By Michella M. Marino
University of Texas Press, 2021
Since 1935, roller derby has thrilled fans and skaters with its constant action, hard hits, and edgy attitude. However, though its participants’ athleticism is undeniable, roller derby has never been accepted as a “real” sport. Michella M. Marino, herself a former skater, tackles the history of a sport that has long been a cultural mainstay for one reason both utterly simple and infinitely complex: roller derby has always been coed.
Richly illustrated and drawing on oral histories, archival materials, media coverage, and personal experiences, Roller Derby is the first comprehensive history of this cultural phenomenon, one enjoyed by millions yet spurned by mainstream gatekeepers. Amid the social constraints of the mid-twentieth century, roller derby’s emphasis on gender equality attracted male and female athletes alike, producing gender relations and gender politics unlike those of traditional sex-segregated sports. In an enlightening feminist critique, Marino considers how the promotion of pregnancy and motherhood by roller derby management has simultaneously challenged and conformed to social norms. Finally, Marino assesses the sport’s present and future after its resurgence in the 2000s.
Diane Tober
Rutgers University Press, 2019
Robert Fletcher
Duke University Press, 2014
Norie R. Singer
University of Arkansas Press, 2020
Edited by Daniel A. Nathan
University of Illinois Press, 2013
Michael J. Pfeifer
University of Illinois Press, 2004
Sarah Muir
University of Chicago Press, 2021
Patrick O’Hare
Pluto Press, 2021

Patrick O’Hare
Pluto Press, 2021
Sara K. Eskridge
University of Missouri Press, 2022
Steve Martinot
Temple University Press, 2002
Matthew Warner Osborn
University of Chicago Press, 2014
Bob W. White
Duke University Press, 2008
Drawing partly on his experiences as a member of a local dance band in the country’s capital city Kinshasa, White offers extraordinarily vivid accounts of the live music scene, including the relatively recent phenomenon of libanga, which involves shouting the names of wealthy or powerful people during performances in exchange for financial support or protection. With dynamic descriptions of how bands practiced, performed, and splintered, White highlights how the ways that power was sought and understood in Kinshasa’s popular music scene mirrored the charismatic authoritarianism of Mobutu’s rule. In Rumba Rules, Congolese speak candidly about political leadership, social mobility, and what it meant to be a bon chef (good leader) in Mobutu’s Zaire.
Lindsey A. Freeman
Duke University Press, 2023
Burton Richard Miller
Central European University Press, 2013
Delia Duong Ba Wendel
Duke University Press, 2025