 1920s—when Chinese theater artists began to import, use, and write about modern stage equipment—and ends in the 1980s when China's scientific and technological boom began. By examining iconic plays and performances from the perspective of the stage technologies involved, Tarryn Li-Min Chun provides a fresh perspective on their composition and staging. The chapters include stories on the challenges of creating imitation neon, rigging up a makeshift revolving stage, and representing a nuclear bomb detonating onstage. 

In thinking about theater through technicity, the author mines well-studied materials such as dramatic texts and performance reviews for hidden technical details and brings to light a number of previously untapped sources such as technical journals and manuals; set design renderings, lighting plots, and prop schematics; and stage technology how-to guides for amateur thespians. This approach focuses on material stage technologies, situating these objects equally in relation to their technical potential, their human use, and the social, political, economic, and cultural forces that influence them. In each of its case studies, Revolutionary Stagecraft reveals the complex and at times surprising ways in which Chinese theater artists and technicians of the 20th  century envisioned and enacted their own revolutions through the materiality of the theater apparatus.

[more]
cover of Revolutionizing Women's Healthcare: The Feminist Self-Help Movement in America

Revolutionizing Women's Healthcare

The Feminist Self-Help Movement in America

Hannah Dudley-Shotwell

Rutgers University Press, 2020

Winner of the 2021 Frances Richardson Keller-Sierra Prize from the Western Association of Women Historians (WAWH)​

Revolutionizing Women’s Healthcare is the story of a feminist experiment: the self-help movement. This movement arose out of women’s frustration, anger, and fear for their health. Tired of visiting doctors who saw them as silly little girls, suffering shame when they asked for birth control, seeking abortions in back alleys, and holding little control over their own reproductive lives, women took action. Feminists created “self-help groups” where they examined each other’s bodies and read medical literature. They founded and ran clinics, wrote books, made movies, undertook nationwide tours, and raided and picketed offending medical institutions. Some performed their own abortions. Others swore off pharmaceuticals during menopause. Lesbian women found “at home” ways to get pregnant. Black women used self-help to talk about how systemic racism affected their health. Hannah Dudley-Shotwell engagingly chronicles these stories and more to showcase the creative ways women came together to do for themselves what the mainstream healthcare system refused to do.
[more]
cover of Revolutions of Capitalism: The Politics of the Event

Revolutions of Capitalism

The Politics of the Event

Maurizio Lazzarato. Translated by Brian Whitener and Geo Maher.

Duke University Press, 2026

Framed by brilliant readings of Gilles Deleuze and Félix Guattari, Gabriel Tarde, and Mikhail Bakhtin, Maurizio Lazzarato’s Revolutions of Capitalism charts a new theory of contemporary capitalism and the politics against it. Originally published in French in 2004, this newly translated work sees capitalism as driven, not only by labor or value, but by the capture of cooperation and by the taming of possibles. Lazzarato theorizes how contemporary capitalism depends on noo-politics, or the “action of brains at a distance on other brains,” which seeks to control memory and attention and to trap the proliferation of possibles. Against this, Lazzarato reveals how current social movements attack established institutions and their vision of a single possible world to liberate the creation and actualization of a multiplicity of possible worlds.
[more]
cover of Rewriting American Architecture: Contesting the Myths of National Culture

Rewriting American Architecture

Contesting the Myths of National Culture

Edited by Charles L. Davis II, Kathryn E. Holliday, and Joanna Merwood-Salisbury

University of Texas Press, 2026

A critical reassessment of nineteenth‑century American architecture that uncovers how race, settler colonialism, and contested national identities shaped the built environment and its historiography.

Rewriting American Architecture offers a revisionist riposte to the canonical story of nineteenth-century American architecture. Drawing on new archival research and revisionist historiography, the essays in this volume reveal how American architecture was shaped not by inevitable progress toward a unified national culture but by the turbulent realities of race, labor, settler colonialism, and territorial expansion. Rather than treating architecture as an apolitical aesthetic expression, the contributors expose it as an active arena in which the meanings of nationhood were constructed, contested, and often violently enforced. From Indigenous spatial practices and Black institutional building to transnational exchanges and the racial politics embedded in professionalization, this collection reframes the built environment as central to the competing cultural, political, and geographic claims that defined the United States during this period.

