8642 books match the query '20th century' and 391 start with r

cover of Rewriting America: New Essays on the Federal Writers' Project

Rewriting America

New Essays on the Federal Writers' Project

Edited by Sara Rutkowski

University of Massachusetts Press, 2022

Established in 1935, the Federal Writers’ Project (FWP) sent over 6,500 unemployed historians, teachers, writers, and librarians out to document America’s past and present in the midst of the Great Depression. The English poet W. H. Auden referred to this New Deal program as “one of the noblest and most absurd undertakings ever attempted by any state.”

Featuring original work by scholars from a range of disciplinary perspectives, this edited collection provides fresh insights into how this extraordinary program helped transform American culture. In addition to examining some of the major twentieth-century writers whose careers the FWP helped to launch—including Ralph Ellison, Richard Wright, and Margaret Walker—Rewriting America presents new perspectives on the role of African Americans, Mexican Americans, Asian Americans, and women on the project. Essays also address how the project’s goals continue to resonate with contemporary realities in the midst of major economic and cultural upheaval.

Along with the volume editor, contributors include Adam Arenson, Sue Rubenstein DeMasi, Racheal Harris, Jerrold Hirsch, Kathi King, Maiko Mine, Deborah Mutnick, Diane Noreen Rivera, Greg Robinson, Robert Singer, James Sun, and David A. Taylor.

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cover of Rewriting Crusoe: The Robinsonade across Languages, Cultures, and Media

Rewriting Crusoe

The Robinsonade across Languages, Cultures, and Media

Jakub Lipski

Bucknell University Press, 2020

Published in 1719, Defoe’s Robinson Crusoe is one of those extraordinary literary works whose importance lies not only in the text itself but in its persistently lively afterlife. German author Johann Gottfried Schnabel—who in 1731 penned his own island narrative—coined the term “Robinsonade” to characterize the genre bred by this classic, and today hundreds of examples can be identified worldwide. This celebratory collection of tercentenary essays testifies to the Robinsonade’s endurance, analyzing its various literary, aesthetic, philosophical, and cultural implications in historical context. Contributors trace the Robinsonade’s roots from the eighteenth century to generic affinities in later traditions, including juvenile fiction, science fiction, and apocalyptic fiction, and finally to contemporary adaptations in film, television, theater, and popular culture. Taken together, these essays convince us that the genre’s adapt- ability to changing social and cultural circumstances explains its relevance to this day.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
 
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cover of Rewriting the Newspaper: The Storytelling Movement in American Print Journalism

Rewriting the Newspaper

The Storytelling Movement in American Print Journalism

Thomas R. Schmidt

University of Missouri Press, 2020

Between the 1970s and the 1990s American journalists began telling the news by telling stories. They borrowed narrative techniques, transforming sources into characters, events into plots, and their own work from stenography to anthropology. This was more than a change in style. It was a change in substance, a paradigmatic shift in terms of what constituted news and how it was being told. It was a turn toward narrative journalism and a new culture of news, propelled by the storytelling movement.

Thomas Schmidt analyzes the expansion of narrative journalism and the corresponding institutional changes in the American newspaper industry in the last quarter of the twentieth century. In doing so, he offers the first institutionally situated history of narrative journalism’s evolution from the New Journalism of the 1960s to long-form literary journalism in the 1990s. Based on the analysis of primary sources, industry publications, and oral history interviews, this study traces how narrative techniques developed and spread through newsrooms, advanced by institutional initiatives and a growing network of practitioners, proponents, and writing coaches who mainstreamed the use of storytelling. Challenging the popular belief that it was only a few talented New York reporters (Tome Wolfe, Jimmy Breslin, Gay Talese, Joan Didion, and others) who revolutionized journalism by deciding to employ storytelling techniques in their writing, Schmidt shows that the evolution of narrative in late twentieth century American Journalism was more nuanced, more purposeful, and more institutionally based than the New Journalism myth suggests.
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cover of Rhetoric and Reality: Writing Instruction in American Colleges, 1900 - 1985

Rhetoric and Reality

Writing Instruction in American Colleges, 1900 - 1985

James A. Berlin

Southern Illinois University Press, 1987

Berlin here continues his unique history of American college com­position begun in his Writing Instruction in Nineteenth-Century Colleges (1984), turning now to the twentieth century.

In discussing the variety of rhetorics that have been used in writ­ing classrooms Berlin introduces a taxonomy made up of three cate­gories: objective rhetorics, subjective rhetorics, and transactional rhetorics, which are distinguished by the epistemology on which each is based. He makes clear that these categories are not tied to a chronology but instead are to be found in the English department in one form or another during each decade of the century.

His historical treatment includes an examination of the formation of the English department, the founding of the NCTE and its role in writing instruction, the training of teachers of writing, the effects of progressive education on writing instruction, the General Education Movement, the appearance of the CCCC, the impact of Sputnik, and today’s “literacy crisis.”

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cover of Rhetoric at the Margins: Revising the History of Writing Instruction in American Colleges, 1873-1947

Rhetoric at the Margins

Revising the History of Writing Instruction in American Colleges, 1873-1947

David Gold

Southern Illinois University Press, 2008

Rhetoric at the Margins: Revising the History of Writing Instruction in American Colleges, 1873-1947 examines the rhetorical education of African American, female, and working-class college students in the late nineteenth and early twentieth centuries. The rich case studies in this work encourage a reconceptualization of both the history of rhetoric and composition and the ways we make use of it.

Author David Gold uses archival materials to study three types of institutions historically underrepresented in disciplinary histories: a black liberal arts college in rural East Texas (Wiley College); a public women's college (Texas Woman's University); and an independent teacher training school (East Texas Normal College). The case studies complement and challenge previous disciplinary histories and suggest that the epistemological schema that have long applied to pedagogical practices may actually limit our understanding of those practices.

Gold argues that each of these schools championed intellectual and pedagogical traditions that differed from the Eastern liberal arts model—a model that often serves as the standard bearer for rhetorical education. He demonstrates that by emphasizing community uplift and civic participation and attending to local needs, these schools created contexts in which otherwise moribund curricular features of the era—such as strict classroom discipline and an emphasis on prescription—took on new possibilities.

Rhetoric at the Margins describes the recent revisionist turn in rhetoric and composition historiography, argues for the importance of diverse institutional microhistories, and argues that the nineteenth and early twentieth centuries offer rich lessons for contemporary classroom practice. The study brings alive the voices of black, female, rural, Southern, and first-generation college students and their instructors, effectively linking these histories to the history of rhetoric and writing. Appendices include excerpts of important and rarely seen primary source material, allowing readers to experience in fuller detail the voices captured in this work.

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cover of Rhetorical Vectors of Memory in National and International Holocaust Trials

Rhetorical Vectors of Memory in National and International Holocaust Trials

Marouf A. Hasian Jr.

Michigan State University Press, 2006

During the past several decades, the twentieth century Holocaust has become a defining event in many histories. This newfound respect for the Judeocide has been cathartic for both individuals and communities, in that it provides evidence that audiences around the world are rethinking the significance of the World War II narratives of bystanders, perpetrators, and victims. Given the complexities of these issues, scholars who are interested in studying Holocaust memory make choices about the questions on which they focus, the artifacts they select for analysis, and the perspectives they want to present.
Hasian reviews how national and international courts have used Holocaust trials as forums for debates about individuated justice, historical record keeping, and pedagogical memory work. He concludes that the trials involving Auschwitz, Demjanjuk, Eichmann, Finta, Nuremberg, Irving, Kastner, Keegstra, Sawoniuk, and Zündel are highly problematic. The author provides a rhetorical analysis of holocaust trials as a way of looking into the question of what role court proceedings play in the creation of Holocaust collective memories.

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cover of Rhetorics of Exile: Emergent Cartographies of Liberation

Rhetorics of Exile

Emergent Cartographies of Liberation

Kate Siegfried

The Ohio State University Press, 2027

Examines how Cold War–era insurgent figures leveraged experiences of exile and containment as powerful rhetorical tools to advocate for anti-colonial liberation and global solidarity.

