805 books match the query '18th Century' and 43 start with s

cover of Sade: A Biographical Essay

Sade

A Biographical Essay

Laurence L. Bongie

University of Chicago Press, 1998

The writings of the Marquis de Sade have recently attained notoriety in the canon of world literature. Now Sade himself is often celebrated as a heroic apostle of individual rights and a giant of philosophical thought. In this detailed investigative work, Laurence Bongie tests these claims and finds them unfounded and undeserved.

"A valuable correction to the perception of Sade as a profound thinker, a great writer, and a martyr to liberty. Drawing on original archival work, Bongie tries to illuminate Sade's childhood and his relationship with his parents. . . . Fluent and well-informed."—Library Journal

"Mr. Bongie . . . has written an investigation focusing on one aspect of Sade's character and development, his heretofore neglected relationship with his aristocratic mother. . . . A profitable selection."—Richard Bernstein, New York Times

"A welcome corrective. Bongie's book . . . aims to deflate the exalted claims made about the marquis by demonstrating that he was a monstrous character."—Scott Stossel, Boston Phoenix Literary Supplement
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cover of Sappho in Early Modern England: Female Same-Sex Literary Erotics, 1550-1714

Sappho in Early Modern England

Female Same-Sex Literary Erotics, 1550-1714

Harriette Andreadis

University of Chicago Press, 2001

In Sappho in Early Modern England, Harriette Andreadis examines public and private expressions of female same-sex sexuality in sixteenth- and seventeenth-century England. Before the language of modern sexual identities developed, a variety of discourses in both literary and extraliterary texts began to form a lexicon of female intimacy. Looking at accounts of non-normative female sexualities in travel narratives, anatomies, and even marital advice books, Andreadis outlines the vernacular through which a female same-sex erotics first entered verbal consciousness. She finds that "respectable" women of the middle classes and aristocracy who did not wish to identify themselves as sexually transgressive developed new vocabularies to describe their desires; women that we might call bisexual or lesbian, referred to in their day as tribades, fricatrices, or "rubsters," emerged in erotic discourses that allowed them to acknowledge their sexuality and still evade disapproval.
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cover of Science in the Age of Sensibility: The Sentimental Empiricists of the French Enlightenment

Science in the Age of Sensibility

The Sentimental Empiricists of the French Enlightenment

Jessica Riskin

University of Chicago Press, 2002

Empiricism today implies the dispassionate scrutiny of facts. But Jessica Riskin finds that in the French Enlightenment, empiricism was intimately bound up with sensibility. In what she calls a "sentimental empiricism," natural knowledge was taken to rest on a blend of experience and emotion.

Riskin argues that sentimental empiricism brought together ideas and institutions, practices and politics. She shows, for instance, how the study of blindness, led by ideas about the mental and moral role of vision and by cataract surgeries, shaped the first school for the blind; how Benjamin Franklin's electrical physics, ascribing desires to nature, engaged French economic reformers; and how the question of the role of language in science and social life linked disputes over Antoine Lavoisier's new chemical names to the founding of France's modern system of civic education.

Recasting the Age of Reason by stressing its conjunction with the Age of Sensibility, Riskin offers an entirely new perspective on the development of modern science and the history of the Enlightenment.
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cover of Sculpting Quito: Religious Art across Domestic Spaces

Sculpting Quito

Religious Art across Domestic Spaces

Leslie E. Todd

University of Texas Press, 2026

A study of domestic religious sculptures in Quito.

During the eighteenth century, the colonial capital of Quito established itself as a prolific producer of wooden polychrome sculpture. With large glass eyes, smooth shiny surfaces, and minute attention to detail, the sculptures possessed an artistic refinement that enchanted contemporaries. While these objects depicted Christian sacred personages, they were not always sequestered in churches and shrines. They filled domestic spaces, becoming signifiers not only of holiness but also of a distinctive Quitenian culture.

Devotional sculpture was, on its face, an aesthetic reifiction of the colonial project, commissioned by creole elites. However, drawing on published accounts and archival evidence, including wills and dowries, Leslie Todd shows that sculpture was diffused across society, contributing to a complex localized identity. As makers, viewers, and owners of sculpture, Quiteños of Indigenous and mixed heritage and varying socioeconomic backgrounds took active roles in creating the city’s visual culture. In doing so, Todd argues, they simultaneously underscored and challenged colonial class and power systems, investing a European form with styles that revealed and reinforced specifically Spanish American subjectivity.