[more]
cover of Rhetoric and Demagoguery

Rhetoric and Demagoguery

Patricia Roberts-Miller

Southern Illinois University Press, 2019

One of Library Journal's Top 20 Best-Selling Language Titles of 2019

In a culture of profit-driven media, demagoguery is a savvy short-term rhetorical strategy. Once it becomes the norm, individuals are more likely to employ it and, in that way, increase its power by making it seem the only way of disagreeing with or about others. When that happens, arguments about policy are replaced by arguments about identity—and criticism is met with accusations that the critic has the wrong identity (weak, treacherous, membership in an out-group) or the wrong feelings (uncaring, heartless).
 
Patricia Roberts-Miller proposes a definition of demagoguery based on her study of groups and cultures that have talked themselves into disastrously bad decisions. She argues for seeing demagoguery as a way for people to participate in public discourse, and not necessarily as populist or heavily emotional. Demagoguery, she contends, depoliticizes political argument by making all issues into questions of identity. She broaches complicated questions about its effectiveness at persuasion, proposes a new set of criteria, and shows how demagoguery plays out in regard to individuals not conventionally seen as demagogues.
 
Roberts-Miller looks at the discursive similarities among the Holocaust in early twentieth-century Germany, the justification of slavery in the antebellum South, the internment of Japanese Americans in the United States during World War II, and the U.S.-led invasion of Iraq in 2003, among others. She examines demagoguery among powerful politicians and jurists (Earl Warren, chief justice of the U.S. Supreme Court) as well as more conventional populists (Theodore Bilbo, two-time governor of Mississippi; E. S. Cox, cofounder of the Anglo-Saxon Clubs of America). She also looks at notorious demagogues (Athenian rhetor Cleon, Ann Coulter) and lesser-known public figures (William Hak-Shing Tam, Gene Simmons).
[more]
cover of Rhetoric and Guns

Rhetoric and Guns

Lydia Wilkes

Utah State University Press, 2021

Guns hold a complex place in American culture. Over 30,000 Americans die each year from gun violence, and guns are intimately connected to issues of public health, as is evident whenever a mass shooting occurs. But guns also play an important role in many Americans’ lives that is not reducible to violence and death—as tools, sporting equipment, and identity markers. They are also central to debates about constitutional rights, as seen in ongoing discussions about the Second Amendment, and they are a continuous source of legislative concern, as apparent in annual ratings of gun-supporting legislators. 

Even as guns are wrapped up with other crucial areas of concern, they are also fundamentally a rhetorical concern. Guns and gun violence occupy a unique rhetorical space in the United States, one characterized by silent majorities, like most gun owners; vocal minorities, like the firearm industry and gun lobby; and a stalemate that fails to stem the flood of the dead. How Americans talk, deliberate, and fight about guns is vital to how guns are marketed, used, and regulated. A better understanding of the rhetorics of guns and gun violence can help Americans make better arguments about them in the world. However, where guns are concerned, rhetorical studies is not terribly different from American culture more generally. Guns are ever-present and exercise powerful effects, but they are commonly talked about in oblique, unsystematic ways. 

Rhetoric and Guns advances more direct, systematic engagement in the field and beyond by analyzing rhetoric about guns, guns in rhetoric, and guns as rhetoric, particularly as they relate to specific instances of guns in culture. The authors attempt to understand rhetoric’s relationship to guns by analyzing rhetoric about guns and how they function in and as rhetoric related to specific instances—in media coverage, political speech, marketing, and advertising. Original chapters from scholars in rhetorical studies, communication, education, and related fields elucidate how rhetoric is used to maintain and challenge the deadly status quo of gun violence in the United States and extend rhetoricians’ sustained interest in the fields’ relationships to violence, brutality, and atrocity.


Contributors: Ira J. Allen, Brian Ballentine, Matthew Boedy, Peter Buck, Lisa Corrigan, Rosa Eberly, Kendall Gerdes, Ian E. J. Hill, Nathalie Kuriowa-Lewis, Patricia Roberts-Miller, Craig Rood, Bradley Serber, Catherine R. Squires, Scott Gage
[more]
cover of Rhetoric and the Republic: Politics, Civic Discourse, and Education in Early America

Rhetoric and the Republic

Politics, Civic Discourse, and Education in Early America

Mark Garrett Longaker

University of Alabama Press, 2007

Casts a revealing light on modern cultural conflicts through the lens of rhetorical education.

Contemporary efforts to revitalize the civic mission of higher education in America have revived an age-old republican tradition of teaching students to be responsible citizens, particularly through the study of rhetoric, composition, and oratory. This book examines the political, cultural, economic, and religious agendas that drove the various—and often conflicting—curricula and contrasting visions of what good citizenship entails. Mark Garrett Longaker argues that higher education more than 200 years ago allowed actors with differing political and economic interests to wrestle over the fate of American citizenship. Then, as today, there was widespread agreement that civic training was essential in higher education, but there were also sharp differences in the various visions of what proper republic citizenship entailed and how to prepare for it.

