8642 books match the query '20th Century' and 391 start with r

cover of Rocking the Boat: Union Women's Voices, 1915-1975

Rocking the Boat

Union Women's Voices, 1915-1975

O'Farrell, Brigid

Rutgers University Press, 1996

Rocking the Boat is a celebration of strong, committed women who helped to build the American labor movement. Through the stories of eleven women from a wide range of backgrounds, we experience the turmoil, hardships, and accomplishments of thousands of other union women activists through the period spanning the Great Depression, the New Deal, World War II, the McCarthy era, the civil rights movement, and the women's movement. These women tell powerful stories that highlight and detail women's many roles as workers, trade unionists, and family members. They all faced difficulties in their personal lives, overcame challenges in their unions, and individually and collectively helped improve women's everyday working lives.

Maida Springer-Kemp came from New York City's Harlem, Local 22 of the International Ladies' Garment Workers' Union, to represent the AFL-CIO in Africa. In Chicago, Alice Peurala fought for her job in the steel mill and her place in the steel workers' union. Jessie De La Cruz organized farm workers in California. Esther Peterson, organizer, educator, and lobbyist, became an advisor to four U.S. presidents. In chapters based on oral history interviews, these women and others provide new perspectives and practical advice for today's working women. They share an idealistic and practical commitment to the labor movement. As Dorothy Haener of the United Auto Workers and a founding member of the National Organization of Women said, "You have to take a look at how to rock the boat. You don't want to spill yourself out if you can avoid it, but sometimes you have to rock the boat." From these women we, too, learn how to rock the boat.

[more]
cover of Rocky Mountain Heartland: Colorado, Montana, and Wyoming in the Twentieth Century

Rocky Mountain Heartland

Colorado, Montana, and Wyoming in the Twentieth Century

Duane A. Smith

University of Arizona Press, 2008

This is a lively history of three Rocky Mountain states in the twentieth century. With the sure hand of an experienced writer and the engaging voice of a veteran storyteller, the well-known historian Duane A. Smith recounts the major social, political, and economic events of the period with verve and zest. Smith is thoroughly familiar with his subject and has a genuine enthusiasm for the history of the region. Written with the general reader in mind, Rocky Mountain Heartland will appeal to students, teachers, and “armchair historians” of all ages.
 
This is the colorful saga of how the Old West became the New West. Beginning at the end of the nineteenth century and concluding after the turn of the twenty-first, Rocky Mountain Heartland explains how Colorado, Montana, and Wyoming evolved over the course of the century. Smith is mindful of all the factors that propelled the region: mining, agriculture, water, immigration, tourism, technology, and two world wars. And he points out how the three states responded in varying ways to each of these forces.
 
Although this is a regional story, Smith never loses sight of the national events that influenced events in the region. As Smith skillfully shows, the vast natural resources of the three states attracted optimistic, hopeful Americans intent on getting rich, enjoying the outdoors, or creating new lives for themselves and their families. How they resolved these often-conflicting goals is the modern story of the Rocky Mountain region.
[more]
cover of Roller Derby: The History of an American Sport

Roller Derby

The History of an American Sport

By Michella M. Marino

University of Texas Press, 2021

Since 1935, roller derby has thrilled fans and skaters with its constant action, hard hits, and edgy attitude. However, though its participants’ athleticism is undeniable, roller derby has never been accepted as a “real” sport. Michella M. Marino, herself a former skater, tackles the history of a sport that has long been a cultural mainstay for one reason both utterly simple and infinitely complex: roller derby has always been coed.

Richly illustrated and drawing on oral histories, archival materials, media coverage, and personal experiences, Roller Derby is the first comprehensive history of this cultural phenomenon, one enjoyed by millions yet spurned by mainstream gatekeepers. Amid the social constraints of the mid-twentieth century, roller derby’s emphasis on gender equality attracted male and female athletes alike, producing gender relations and gender politics unlike those of traditional sex-segregated sports. In an enlightening feminist critique, Marino considers how the promotion of pregnancy and motherhood by roller derby management has simultaneously challenged and conformed to social norms. Finally, Marino assesses the sport’s present and future after its resurgence in the 2000s.

[more]
cover of Rolling Transition and the Role of Intellectuals: The Case of Hungary

Rolling Transition and the Role of Intellectuals

The Case of Hungary

András Bozóki

Central European University Press, 2022

Utilizing a new and original framework for examining the role of intellectuals in countries transitioning to democracy, Bozóki analyses the rise and fall of dissident intellectuals in Hungary in the late 20th century. He shows how that framework is applicable to other countries too as he forensically examines their activities.

Bozóki argues that the Hungarian intellectuals did not become a ‘New Class’. By rolling transition, he means an incremental, non-violent, elite driven political transformation which is based on the rotation of agency, and it results in a new regime. This is led mainly by different groups of intellectuals who do not construct a vanguard movement but create an open network which might transform itself into different political parties. Their roles changed from dissidents to reformers, to movement organizers and negotiators through the periods of dissidence, open network building, roundtable negotiations, parliamentary activities, and new movement politics.

Through the prism of political sociology, the author focuses on the following questions: Who were the dissident intellectuals and what did they want? Under what conditions do intellectuals rebel and what are the patterns of their protest? This book will be of interest to students, researchers, and public intellectuals around the world aiming to promote human rights and democracy.

[more]
cover of Romance Of The Road: Literature Of The American Highway

Romance Of The Road

Literature Of The American Highway

Ronald Primeau

University of Wisconsin Press, 1996

For four decades, the American road narrative has been a significant and popular literary genre for expressing journeys of self discovery. These works have been used as springboards for authors to define our national identity, to explore opportunities to escape from the daily routine, and to express social protest. This comprehensive study of an important American art form examines how road narratives create dialogues between travelers, authors, and readers about who we are, what we value, and where we hope to be going.
     Writers examined include Jack Kerouac, Jim Dodge, Ralph Waldo Emerson, William Least Heat Moon, Robert M. Pirsig, Henry Miller, Joan Didion, Mona Simpson, and Walt Whitman.
[more]
cover of Romance and the Erotics of Property: Mass-Market Fiction for Women

