Results by title
28250 books match the query 'history' and 1215 start with r
Russians in Alaska
1732-1867Lydia Black
University of Alaska Press, 2004
Black's work challenges the standard perspective on the Russian period in Alaska as a time of unbridled exploitation of Native inhabitants and natural resources. Without glossing over the harsher aspects of the period, Black acknowledges the complexity of relations between Russians and Native peoples.
She chronicles the lives of ordinary men and women, the merchants and naval officers, laborers and clergy, who established Russian outposts in Alaska. These early colonists carried with them the Orthodox faith and the Russian language; their legacy endures in architecture and place names from Baranof Island to the Pribilofs.
This deluxe volume features fold-out maps and color illustrations of rare paintings and sketches from Russian, American, Japanese, and European sources, many have never before been published. An invaluable source for historians and anthropologists, this accessible volume brings to life a dynamic period in Russian and Alaskan history. A tribute to Black's life as a scholar and educator, Russians in Alaska will become a classic in the field.
Russia’s Black Genius
A Sourcebook on the African Heritage of Alexander PushkinEdited by Emily Wang and Korey Garibaldi
Amherst College Press, 2027
Russia’s Black Genius: A Sourcebook on the African Heritage of Alexander Pushkin brings together primary sources related to the racialization of Russian poet Alexander Pushkin and his Afro-Russian great-grandfather, the military engineer and general Abram Petrovich Gannibal. While Pushkin is a canonical figure and renowned to this day as Russia’s national poet, his African heritage is often overlooked or poorly understood; meanwhile Gannibal, despite his compelling life story, has become a relatively obscure figure outside of Russia. Yet over the course of the nineteenth and twentieth centuries, it was common to find discussions of Pushkin’s Black and multiracial ancestry in books and periodicals on both sides of the Atlantic. Building on the work of a small but influential cohort of scholars and intellectuals who have illuminated the racial dimensions of Pushkin’s legacy, this volume makes primary and source materials available, often for the first time, to readers who are not fluent in the Russian language. Ranging from US criticism and English translations of Russian, German, and French texts to numerous accounts of Pushkin’s life and works penned by Black Americans, the texts in this sourcebook expand and complicate the historical reception of Pushkin in Europe and the United States. Through translation and interdisciplinary dialogue, Russia’s Black Genius brings one of Russia’s—and the world’s— foremost poets into conversation with a broader swath of global readers.
Russia’s War on Ukraine and the Crisis of World Order
A Global ReaderDennis Dierks
Central European University Press, 2026
Rustic Cubism
Anne Dangar and the Art Colony at Moly-SabataBruce Adams
University of Chicago Press, 2004
In part a gripping biography of this Australian expatriate, Rustic Cubism chronicles Dangar's personal battles and the tumult of the World War II era during her tempestuous tenure at Moly-Sabata. Dangar dedicated herself to the colony's aims by working in the region's village potteries, combining their vernacular elements with Gleizes' design methods to arrive at a type of rustic Cubism. Her work there would ultimately be rewarded; her pieces can today be found in the Musée des Arts Décoratifs in Paris, the Musée d'Art Moderne de la Ville de Paris, the Museo Internazionale delle Ceramiche in Faenza, the National Gallery of Australia, Canberra, and many other museums.
Rustic Cubism places Dangar at the heart of Moly-Sabata's alternative art movement—one that, in its nostalgic present, attempted to construct a culture based on the distant past. Generously illustrated with photographs of the art and social milieu of the period, this captivating and original narrative makes a considerable contribution to our understanding of French modernism and early twentieth-century cultural politics as well as of the life of a most talented and intriguing female artist.
Rus–Ukraine–Russia
Scenes from the Cultural History of Russian ReligiosityMartin C. Putna
Karolinum Press, 2018
Examining key points in Russian cultural and spiritual history, Rus–Ukraine–Russia is essential reading for those wishing to understand the current state of Russia and Ukraine—the so-called heir to an “alternative Russia.” Putna uses literary and artistic works to offer a rich analysis of Russia as a cultural and religious phenomenon: tracing its development from the arrival of the Greeks in prehistoric Crimea to its invasion by “little green men” in 2014; explaining the cultural importance in Russ of the Vikings as well as Pussy Riot; exploring central Russian figures from St. Vladimir the Great to Vladimir Putin.
Unique in its postcolonial perspective, this is not merely a history of Russia or of Russian religion. This book presents Russia as a complex mesh of national, religious, and cultural (especially countercultural) traditions—with strong German, Mongol, Jewish, Catholic, Polish, and Lithuanian influences—a force responsible for creating what we identify as Eastern Europe.