Longaker studies in detail the specific trends in rhetorical education offered at various early institutions—such as Yale, Columbia, Pennsylvania, and William and Mary—with analyses of student lecture notes, classroom activities, disputation exercises, reading lists, lecture outlines, and literary society records. These documents reveal an extraordinary range of economic and philosophical interests and allegiances—agrarian, commercial, spiritual, communal, and belletristic—specific to each institution. The findings challenge and complicate a widely held belief that early-American civic education occurred in a halcyon era of united democratic republicanism. Recognition that there are multiple ways to practice democratic citizenship and to enact democratic discourse, historically as well as today, best serves the goal of civic education, Longaker argues.

Rhetoric and the Republic illuminates an important historical moment in the history of American education and dramatically highlights rhetorical education as a key site in the construction of democracy.
[more]
cover of Rhetoric, Independence, and Nationhood, 1760–1800, Volume II

Rhetoric, Independence, and Nationhood, 1760–1800, Volume II

Stephen E Lucas

Michigan State University Press, 2022

Few periods of American history have been studied more extensively or debated more intensely than the last four decades of the eighteenth century, during which the thirteen colonies declared their independence from Great Britain, won their independence on the battlefield, created the United States Constitution, and implemented a new national government. Scholars have approached these developments from a variety of perspectives—economic, social, political, religious, legal, and diplomatic, to name a few. This volume adopts a rhetorical perspective, which foregrounds the art of effective expression as a means of influencing political perceptions, values, and behaviors. It presents eleven essays by an interdisciplinary group of scholars who bring to bear a variety of methods, backgrounds, perspectives, and specializations. The essays illuminate key rhetors, works, controversies, and moments that helped shape American discourse and politics during the years 1760–1800.
[more]
cover of Rhetorical Education In America

Rhetorical Education In America

Cheryl Jean Glenn

University of Alabama Press, 2009

A timely collection of essays by prominent scholars in the field—on the past, present, and future of rhetoric instruction.

From Isocrates and Aristotle to the present, rhetorical education has consistently been regarded as the linchpin of a participatory democracy, a tool to foster civic action and social responsibility. Yet, questions of who should receive rhetorical education, in what form, and for what purpose, continue to vex teachers and scholars.

The essays in this volume converge to explore the purposes, problems, and possibilities of rhetorical education in America on both the undergraduate and graduate levels and inside and outside the academy. William Denman examines the ancient model of the "citizen-orator" and its value to democratic life. Thomas Miller argues that English departments have embraced a literary-research paradigm and sacrificed the teaching of rhetorical skills for public participation. Susan Kates explores how rhetoric is taught at nontraditional institutions, such as Berea College in Kentucky, where Appalachian dialect is espoused. Nan Johnson looks outside the academy at the parlor movement among women in antebellum America. Michael Halloran examines the rhetorical education provided by historical landmarks, where visitors are encouraged to share a common public discourse. Laura Gurak presents the challenges posed to traditional notions of literacy by the computer, the promises and dangers of internet technology, and the necessity of a critical cyber-literacy for future rhetorical curricula.

Collectively, the essays coalesce around timely political and cross-disciplinary issues. Rhetorical Education in America serves to orient scholars and teachers in rhetoric, regardless of their disciplinary home, and help to set an agenda for future classroom practice and curriculum design.

[more]
cover of Rhetorics of Whiteness: Postracial Hauntings in Popular Culture, Social Media, and Education

Rhetorics of Whiteness

Postracial Hauntings in Popular Culture, Social Media, and Education

Edited by Tammie M. Kennedy, Joyce Irene Middleton, Krista Ratcliffe, with a foreword by Lilia D. Monzó and Peter McLaren

Southern Illinois University Press, 2017

Winner, CCCC Outstanding Book Award in the Edited Collection Category, 2018

With the election of our first black president, many Americans began to argue that we had finally ended racism, claiming that we now live in a postracial era. Yet near-daily news reports regularly invoke white as a demographic category and recount instances of racialized violence as well as an increased sensitivity to expressions of racial unrest. Clearly, American society isn’t as color-blind as people would like to believe. In Rhetorics of Whiteness: Postracial Hauntings in Popular Culture, Social Media, and Education, contributors reveal how identifications with racialized whiteness continue to manifest themselves in American culture.