Romance and the Erotics of Property

Mass-Market Fiction for Women

Jan Cohn

Duke University Press, 1988

Romance and the Erotics of Property examines contemporary popular romance from a number of different points of view, probing for codes and subtexts that sometimes exploit and sometimes contradict its surface tale of romantic attraction, frustration, longing, and fulfillment.
Cohn argues that a full understanding of the contemporary romance requires an investigation of its literary and historical sources and analogues. Three principal sources are examined in the context of women's history in bourgeois society. Pride and Prejudice, Jane Erye, and Gone With the Wind demonstrate the development of romance fiction's themes, yet in all three the central love story is complicated by issues of property, the sign of male power. Jan Cohn further considers the development of the genre n the fictions of Harriet Lewis and May Agnes Fleming, prolific and popular American romance writers of the late nineteenth century who developed the role of the villain, thereby bringing into focus the sexual and economic struggles faced by the heroine.
Romance and the Erotics of Property sets romance fiction against a historic and literary background, arguing that contemporary romance disguises as tales of love the subversive fantasies of female appropriation and male property and power.
[more]
cover of Romance of Commerce and Culture: Capitalism, Modernism, and the Chicago-Aspen Crusade for Cultural Reform, Revised Edition

Romance of Commerce and Culture

Capitalism, Modernism, and the Chicago-Aspen Crusade for Cultural Reform, Revised Edition

James Sloan Allen

University Press of Colorado, 2002

The Romance of Commerce and Culture is a lively and provocative history of how art and intellect formed an alliance with consumer capitalism in the mid-twentieth century and put Aspen, Colorado, on the map.
[more]
cover of Romances of the White Man's Burden: Race, Empire, and the Plantation in American Literature, 1880-1936

Romances of the White Man's Burden

Race, Empire, and the Plantation in American Literature, 1880-1936

Jeremy Wells

Vanderbilt University Press, 2011

"Take up the white man's burden!" So wrote the English writer Rudyard Kipling in 1899, in a poem aimed at Americans at a time when colonial ambitions were particularly high. The poem proved especially popular among white southern men, who saw in its vision of America's imperial future an image that appeared to reflect and even redeem the South's plantation past.


Romances of the White Man's Burden takes on works in American literature in which the proverbial "old plantation" is made to seem not a relic but a harbinger, a sign that the South had arrived at a multiracial modernity and harmony before the rest of the United States. Focusing on writers such as Joel Chandler Harris, Thomas Nelson Page, Henry W. Grady, Thomas Dixon, and William Faulkner, Jeremy Wells reveals their shared fixation on the figure of the white southern man as specially burdened by history. Each of these writers, in his own way, presented the plantation South as an emblem, not an aberration, of America.

[more]
cover of Romancing Modernism: The Poetics of Re-Enchantment in Polish and Russian Modernist Fiction

Romancing Modernism

The Poetics of Re-Enchantment in Polish and Russian Modernist Fiction

Lukasz Wodzynski

University of Wisconsin Press, 2026

In the development of modernist fiction, perhaps no artistic product has had as vaunted a place as the novel, a genre theorized primarily with recourse to Western authors. Here, Łukasz Wodzyński challenges the primacy of the novel as the organizing principle of modernist prose in East-Central Europe, particularly in Poland and Russia. By carefully studying some of the most innovative texts in Polish and Russian from the early twentieth century, Wodzyński posits that the “novel” genre has hindered our understanding of long modernist narratives.

Instead, he proposes to read these pathbreaking works as a twentieth-century reclamation of the romance. Specifically, he argues that these latter-day romances channel early modernist apocalyptic and utopian ideals through popular genres like science fiction and adventure narratives—and thus imagine a human future freed from modern fixations on control, efficiency, and utility. The romance form, he suggests, was uniquely poised to address the deep civilizational anxieties underwriting modernist literary publications in East-Central Europe. Understanding these works and the ways in which they spoke to these anxieties thus informs not only the study of Polish and Russian literature but also the development of modernism itself.

[more]
cover of Romancing the Maya: Mexican Antiquity in the American Imagination, 1820-1915

Romancing the Maya

Mexican Antiquity in the American Imagination, 1820-1915

By R. Tripp Evans

University of Texas Press, 2004

During Mexico's first century of independence, European and American explorers rediscovered its pre-Hispanic past. Finding the jungle-covered ruins of lost cities and artifacts inscribed with unintelligible hieroglyphs—and having no idea of the age, authorship, or purpose of these antiquities—amateur archaeologists, artists, photographers, and religious writers set about claiming Mexico's pre-Hispanic patrimony as a rightful part of the United States' cultural heritage.

In this insightful work, Tripp Evans explores why nineteenth-century Americans felt entitled to appropriate Mexico's cultural heritage as the United States' own. He focuses in particular on five well-known figures—American writer and amateur archaeologist John Lloyd Stephens, British architect Frederick Catherwood, Joseph Smith, founder of the Church of Jesus Christ of Latter-Day Saints, and the French émigré photographers Désiré Charnay and Augustus Le Plongeon. Setting these figures in historical and cultural context, Evans uncovers their varying motives, including the Manifest Destiny-inspired desire to create a national museum of American antiquities in New York City, the attempt to identify the ancient Maya as part of the Lost Tribes of Israel (and so substantiate the Book of Mormon), and the hope of proving that ancient Mesoamerica was the cradle of North American and even Northern European civilization. Fascinating stories in themselves, these accounts of the first explorers also add an important new chapter to the early history of Mesoamerican archaeology.

[more]
cover of Rome’s Most Faithful Daughter: The Catholic Church and Independent Poland, 1914–1939

Rome’s Most Faithful Daughter

The Catholic Church and Independent Poland, 1914–1939

Neal Pease

Ohio University Press, 2009

When an independent Poland reappeared on the map of Europe after World War I, it was widely regarded as the most Catholic country on the continent, as “Rome’s Most Faithful Daughter.” All the same, the relations of the Second Polish Republic with the Church—both its representatives inside the country and the Holy See itself—proved far more difficult than expected.

Based on original research in the libraries and depositories of four countries, including recently opened collections in the Vatican Secret Archives, Rome’s Most Faithful Daughter: The Catholic Church and Independent Poland, 1914–1939 presents the first scholarly history of the close but complex political relationship of Poland with the Catholic Church during the interwar period. Neal Pease addresses, for example, the centrality of Poland in the Vatican’s plans to convert the Soviet Union to Catholicism and the curious reluctance of each successive Polish government to play the role assigned to it. He also reveals the complicated story of the relations of Polish Catholicism with Jews, Freemasons, and other minorities within the country and what the response of Pope Pius XII to the Nazi German invasion of Poland in 1939 can tell us about his controversial policies during World War II.

Both authoritative and lively, Rome’s Most Faithful Daughter shows that the tensions generated by the interplay of church and state in Polish public life exerted great influence not only on the history of Poland but also on the wider Catholic world in the era between the wars.