Rhetorics of Exile forwards the concept of rhetorical cartographies of liberation to offer an alternative history of the Cold War period. Exile, Kate Siegfried argues, is used as a powerful rhetorical practice that reveals alternative maps of power, resistance, and liberation. Drawing on archival research, she reveals how political insurgents from Paul Robeson to Gerry Adams leveraged experiences of exile and containment to advocate for the eradication of colonialism, imperialism, racialization, and global capitalism and to advance a vision of transnational solidarity that defied the hegemonic political and geographic binaries of the time. Examining movements and political figures across the globe, from Cuba to the American Black Belt, through southern Africa’s colonial borders, to China, Ireland, and elsewhere, Rhetorics of Exile reveals how seemingly disparate political ruptures during the second half of the twentieth century shaped an emergent world system. Siegfried not only broadens our view of Cold War–era social movements but also adapts rhetorical cartography to better account for racialized power dynamics—showing its applicability to understanding activism today.
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cover of Rhetorics of Literacy: The Cultivation of American Dialect Poetry

Rhetorics of Literacy

The Cultivation of American Dialect Poetry

Nadia Nurhussein

The Ohio State University Press, 2013

Rhetorics of Literacy: The Cultivation of American Dialect Poetry explores the production and reception of dialect poetry in late nineteenth- and early twentieth-century America and investigates the genre’s rhetorical interest in where sound meets print. Dialect poetry’s popularity stems not only from its use as an entertaining distraction from “serious” poetry, but as a surprisingly complicated pedagogical tool collaborating with elite literary culture. Indeed, the intersections of the oral and textual aspects of the dialect poem, visible in both its composition and its reception, resulted in confusing and contradictory interactions with the genre.
 
In this innovative study, Nadia Nurhussein demonstrates how an art form that appears to be most closely linked to the vernacular is in fact preoccupied with investigating its distance from it. Although dialect poetry performance during this period has garnered more attention than the silent reading of it, the history of dialect poetry’s reception proves that readers invited the challenge of printed dialect into their lives in unexpected places, such as highbrow magazines and primary school textbooks. Attentiveness to the appearances of dialect poetry in print—in books, pamphlets, magazines, newspapers, and other media—alongside its recitation are necessary to an understanding of its cultural impact.
 
Recontextualizing familiar and neglected poets, Rhetorics of Literacy proposes new literary genealogies and throws light upon the cultural and literary relevance of the laborious and strange reading practices associated with dialect poetry that made it distinct from other popular literary genres.
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cover of Rhetorics of Motherhood

Rhetorics of Motherhood

Lindal Buchanan

Southern Illinois University Press, 2013

Becoming a mother profoundly alters one’s perception of the world, as Lindal Buchanan learned firsthand when she gave birth. Suddenly attentive to representations of mothers and mothering in advertisements, fiction, film, art, education, and politics, she became intrigued by the persuasive force of the concept of motherhood, an interest that unleashed a host of questions: How is the construct defined? How are maternal appeals crafted, presented, and performed? What do they communicate about gender and power? How do they affect women? Her quest for answers has produced Rhetorics of Motherhood, the first book-length consideration of the topic through a feminist rhetorical lens.

 Although both male and female rhetors employ motherhood to promote themselves and their agendas, Buchanan argues it is particularly slippery terrain for women—on the one hand, affording them authority and credibility but, on the other, positioning them disadvantageously within the gendered status quo. Rhetorics of Motherhood investigates that paradox by detailing the cultural construction and performance of the Mother in American public discourse, tracing its use and impact in three case studies, and by theorizing how, when, and why maternal discourses work to women’s benefit or detriment. In the process, the reader encounters a fascinating array of issues—including birth control, civil rights, and abortion—and rhetors, ranging from Diane Nash and Margaret Sanger to Sarah Palin and Michelle Obama.

As Buchanan makes clear, motherhood is a rich site for investigating the interrelationships among gender, power, and public discourse. Her latest book contributes to the discipline of rhetoric by attending to and making a convincing case for the significance of this understudied subject. With its examination of timely controversies, contemporary and historical figures, and powerful women, Rhetorics of Motherhood will appeal to a wide array of readers in rhetoric, communications, American studies, women’s studies, and beyond.

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cover of Richmond's Priests and Prophets: Race, Religion, and Social Change in the Civil Rights Era

Richmond's Priests and Prophets

Race, Religion, and Social Change in the Civil Rights Era

Douglas E. Thompson

University of Alabama Press, 2017

Explores the ways in which white Christian leaders in Richmond, Virginia navigated the shifting legal and political battles around desegregation even as members of their congregations struggled with their own understanding of a segregated society

Douglas E. Thompson’s Richmond’s Priests and Prophets: Race, Religion, and Social Change in the Civil Rights Era presents a compelling study of religious leaders’ impact on the political progression of Richmond, Virginia, during the time of desegregation. Scrutinizing this city as an entry point into white Christians’ struggles with segregation during the 1950s, Thompson analyzes the internal tensions between ministers, the members of their churches, and an evolving world.
 
In the mid-twentieth-century American South, white Christians were challenged repeatedly by new ideas and social criteria. Neighborhood demographics were shifting, public schools were beginning to integrate, and ministers’ influence was expanding. Although many pastors supported the transition into desegregated society, the social pressure to keep life divided along racial lines placed Richmond’s ministers on a collision course with forces inside their own congregations. Thompson reveals that, to navigate the ideals of Christianity within a complex historical setting, white religious leaders adopted priestly and prophetic roles.
 
Moreover, the author argues that, until now, the historiography has not viewed white Christian churches with the nuance necessary to understand their diverse reactions to desegregation. His approach reveals the ways in which desegregationists attempted to change their communities’ minds, while also demonstrating why change came so slowly—highlighting the deeply emotional and intellectual dilemma of many southerners whose worldview was fundamentally structured by race and class hierarchies.
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cover of Riddle, Mystery, and Enigma: Two Hundred Years of British–Russian Relations

Riddle, Mystery, and Enigma

Two Hundred Years of British–Russian Relations

David Owen

Haus Publishing, 2022

A history of relations between Britain and Russia from the nineteenth century to the present.
 
With Riddle, Mystery, and Enigma, statesman and author David Owen tells the story of Britain’s relationship with Russia, which has been surprisingly underexplored. Through his characteristic insight and expertise, he depicts a relationship governed by principle as often as by suspicion, expediency, and necessity.
 
When the two nations formed a pragmatic alliance and fought together at the Battle of Navarino in Greece in 1827, it was overwhelmingly the work of the British prime minister, George Canning. His death brought about a drastic shift that would see the countries fighting on opposite sides in the Crimean War and jostling for power during the Great Game. It was not until the Russian Revolution of 1917 that another statesman had a defining impact on relations between Britain and Russia: Winston Churchill, who opposed Bolshevism yet never stopped advocating for diplomatic and military engagement with Russia. In the Second World War, he recognized early on the necessity of allying with the Soviets against the menace of Nazi Germany. Bringing us into the twenty-first century, Owen chronicles how both countries have responded to their geopolitical decline. Drawing on both imperial and Soviet history, he explains the unique nature of Putin’s autocracy and addresses Britain’s return to “blue water” diplomacy.  Newly revised, this paperback edition features extended chapters on Putin’s Russia and the future of British–Russian relations after the Russo-Ukrainian War.
 