The sixteen essays that comprise this collection not only render visible how racialized whiteness infiltrates new twenty-first-century discourses and material spaces but also offer critical tactics for disrupting this normative whiteness. Specifically, contributors examine popular culture (novels, films, TV), social media (YouTube, eHarmony, Facebook), education (state law, the textbook industry, dual credit programs), pedagogy (tactics for teaching via narratives, emotional literacy, and mindfulness) as well as cultural theories (concepts of racialized space, anti-dialogicism, and color blindness). Offering new approaches to understanding racialized whiteness, this volume emphasizes the importance of a rhetorical lens for employing whiteness studies’ theories and methods to identify, analyze, interpret, and interrupt representations of whiteness.

Although whiteness studies has been waning as an active research field for the past decade, the contributors to Rhetorics of Whiteness assert that it hasn’t lost its relevancy because racialized whiteness and issues of systemic racism persist in American society and culture today. Few whiteness studies texts have been published in rhetoric and composition in the past decade, so this collection should quickly become mandatory reading. By focusing on common, yet often overlooked, contemporary examples of how racialized whiteness haunts U.S. society, Rhetorics of Whiteness serves as a valuable text for scholars in the field as well as anyone else interested in the topic.
[more]
cover of Righting the American Dream: How the Media Mainstreamed Reagan's Evangelical Vision

Righting the American Dream

How the Media Mainstreamed Reagan's Evangelical Vision

Diane Winston

University of Chicago Press, 2023

A provocative new history of how the news media facilitated the Reagan Revolution and the rise of the religious Right.
 
After two years in the White House, an aging and increasingly unpopular Ronald Reagan looked like a one-term president, but in 1983 something changed. Reagan spoke of his embattled agenda as a spiritual rather than a political project and cast his vision for limited government and market economics as the natural outworking of religious conviction. The news media broadcast this message with enthusiasm, and white evangelicals rallied to the president’s cause. With their support, Reagan won reelection and continued to dismantle the welfare state, unraveling a political consensus that stood for half a century.

In Righting the American Dream, Diane Winston reveals how support for Reagan emerged from a new religious vision of American identity circulating in the popular press. Through four key events—the “evil empire” speech, AIDS outbreak, invasion of Grenada, and rise in American poverty rates—Winston shows that many journalists uncritically adopted Reagan’s religious rhetoric and ultimately mainstreamed otherwise unpopular evangelical ideas about individual responsibility. The result is a provocative new account of how Reagan together with the press turned America to the right and initiated a social revolution that continues today.
[more]
cover of Rings of Dissent: Boxing and Performances of Rebellion

Rings of Dissent

Boxing and Performances of Rebellion

Edited by Rudy Mondragón, Gaye Theresa Johnson, and David J. Leonard

University of Illinois Press, 2025

Professional boxers practice their trade within an ostensibly apolitical arena. In reality, however, the fighters work inside a capitalistic and neoliberal sports culture that they both challenge and uphold. This collection delves into professional boxing’s capacity for brilliance, contradiction, resistance, and complicity. Scholars, activists, and artists explore the boxing ring as a site for understanding original and diverse ideas about the performance of race, citizenship, gender, power, and dissent. Essays and interviews draw attention to the cultural politics and performances of marginalized boxers while revealing the structures of power and practices of agency at work around Black, Brown, and queer bodies. As the contributors establish boxing’s central place in communities of color, they open exciting new avenues for studying race, immigration, gender, and capital. Multifaceted and innovative, Rings of Dissent uncovers fascinating corners of the boxing world as it illuminates what the sport tells us about America. Contributors: José M. Alamillo, Roberto José Andrade Franco, Gaye Theresa Johnson, Javon Johnson, Priscilla Leiva, David J. Leonard, Kyle T. Mays, Rudy Mondragón, Louis Moore, Mark Anthony Neal, Lucia Trimbur, and Dave Zirin
[more]
cover of Rio as Method: Collective Resistance for a New Generation

Rio as Method

Collective Resistance for a New Generation

Paul Amar, editor

Duke University Press, 2024

Rio as Method provides a new set of lenses for apprehending and transforming the world at critical junctures. Challenging trends that position Global South scholars as research informants or objects, this Rio de Janeiro-based network of scholars, activists, attorneys, and political leaders center their Brazilian megacity as a globally relevant source for transformational world-making insights. Presenting this volume as a handbook and manifesto for energizing public engagement and direct action, more than forty contributors reconceive method as a politics of knowledge production that animates new ways of being, seeing, and doing politics. They draw on lessons from the city’s intersecting religious, feminist, queer, Black, Indigenous, and urbanist movements to examine issues ranging from state violence, urban marginalization, and moral panic to anticorruption efforts, paramilitary policing, sex work, and mutual aid. Rethinking theoretical and collaborative research methods, Rio as Method models theories of decolonial analysis and concepts of collective resistance that can be taken up by scholar-activists anywhere.