[more]
cover of Ronald Harwood's Tragic Vision: A Critical Analysis of His Novels, Plays, and Screenplays

Ronald Harwood's Tragic Vision

A Critical Analysis of His Novels, Plays, and Screenplays

Ann C. Hall

University of Iowa Press, 2024

“Art has a lot to answer for.” So says Sarah Bernhardt in Ronald Harwood’s play After the Lions. Harwood’s own career can be summarized by that same quote as well.
         Ronald Harwood’s Tragic Vision offers the first critical analysis of prolific and award-winning British author Ronald Harwood (1934–2020). Though he received an Oscar for The Pianist, a knighthood, and numerous other awards and nominations, Harwood worked as a ghostwriter, script doctor, and veritable unknown for many years. As he became successful, many critics still misread his works and positioned him as a less-fashionable counterpart to his lifelong friend Harold Pinter. This study proposes a conceptual framework to approach his, and others’, work based on the genre of tragedy, offering a greater appreciation for and understanding of the Harwood canon.
 
[more]
cover of Ronald Reagan and the House Democrats: Gridlock, Partisanship, and the Fiscal Crisis

Ronald Reagan and the House Democrats

Gridlock, Partisanship, and the Fiscal Crisis

Karl Gerard Brandt

University of Missouri Press, 2009

When Democrats in the House of Representatives locked horns with President Ronald Reagan over the latter’s fiscal policies, the ensuing conflict reinforced the seismic shift in the political landscape that the 1980 election had brought. Karl Brandt now tells the story of how the New Deal Democratic coalition was able to sustain itself in the face of an unprecedented Republican assault—in a conflict whose reverberations are still being felt today.
            After a bipartisan conservative House coalition passed Reagan’s budget and tax cuts in 1981, conservative Democrats became worried about the increasingly large deficits produced by Reaganomics and questioned the administration’s spending priorities. In one of the few studies of congressional politics in the 1980s, Brandt describes the House Democratic leadership’s efforts to rebuild party unity while facing challenges from conservative Democrats, the Reagan administration, and the emerging fiscal crisis. He tells how Democrats worked hard to rein in party conservatives, to craft consensus-oriented policies palatable to all Democrats, and over the coming years to force the president and the Senate to compromise over fiscal policy.
            Drawing on primary source materials unavailable in the 1980s—including transcripts from closed-door meetings and internal House documents—Brandt chronicles the events that resulted in the deepening of the fiscal crisis, examines the growth of an intensely partisan political environment, and provides insight into the dynamics of creating a national budget. He cuts through conservative rhetoric to show how Reagan’s fiscal policies deepened federal deficits and reveals how the partisan struggles of the Reagan years redefined the Democrats along more centrist lines.
            When the dust had settled, the Democratic Party had become more unified in the face of budget conflict and had proved that it could practice fiscal conservatism and make tough budget choices when necessary. Carefully argued and thoroughly researched, Brandt’s work brings historical perspective to this important chapter in recent history as it explores conflicting visions of the economy, American society, and the very future of the nation.
[more]
cover of Rooms with a View: The Stages of Community in the Modern Theater

Rooms with a View

The Stages of Community in the Modern Theater

Richard L. Barr

University of Michigan Press, 1998

In Sam Shepard's play Action a character asks, "What's a community?" only to find that no one really knows. Rooms with a View attempts to chart the development of communal concepts through the discourse of dramatic modernism, defining a coherent pattern that illustrates and anticipates innovations in modern and postmodern social theory. To clarify the commonplace notion that audiences actively participate in dramatic art, the intro-ductory chapter theorizes a performance community, which audience, actors, and other backstage actants (such as playwrights and directors) provisionally form in the theater. Connecting psychological, sociological, and aesthetic insights ranging from Freud to Kohut, from Simmel to Nancy, and from Artaud and Brecht to Arnheim and Jellicoe, Richard Barr shows how modernist thinkers are repeatedly drawn to the ideal of communion. The distinctive structure of this collective inquiry helps untangle the roots and routes of modern drama and social thought. Barr analyzes the social and aesthetic theory of four in-fluential dramatists. Ibsen and Strindberg, he claims, explore ways of acknowledging the integrity of individual viewpoints while maintaining collective coherence. Pirandello and, in more radical ways, Beckett, conclude that conflict and division are not simply inevitable but invaluable in organizing alternative perspectives. By analyzing the ways playwrights variously conceive and achieve the complicated unity called community, Rooms with a View produces the rich paradox that difference may make the most difference in creative communal consensus. Richard L. Barr holds a Ph.D. from the University of Virginia, and has taught English at Rutgers University. He is currently a specialist in intersubjective relations, practicing in New Jersey and Switzerland.
[more]
cover of Rooster Town: The History of an Urban Métis Community, 1901–1961

Rooster Town

The History of an Urban Métis Community, 1901–1961

Evelyn Peters

University of Manitoba Press, 2018

[more]
cover of Rooted: Seven Midwest Writers of Place

Rooted

Seven Midwest Writers of Place

David R. Pichaske

University of Iowa Press, 2006

David Pichaske has been writing and teaching about midwestern literature for three decades. In Rooted, by paying close attention to text, landscape, and biography, he examines the relationship between place and art. His focus is on seven midwestern authors who came of age toward the close of the twentieth century, their lives and their work grounded in distinct places: Dave Etter in small-town upstate Illinois; Norbert Blei in Door County, Wisconsin; William Kloefkorn in southern Kansas and Nebraska; Bill Holm in Minneota, Minnesota; Linda Hasselstrom in Hermosa, South Dakota; Jim Heynen in Sioux County, Iowa; and Jim Harrison in upper Michigan. The writers' intimate knowledge of place is reflected in their use of details of geography, language, environment, and behavior. Yet each writer reaches toward other geographies and into other dimensions of art or thought: jazz music and formalism in the case of Etter; gender issues in the case of Hasselstrom; time past and present in the case of Kloefkorn; ethnicity and the role of the artist in the case of Blei; magical realism in the case of Heynen; the landscape of literature in the case of Holm; and the curious worlds of academia, best-selling novels, and Hollywood films in the case of Harrison. The result, Pichaske notes, is the growing away from roots, the explorations and alter egos of these writers of place, and the tension between the “here” and “there” that gives each writer's art the complexity it needs to transcend provincial boundaries. Quoting generously from the writers, Pichaske employs a practical, jargon-free literary analysis fixed in the text, making Rooted interesting, readable, and especially useful in treating the literary categories of memoir and literary essay that have become important in recent decades.
[more]
cover of Rootedness: The Ramifications of a Metaphor

Rootedness

The Ramifications of a Metaphor

Christy Wampole

University of Chicago Press, 2016

People have long imagined themselves as rooted creatures, bound to the earth—and nations—from which they came. In Rootedness, Christy Wampole looks toward philosophy, ecology, literature, history, and politics to demonstrate how the metaphor of the root—surfacing often in an unexpected variety of places, from the family tree to folk etymology to the language of exile—developed in twentieth-century Europe.