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cover of Riding Lucifer's Line: Ranger Deaths along the Texas-Mexico Border

Riding Lucifer's Line

Ranger Deaths along the Texas-Mexico Border

Bob Alexander

University of North Texas Press, 2013

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cover of Riding into History: The Surprising Story of Sarah Keys Evans and the Fight to Desegregate Bus Travel

Riding into History

The Surprising Story of Sarah Keys Evans and the Fight to Desegregate Bus Travel

Amy Nathan with Sarah Keys Evans

Duke University Press, 2026

As a member of the integrated Women’s Army Corps, Private First Class Sarah Keys served her country as a receptionist at Fort Dix, New Jersey. When she boarded a bus home to North Carolina in 1952, she never expected to be arrested and charged with disorderly conduct for refusing to move to the rear so a white Marine could take her seat. Her landmark 1955 Civil Rights victory, “Sarah Keys v. Carolina Coach Company” not only desegregated interstate bus travel, it also provided the legal precedent needed during the 1961 Freedom Rides to pressure the Interstate Commerce Commission to properly enforce its Sarah Keys ruling. Often overlooked in many accounts of the Civil Rights era, her arrest and victory are crucial milestones in the fight against segregation. Riding into History draws on years of personal conversations with Sarah Keys Evans as well as extensive research to present a biography of this hero and her role in the struggle for civil rights alongside the long history of many other Black Americans, especially women, who protested racial segregation in interstate travel.
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cover of Riding on Comets: A Memoir

Riding on Comets

A Memoir

Cat Pleska

West Virginia University Press, 2015

Riding on Comets is the true story of an only child growing up in a working-class family during the 1950s and ‘60s. 

As the family storyteller, Cat Pleska whispers and shouts about her life growing up around savvy, strong women and hard-working, hard-drinking men. Unlike many family stories set within Appalachia, this story provides an uncommon glimpse into this region: not coal, but an aluminum plant; not hollers, but small-town America; not hillbillies, but a hard-working family with traditional values. 

From the dinner table, to the back porch, to the sprawling countryside, Cat Pleska reveals the sometimes tender, sometimes frightening education of a child who listens at the knees of these giants. She mimics and learns every nuance, every rhythm—how they laugh, smoke, cuss, fight, love, and tell stories—as she unwittingly prepares to carry their tales forward, their words and actions forever etched in her mind. And finally, she discovers a life story of her own. 

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cover of Riding the High Wire: Aerial Mine Tramways in the West

Riding the High Wire

Aerial Mine Tramways in the West

Robert A. Trennert

University Press of Colorado, 2001

Riding the High Wire is the first comprehensive history of aerial mine tramways in the American West, describing their place in the evolution of mining after 1870. Robert A. Trennert shows how the mid-nineteenth century development of wire rope manufacturing made it possible for American entrepreneurs such as Andrew S. Hallidie and Charles Huson to begin erecting single-rope tramways in the 1870s and 1880s. Their inventions were followed by the more substantial double-rope systems imported from Europe. By the turn of the century, aerial tramways were common throughout western mining regions, hauling everything from gold and silver ore to coal and salt and changing the face of the industry.

Aerial mine tramways proved to have a special fascination; people often rode them for a thrill, sometimes with disastrous results. They were also very temperamental, needed constant attention, and were prone to accidents. The years between 1900 and 1920 saw the operation of some of the west's most spectacular tramways, but the decline in high-country mining beginning in the 1920s--coupled with the development of more efficient means of transportation--made this technology all but obsolete by the end of the Second World War.

Historians and the general reader will be equally enthralled by Trennert's fascinating story of the rise and fall of aerial mine tramways.

"Professor Trennert has explored a new area of mining history, and is to be commended for his pioneering work." --Liston Leyendecker, author of The Griffith Family and the Founding of Georgetown.

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cover of Right in Michigan's Grassroots: From the KKK to the Michigan Militia

Right in Michigan's Grassroots

From the KKK to the Michigan Militia

JoEllen McNergney Vinyard

University of Michigan Press, 2011

"A real contribution to Michigan history that gets to the root of the movements in twentieth-century American history that upon reflection can bring a certain discomfort and unease."
---Francis X. Blouin, Director of the Bentley Historical Library, University of Michigan

Throughout the twentieth century, Michigan became home to nearly every political movement in America that emerged from the grassroots. Citizens organized on behalf of concerns on the "left," on the "right," and in the "middle of the road." Right in Michigan's Grassroots: From the KKK to the Michigan Militia is about the people who supported movements that others, then and later, would denounce as disgraceful---members of the Ku Klux Klan during the 1920s, the followers of Father Charles Coughlin in the 1930s, anti-Communists and the John Birch Society in the post–World War II era, and the members of the Michigan Militia who first appeared in the 1990s.

The book explores the complex historical circumstances in Michigan that prompted the emergence of these organizations and led everyday men and women to head off, despite ridicule or condemnation, with plans unsanctioned and tactics unorthodox, variously brandishing weapons of intimidation, discrimination, fearmongering, and terror. Drawing heavily on primary sources, including the organizations' files and interviews with some of their leaders and surviving members, JoEllen Vinyard provides a far more complete portrait of these well-known extremist groups than has ever been available.

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cover of Righteous Revolutionaries: Morality, Mobilization, and Violence in the Making of the Chinese State

Righteous Revolutionaries

Morality, Mobilization, and Violence in the Making of the Chinese State

Jeffrey A. Javed

University of Michigan Press, 2022

Righteous Revolutionaries illustrates how states appeal to popular morality—shared understandings of right and wrong—to forge new group identities and mobilize violence against perceived threats to their authority. Jeffrey A. Javed examines the Chinese Communist Party’s mass mobilization of violence during its land reform campaign in the early 1950s, one of the most violent and successful state-building efforts in history. Using an array of novel archival, documentary, and quantitative historical data, this book illustrates that China’s land reform campaign was not just about economic redistribution but rather part of a larger, brutally violent state-building effort to delegitimize the new party-state’s internal rivals and establish its moral authority.

Righteous Revolutionaries argues that the Chinese Party-state simultaneously removed perceived threats to its authority at the grassroots and bolstered its legitimacy through a process called moral mobilization. This mobilization process created a moral boundary that designated a virtuous ingroup of “the masses” and a demonized outgroup of “class enemies,” mobilized the masses to participate in violence against this broadly defined outgroup, and strengthened this symbolic boundary by making the masses complicit in state violence. Righteous Revolutionaries shows how we can find traces of moral mobilization in China today under Xi Jinping’s rule. In an era where states and politicians regularly weaponize moral emotions to foment intergroup conflict and violence, understanding the dynamics of violent mobilization and state authority are more relevant than ever before.
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cover of Righting the American Dream: How the Media Mainstreamed Reagan's Evangelical Vision

Righting the American Dream

How the Media Mainstreamed Reagan's Evangelical Vision

Diane Winston

University of Chicago Press, 2023

A provocative new history of how the news media facilitated the Reagan Revolution and the rise of the religious Right.
 
After two years in the White House, an aging and increasingly unpopular Ronald Reagan looked like a one-term president, but in 1983 something changed. Reagan spoke of his embattled agenda as a spiritual rather than a political project and cast his vision for limited government and market economics as the natural outworking of religious conviction. The news media broadcast this message with enthusiasm, and white evangelicals rallied to the president’s cause. With their support, Reagan won reelection and continued to dismantle the welfare state, unraveling a political consensus that stood for half a century.

In Righting the American Dream, Diane Winston reveals how support for Reagan emerged from a new religious vision of American identity circulating in the popular press. Through four key events—the “evil empire” speech, AIDS outbreak, invasion of Grenada, and rise in American poverty rates—Winston shows that many journalists uncritically adopted Reagan’s religious rhetoric and ultimately mainstreamed otherwise unpopular evangelical ideas about individual responsibility. The result is a provocative new account of how Reagan together with the press turned America to the right and initiated a social revolution that continues today.
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cover of Riot

Riot

Mary Casanova

University of Minnesota Press, 2014


Based on actual events from 1989 in International Falls, Minnesota, Riot tells the story of sixth-grader Bryan, whose family becomes stressed when nonunion labor “rats” are hired by the local paper mill, leaving his father, a union worker, angry and out of a job. Tension erupts into daily fights at school and nightly acts of vandalism with no solution in sight. Already torn between his parents’ opposing viewpoints on how to handle the escalating situation, Bryan’s growing feelings for the daughter of a nonunion worker only complicate matters.