Contributors. Rosiane Rodrigues de Almeida, José Claudio Souza Alves, Tamires Maria Alves, Paul Amar, Marcelo Caetano Andreoli, Beatriz Bissio, Thaddeus Gregory Blanchette, Fernando Brancoli, Thayane Brêtas, Victoria Broadus, Fatima Cecchetto, Leonard Cortana, Marcos Coutinho, Monica Cunha, Luiz Henrique Eloy Amado, Marielle Franco, Cristiane Gomes Julião, Benjamin Lessing, Roberto Kant de Lima, Amanda De Lisio, Bryan McCann, Flávia Medeiros, Ana Paula Mendes de Miranda, Sean T. Mitchell, Rodrigo Monteiro, Vitória Moreira, Jacqueline de Oliveira Muniz, Laura Rebecca Murray, Cesar Pinheiro Teixeira, Osmundo Pinho, Paulo Pinto, María Victoria Pita, João Gabriel Rabello Sodré, Luciane Rocha, Marcos Alexandre dos Santos Albuquerque, Ana Paula da Silva, Denise Ferreira da Silva, Soraya Simões, Indianare Siqueira, Antonio Carlos de Souza Lima, Leonardo Vieira Silva
[more]
cover of Riot Report and the News: How the Kerner Commission Changed Media Coverage of Black America

Riot Report and the News

How the Kerner Commission Changed Media Coverage of Black America

Hrach Thomas J

University of Massachusetts Press, 0

[more]
cover of Riot and Rebellion in Mexico: The Making of a Race War Paradigm

Riot and Rebellion in Mexico

The Making of a Race War Paradigm

Ana Sabau

University of Texas Press, 2022

2023 Best Book in the Humanities, Latin American Studies Association Mexico Section

Challenging conventional narratives of Mexican history, this book establishes race-making as a central instrument for the repression of social upheaval in nineteenth-century Mexico rather than a relic of the colonial-era caste system.


Many scholars assert that Mexico’s complex racial hierarchy, inherited from Spanish colonialism, became obsolete by the turn of the nineteenth century as class-based distinctions became more prominent and a largely mestizo population emerged. But the residues of the colonial caste system did not simply dissolve after Mexico gained independence. Rather, Ana Sabau argues, ever-present fears of racial uprising among elites and authorities led to persistent governmental techniques and ideologies designed to separate and control people based on their perceived racial status, as well as to the implementation of projects for development in fringe areas of the country.

Riot and Rebellion in Mexico traces this race-based narrative through three historical flashpoints: the Bajío riots, the Haitian Revolution, and the Yucatán’s caste war. Sabau shows how rebellions were treated as racially motivated events rather than political acts and how the racialization of popular and indigenous sectors coincided with the construction of “whiteness” in Mexico. Drawing on diverse primary sources, Sabau demonstrates how the race war paradigm was mobilized in foreign and domestic affairs and reveals the foundations of a racial state and racially stratified society that persist today.

[more]
cover of Rivalry and Reform: Presidents, Social Movements, and the Transformation of American Politics

Rivalry and Reform

Presidents, Social Movements, and the Transformation of American Politics

Sidney M. Milkis and Daniel J. Tichenor

University of Chicago Press, 2019

Few relationships have proved more pivotal in changing the course of American politics than those between presidents and social movements. For all their differences, both presidents and social movements are driven by a desire to recast the political system, often pursuing rival agendas that set them on a collision course. Even when their interests converge, these two actors often compete to control the timing and conditions of political change. During rare historical moments, however, presidents and social movements forged partnerships that profoundly recast American politics.

Rivalry and Reform explores the relationship between presidents and social movements throughout history and into the present day, revealing the patterns that emerge from the epic battles and uneasy partnerships that have profoundly shaped reform. Through a series of case studies, including Abraham Lincoln and abolitionism, Lyndon Johnson and the civil rights movement, and Ronald Reagan and the religious right, Sidney M. Milkis and Daniel J. Tichenor argue persuasively that major political change usually reflects neither a top-down nor bottom-up strategy but a crucial interplay between the two. Savvy leaders, the authors show, use social movements to support their policy goals. At the same time, the most successful social movements target the president as either a source of powerful support or the center of opposition. The book concludes with a consideration of Barack Obama’s approach to contemporary social movements such as Black Lives Matter, United We Dream, and Marriage Equality.
 