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cover of Selected Drama and Verse

Selected Drama and Verse

Franciszka Urszula Radziwillowa

Iter Press, 2015

This edition presents, for the first time in English, a selection from the repertoire of the first Polish woman dramatist, Princess Franciszka Urszula Radziwiłłowa (1705–1753), with a historical-biographical Introduction incorporating interpretations of her works. Radziwiłłowa’s plays treated complex issues concerning intimate relationships. In her poetry she explored new, very personal, means of expression for intimate declarations, in a form of language capable of conveying the emotional distress that could not find expression under existing conventions.
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cover of Selected Letters of Edmund Burke

Selected Letters of Edmund Burke

Edmund Burke

University of Chicago Press, 1984

Edmund Burke (1729-97) was a British statesman, a political philosopher, a literary critic, the grandfather of modern conservatism, and an elegant, prolific letter writer and prose stylist. His most important letters, filled with sparkling prose and profound insights, are gathered here for the first time in one volume. Arranged topically, the letters bring alive Burke's passionate views on such issues as party politics, reform and revolution, British relations with America, India, and Ireland, toleration and religion, and literary and philosophical concerns.
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cover of Selected Philosophical, Scientific, and Autobiographical Writings

Selected Philosophical, Scientific, and Autobiographical Writings

Marie-Geneviève-Charlotte Thiroux d’Arconville

Iter Press, 2018

Marie-Geneviève-Charlotte Thiroux d’Arconville combined fierce intellectual ambition with the proper demeanor of the wife of a leading magistrate. Bemoaning her lack of a formal education in childhood, as an adult she read widely, studied languages, and sought out mentors among the scientific elite of the day. Always publishing anonymously, her works included moralist philosophy, scientific and literary translations, original scientific research, fiction, and history. Recently, a trove of unpublished essays and autobiographical writings from her final years, long thought to have been lost, has come to light, revealing her as a writer of insight, wit, and feeling.

Edited and translated by Julie Candler Hayes

The Other Voice in Early Modern Europe: The Toronto Series, volume 58
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cover of Separate Paths: Lenapes and Colonists in West New Jersey

Separate Paths

Lenapes and Colonists in West New Jersey

Jean R. Soderlund

Rutgers University Press, 2022

Winner of the 2023 McCormick Prize from the New Jersey Studies Academic Alliance

Separate Paths: Lenapes and Colonists in West New Jersey is the first cross-cultural study of European colonization in the region south of the Falls of the Delaware River (now Trenton). Lenape men and women welcomed their allies, the Swedes and Finns, to escape more rigid English regimes on the west bank of the Delaware, offering land to establish farms, share resources, and trade. In the 1670s, Quaker men and women challenged this model with strategies to acquire all Lenape territory for their own use and to sell as real estate to new immigrants. Though the Lenapes remained sovereign and “old settlers” retained their Swedish Lutheran religion and ethnic autonomy, the West Jersey proprietors had considerable success in excluding Lenapes from their land. The Friends believed God favored their endeavor with epidemics of smallpox and other European diseases that destroyed Lenape families and communities. Affluent Quakers also introduced enslavement of imported Africans and Natives—and the violence that sustained it—to a colony they had promoted with the liberal West New Jersey Concessions of 1676-77. Thus, they defied their prior experience of religious persecution and their principles of peaceful resolution of conflict, equality of everyone before God, and the golden rule to treat others as you wish to be treated. Despite mutual commitment to peace by Lenapes, old settlers, and Friends, Quaker colonization had similar results to military conquests of Natives by English in Virginia and New England, and Dutch in the Hudson Valley and northern New Jersey. Still, in alliance with old settlers, Lenape communities survived in areas outside the focus of English colonization, in the Pine Barrens, upper reaches of streams, and Atlantic shore.
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cover of Serious Reflections During the Life and Surprising Adventures of Robinson Crusoe with his Vision of the Angelick World: The Stoke Newington Edition