Wampole examines both the philosophical implications of this metaphor and its political evolution. From the root as home to the root as genealogical origin to the root as the past itself, rootedness has survived in part through its ability to subsume other compelling metaphors, such as the foundation, the source, and the seed. With a focus on this concept’s history in France and Germany, Wampole traces its influence in diverse areas such as the search for the mystical origins of words, land worship, and nationalist rhetoric, including the disturbing portrayal of the Jews as an unrooted, and thus unrighteous, people. Exploring the works of Martin Heidegger, Simone Weil, Jean-Paul Sartre, Paul Celan, and many more, Rootedness is a groundbreaking study of a figure of speech that has had wide-reaching—and at times dire—political and social consequences. 
[more]
cover of Roots of Resistance: A Story of Gender, Race, and Labor on the North Coast of Honduras

Roots of Resistance

A Story of Gender, Race, and Labor on the North Coast of Honduras

Suyapa G. Portillo Villeda

University of Texas Press, 2021

Winner of the 2021 Sara A. Whaley Prize of the National Women’s Studies Association (NWSA)

A first-of-its-kind study of the working-class culture of resistance on the Honduran North Coast and the radical organizing that challenged US capital and foreign intervention at the onset of the Cold War, examining gender, race, and place.

On May 1, 1954, striking banana workers on the North Coast of Honduras brought the regional economy to a standstill, invigorating the Honduran labor movement and placing a series of demands on the US-controlled banana industry. Their actions ultimately galvanized a broader working-class struggle and reawakened long-suppressed leftist ideals. The first account of its kind in English, Roots of Resistance explores contemporary Honduran labor history through the story of the great banana strike of 1954 and centers the role of women in the narrative of the labor movement.

Drawing on extensive firsthand oral history and archival research, Suyapa G. Portillo Villeda examines the radical organizing that challenged US capital and foreign intervention in Honduras at the onset of the Cold War. She reveals the everyday acts of resistance that laid the groundwork for the 1954 strike and argues that these often-overlooked forms of resistance should inform analyses of present-day labor and community organizing. Roots of Resistance highlights the complexities of transnational company hierarchies, gender and race relations, and labor organizing that led to the banana workers' strike and how these dynamics continue to reverberate in Honduras today.

[more]
cover of Roots of the Black Chicago Renaissance: New Negro Writers, Artists, and Intellectuals, 1893-1930

Roots of the Black Chicago Renaissance

New Negro Writers, Artists, and Intellectuals, 1893-1930

Edited by Richard A. Courage and Christopher Robert Reed

University of Illinois Press, 2020

The Black Chicago Renaissance emerged from a foundational stage that stretched from the 1893 World's Columbian Exposition to the start of the Great Depression. During this time, African American innovators working across the landscape of the arts set the stage for an intellectual flowering that redefined black cultural life.

Richard A. Courage and Christopher Robert Reed have brought together essays that explore the intersections in the backgrounds, education, professional affiliations, and public lives and achievements of black writers, journalists, visual artists, dance instructors, and other creators working in the late nineteenth and early twentieth centuries. Organized chronologically, the chapters unearth transformative forces that supported the emergence of individuals and social networks dedicated to work in arts and letters. The result is an illuminating scholarly collaboration that remaps African American intellectual and cultural geography and reframes the concept of urban black renaissance.

Contributors: Richard A. Courage, Mary Jo Deegan, Brenda Ellis Fredericks, James C. Hall, Bonnie Claudia Harrison, Darlene Clark Hine, John McCluskey Jr., Amy M. Mooney, Christopher Robert Reed, Clovis E. Semmes, Margaret Rose Vendryes, and Richard Yarborough

[more]
cover of Ross Sterling, Texan: A Memoir by the Founder of Humble Oil and Refining Company

Ross Sterling, Texan

A Memoir by the Founder of Humble Oil and Refining Company

By Ross S. Sterling and Ed Kilman

University of Texas Press, 2007

Born on a farm near Anahuac, Texas, in 1875 and possessed of only a fourth-grade education, Ross Sterling was one of the most successful Texans of his generation. Driven by a relentless work ethic, he become a wealthy oilman, banker, newspaper publisher, and, from 1931 to 1933, one-term governor of Texas. Sterling was the principal founder of the Humble Oil and Refining Company, which eventually became the largest division of the ExxonMobil Corporation, as well as the owner of the Houston Post.

Eager to "preserve a narrative record of his life and deeds," Ross Sterling hired Ed Kilman, an old friend and editorial page editor of the Houston Post, to write his biography. Though the book was nearly finished before Sterling's death in 1949, it never found a publisher due to Kilman's florid writing style and overly hagiographic portrayal of Sterling.

In this volume, by contrast, editor Don Carleton uses the original oral history dictated by Ross Sterling to Ed Kilman to present the former governor's life story in his own words. Sterling vividly describes his formative years, early business ventures, and active role in developing the Texas oil industry. He also recalls his political career, from his appointment to the Texas Highway Commission to his term as governor, ending with his controversial defeat for reelection by "Ma" Ferguson. Sterling's reminiscences constitute an important primary source not only on the life of a Texan who deserves to be more widely remembered, but also on the history of Houston and the growth of the American oil industry.

[more]
cover of Rough Rider in the White House: Theodore Roosevelt and the Politics of Desire

Rough Rider in the White House

Theodore Roosevelt and the Politics of Desire

Sarah Watts

University of Chicago Press, 2003

Who was Theodore Roosevelt? Most of us think of him as one of America's greatest presidents, a champion of progressive politics, and a master statesman. But many feared the political power that Roosevelt wielded. Woodrow Wilson once called him "the most dangerous man of the age." Mark Twain thought him "clearly insane." William James scorned the "flood of bellicose emotion" he let loose during his presidency. Even his biographer, Edmund Morris, is astonished at Roosevelt's "irrational love of battle."

In this book, Sarah Watts probes this dark side of the Rough Rider, presenting a fascinating psychological portrait of a man whose personal obsession with masculinity profoundly influenced the fate of a nation. Drawing on his own writings and on media representations of him, Watts attributes the wide appeal of Roosevelt's style of manhood to the way it addressed the hopes and anxieties of men of his time. Like many of his contemporaries, Roosevelt struggled with what it meant to be a man in the modern era. He saw two foes within himself: a fragile weakling and a primitive beast. The weakling he punished and toughened with rigorous, manly pursuits such as hunting, horseback riding, and war. The beast he unleashed through brutal criticism of homosexuals, immigrants, pacifists, and sissies—anyone who might tarnish the nation's veneer of strength and vigor. With his unabashed paeans to violence and aggressive politics, Roosevelt ultimately offered American men a chance to project their longings and fears onto the nation and its policies. In this way he harnessed the primitive energy of men's desires to propel the march of American civilization—over the bodies of anyone who might stand in its way.