[more]
cover of River Dialogues: Hindu Faith and the Political Ecology of Dams on the Sacred Ganga

River Dialogues

Hindu Faith and the Political Ecology of Dams on the Sacred Ganga

Georgina Drew

University of Arizona Press, 2017

India’s sacred Ganga River is arguably one of the most iconic sites for worship, with a continuity of rituals for the living and the dead that span over two millennia. Along the river, from high in the Himalaya to the vast plains below, people gather daily to worship the Ganga through prayer and song. But large government-sponsored dams threaten to upend these practices.

In River Dialogues, Georgina Drew offers a detailed ethnographic engagement with the social movements contesting hydroelectric development on the Ganga. The book examines the complexity of the cultural politics that, on the one hand, succeeded in influencing an unprecedented reversal of government plans for three contested hydroelectric projects, and how, on the other hand, this decision sparked ripples of discontent after being paired with the declaration of a conservation zone where the projects were situated.

The book follows the work of women who were initially involved in efforts to stop the disputed projects. After looking to their discourses and actions, Drew argues for the use of a political ecology analysis that incorporates the everyday practice and everyday religious connections that animated the cultural politics of development. Drew offers a nuanced understanding of the struggles that communities enact to assert their ways of knowing and caring for resources that serves as an example for others critically engaging with the growing global advocacy of the “green economy” model for environmental stewardship.

[more]
cover of River of Hope: Forging Identity and Nation in the Rio Grande Borderlands

River of Hope

Forging Identity and Nation in the Rio Grande Borderlands

Omar S. Valerio-Jiménez

Duke University Press, 2012

In River of Hope, Omar S. Valerio-Jiménez examines state formation, cultural change, and the construction of identity in the lower Rio Grande region during the eighteenth and nineteenth centuries. He chronicles a history of violence resulting from multiple conquests, of resistance and accommodation to state power, and of changing ethnic and political identities. The redrawing of borders neither began nor ended the region's long history of unequal power relations. Nor did it lead residents to adopt singular colonial or national identities. Instead, their regionalism, transnational cultural practices, and kinship ties subverted state attempts to control and divide the population.

Diverse influences transformed the borderlands as Spain, Mexico, and the United States competed for control of the region. Indian slaves joined Spanish society; Mexicans allied with Indians to defend river communities; Anglo Americans and Mexicans intermarried and collaborated; and women sued to confront spousal abuse and to secure divorces. Drawn into multiple conflicts along the border, Mexican nationals and Mexican Texans (tejanos) took advantage of their transnational social relations and ambiguous citizenship to escape criminal prosecution, secure political refuge, and obtain economic opportunities. To confront the racialization of their cultural practices and their increasing criminalization, tejanos claimed citizenship rights within the United States and, in the process, created a new identity.

Published in cooperation with the William P. Clements Center for Southwest Studies, Southern Methodist University.

[more]
cover of River of Tears: Country Music, Memory, and Modernity in Brazil

River of Tears

Country Music, Memory, and Modernity in Brazil

Alexander Sebastian Dent

Duke University Press, 2009

River of Tears is the first ethnography of Brazilian country music, one of the most popular genres in Brazil yet least-known outside it. Beginning in the mid-1980s, commercial musical duos practicing música sertaneja reached beyond their home in Brazil’s central-southern region to become national bestsellers. Rodeo events revolving around country music came to rival soccer matches in attendance. A revival of folkloric rural music called música caipira, heralded as música sertaneja’s ancestor, also took shape. And all the while, large numbers of Brazilians in the central-south were moving to cities, using music to support the claim that their Brazil was first and foremost a rural nation.

Since 1998, Alexander Sebastian Dent has analyzed rural music in the state of São Paulo, interviewing and spending time with listeners, musicians, songwriters, journalists, record-company owners, and radio hosts. Dent not only describes the production and reception of this music, he also explains why the genre experienced such tremendous growth as Brazil transitioned from an era of dictatorship to a period of intense neoliberal reform. Dent argues that rural genres reflect a widespread anxiety that change has been too radical and has come too fast. In defining their music as rural, Brazil’s country musicians—whose work circulates largely in cities—are criticizing an increasingly inescapable urban life characterized by suppressed emotions and an inattentiveness to the past. Their performances evoke a river of tears flowing through a landscape of loss—of love, of life in the countryside, and of man’s connections to the natural world.