Bryan tries to understand the turmoil affecting his home and his town, but it is becomes harder and harder to separate his friends from his enemies. And when he witnesses a violent act that implicates his father, he must wrestle with family loyalty and telling the truth.

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cover of Riot Report and the News: How the Kerner Commission Changed Media Coverage of Black America

Riot Report and the News

How the Kerner Commission Changed Media Coverage of Black America

Hrach Thomas J

University of Massachusetts Press, 0

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cover of Riot Zone: Chicago 1919

Riot Zone

Chicago 1919

Christopher Lamberti, completed and edited by Sean Dinces

Temple University Press, 2027

Riot Zone presents a compelling forensic microhistory of the racial violence that exploded in Chicago starting on July 27, 1919, when a Black teenager named Eugene Williams drowned in Lake Michigan after white beachgoers attacked him as he swam with friends. In the days that followed, white gang members terrorized African Americans on the city’s South Side and Black Chicagoans armed and defended themselves in response. By the end of the first week of August, when the rioting finally ended, thirty-eight Chicagoans lay dead and hundreds nursed injuries as a result of what became known as America’s “Red Summer.”

The late Christopher Lamberti, with the help of editor Sean Dinces, recounts this sobering history using GIS software to map what occurred. The authors revisit and debunk ideas about the role race and ethnicity played in the riot and its aftermath, showing how the politics of housing and racial conflicts over residential space set the stage for the riots that ensued.

With insights that echo in today’s conflicts, Riot Zone proves that there is still plenty to learn about the history of America’s ongoing struggle with urban and racial violence.

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cover of Riot and Great Anger: Stage Censorship in Twentieth-Century Ireland

Riot and Great Anger

Stage Censorship in Twentieth-Century Ireland

Joan Fitzpatrick Dean

University of Wisconsin Press, 2010

    Under the strict rule of twentieth century Irish censorship, creators of novels, films, and most periodicals found no option but to submit and conform to standards.  Stage productions, however, escaped official censorship. The theater became a "public space"—a place to air cultural confrontations between Church and State, individual and community, and "freedom of the theatre" versus the audience’s right to disagree.
    Joan FitzPatrick Dean’s Riot and Great Anger suggests that while there was no state censorship in early-twentieth-century Ireland, the theater often evoked heated responses from theatergoers, sometimes resulting in riots and the public denunciation of playwrights and artists. Dean examines the plays that provoked these controversies, the degree to which they were "censored" by the audience or actors, and the range of responses from both the press and the courts. She addresses familiar pieces such as those of William Butler Yeats, John Millington Synge, and Sean O’Casey, as well as the works of less known playwrights such as George Birmingham. Dean’s original research meticulously analyzes Ireland’s great theatrical tradition, both on the stage and off, concluding that the public responses to these controversial productions reveal a country that, at century’s end as at its beginning, was pluralistic, heterogeneous, and complex.  
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cover of Rise and Fall of the Cosmic Race: The Cult of Mestizaje in Latin America

Rise and Fall of the Cosmic Race

The Cult of Mestizaje in Latin America

By Marilyn Grace Miller

University of Texas Press, 2004

Latin America is characterized by a uniquely rich history of cultural and racial mixtures known collectively as mestizaje. These mixtures reflect the influences of indigenous peoples from Latin America, Europeans, and Africans, and spawn a fascinating and often volatile blend of cultural practices and products. Yet no scholarly study to date has provided an articulate context for fully appreciating and exploring the profound effects of distinct local invocations of syncretism and hybridity. Rise and Fall of the Cosmic Race fills this void by charting the history of Latin America's experience of mestizaje through the prisms of literature, the visual and performing arts, social commentary, and music.

In accessible, jargon-free prose, Marilyn Grace Miller brings to life the varied perspectives of a vast region in a tour that stretches from Mexico and the Caribbean to Brazil, Ecuador and Argentina. She explores the repercussions of mestizo identity in the United States and reveals the key moments in the story of Latin America's cult of synthesis. Rise and Fall of the Cosmic Race examines the inextricable links between aesthetics and politics, and unravels the threads of colonialism woven throughout national narratives in which mestizos serve as primary protagonists.

Illuminating the ways in which regional engagements with mestizaje represent contentious sites of nation building and racial politics, Miller uncovers a rich and multivalent self-portrait of Latin America's diverse populations.

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cover of Risking Everything: A Freedom Summer Reader

Risking Everything

A Freedom Summer Reader

Michael Edmonds

Wisconsin Historical Society Press, 2014

Risking Everything: A Freedom Summer Reader documents the 1964 Mississippi Freedom Summer Project, when SNCC and CORE workers and volunteers arrived in the Deep South to register voters and teach non-violence, and more than 60,000 black Mississippians risked everything to overturn a system that had brutally exploited them.

In the 44 original documents in this anthology, you’ll read their letters, eavesdrop on their meetings, shudder at their suffering, and admire their courage. You’ll witness the final hours of three workers murdered on the project’s first day, hear testimony by black residents who bravely stood up to police torture and Klan firebombs, and watch the liberal establishment betray them. 

These vivid primary sources, collected by the Wisconsin Historical Society, provide both first-hand accounts of this astounding grassroots struggle as well as a broader understanding of the Civil Rights movement.


The selected documents are among the 25,000 pages about the Mississippi Freedom Summer Project in the archives of the Wisconsin Historical Society. The manuscripts were collected in the mid-1960s, at a time when few other institutions were interested in saving the stories of common people in McComb or Ruleville, Mississippi. Most have never been published before.

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cover of Risky Medicine: Our Quest to Cure Fear and Uncertainty

Risky Medicine

Our Quest to Cure Fear and Uncertainty

Robert Aronowitz

University of Chicago Press, 2015

Will ever-more sensitive screening tests for cancer lead to longer, better lives?  Will anticipating and trying to prevent the future complications of chronic disease lead to better health?  Not always, says Robert Aronowitz in Risky Medicine. In fact, it often is hurting us.  

Exploring the transformation of health care over the last several decades that has led doctors to become more attentive to treating risk than treating symptoms or curing disease, Aronowitz shows how many aspects of the health system and clinical practice are now aimed at risk reduction and risk control. He argues that this transformation has been driven in part by the pharmaceutical industry, which benefits by promoting its products to the larger percentage of the population at risk for a particular illness, rather than the smaller percentage who are actually affected by it. Meanwhile, for those suffering from chronic illness, the experience of risk and disease has been conflated by medical practitioners who focus on anticipatory treatment as much if not more than on relieving suffering caused by disease. Drawing on such controversial examples as HPV vaccines, cancer screening programs, and the cancer survivorship movement, Aronowitz argues that patients and their doctors have come to believe, perilously, that far too many medical interventions are worthwhile because they promise to control our fears and reduce uncertainty.   
 
Risky Medicine is a timely call for a skeptical response to medicine’s obsession with risk, as well as for higher standards of evidence for risk-reducing interventions and a rebalancing of health care to restore an emphasis on the actual curing of and caring for people suffering from disease.      
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cover of Rite, Flesh, and Stone: The Matter of Death in Contemporary Spanish Culture

Rite, Flesh, and Stone

The Matter of Death in Contemporary Spanish Culture

Antonio Córdoba

Vanderbilt University Press, 2021

Forensic science provides information and data behind the circumstances of a particular death, but it is culture that provides death with meaning. With this in mind, Rite, Flesh, and Stone proposes cultural matters of death as its structuring principle, operating as frames of the expression of mortality within a distinct set of coordinates. The chapters offer original approaches to how human remains are handled in the embodied rituals and social performances of contemporary funeral rites of all kinds; furthermore, they explore how dying flesh and corpses are processed by means of biopolitical technologies and the ethics of (self-)care, and how the vibrant and breathing materiality of the living is transformed into stone and analogous kinds of tangible, empirical presence that engender new cartographies of memory. Each coming from a specific disciplinary perspective, authors in this volume problematize conventional ideas about the place of death in contemporary Western societies and cultures using Spain as a case study.