Rutgers Football
A Gridiron Tradition in ScarletPellowski, Michael J
Rutgers University Press, 2007
Rutgers Football: A Gridiron Tradition in Scarlet is a richly illustrated history of one of the most storied programs in all of college football. From the first intercollegiate contest against Princeton in 1869, which started college football as we know it, through the years that Paul Robeson suited up for the team, the famous undefeated season of 1976, and right up to the Schiano era, former Scarlet Knight Michael Pellowski takes you on a fascinating journey that chronicles the highlights of the first 137 years of Rutgers football. He makes special mention of the Scarlet Knights who have gone on to successful careers in the NFL-Brian Leonard, Mike McMahon, L.J. Smith, Gary Brackett, Ray Lucas, Deron Cherry, among others-and includes a complete listing of letter winners.
Now, with the Empire State Building being lit red in the team's honor, and fans believing that a national championship is within reach, Rutgers Football: A Gridiron Tradition in Scarlet provides the indispensable backstory for this team as it "chops" its way to future greatness.
Rutgers Meets Japan
A Trans-Pacific Network of the Late Nineteenth CenturyHaruko Wakabayashi
Rutgers University Press, 2026
Griffis and Kusakabe were only a small piece of a vast transnational network of leading modernizers of Japan in the 1860s and 70s. The Japanese students in New Brunswick were young and innovative men of samurai and aristocratic lineage, who were sent by reform-minded leaders of Japan, which was undergoing a dramatic transformation. They came to New Brunswick seeking Western knowledge that was much needed for the modernization of a newly forming nation. New Brunswick became the hub of a network of Japanese nationals that extended to the major cities of New York, Philadelphia, and Boston, and from there to the smaller towns of New England. Once in New Brunswick, these Japanese students were embraced by Protestant ministers, educators, and missionaries—both men and women—whose network encompassed Rutgers College and the neighboring New Brunswick Theological Seminary, and which stretched to Dutch Reformed parishes throughout the Eastern seaboard, and westward as far as the Dutch enclave of Holland, Michigan. Meanwhile, the American teachers and missionaries who left for Japan became part of a network of reformist leaders and Japanese returnees that extended to schools, colleges, and missions in Japan, and formed the foundations of Japan’s modern educational system. Through contributions from scholars and archivists in the U.S., Canada, and Japan, Rutgers Meets Japan aims to reconstruct the early Rutgers-Japan connections and examine the role and impact of this transnational network on Japan and the U.S. in the late nineteenth century.
Rutgers Then and Now
Two Centuries of Campus Development: A Historic and Photographic OdysseyJames W. Hughes
Rutgers University Press, 2025
Rutgers, Then and Now tells this story, proceeding through ten sequential development phases of College Avenue and Piscataway campus expansions—each with its own buildings and physical layouts—that took place over the course of 250 years. It delivers stunning photographic and historic documentation of the growth of the university, showing “what it was and appeared originally” versus “what it is and looks like today.” Among other in-depth analyses, the book compares the diminutive geographic scale of today’s historical College Avenue Campus—once the entirety of Rutgers—to the much larger-sized (in acreage) Busch Campus. Replete with more than 500 images, the book also considers the Rutgers campuses that might have been, examining plans that were changed or abandoned. Shedding light on the sacrifices and gifts that transformed a small college into a vital hub for research and beloved home for students, it explores how Rutgers grew to become a world-class university.
Rutgers since 1945
A History of the State University of New JerseyPaul G. E. Clemens with an essay by Carla Yanni
Rutgers University Press, 2015
Ruth Asawa
An Artist Takes ShapeSam Nakahira
J. Paul Getty Trust, The, 2024
Renowned for her innovative wire sculptures, Japanese American artist Ruth Asawa (1926–2013) was a teenager in Southern California when Japan bombed Pearl Harbor and the United States entered World War II. Japanese Americans on the West Coast were forcibly removed from their homes. Asawa’s family had to abandon their farm, her father was incarcerated, and she and the rest of her family were sent to a concentration camp. Asawa nurtured her dreams of becoming an artist while imprisoned and eventually made her way to the experimental Black Mountain College in North Carolina.
This graphic biography by Sam Nakahira, developed in consultation with Asawa’s youngest daughter, Addie Lanier, chronicles the genesis of Asawa as an artist—from the horror of Pearl Harbor to her transformative education at Black Mountain College to building a life in San Francisco, where she would further develop and refine her groundbreaking wire sculpture.
Asawa never sought fame, preferring to work on her own terms: for her, art and life were one. Featuring lively illustrations and photographs of Asawa’s work, this retelling of her young adult years demonstrates the power of making art.
Ages thirteen and up
Ruth Bader Ginsburg’s Legacy of Dissent
Feminist Rhetoric and the LawKatie L. Gibson
University of Alabama Press, 2018
A rhetorical analysis of Justice Ruth Bader Ginsburg’s feminist jurisprudence.