Written with passion and precision, this powerful revisioning of an American icon will forever alter the way we see Theodore Roosevelt and his political legacy.

"A superb scholarly study of how Roosevelt built his political base on the aspiration and fears of men in a rapidly changing nation and world."—Charles K. Piehl, Library Journal

"A thought-provoking and innovative study of the dark side of Roosevelt's personality. . . . [Watt's] arguments are clear, passionate, and thoroughly supported."—Elizabeth A. Bennion, Journal of Interdisciplinary History

[more]
cover of Routing the Opposition: Social Movements, Public Policy, and Democracy

Routing the Opposition

Social Movements, Public Policy, and Democracy

David S. Meyer

University of Minnesota Press, 2005

On one side are the policy makers, on the other, the movements and organizations that challenge public policy. Where and how the two meet is a critical juncture in the democratic process. Bringing together a distinguished group of scholars from several different disciplines in the social sciences, Routing the Opposition connects the substance and content of policies with the movements that create and respond to them. Local antidrug coalitions, the organic agriculture movement, worker's compensation reforms, veterans' programs, prison reform, immigrants' rights campaigns: these are some of the diverse areas in which the contributors to this volume examine the linkages between the practices, organization, and institutional logic of public policy and social movements. The authors engage such topics as the process of involving multiple stakeholders in policy making, the impact of overlapping social networks on policy and social movement development, and the influence of policy design on the increase or decline of civic involvement. Capturing both successes and failures, Routing the Opposition focuses on strategies and outcomes that both transform social movements and guide the development of public policy, revealing as well what happens when the very different organizational cultures of activists and public policy makers interact.
[more]
cover of Royal Fraud: The Story of Albania’s First and Last King

Royal Fraud

The Story of Albania’s First and Last King

Robert Austin

Central European University Press, 2024

Beginning its narrative in 1961, when Albanian King Zog I died in a Paris hospital after 22 years in exile, this book tells the colourful story of this Balkan country's first and only monarch. The road to becoming Europe's youngest president in 1925 and then king of Albania in 1928 was paved with feuds and assassinations, a political career-path common in the region. He craved the throne for several reasons; the Balkans were mostly run by kings, and Zog wanted to impress his mother and also give his six sisters an easy social rise. 

Once king, his accomplishments were decidedly meagre. He spent most of his time keeping up appearances as a monarch despite the obvious fraud he had imposed on an illiterate and uninterested population. His one great success was that he had almost all his opponents assassinated, usually in broad daylight abroad. 

Zog retained his power until his "friend" Mussolini ousted him in 1939. On the surface a Westernizer, this self-proclaimed ruler left Albania almost as he found it, with almost no roads or trains, thoroughly uneducated and utterly impoverished. 

In his book, Robert Austin combines Zog’s adventurous life story with a studious analysis of Albania's political history from the fall of the Ottoman Empire to the threshold of Euro-Atlantic integration. 

[more]
cover of Rube Tube: CBS and Rural Comedy in the Sixties

Rube Tube

CBS and Rural Comedy in the Sixties

Sara K. Eskridge

University of Missouri Press, 2022

Historian Sara Eskridge examines television’s rural comedy boom in the 1960s and the political, social, and economic factors that made these shows a perfect fit for CBS. The network, nicknamed the Communist Broadcasting System during the Red Scare of the 1940s, saw its image hurt again in the 1950s with the quiz show scandals and a campaign against violence in westerns. When a rival network introduced rural-themed programs to cater to the growing southern market, CBS latched onto the trend and soon reestablished itself as the Country Broadcasting System. Its rural comedies dominated the ratings throughout the decade, attracting viewers from all parts of the country. With fascinating discussions of The Andy Griffith Show, The Beverly Hillbillies, Petticoat Junction, and other shows, Eskridge reveals how the southern image was used to both entertain and reassure Americans in the turbulent 1960s.
[more]
cover of Rudolf

Rudolf

Marian Pankowski

Northwestern University Press, 1996

This novel, set in the 1970s, tells the story of the "author," a middle-aged Polish professor who lives abroad but who earlier survived the Nazi concentration camps, and Rudolf, an old man. Told in stream of consciousness as well as through a triangular correspondence among Rudolf, the author, and the author's mother, the story emerges as a tale of subversion and liberation that echoes Gombrowicz in its exploration of transgressive desire. It will be of great interest to those interested in Polish literature and to readers of gay and lesbian literature.
[more]
cover of Rudolph the Red-Nosed Reindeer: An American Hero

Rudolph the Red-Nosed Reindeer

An American Hero

Ronald D. Lankford

University Press of New England, 2016

Ronald D. Lankford has written the definitive history of this iconic and much-loved Christmas character. Rudolph the Red-Nosed Reindeer was the creation of Robert May, a staff copywriter who wrote the original poem as a Montgomery Ward Christmas giveaway in 1939. More than 2.4 million copies were printed and given away that holiday season. Thus the legend began. Johnny Marks adapted the poem into what would become the Gene Autry hit “Rudolph the Red-Nosed Reindeer,” which instantly became—and still remains—one of the most popular Christmas songs of all time. The legend of Rudolph soared even higher with the Rankin/Bass stop-motion television special in 1964, which has gone on to inspire a cottage industry of toys and decorative items. In this festive and informed look at the most famous reindeer of all, Lankford discusses all of Rudolph’s iterations, including comic books, sequels, advertising tie-ins, movies, and much more. Lankford has produced the first complete history of Rudolph that both celebrates and explains the undying popularity of Rudolph and his friends. The result is both a glowing tribute and a rigorously researched biography that will appeal to fans and lovers of classic American holiday culture.
[more]
cover of Ruin and Restitution: Reinterpreting Romanticism in Spain

Ruin and Restitution

Reinterpreting Romanticism in Spain

Philip W. Silver

Vanderbilt University Press, 1997

In this highly suggestive work, Philip Silver confronts and corrects the entire critical tradition on Spanish romanticism and suggests a new "restitutional" theory of that period in Spanish cultural and political history.
[more]
cover of Ruins of Modernity

Ruins of Modernity

Julia Hell and Andreas Schönle, eds.

Duke University Press, 2009

Images of ruins may represent the raw realities created by bombs, natural disasters, or factory closings, but the way we see and understand ruins is not raw or unmediated. Rather, looking at ruins, writing about them, and representing them are acts framed by a long tradition. This unique interdisciplinary collection traces discourses about and representations of ruins from a richly contextualized perspective. In the introduction, Julia Hell and Andreas Schönle discuss how European modernity emerged partly through a confrontation with the ruins of the premodern past.