Materials analyzed here—ranging from cinematic and literary fictions, to historical archives and anthropological and ethnographic sources—make explicit a dynamic scenario where actors embody a variety of positions toward death and dying, the political production of mortality, and the commemoration of the dead. Ultimately, the goal of this volume is to chart the complex network in which the disenchantment of death and its reenchantment coexist, and biopolitical control over secularized bodies overlaps with new avatars of the religious and non-theistic desires for memorialization and transcendence.
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cover of Ritual Healing in Surburban America

Ritual Healing in Surburban America

McGuire, Meredith

Rutgers University Press, 1988

"One of the more provocative studies of why middle America is making increasing use of ritual healing and what that choice tells us of problems with biomedical care in technological institutions. . . . A welcome addition to anthropological studies of ritual healing in other societies, and it illuminates a huge component of our health care system that is poorly understood."--Arthur Kleinman, M.D., Harvard University "An all too rare volume, namely a scholarly work on the practice of healing in suburban or what we might call middle-class America. McGuire, perhaps uniquely, has set out the religious or 'ritual' healing beliefs and practices that are usually strictly segregated and kept apart. . . . Anyone who takes seriously the need to understand 'healing' . . . should obtain this book."--Health and Healing "The power of the book is in the larger cultural analysis it offers . . . a valuable contribution to medical sociology."--Sociological Analysis "This welcome study of nonmedical healing among upper-middle-class and middle-class persons in Essex County, New Jersey, clearly shows how individuals become attracted to and influenced by alternative healing techniques."--Choice "Develops an innovative sociological approach to the study of alternative healing practices through a methodologically sound qualitative study. . . . The high quality of research and conceptualization and the meticulous documentation of the relevant literature make [this book] essential reading for those interested in the sociology and anthropology of religion and of medicine, and in the study of health and illness in contemporary America."--Contemporary Sociology "A major contribution."--The Christian Century "The remarkable strength of this book about the exotic in the commonplace is that it demonstrates both that ritual healing is widespread in the heartland of medical technology, and that the wide variety of ritual healing practices are based on similar structures."--Culture, Medicine, and Psychiatry
[more]
cover of Ritual Medical Lore of Sephardic Women: Sweetening the Spirits, Healing the Sick

Ritual Medical Lore of Sephardic Women

Sweetening the Spirits, Healing the Sick

Isaac Jack Lévy and Rosemary Lévy Zumwalt

University of Illinois Press, 2002

Winner of the Ellii Kongas-Maranda Prize from the Women's Section of the American Folklore Society, 2003.

Ritual Medical Lore of Sephardic Women preserves the precious remnants of a rich culture on the verge of extinction while affirming women's pivotal role in the health of their communities. Centered around extensive interviews with elders of the Sephardic communities of the former Ottoman Empire, this volume illuminates a fascinating complex of preventive and curative rituals conducted by women at home--rituals that ensured the physical and spiritual well-being of the community and functioned as a vital counterpart to the public rites conducted by men in the synagogues.

Isaac Jack Lévy and Rosemary Lévy Zumwalt take us into the homes and families of Sephardim in Turkey, Israel, Greece, the former Yugoslavia, and the United States to unravel the ancient practices of domestic healing: the network of blessings and curses tailored to every occasion of daily life; the beliefs and customs surrounding mal ojo (evil eye), espanto (fright), and echizo (witchcraft); and cures involving everything from herbs, oil, and sugar to the powerful mumia (mummy) made from dried bones of corpses.

For the Sephardim, curing an illness required discovering its spiritual cause, which might be unintentional thought or speech, accident, or magical incantation.  The healing rituals of domesticated medicine provided a way of making sense of illness and a way of shaping behavior to fit the narrow constraints of a tightly structured community. Tapping a rich and irreplaceable vein of oral testimony, Ritual Medical Lore of Sephardic Women offers fascinating insight into a culture where profound spirituality permeated every aspect of daily life.

[more]
cover of Ritual, Myth, and Mysticism in the Work of Mary Butts: Between Feminism and Modernism

Ritual, Myth, and Mysticism in the Work of Mary Butts

Between Feminism and Modernism

FOY ROSLYN

University of Arkansas Press, 2000

Mary Butts wrote and lived among notable modernist writers such as T.S. Eliot, Ford Madox Ford, Jean Cocteau, H.D., and Ezra Pound, and was on her way to becoming one of the most respected British female writers of the twentieth century. Yet, after her death in 1937 at the age of forty-six, her reputation suffered a decline. Butt's idiosyncratic spirituality did not lend itself to easy critical examination, modernism was generally considered a masculine endeavor, and her papers were not made public for over fifty years. The recent acquisition of those papers by the Beinecke Library at Yale University, however, has brought about a resurgence of interest in her unique writings. Mary Butts confronts and reinterprets reality in extraordinary ways, and her modernist vision recalls the natural origins and powers of the female divine. Her intense dedication to ancient rites and myth, and her dabbling in the occult, became embedded in her fiction and led to her own brand of mysticism. Indeed, the Butts heroine is at once, healer, sacred priestess, earth goddess, lover, and daimon/demon. In presenting her characters this way, Butts valorizes what she calls "the soul living at its fullest capacity." Roslyn Reso Foy gives us the first sustained critical study of Butts, exploring the signficance of feminism, mysticism, and magic in her life and writings. Foy's thoughtful analysis, combining scholarship with straightforward discussion, will serve as an introduction to, and foundation for, further critical studies of this remarkable female modernist whose work coincides with contemporary concerns and who can no longer be ignored.
[more]
cover of Rituals and Ceremonies in Popular Culture

Rituals and Ceremonies in Popular Culture

Edited by Ray B. Browne

University of Wisconsin Press, 1980

This collection of essays examines various rituals and ceremonies in American popular culture, including architecture, religion, television viewing, humor, eating, and dancing.
[more]
cover of Rivers in Russian Literature

Rivers in Russian Literature

Margaret Ziolkowski

University of Delaware Press, 2011

Rivers in Russian Literature focuses on the Russian literary and folkloric treatment of five rivers—the Dnieper, Volga, Neva, Don, and Angara. Each chapter traces, within a geographical and historical context, the evolution of the literary representation of one river. Imagination may endow a river with aesthetic or spiritual qualities; ethnic, national, or racial associations; or commercial or agricultural symbolism of many kinds. Russian literary responses to these five rivers have much to tell us about the society that produced them as well as the rivers they treat.

Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
 
 
[more]
cover of Riveting and Rationing in Dixie: Alabama Women and the Second World War

Riveting and Rationing in Dixie

Alabama Women and the Second World War

Mary Martha Thomas

University of Alabama Press, 1987

The first book to examine the impact of World War II on the roles of women in an individual state
 
Covers the experience of both black and white Alabama women as defense workers, volunteers, and homemakers. The most important change for women during the war years was their employment in jobs normally held by men, which posed an implicit challenge to traditional notions about femininity and female limitations.
 
Thomas describes the women employed in the defense industries—how they were recruited and trained, where they worked and under what conditions, and what changes employers made in the workplace to accommodate women, She also discusses the experience of the women who served as volunteers in the Ground Observer Corps, the Citizens’ Service Corps, the Red Cross, and other volunteer agencies. In addition, the author considers how homemakers coped during a time of rationing, housing shortages, lack of schools, and inadequate medical facilities.
 
[more]
cover of Road to Nowhere: How a Highway Map Wrecked Baltimore

Road to Nowhere

How a Highway Map Wrecked Baltimore

Emily Lieb

University of Chicago Press, 2025

Traces the birth, plunder, and scavenging of Rosemont, a Black middle-class neighborhood in Baltimore.
 
In the mid-1950s Baltimore’s Rosemont neighborhood was alive and vibrant with smart rowhouses, a sprawling park, corner grocery stores, and doctor’s offices. By 1957, a proposed expressway threatened to gut this Black, middle-class community from stem to stern.
 