Ruth Bader Ginsburg’s lifelong effort to reshape the language of American law has had profound consequences: she has shifted the rhetorical boundaries of jurisprudence on a wide range of fundamental issues from equal protection to reproductive rights. Beginning in the early 1970s, Ginsburg led a consequential attack on sexist law in the United States. By directly confronting the patriarchal voice of the law, she pointedly challenged an entrenched genre of legal language that silenced the voices and experiences of American women and undermined their status as equal citizens. On the United States Supreme Court, Justice Ginsburg continues to challenge the traditional scripts of legal discourse to insist on a progressive vision of the Constitution and to demand a more inclusive and democratic body of law.
This illuminating work examines Justice Ruth Bader Ginsburg’s contributions in reshaping the rhetoric of the law (specifically through the lens of watershed cases in women’s rights) and describes her rhetorical contributions—beginning with her work in the 1970s as a lawyer and an advocate for the ACLU’s Women’s Rights Project through her tenure as a Supreme Court justice. Katie L. Gibson examines Ginsburg’s rhetoric to argue that she has dramatically shifted the boundaries of legal language. Gibson draws from rhetorical theory, critical legal theory, and feminist theory to describe the law as a rhetorical genre, arguing that Ginsburg’s jurisprudence can appropriately be understood as a direct challenge to the traditional rhetoric of the law.
Ruth Bader Ginsburg stands as an incredibly important figure in late twentieth- and early twenty-first-century feminism. While a growing number of admirers celebrate Justice Ginsburg’s voice of dissent today, Ginsburg’s rhetorical legacy reveals that she has long articulated a sharp and strategic voice of judicial dissent. This study contributes to a more complete understanding of her feminist legacy by detailing the unique contributions of her legal rhetoric.
Ruth Ben-Ghiat
Intellectual Freedom in an Authoritarian AgeRuth Ben-Ghiat
Disobedience Press, 2026
In this lecture, Ruth Ben-Ghiat, an internationally renowned historian of fascism and authoritarian regimes past and present, stresses that universities have always been core targets of anti-democratic forces: “Strongmen disappear people, and they also disappear knowledge.” It’s an operation of noise and silence, she tells us. Aggressively take over institutions with the authoritarian worldview, hollow them out through “moral deregulation,” and bankrupt individuals by enticing them to distrust facts and betray their values. The goal, she argues, is to frighten civil society into silence in a coordinated attempt to stamp out dissent.
Ben-Ghiat speaks from experience: she had to deliver this talk, part of the University of Michigan’s yearly lecture devoted to academic freedom, on Zoom due to safety concerns.
Ruthless Criticism
New Perspectives in U.S. Communication HistoryWilliam S. Solomon and Robert W. McChesney, Editors
University of Minnesota Press, 1993
Ruthless Criticism was first published in 1993. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Ruthless Criticism offers perspectives and subjects largely outside traditional historiography. It broadens the concept of media history to include lesser-studied media, and offers alternative interpretations of traditional media.
This anthology of original research includes an array of scholarly and theoretical perspectives. Each addresses specific topic within a specific era. reflecting the diversity of U.S. mass media.
Solomon and McChesney begin by using critical theory and deconstruction to examine the meanings of print in the colonial era. Subsequent chapters study the media ecology of the antebellum press; the intense focus on profits of the post-Civil War mainstream press; gender images in the labor press; the diversity of political views within the working-class press; and the development of a commercial press in the black community.
The essays concerning the twentieth century focus on the rise of a culture industry and include studies on the origins of the broadcast ratings system and the commercial broadcast system and the commercial broadcast system, early television's portrayals of childhood, the televisions networks' close ties with the federal government, the government's key role in creating and developing the field of mass communication research, and teenage girls' popular culture from 1960–1968 as a formative influence on the feminist movement.
Ruthless Hedonism
The American Reception of MatisseJohn O'Brian
University of Chicago Press, 1999
In this ambitious study, John O'Brian argues that Matisse's sober presentations of himself were calculated to fit with the social constraints and ideological demands of the times. Matisse's strategy included cooperating with museums, cultivating private collectors, playing off dealers one against another, and reassuring the media that, whatever his reputation as an avant-gardist, the conduct of his life was solidly bourgeois.
Moving from the late 1920s, when Matisse's output was shedding its outlaw reputation, to the early 1950s, when his work was canonized, O'Brian shows how the way Matisse's work was viewed changed as attention shifted away from the seductiveness of his subject matter to the seductiveness of his paint. The art's resolute rejection of political concerns, its deployment of decorative design for visual satisfaction, and its representations of pleasure encouraged American audiences, who in the 1930s deemed the art disreputable, to celebrate its gratifications by the early years of the Cold War.
This intriguing, wide-ranging investigation of Matisse's self-promotion, America's uneasy embrace of modernism, and America's consumer culture and politics provides a rich context to Clement Greenberg's words published in the Nation in 1947: "Matisse's cold hedonism and ruthless exclusion of everything but the concrete, immediate sensation will in the future, once we are away from the present Zeitgeist, be better understood as the most profound mood of the first half of the twentieth century."
Rwandan Women Rising
Swanee Hunt
Duke University Press, 2017