Serious Reflections During the Life and Surprising Adventures of Robinson Crusoe with his Vision of the Angelick World

The Stoke Newington Edition

Daniel Defoe

Bucknell University Press, 2022

Serious Reflections During the Life and Surprising Adventures of Robinson Crusoe with his Vision of the Angelick World, first published in 1720 and considered a sequel to The Farther Adventures of Robinson Crusoe, is a collection of essays written in the voice of the Crusoe character. Expressing Defoe’s thoughts about many moral questions of the day, the narrator takes up isolation, poverty, religious liberty, and epistemology. Defoe also used this volume to revive his interest in poetry, not the satiric poetry of the early eighteenth century, but the more inspirational verse that appeared in some of his later works. Serious Reflections also includes an imaginative flight in which Crusoe wanders among the planets, a return to the moon voyage impulse of Defoe’s 1705 work The Consolidator. Illuminating the ideas and philosophy of this most influential of English novelists, it is invaluable for any student of the period.
 
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cover of Seven Gothic Dramas, 1789–1825: 1789-1825

Seven Gothic Dramas, 1789–1825

1789-1825

Jeffrey N. Cox

Ohio University Press, 1994

The Gothic drama came at a critical moment in the history of the theater, of British culture, and of European politics in the shadow of France’s revolution and the fall of Napoleon. It offered playwrights a medium to express the prevailing ideological tensions of romanticism and revolution, and also responded to a growing and changing theater audience.

In a wide-ranging introduction, Cox explores Gothic drama’s links with romanticism and its relation to other social and ideological shifts of the day. The texts are presented so as to reflect the dual life of dramatic works—on the stage and on the page. The plays are annotated and accompanied by biographic and bibliographic sketches.

Includes The Kentish Barons, by Francis North; Julia of Louvain; or, Monkish Cruelty, by J.C. Cross; The Castle Spectre, by Matthew G. Lewis; The Captive, by Matthew G. Lewis; De Monfort, by Joanna Baillie; Bertram; or, The Castle of St. Aldobrand, by C.R. Maturin; and Presumption; or, The Fate of Frankenstein, by R.B. Peake.

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cover of Sex Changes with Kleist

Sex Changes with Kleist

Katrin Pahl

Northwestern University Press, 2019

Sex Changes with Kleist analyzes how the dramatist and poet Heinrich von Kleist (1777–1811) responded to the change in the conception of sex and gender that occurred in the eighteenth century. Specifically, Katrin Pahl shows that Kleist resisted the shift from a one-sex to the two-sex and complementary gender system that is still prevalent today. With creative close readings engaging all eight of his plays, Pahl probes Kleist’s appreciation for incoherence, his experimentation with alternative symbolic orders, his provocative understanding of emotion, and his camp humor. Pahl demonstrates that rather than preparing modern homosexuality, Kleist puts an end to modern gender norms even before they take hold and refuses the oppositional organization of sexual desire into homosexual and heterosexual that sprouts from these norms.

Focusing on the theatricality of Kleist’s interventions in the performance of gender, sexuality, and emotion and examining how his dramatic texts unhinge major tenets of classical European theater, Sex Changes with Kleist is vital reading for anyone interested in queer studies, feminist studies, performance studies, literary studies, or emotion studies. This book changes our understanding of Kleist and breathes new life into queer thought.
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cover of Sex and the Gender Revolution, Volume 1: Heterosexuality and the Third Gender in Enlightenment London

Sex and the Gender Revolution, Volume 1

Heterosexuality and the Third Gender in Enlightenment London

Randolph Trumbach

University of Chicago Press, 1998

A revolution in gender relations occurred in London around 1700, resulting in a sexual system that endured in many aspects until the sexual revolution of the 1960s. For the first time in European history, there emerged three genders: men, women, and a third gender of adult effeminate sodomites, or homosexuals. This third gender had radical consequences for the sexual lives of most men and women since it promoted an opposing ideal of exclusive heterosexuality.

In Sex and the Gender Revolution, Randolph Trumbach reconstructs the worlds of eighteenth-century prostitution, illegitimacy, sexual violence, and adultery. In those worlds the majority of men became heterosexuals by avoiding sodomy and sodomite behavior.