That highway was never built, but it didn’t matter—even the failure to build it destroyed Rosemont economically, if not physically. In telling the history of the neighborhood and the notional East–West Expressway, Emily Lieb shows the interwoven tragedies caused by racism in education, housing, and transportation policy. Black families had been attracted to the neighborhood after Baltimore’s Board of School Commissioners converted several white schools into “colored” ones, which had also laid the groundwork for predatory real-estate agents who bought low from white sellers and sold high to determined Black buyers. Despite financial discrimination, Black homeowners built a thriving community before the city council formally voted to condemn some nine hundred homes in Rosemont for the expressway, leading to deflated home values and even more predatory real estate deals.
 
Drawing on land records, oral history, media coverage, and policy documents, Lieb demystifies blockbusting, redlining, and prejudicial lending, highlighting the national patterns at work in a single neighborhood. The result is an absorbing story about the deliberate decisions that produced racial inequalities in housing, jobs, health, and wealth—as well as a testament to the ingenuity of the residents who fought to stay in their homes, down to today.
[more]
cover of Road-Book America: Contemporary Culture and the New Picaresque

Road-Book America

Contemporary Culture and the New Picaresque

Rowland A. Sherrill

University of Illinois Press, 2000

In this wide-ranging and sophisticated study, Rowland Sherrill explores the resurgence and transformation of an old literary form--the picaresque narrative--into a new form that he shows to be both responsive and instructive to late twentieth-century American life.
 
Road-Book America discloses how the old picaresque tradition, embodied in such novels as Henry Fielding's Tom Jones and Daniel Defoe's Moll Flanders, opens to include a number of new American texts, both fiction and nonfiction, that decisively share the characterizing form. Sherrill's discussion encompasses hundreds of American narratives published in the past four decades, including such examples of the genre as William Least Heat-Moon's Blue Highways, John Steinbeck's Travels with Charley, James Leo Herlihy's Midnight Cowboy, Bill Moyers's Listening to America, and E. L. Doctorow's Billy Bathgate.
 
Sketching the socially marginal, ingenuous, traveling characters common to both old and new versions, Sherrill shows how the "new American picaresque" transforms the satirical aims of the original into an effort to map and catalog the immensity and variety of America.
 
Open, resilient, perennially hopeful, and endowed with a protean adaptability, the protagonist of the new American picaresque follows a therapeutic path for the alienated modern self. Mining the relevance of the reformulated picaresque for American life, Road-Book America shows how this old form, adaptable as the picaro himself, lays the groundwork for spiritual renewal and a restoration of cultural confidence in some old ways of being American.
 
 
[more]
cover of Roads of Excess, Palaces of Wisdom: Eroticism and Reflexivity in the Study of Mysticism

Roads of Excess, Palaces of Wisdom

Eroticism and Reflexivity in the Study of Mysticism

Jeffrey J. Kripal

University of Chicago Press, 2001

William Blake once wrote that "The road of excess leads to the palace of wisdom." Inspired by these poetic terms, Jeffrey J. Kripal reveals how the works of scholars of mysticism are often rooted in their own mystical experiences, "roads of excess," which can both lead to important insights into these scholars' works and point us to our own "palaces of wisdom."

In his new book, Kripal addresses the twentieth-century study of mysticism as a kind of mystical tradition in its own right, with its own unique histories, discourses, sociological dynamics, and rhetorics of secrecy. Fluidly combining autobiography and biography with scholarly exploration, Kripal takes us on a tour of comparative mystical thought by examining the lives and works of five major historians of mysticism—Evelyn Underhill, Louis Massignon, R. C. Zaehner, Agehananda Bharati, and Elliot Wolfson—as well as relating his own mystical experiences. The result, Kripal finds, is seven "palaces of wisdom": the religious power of excess, the necessity of distance in the study of mysticism, the relationship between the mystical and art, the dilemmas of male subjectivity and modern heterosexuality, a call for ethical criticism, the paradox of the insider-outsider problem in the study of religion, and the magical power of texts and their interpretation.

An original and penetrating analysis of modern scholarship and scholars of mysticism, Roads of Excess, Palaces of Wisdom is also a persuasive demonstration of the way this scholarly activity is itself a mystical phenomenon.
[more]
cover of Roads to Renewal: The Report of Activities and Accomplishments of the Civil Works Administration in Michigan, November 1933–March 1934

Roads to Renewal

The Report of Activities and Accomplishments of the Civil Works Administration in Michigan, November 1933–March 1934

James R. Anderson

Michigan State University Press, 2020

This publication makes available to historians and general readers a little-known document mapping the achievement of a crucial initiative in the plans for recovery from the harshest blows of the Great Depression, in one of America’s hardest-hit states. It presents a historically unique case history of the Federal Civil Works Administration, established by Franklin D. Roosevelt’s New Deal. The CWA addressed the issues of unemployment and destitution brought on by the Depression, specifically in Michigan. With a contextualizing introduction and afterword by historian James R. Anderson, the republication of this report—with its wealth of data and statistics, and its compelling information about the extent of the crisis and of the government’s initiatives—brings to light fascinating aspects of how critical (and impactful) such interventions were in the context of unprecedented economic challenges.
[more]
cover of Robert Ashley

Robert Ashley

Kyle Gann

University of Illinois Press, 2012

This book explores the life and works of the pioneering opera composer Robert Ashley, one of the leading American composers of the post-Cage generation. Ashley's innovations began in the 1960s when he, along with Alvin Lucier, Gordon Mumma, and David Behrman, formed the Sonic Arts Union, a group that turned conceptualism toward electronics. He was also instrumental in the influential ONCE Group, a theatrical ensemble that toured extensively in the 1960s.During his tenure as its director, the ONCE Festival in Ann Arbor presented most of the decade's pioneers of the performing arts. Particularly known for his development of television operas beginning with Perfect Lives, Ashley spun a long series of similar text/music works, sometimes termed "performance novels." These massive pieces have been compared with Wagner's Ring Cycle for the vastness of their vision, though the materials are completely different, often incorporating noise backgrounds, vernacular music, and highly structured, even serialized, musical structures.
 
Drawing on extensive research into Ashley's early years in Ann Arbor and interviews with Ashley and his collaborators, Kyle Gann chronicles the life and work of this musical innovator and provides an overview of the avant-garde milieu of the 1960s and 1970s to which he was so central. Gann examines all nine of Ashley's major operas to date in detail, along with many minor works, revealing the fanatical structures that underlie Ashley's music as well as private references hidden in his opera librettos.
[more]
cover of Robert C. Byrd: Child of the Appalachian Coalfields

Robert C. Byrd

Child of the Appalachian Coalfields

Robert C. Byrd

West Virginia University Press, 2010

This autobiography follows United States Senator Robert C. Byrd’s experiences from his boyhood in the early 1920s to his election in 2000, which won him an unprecedented eighth term in the Senate. Along the way, Senator Byrd offers commentary on national and international events that occurred throughout his long life in public service. Senator Byrd’s journey from the hardscrabble coalfields to the marbled halls of Congress has inspired generations of people in West Virginia and throughout the nation. From reading the stories of the Founding Fathers as a young boy by the light of a kerosene lamp to the swearing of an oath for more than a half-century to guard the United States Constitution, Senator Byrd’s life is legendary. Byrd always stands by his principles, earning the affection of the people of his home state and the respect of Americans from all walks of life. With his beloved Erma ever by his side, Robert C. Byrd has never forgotten his roots, harkening back to those early lessons that he learned as a child of the Appalachian coalfields.

[more]
cover of Robert C. Byrd: Child of the Appalachian Coalfields

Robert C. Byrd

Child of the Appalachian Coalfields

ROBERT C. BYRD

West Virginia University Press, 2015

This autobiography follows West Virginia senator Robert C. Byrd’s experiences from his boyhood in the early 1920s to his election in 2000, which won him an unprecedented eighth term in the Senate. Within these pages, Senator Byrd offers commentary on national and international events that occurred throughout his long life in public service. 