Several contributors discuss ideas about ruins developed by philosophers such as Immanuel Kant, Georg Simmel, and Walter Benjamin. One contributor examines how W. G. Sebald’s novel The Rings of Saturn betrays the ruins erased or forgotten in the Hegelian philosophy of history. Another analyzes the repressed specter of being bombed out of existence that underpins post-Second World War modernist architecture, especially Le Corbusier’s plans for Paris. Still another compares the ways that formerly dominant white populations relate to urban-industrial ruins in Detroit and to colonial ruins in Namibia. Other topics include atomic ruins at a Nevada test site, the connection between the cinema and ruins, the various narratives that have accrued around the Inca ruin of Vilcashuamán, Tolstoy’s response in War and Peace to the destruction of Moscow in the fire of 1812, the Nazis’ obsession with imperial ruins, and the emergence in Mumbai of a new “kinetic city” on what some might consider the ruins of a modernist city. By focusing on the concept of ruin, this collection sheds new light on modernity and its vast ramifications and complexities.

Contributors. Kerstin Barndt, Jon Beasley-Murray, Russell A. Berman, Jonathan Bolton, Svetlana Boym, Amir Eshel, Julia Hell, Daniel Herwitz, Andreas Huyssen, Rahul Mehrotra, Johannes von Moltke, Vladimir Paperny, Helen Petrovsky, Todd Presner, Helmut Puff, Alexander Regier, Eric Rentschler, Lucia Saks, Andreas Schönle, Tatiana Smoliarova, George Steinmetz, Jonathan Veitch, Gustavo Verdesio, Anthony Vidler

[more]
cover of Rumba Rules: The Politics of Dance Music in Mobutu’s Zaire

Rumba Rules

The Politics of Dance Music in Mobutu’s Zaire

Bob W. White

Duke University Press, 2008

Mobutu Sese Seko, who ruled Zaire (now the Democratic Republic of Congo) from 1965 until 1997, was fond of saying “happy are those who sing and dance,” and his regime energetically promoted the notion of culture as a national resource. During this period Zairian popular dance music (often referred to as la rumba zaïroise) became a sort of musica franca in many parts of sub-Saharan Africa. But how did this privileged form of cultural expression, one primarily known for a sound of sweetness and joy, flourish under one of the continent’s most brutal authoritarian regimes? In Rumba Rules, the first ethnography of popular music in the Democratic Republic of Congo, Bob W. White examines not only the economic and political conditions that brought this powerful music industry to its knees, but also the ways that popular musicians sought to remain socially relevant in a time of increasing insecurity.

Drawing partly on his experiences as a member of a local dance band in the country’s capital city Kinshasa, White offers extraordinarily vivid accounts of the live music scene, including the relatively recent phenomenon of libanga, which involves shouting the names of wealthy or powerful people during performances in exchange for financial support or protection. With dynamic descriptions of how bands practiced, performed, and splintered, White highlights how the ways that power was sought and understood in Kinshasa’s popular music scene mirrored the charismatic authoritarianism of Mobutu’s rule. In Rumba Rules, Congolese speak candidly about political leadership, social mobility, and what it meant to be a bon chef (good leader) in Mobutu’s Zaire.

[more]
cover of Runaway Romances: Hollywood's Postwar Tour of Europe

Runaway Romances

Hollywood's Postwar Tour of Europe

Robert R. Shandley

Temple University Press, 2009

In the 1950s and early 1960s, America imagined itself young and in love in Europe. And Hollywood films of the era reflected this romantic allure. From a young and naïve Audrey Hepburn falling in love with Gregory Peck inRoman Holiday to David Lean’s Summertime, featuring Katherine Hepburn’s sexual adventure in Venice, these glossy travelogue romances were shot on location, and established an exciting new genre for Hollywood.

As Robert Shandley shows in Runaway Romances, these films were not only indicative of the ideology of the American-dominated postwar world order, but they also represented a shift in Hollywood production values. Eager to capture new audiences during a period of economic crisis, Hollywood’s European output utilized the widescreen process to enhance cinematic experience. The films—To Catch a Thief, Three Coins in the Fountain, and Funny Face among them—enticed viewers to visit faraway places for romantic escapades. In the process, these runaway romances captured American fantasies for a brief, but intense, period that ended as audiences grew tired of old World splendors, and entered into a new era of sexual awakening.

[more]
cover of Running the Numbers: Race, Police, and the History of Urban Gambling

Running the Numbers

Race, Police, and the History of Urban Gambling

Matthew Vaz

University of Chicago Press, 2020

How the politics of gambling became snarled in disputes over race, power, and law enforcement.

Every day in the United States, people test their luck in numerous lotteries, from state-run games to massive programs like Powerball and Mega Millions. Yet few are aware that the origins of today’s lotteries can be found in an African American gambling economy that flourished in urban communities in the mid-twentieth century. In Running the Numbers, Matthew Vaz reveals how the politics of gambling became enmeshed in disputes over racial justice and police legitimacy.

As Vaz highlights, early urban gamblers favored low-stakes games built around combinations of winning numbers. When these games became one of the largest economic engines in nonwhite areas like Harlem and Chicago’s south side, police took notice of the illegal business—and took advantage of new opportunities to benefit from graft and other corrupt practices. Eventually, governments found an unusual solution to the problems of illicit gambling and abusive police tactics: coopting the market through legal state-run lotteries, which could offer larger jackpots than any underground game. By tracing this process and the tensions and conflicts that propelled it, Vaz brilliantly calls attention to the fact that, much like education and housing in twentieth-century America, the gambling economy has also been a form of disputed terrain upon which racial power has been expressed, resisted, and reworked.

[more]
cover of Running the Numbers: Race, Police, and the History of Urban Gambling

Running the Numbers

Race, Police, and the History of Urban Gambling

Matthew Vaz

University of Chicago Press, 2020

How the politics of gambling became snarled in disputes over race, power, and law enforcement.

Every day in the United States, people test their luck in numerous lotteries, from state-run games to massive programs like Powerball and Mega Millions. Yet few are aware that the origins of today’s lotteries can be found in an African American gambling economy that flourished in urban communities in the mid-twentieth century. In Running the Numbers, Matthew Vaz reveals how the politics of gambling became enmeshed in disputes over racial justice and police legitimacy.