[more]
cover of Rock | Water | Life: Ecology and Humanities for a Decolonial South Africa

Rock | Water | Life

Ecology and Humanities for a Decolonial South Africa

Lesley Green

Duke University Press, 2020

In Rock | Water | Life Lesley Green examines the interwoven realities of inequality, racism, colonialism, and environmental destruction in South Africa, calling for environmental research and governance to transition to an ecopolitical approach that could address South Africa's history of racial oppression and environmental exploitation. Green analyzes conflicting accounts of nature in environmental sciences that claim neutrality amid ongoing struggles for land restitution and environmental justice. Offering in-depth studies of environmental conflict in contemporary South Africa, Green addresses the history of contested water access in Cape Town; struggles over natural gas fracking in the Karoo; debates about decolonizing science; the potential for a politics of soil in the call for land restitution; urban baboon management; and the consequences of sending sewage to urban oceans.
[more]
cover of Roller Derby: The History of an American Sport

Roller Derby

The History of an American Sport

By Michella M. Marino

University of Texas Press, 2021

Since 1935, roller derby has thrilled fans and skaters with its constant action, hard hits, and edgy attitude. However, though its participants’ athleticism is undeniable, roller derby has never been accepted as a “real” sport. Michella M. Marino, herself a former skater, tackles the history of a sport that has long been a cultural mainstay for one reason both utterly simple and infinitely complex: roller derby has always been coed.

Richly illustrated and drawing on oral histories, archival materials, media coverage, and personal experiences, Roller Derby is the first comprehensive history of this cultural phenomenon, one enjoyed by millions yet spurned by mainstream gatekeepers. Amid the social constraints of the mid-twentieth century, roller derby’s emphasis on gender equality attracted male and female athletes alike, producing gender relations and gender politics unlike those of traditional sex-segregated sports. In an enlightening feminist critique, Marino considers how the promotion of pregnancy and motherhood by roller derby management has simultaneously challenged and conformed to social norms. Finally, Marino assesses the sport’s present and future after its resurgence in the 2000s.

[more]
cover of Rotten Boroughs, Political Thickets, and Legislative Donnybrooks: Redistricting in Texas

Rotten Boroughs, Political Thickets, and Legislative Donnybrooks

Redistricting in Texas

Edited by Gary A. Keith

University of Texas Press, 2013

Every ten years, the Texas legislature redistricts itself and the state’s congressional districts in an attempt to ensure equality in representation. With a richly textured cultural fabric, Texas often experiences redistricting battles that are heated enough to gain national attention. Collecting a variety of voices, including legislators themselves, in addition to lawyers, community organizers, political historians, and political scientists, Rotten Boroughs, Political Thickets, and Legislative Donnybrooks delivers a multidimensional picture of how redistricting works in Texas today, and how the process evolved.

In addition to editor Gary Keith’s historical narrative, which emphasizes the aftermath of the Warren Court’s redistricting decisions, longtime litigators David Richards and J. D. Pauerstein describe the contentious lines drawn from the 1970s into the 2000s. Former state legislator and congressman Craig Washington provides an insider’s view, while redistricting attorney and grassroots organizer Jose Garza describes the repercussions for Mexican Americans in Texas. Balancing these essays with a quantitative perspective, political scientists Seth McKee and Mark McKenzie analyze the voting data for the 2000 decade to describe the outcomes of redistricting. The result is a timely tour that provides up-to-date context, particularly on the role of the Voting Rights Act in the twenty-first century. From local community engagement to the halls of the Capitol, this is the definitive portrait of redistricting and its repercussions for all Texans.

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cover of Rough Rider in the White House: Theodore Roosevelt and the Politics of Desire

Rough Rider in the White House

Theodore Roosevelt and the Politics of Desire

Sarah Watts

University of Chicago Press, 2003

Who was Theodore Roosevelt? Most of us think of him as one of America's greatest presidents, a champion of progressive politics, and a master statesman. But many feared the political power that Roosevelt wielded. Woodrow Wilson once called him "the most dangerous man of the age." Mark Twain thought him "clearly insane." William James scorned the "flood of bellicose emotion" he let loose during his presidency. Even his biographer, Edmund Morris, is astonished at Roosevelt's "irrational love of battle."