His journey from the hardscrabble coalfields to the marbled halls of Congress has inspired generations of people in West Virginia and throughout the nation. From reading the stories of the Founding Fathers as a young boy by the light of a kerosene lamp to the swearing of an oath for more than a half-century to guard the US Constitution, Senator Byrd’s life is legendary. 

Until his death on June 28, 2010, Byrd stood by his principles, earning the affection of the people of his home state and the respect of Americans from all walks of life. With his beloved Erma ever by his side, Robert C. Byrd never forgot his roots, harkening back to those early lessons that he learned as a child of the Appalachian coalfields.

This new paperback edition includes a foreword by Gaston Caperton, governor of West Virginia from 1989–1997.

[more]
cover of Robert Clifton Weaver and the American City: The Life and Times of an Urban Reformer

Robert Clifton Weaver and the American City

The Life and Times of an Urban Reformer

Wendell E. Pritchett

University of Chicago Press, 2008

From his role as Franklin Roosevelt’s “negro advisor” to his appointment under Lyndon Johnson as the first secretary of Housing and Urban Development, Robert Clifton Weaver was one of the most influential domestic policy makers and civil rights advocates of the twentieth century. This volume, the first biography of the first African American to hold a cabinet position in the federal government, rescues from obscurity the story of a man whose legacy continues to affect American race relations and the cities in which they largely play out.

Tracing Weaver’s career through the creation, expansion, and contraction of New Deal liberalism, Wendell E. Pritchett illuminates his instrumental role in the birth of almost every urban initiative of the period, from public housing and urban renewal to affirmative action and rent control. Beyond these policy achievements, Weaver also founded racial liberalism, a new approach to race relations that propelled him through a series of high-level positions in public and private agencies working to promote racial cooperation in American cities. But Pritchett shows that despite Weaver’s efforts to make race irrelevant, white and black Americans continued to call on him to mediate between the races—a position that grew increasingly untenable as Weaver remained caught between the white power structure to which he pledged his allegiance and the African Americans whose lives he devoted his career to improving. 

[more]
cover of Robert E. Sherwood: The Playwright in Peace and War

Robert E. Sherwood

The Playwright in Peace and War

Harriet Hyman Alonso

University of Massachusetts Press, 2007

One of the nation's first film critics, an acclaimed speechwriter on his own and for President Franklin D. Roosevelt, a propagandist during World War II, and a leading producer on Broadway, Robert E. Sherwood scripted some of the most popular plays and films of his day, including Waterloo Bridge, The Best Years of Our Lives, Idiot's Delight, Abe Lincoln in Illinois, and Rebecca. His work brought him four Pulitzer Prizes and an Oscar. In his personal life, however, he was driven by a deep conviction that war was a societal evil that must be eradicated and human rights a moral responsibility that all governments should protect. At times, his belief in pacifism and his commitment to defending freedom and justice came into conflict with each other, causing frustration and emotional trauma which found their way into his writings and actions. 

In this book, Harriet Hyman Alonso unravels Sherwood's inner struggle and portrays his political journey. Relying largely on his letters, diaries, plays, films, essays, and biography of Roosevelt and Harry Hopkins, she traces Sherwood's obsession with the world of politics and its effects on his life and art, from his experience as a soldier in World War I to the Cold War. She also describes his participation in the Algonquin Round Table, his friendships and working relationships with such notables as Alfred Lunt, Lynn Fontanne, Edna Ferber, Spencer Tracy, Harry Hopkins, and Franklin D. Roosevelt, his two marriages and uneasy relationship with his daughter, and his leadership role in the Broadway community. 

Alonso brings together history, theater and film studies, and peace studies in this interdisciplinary political biography. In the process, she illuminates major currents in U.S. foreign policy, society, and culture from 1896 to 1955—the years of the remarkable life of Robert E. Sherwood.

[more]
cover of Robert Frost and Feminine Literary Tradition

Robert Frost and Feminine Literary Tradition

Karen L. Kilcup

University of Michigan Press, 1998

In spite of Robert Frost's continuing popularity with the public, the poet remains an outsider in the academy, where more "difficult" and "innovative" poets like T. S. Eliot and Ezra Pound are presented as the great American modernists. Robert Frost and Feminine Literary Tradition considers the reason for this disparity, exploring the relationship between notions of popularity, masculinity, and greatness. Karen Kilcup reveals Frost's subtle links with earlier "feminine" traditions like "sentimental" poetry and New England regionalist fiction, traditions fostered by such well-known women precursors and contemporaries as Lydia Sigourney, Sarah Orne Jewett, and Mary E. Wilkins Freeman. She argues that Frost altered and finally obscured these "feminine" voices and values that informed his earlier published work, and that to appreciate his achievement fully, we need to recover and acknowledge the power of his affective, emotional voice in counterpoint and collaboration with his more familiar ironic and humorous tones.Robert Frost and Feminine Literary Tradition also explores the links between cultural femininity and homoeroticism in Frost's work, and investigates the conjunctions and disjunctions between Frost and such modernist women poets as Amy Lowell and Edna St. Vincent Millay. The book contributes to ongoing debates about sentimentalism, regionalism, modernism, and the cultural construction of gender in American literature of the nineteenth and early twentieth centuries. With its interest in popular magazines, folktales, gossip, and children's literature, the book also engages elements of cultural studies and popular culture. "Kilcup demonstrates a remarkably thorough understanding of issues raised by feminist critics over the past few decades. . . . Fascinating and convincing." --Jay Parini, Middlebury College
[more]
cover of Robert Frost and the Challenge of Darwin

Robert Frost and the Challenge of Darwin

Robert Faggen

University of Michigan Press, 2001

Robert Frost and the Challenge of Darwin gives us a new and compelling portrait of the poet-thinker as a modern Lucretius--moved to examine the questions raised by Darwin, and willing to challenge his readers with the emerging scientific notions of what it meant to be human.
Combining both intellectual history and detailed analysis of Frost's poems, Robert Faggen shows how Frost's reading of Darwin reflected the significance of science in American culture from Emerson and Thoreau, through James and pragmatism. He provides fresh and provocative readings of many of Frost's shorter lyrics and longer pastoral narratives as they illustrate the impact of Darwinian thought on the concept of nature, with particular exploration of man's relationship to other creatures, the conditions of human equality and racial conflict, the impact of gender and sexual differences, and the survival of religion.
The book shows that Frost was neither a pessimist lamenting the uncertainties of the Darwinian worldview, nor a humanist opposing its power. Faggen draws on Frost's unpublished notebooks to reveal a complex thinker who willingly engaged with the difficult moral and epistemological implications of natural science, and showed their consonance with myths and traditions stretching back to Milton, Lucretius, and the Old Testament. Frost emerges as a thinker for whom poetry was not only artistic expression, but also a forum for the trial of ideas and their impact on humanity.
Robert Frost and the Challenge of Darwin provides a deeper understanding not only of Frost and modern poetry, but of the meaning of Darwin in the modern world, the complex interrelations of literature and science, and the history of American thought.
"A forceful, appealing study of the Frost-Darwin relation, which has gone little noted by previous scholars, and a fresh explanation of Frost's ambivalent relation to modernism, which he scorned but also influenced" --William Howarth, Princeton University
Robert Faggen is Associate Professor of Literature, Claremont McKenna College and Adjunct Associate Professor, Claremont Graduate School.
[more]
cover of Robert Hayden in Verse: New Histories of African American Poetry and the Black Arts Era

Robert Hayden in Verse

New Histories of African American Poetry and the Black Arts Era

Derik Smith

University of Michigan Press, 2018

This book sheds new light on the work of Robert Hayden (1913–80) in response to changing literary scholarship. While Hayden’s poetry often reflected aspects of the African American experience, he resisted attempts to categorize his poetry in racial terms. This fresh appreciation of Hayden’s work recontextualizes his achievements against the backdrop of the Black Arts Movement and traces his influence on contemporary African American poets. Placing Hayden at the heart of a history of African American poetry and culture spanning the Harlem Renaissance to the Hip-Hop era, the book explains why Hayden is now a canonical figure in 20th-century American literature.