As Vaz highlights, early urban gamblers favored low-stakes games built around combinations of winning numbers. When these games became one of the largest economic engines in nonwhite areas like Harlem and Chicago’s south side, police took notice of the illegal business—and took advantage of new opportunities to benefit from graft and other corrupt practices. Eventually, governments found an unusual solution to the problems of illicit gambling and abusive police tactics: coopting the market through legal state-run lotteries, which could offer larger jackpots than any underground game. By tracing this process and the tensions and conflicts that propelled it, Vaz brilliantly calls attention to the fact that, much like education and housing in twentieth-century America, the gambling economy has also been a form of disputed terrain upon which racial power has been expressed, resisted, and reworked.

[more]
cover of Rural Resistance in the Land of Zapata: The Jaramillista Movement and the Myth of the Pax-Priísta, 1940–1962

Rural Resistance in the Land of Zapata

The Jaramillista Movement and the Myth of the Pax-Priísta, 1940–1962

Tanalís Padilla

Duke University Press, 2008

In Rural Resistance in the Land of Zapata, Tanalís Padilla shows that the period from 1940 to 1968, generally viewed as a time of social and political stability in Mexico, actually saw numerous instances of popular discontent and widespread state repression. Padilla provides a detailed history of a mid-twentieth-century agrarian mobilization in the Mexican state of Morelos, the homeland of Emiliano Zapata. In so doing, she brings to the fore the continuities between the popular struggles surrounding the Mexican Revolution and contemporary rural uprisings such as the Zapatista rebellion.

The peasants known in popular memory as Jaramillistas were led by Rubén Jaramillo (1900–1962). An agrarian leader from Morelos who participated in the Mexican Revolution and fought under Zapata, Jaramillo later became an outspoken defender of the rural poor. The Jaramillistas were inspired by the legacy of the Zapatistas, the peasant army that fought for land and community autonomy with particular tenacity during the Revolution. Padilla examines the way that the Jaramillistas used the legacy of Zapatismo but also transformed, expanded, and updated it in dialogue with other national and international political movements.

The Jaramillistas fought persistently through legal channels for access to land, the means to work it, and sustainable prices for their products, but the Mexican government increasingly closed its doors to rural reform. The government ultimately responded with repression, pushing the Jaramillistas into armed struggle, and transforming their calls for local reform into a broader critique of capitalism. With Rural Resistance in the Land of Zapata, Padilla sheds new light on the decision to initiate armed struggle, women’s challenges to patriarchal norms, and the ways that campesinos framed their demands in relation to national and international political developments.

[more]
cover of Rural Unrest during the First Russian Revolution: Kursk Province, 1905-1906

Rural Unrest during the First Russian Revolution

Kursk Province, 1905-1906

Burton Richard Miller

Central European University Press, 2013

The narrative of peasant unrest in Russia during 1905–1906 combines a chronology of incidents drawn from official documents, with close analysis of the villages associated with the disorders based upon detailed census materials compiled by local specialists. The analysis concentrates on a single province: Kursk Oblast, bordering the now independent Ukraine. In place of the general surveys of the revolution that dominate the literature, Miller focuses on local events and the rural populations that participated in them. Documents the degree to which the peasant community had been pushed onto the path of change by the end of the nineteenth century, how much the “peasantry” itself had become increasingly heterogeneous in outlook and occupation, and the rapidity with which these processes had begun to corrode the legitimacy of the older order. Miller concludes that unrest was concentrated mostly among peasant communities for whom the benefits the vital interactions between social unequals that had maintained a fragile social peace in the countryside had been radically eroded; he furthermore identifies the prominent role played by that spectrum of persons that retained their ties to their villages, but stood toward the margins of rural life.
[more]
cover of Russell Kirk and the Age of Ideology

Russell Kirk and the Age of Ideology

W. Wesley McDonald

University of Missouri Press, 2004

Russell Kirk, author of The Conservative Mind and A Program for Conservatives, has been regarded as one of the foremost figures of the post–World War II revival in conservative thought. While numerous commentators on contemporary political thought have acknowledged his considerable influence on the substance and direction of American conservatism, no analysis of his social and political writing has dealt extensively with the philosophical foundations of his work.
            In this provocative study, W. Wesley McDonald examines those foundations and demonstrates their impact on the conservative intellectual movement that emerged in the 1950s and 1960s. Kirk played a pivotal role in drawing conservatism away from the laissez-faireprinciplesoflibertarianism and toward those of a traditional community grounded in a renewed appreciation of man’s social and spiritual nature and the moral prerequisites of genuine liberty. In a humane social order, a community of spirit is fostered in which generations are bound together. According to Kirk, this link is achieved through moral and social norms that transcend the particularities of time and place and, because they form the basis of genuine civilized existence, can only be neglected at great peril. These norms, reflected in religious dogmas, traditions, humane letters, social habit and custom, and prescriptive institutions, create the sources of the true community that is the final end of politics.
            Although this study does not challenge Kirk’s debts to a predominantly Catholic and Anglo-Catholic tradition of natural law, its focus is on his appeal to historical experience as the test of sound institutions. This aspect of his thought was essential to Kirk’s understanding of moral, cultural, and aesthetic norms and can be seen in his responses to American humanists Paul Elmer More and Irving Babbitt and to English and American romantic literature.
Russell Kirk and the Age of Ideology is particularly relevant because of the growing interest in Kirk’s legacy and the current debate over the meaning of conservatism. McDonald addresses both of those developments in the context of examining Kirk’s thought, attempting to correct some of the inadequacies contained in earlier studies that assess Kirk as a political thinker. This book will serve as a significant contribution to the commentary on this fascinating figure.
[more]
cover of Russia's Legal Fictions

Russia's Legal Fictions

Harriet Murav

University of Michigan Press, 1998

Legal scholars and literary critics have shown the significance of storytelling, not only as part of the courtroom procedure, but as part of the very foundation of law. Russia's Legal Fictions examines the relationship between law, narrative and authority in nineteenth- and twentieth-century Russia.
The conflict between the Russian writer and the law is a well-known feature of Russian literary life in the past two centuries. With one exception, the authors discussed in this book--Sukhovo-Kobylin, Akhsharumov, Suvorin, and Dostoevsky in the nineteenth century and Solzhenitsyn and Siniavskii in the twentieth--were all put on trial. In Russia's Legal Fictions, Harriet Murav starts with the authors' own writings about their experience with law and explores the history of these Russian literary trials, including censorship, libel cases, and one case of murder, in their specific historical context, showing how particular aspects of the culture of the time relate to the case.
The book explores the specifically Russian literary and political conditions in which writers claim the authority not only as the authors of fiction but as lawgivers in the realm of the real, and in which the government turns to the realm of the literary to exercise its power. The author uses specific aspects of Russian culture, history and literature to consider broader theoretical questions about the relationship between law, narrative, and authority. Murav offers a history of the reception of the jury trial and the development of a professional bar in late Imperial Russia as well as an exploration of theories of criminality, sexuality, punishment, and rehabilitation in Imperial and Soviet Russia.
This book will be of interest to scholars of law and literature and Russian law, history and culture.
Harriet Murav is Associate Professor of Russian and Comparative Literature, University of California at Davis.
[more]
cover of Russia's Rome: Imperial Visions, Messianic Dreams, 1890–1940