In this book, Sarah Watts probes this dark side of the Rough Rider, presenting a fascinating psychological portrait of a man whose personal obsession with masculinity profoundly influenced the fate of a nation. Drawing on his own writings and on media representations of him, Watts attributes the wide appeal of Roosevelt's style of manhood to the way it addressed the hopes and anxieties of men of his time. Like many of his contemporaries, Roosevelt struggled with what it meant to be a man in the modern era. He saw two foes within himself: a fragile weakling and a primitive beast. The weakling he punished and toughened with rigorous, manly pursuits such as hunting, horseback riding, and war. The beast he unleashed through brutal criticism of homosexuals, immigrants, pacifists, and sissies—anyone who might tarnish the nation's veneer of strength and vigor. With his unabashed paeans to violence and aggressive politics, Roosevelt ultimately offered American men a chance to project their longings and fears onto the nation and its policies. In this way he harnessed the primitive energy of men's desires to propel the march of American civilization—over the bodies of anyone who might stand in its way.

Written with passion and precision, this powerful revisioning of an American icon will forever alter the way we see Theodore Roosevelt and his political legacy.

"A superb scholarly study of how Roosevelt built his political base on the aspiration and fears of men in a rapidly changing nation and world."—Charles K. Piehl, Library Journal

"A thought-provoking and innovative study of the dark side of Roosevelt's personality. . . . [Watt's] arguments are clear, passionate, and thoroughly supported."—Elizabeth A. Bennion, Journal of Interdisciplinary History

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cover of Royal Apologetic in the Ancient Near East

Royal Apologetic in the Ancient Near East

Andrew Knapp

SBL Press, 2015

A fresh exploration of apologetic material that pushes beyond form criticism

Andrew Knapp applies modern genre theory to seven ancient Near Eastern royal apologies that served to defend the legitimacy of kings who came to power under irregular circumstances. Knapp examines texts and inscriptions related to Telipinu, Hattusili III, David, Solomon, Hazael, Esarhaddon, and Nabonidus to identify transhistorical common issues that unite each discourse.

Features:

  • Compares Hittite, Israelite, Aramean, Assyrian, and Babylonian apologies
  • Examination of apologetic as a mode instead of a genre
  • Charts and illustrations
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cover of Rude Democracy: Civility and Incivility in American Politics

Rude Democracy

Civility and Incivility in American Politics

Authored by Susan Herbst

Temple University Press, 2020

Democracy is, by its very nature, often rude. But there are limits to how uncivil we should be. In her timely and important book, Rude Democracy, Susan Herbst explores the ways we discuss public policy, how we treat each other as we do, and how we can create a more civil national culture.

Herbst uses the examples of Sarah Palin and Barack Obama to illustrate her case. She scrutinizes Palin as both victim and perpetrator of incivility, including close analysis of her speeches on the 2008 campaign trail, the tone at her rallies, and her interactions with her audience.   Turning to Barack Obama, Herbst argues that a key 2009 speech reveals much about his own perspective on American civility as it pertains to contentious issues such as abortion, and notes, too, what the controversy surrounding the speech reveals about the nature of public opinion in the United States. She also dissects Palin’s and Obama’s roles in the 2009 health care debate.   Finally, in a fascinating chapter, Herbst examines how young people come to form their own attitudes about civility and political argument.

In Rude Democracy, Susan Herbst insists that Americans need to recognize the bad tendencies and habits we have developed, use new media for more effective debate, and develop a tougher and more strategic political skin.  She urges us to boost both the intelligence and productivity of our debates, noting that the effort demands a commitment to the nature of argument itself. Rude Democracy outlines a plan for moving forward and creating a more civil climate for American politics.

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cover of Rule Breaking and Political Imagination

Rule Breaking and Political Imagination

Kenneth A. Shepsle

University of Chicago Press, 2017

“Imagination may be thought of as a ‘work-around.’ It is a resourceful tactic to ‘undo’ a rule by creating a path around it without necessarily defying it. . . . Transgression, on the other hand, is rule breaking. There is no pretense of reinterpretation; it is defiance pure and simple. Whether imagination or disobedience is the source, constraints need not constrain, ties need not bind.”
           
So writes Kenneth A. Shepsle in his introduction to Rule Breaking and Political Imagination. Institutions are thought to channel the choices of individual actors. But what about when they do not? Throughout history, leaders and politicians have used imagination and transgression to break with constraints upon their agency. Shepsle ranges from ancient Rome to the United States Senate, and from Lyndon B. Johnson to the British House of Commons. He also explores rule breaking in less formal contexts, such as vigilantism in the Old West and the CIA’s actions in the wake of 9/11. Entertaining and thought-provoking, Rule Breaking and Political Imagination will prompt a reassessment of the nature of institutions and remind us of the critical role of political mavericks.
 
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