In deep readings that focus on Hayden’s religiousness, class consciousness, and historical vision, author Derik Smith inverts earlier scholarly accounts that figure Hayden as an outsider at odds with the militancy of the Black Arts movement. Robert Hayden in Verse offers detailed descriptions of the poet’s vigorous contributions to 1960s discourse about art, modernity, and blackness to show that the poet was, in fact, an earnest participant in Black Arts-era political and aesthetic debates.

[more]
cover of Robert Lowell in Love

Robert Lowell in Love

Jeffrey Meyers

University of Massachusetts Press, 2016

Robert Lowell was known not only as a great poet but also as a writer whose devotion to his art came at a tremendous personal cost. In this book, his third on Robert Lowell, Jeffrey Meyers examines the poet's impassioned, troubled relationships with the key women in his life: his mother, Charlotte Winslow Lowell; his three wives—Jean Stafford, Elizabeth Hardwick, and Caroline Blackwood; nine of his many lovers; his close women friends—Mary McCarthy, Elizabeth Bishop, and Adrienne Rich; and his most talented students, Anne Sexton and Sylvia Plath.

Lowell's charismatic personality, compelling poetry, and literary fame attracted lovers and friends who were both frightened and excited by his aura of brilliance and danger. He loved the idea of falling in love, and in his recurring manic episodes he needed women at the center of his emotional and artistic life. Each affair became an intense dramatic episode. Though he idealized his loves and encouraged their talents, his frenetic affairs and tortured marriages were always conducted on his own terms. Robert Lowell in Love tells the story of the poet in the grip of love and gives voice to the women who loved him, inspired his poetry, and suffered along with him.
[more]
cover of Robert Lowell's Life and Work: Damaged Grandeur

Robert Lowell's Life and Work

Damaged Grandeur

Richard Tillinghast, Editor

University of Michigan Press, 1995

Robert Lowell was regarded by many as the greatest American poet of his generation. "Somehow or other...in the middle of our worst century so far," his contemporary and friend Elizabeth Bishop wrote, "we have produced a magnificent poet." The scion of a distinguished New England family, Lowell crafted his poetry to comment on the nation's fate and even to influence the course of American politics. Along with Anne Sexton, John Berryman, and Sylvia Plath, he was a pioneer in the movement later known as Confessional Poetry, and his political gestures were often timely and controversial: his refusal of President Johnson's invitation to the White House came to symbolize the opposition of writers and intellectuals to the Vietnam War. Since Lowell's death in 1977, his reputation has suffered a decline; yet arguably no poet living today writes with the same authority, the same sense of grandeur.
Robert Lowell's Life and Work: Damaged Grandeur is a critical memoir by acclaimed poet Richard Tillinghast, a friend and student of Lowell's in the 1960s. Tillinghast shows how Lowell's gift for the grand gesture was tragically intertwined with the manic-depressive illness that afflicted him throughout his adult life- hence the "damaged grandeur" of the title. This book offers a radical re- examination of Lowell's poetic career and argues for the restoration of this complex and troubled poet to a pre-eminent position in American letters.
 
Richard Tillinghast's books of poetry include Our Flag was Still There, Sewanee in Ruins, The Knife and Other Poems, and Sleep Watch. He writes regularly for The New York Times, Atlantic Monthly, and The New Republic. He is Professor Emeritus of English, University of Michigan, and is the recipient of a fellowship from the John Simon Guggenheim Foundation.
[more]
cover of Robinson Crusoe after 300 Years

Robinson Crusoe after 300 Years

Andreas K. E. Mueller

Bucknell University Press, 2021

There is no shortage of explanations for the longevity of Defoe’s Robinson Crusoe, which has been interpreted as both religious allegory and frontier myth, with Crusoe seen as an example of the self-sufficient adventurer and the archetypal colonizer and capitalist. Defoe’s original has been reimagined multiple times in legions of Robinsonade or castaway stories, but the Crusoe myth is far from spent. This wideranging collection brings together eleven scholars who suggest new and unfamiliar ways of thinking about this most familiar of works, and who ask us to consider the enduring appeal of “Crusoe,” more recognizable today than ever before.
[more]
cover of Robo Sacer: Necroliberalism and Cyborg Resistance in Mexican and Chicanx Dystopias

Robo Sacer

Necroliberalism and Cyborg Resistance in Mexican and Chicanx Dystopias

David S. Dalton

Vanderbilt University Press, 2023

Harvey L. Johnson Publication Award, Southwest Council of Latin American Studies, 2026
Premio Alambique, Alambique: Revista Académica de Ciencia Ficción y Fantasía, 2025

Robo Sacer engages the digital humanities, critical race theory, border studies, biopolitical theory, and necropolitical theory to interrogate how technology has been used to oppress people of Mexican descent—both within Mexico and in the United States—since the advent of the North American Free Trade Agreement (NAFTA) in 1994. As the book argues, robo-sacer identity emerges as transnational flows of bodies, capital, and technology become an institutionalized state of exception that relegates people from marginalized communities to the periphery.

And yet the same technology can be utilized by the oppressed in the service of resistance. The texts studied here represent speculative stories about this technological empowerment. These texts theorize different means of techno-resistance to key realities that have emerged within Mexican and Chicano/a/x communities under the rise and reign of neoliberalism. The first three chapters deal with dehumanization, the trafficking of death, and unbalanced access to technology. The final two chapters deal with the major forms of violence—feminicide and drug-related violence—that have grown exponentially in Mexico with the rise of neoliberalism. These stories theorize the role of technology both in oppressing and in providing the subaltern with necessary tools for resistance.

Robo Sacer builds on the previous studies of Sayak Valencia, Irmgard Emmelhainz, Guy Emerson, Achille Mbembe, and of course Giorgio Agamben, but it differentiates itself from them through its theorization on how technology—and particularly cyborg subjectivity—can amend the reigning biopolitical and necropolitical structures of power in potentially liberatory ways. Robo Sacer shows how the cyborg can denaturalize constructs of zoē by providing an outlet through which the oppressed can tell their stories, thus imbuing the oppressed with the power to combat imperialist forces.

[more]
cover of Rock 'n' Roll Movies

Rock 'n' Roll Movies

Sterritt, David

Rutgers University Press, 2018

Rock ‘n’ Roll Movies presents an eclectic look at the many manifestations of rock in motion pictures, from teen-oriented B-movies to Hollywood blockbusters to avant-garde meditations to reverent biopics to animated shorts to performance documentaries. Acclaimed film critic David Sterritt considers the diverse ways that filmmakers have regarded rock ‘n’ roll, some cynically cashing in on its popularity and others responding to the music as sincere fans, some depicting rock as harmless fun and others representing it as an open challenge to mainstream norms. 
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cover of Rockin' in the Ivory Tower: Rock Music on Campus in the Sixties

Rockin' in the Ivory Tower

Rock Music on Campus in the Sixties

James M. Carter

Rutgers University Press, 2023

Histories of American rock music and the 1960s counterculture typically focus on the same few places: Woodstock, Monterey, Altamont. Yet there was also a very active college circuit that brought edgy acts like the Jefferson Airplane and the Velvet Underground to different metropolitan regions and smaller towns all over the country. These campus concerts were often programmed, promoted, and reviewed by students themselves, and their diverse tastes challenged narrow definitions of rock music.  

Rockin’ in the Ivory Tower takes a close look at two smaller universities, Drew in New Jersey and Stony Brook on Long Island, to see how the culture of rock music played an integral role in student life in the late 1960s. Analyzing campus archives and college newspapers, historian James Carter traces connections between rock fandom and the civil rights protests, free speech activism, radical ideas, lifestyle transformations, and anti-war movements that revolutionized universities in the 1960s. Furthermore, he finds that these progressive students refused to segregate genres like folk, R&B, hard rock, and pop. Rockin’ in the Ivory Tower gives readers a front-row seat to a dynamic time for the music industry, countercultural politics, and youth culture.

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