Russia's Rome

Imperial Visions, Messianic Dreams, 1890–1940

Judith E. Kalb

University of Wisconsin Press, 2008

A wide-ranging study of empire, religious prophecy, and nationalism in literature, Russia’s Rome: Imperial Visions, Messianic Dreams, 1890–1940 provides the first examination of Russia’s self-identification with Rome during a period that encompassed the revolutions of 1905 and 1917 and the rise of the Soviet state. Analyzing Rome-related texts by six writers—Dmitrii Merezhkovskii, Valerii Briusov, Aleksandr Blok, Viacheslav Ivanov, Mikhail Kuzmin, and Mikhail Bulgakov—Judith E. Kalb argues that the myth of Russia as the “Third Rome” was resurrected to create a Rome-based discourse of Russian national identity that endured even as the empire of the tsars declined and fell and a new state replaced it.
            Russia generally finds itself beyond the purview of studies concerned with the ongoing potency of the classical world in modern society. Slavists, for their part, have only recently begun to note the influence of classical civilization not only during Russia’s neo-classical eighteenth century but also during its modernist period. With its interdisciplinary scope, Russia’s Rome fills a gap in both Russian studies and scholarship on the classical tradition, providing valuable material for scholars of Russian culture and history, classicists, and readers interested in the classical heritage.
[more]
cover of Russia's Social Gospel: The Orthodox Pastoral Movement in Famine, War, and Revolution

Russia's Social Gospel

The Orthodox Pastoral Movement in Famine, War, and Revolution

Daniel Scarborough

University of Wisconsin Press, 2023

The late Russian Empire experienced rapid economic change, social dislocation, and multiple humanitarian crises, enduring two wars, two famines, and three revolutions. A “pastoral activism” took hold as parish clergymen led and organized the response of Russia’s Orthodox Christians to these traumatic events. In Russia’s Social Gospel, Daniel Scarborough considers the roles played by pastors in the closing decades of the failing tsarist empire and the explosive 1917 revolutions.
 
This volume draws upon extensive archival research to examine the effects of the pastoral movement on Russian society and the Orthodox Church. Scarborough argues that the social work of parish clergymen shifted the focus of Orthodox practice in Russia toward cooperative social activism as a devotional activity. He furthers our understanding of Russian Orthodoxy by illuminating the difficult position of parish priests, who were charged with both spiritual and secular responsibilities but were supported by neither church nor state. His nuanced look at the pastorate shows how social and historical traumas shifted perceptions of what being religious meant, in turn affecting how the Orthodox Church organized itself, and contributed to Russia’s modernization.
[more]
cover of Russian Minimalism: From the Prose Poem to the Anti-Story

Russian Minimalism

From the Prose Poem to the Anti-Story

Adrian Wanner

Northwestern University Press, 2003

Russian Minimalism is the first book to apply the theoretical debate on the nature of the prose poem to Russian literature. Challenging traditional concepts of poetry and narrative prose, the prose poem is by nature a "subversive" form—and as such has drawn extensive interest in literature and criticism during the past two decades. In Russian Minimalism, Adrian Wanner uses the notion of minimalism, borrowed from the realm of American visual arts, as a critical tool for a historical investigation of the genesis and development of the Russian prose miniature, going back to the nineteenth and early twentieth century.

The paradoxical genre of the prose poem, developed by the French poet Charles Baudelaire, provides Wanner with an overarching theoretical rubric for a variety of works of Russian literature, ranging from Ivan Turgenev's "Poems in Prose" to a host of decadent, symbolist, realist, and futurist miniatures, including Fedor Sologub's "Little Fairy Tales," Aleksei Remizov's dreams, Vasilii Kandinskii's prose poems, and Daniil Kharms' absurdist ministories. His book demonstrates how the negativity inherent in the form of the prose poem transformed the overwrought lyricism of fin de siècle prose into the ascetic starkness of the twentieth-century minimalist anti-story.
[more]
cover of Ruta Tannenbaum: A Novel

Ruta Tannenbaum

A Novel

Miljenko Jergovic

Northwestern University Press, 2011

The novel Ruta Tannenbaum is by prolific, award-winning Croatian author Miljenko Jergović. First published in 2006, the story illuminates life and society in Yugoslavia between the world wars. The title character was inspired by real-life figure Lea Deutsch, the now-forgotten Shirley Temple of Yugoslavia, who was murdered in the Holocaust.

Using their shared Jewish heritage as a starting point, Jergovic constructs a fictional family history populated by historical figures with the precocious Ruta at the center. Stephen Dickey’s translation masterfully captures Jergovic´’s colloquial yet deeply observed style, which animates the tangled and troubled history of persecution and war in Croatia.
[more]
cover of Ruthless Hedonism: The American Reception of Matisse

Ruthless Hedonism

The American Reception of Matisse

John O'Brian

University of Chicago Press, 1999

"Oh, do tell the American people that I am a normal man; that I am a devoted husband and father, that I have three fine children, that I go to the theatre." These words were spoken by Matisse just before the Armory Show in 1913—a pivotal moment, after which his work was seen in America as an example of what should be admired or deplored in modern art.

In this ambitious study, John O'Brian argues that Matisse's sober presentations of himself were calculated to fit with the social constraints and ideological demands of the times. Matisse's strategy included cooperating with museums, cultivating private collectors, playing off dealers one against another, and reassuring the media that, whatever his reputation as an avant-gardist, the conduct of his life was solidly bourgeois.

Moving from the late 1920s, when Matisse's output was shedding its outlaw reputation, to the early 1950s, when his work was canonized, O'Brian shows how the way Matisse's work was viewed changed as attention shifted away from the seductiveness of his subject matter to the seductiveness of his paint. The art's resolute rejection of political concerns, its deployment of decorative design for visual satisfaction, and its representations of pleasure encouraged American audiences, who in the 1930s deemed the art disreputable, to celebrate its gratifications by the early years of the Cold War.

This intriguing, wide-ranging investigation of Matisse's self-promotion, America's uneasy embrace of modernism, and America's consumer culture and politics provides a rich context to Clement Greenberg's words published in the Nation in 1947: "Matisse's cold hedonism and ruthless exclusion of everything but the concrete, immediate sensation will in the future, once we are away from the present Zeitgeist, be better understood as the most profound mood of the first half of the twentieth century."
[more]