As men defined themselves more and more as heterosexuals, women generally experienced the new male heterosexuality as its victims. But women—as prostitutes, seduced servants, remarrying widows, and adulterous wives— also pursued passion. The seamy sexual underworld of extramarital behavior was central not only to the sexual lives of men and women, but to the very existence of marriage, the family, domesticity, and romantic love. London emerges as not only a geographical site but as an actor in its own right, mapping out domains where patriarchy, heterosexuality, domesticity, and female resistance take vivid form in our imaginations and senses.

As comprehensive and authoritative as it is eloquent and provocative, this book will become an indispensable study for social and cultural historians and delightful reading for anyone interested in taking a close look at sex and gender in eighteenth-century London.
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cover of Sex, Death, and Minuets: Anna Magdalena Bach and Her Musical Notebooks

Sex, Death, and Minuets

Anna Magdalena Bach and Her Musical Notebooks

David Yearsley

University of Chicago Press, 2019

At one time a star in her own right as a singer, Anna Magdalena (1701–60) would go on to become, through her marriage to the older Johann Sebastian Bach, history’s most famous musical wife and mother. The two musical notebooks belonging to her continue to live on, beloved by millions of pianists young and old. Yet the pedagogical utility of this music—long associated with the sound of children practicing and mothers listening—has encouraged a rosy and one-sided view of Anna Magdalena as a model of German feminine domesticity.
            Sex, Death, and Minuets offers the first in-depth study of these notebooks and their owner, reanimating Anna Magdalena as a multifaceted historical subject—at once pious and bawdy, spirited and tragic. In these pages, we follow Magdalena from young and flamboyant performer to bereft and impoverished widow—and visit along the way the coffee house, the raucous wedding feast, and the family home. David Yearsley explores the notebooks’ more idiosyncratic entries—like its charming ditties on illicit love and searching ruminations on mortality—against the backdrop of the social practices and concerns that women shared in eighteenth-century Lutheran Germany, from status in marriage and widowhood, to fulfilling professional and domestic roles, money, fashion, intimacy and sex, and the ever-present sickness and death of children and spouses. What emerges is a humane portrait of a musician who embraced the sensuality of song and the uplift of the keyboard, a sometimes ribald wife and oft-bereaved mother who used her cherished musical notebooks for piety and play, humor and devotion—for living and for dying.
 
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cover of Shade-Grown Slavery: The Lives of Slaves on Coffee Plantations in Cuba

Shade-Grown Slavery

The Lives of Slaves on Coffee Plantations in Cuba

William C. Van Norman

Vanderbilt University Press, 2013

Within the world of Cuban slave-holding plantations, all enslaved people had to negotiate a life defined by forces beyond their control, and indeed beyond the control of their masters. Slaves on coffee farms survived in ways that allowed them to marry, have children, and maintain and redefine cultural practices that they passed on to their children. Slaves were an important factor in creating a nascent Afro-Cuban culture and identity.

In this broad, interdisciplinary study, William Van Norman describes how each type of plantation and the amount of manual labor it required directly influenced the nature of slave life in that community. Slaves on coffee plantations lived in a unique context in comparison to that of their fellow slaves on sugar plantations, one that gave them greater flexibility in cultural and artistic creativity. To gain a deeper understanding of plantation slavery in Cuba, Van Norman explores what life and labor was like for coffee slaves and how it was different from what sugar slaves experienced. Shade-Grown Slavery reconstructs their world and in turn deconstructs the picture we now have of Cuba in the late eighteenth and early nineteenth centuries.

Ultimately, Shade-Grown Slavery reveals the lives of enslaved Africans on Cuban coffee plantations and shows how they were able to maintain and transform their cultural traditions in spite of slavery.

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cover of Shadow Puppets, Songs, and Sacred Feasts: Celebrations of the Indo-Portuguese Nuns in the Eighteenth-Century Real Convento de Santa Mónica, Goa, India. A Bilingual Edition

Shadow Puppets, Songs, and Sacred Feasts

Celebrations of the Indo-Portuguese Nuns in the Eighteenth-Century Real Convento de Santa Mónica, Goa, India. A Bilingual Edition

Edited by Daniel Michon

Iter Press, 2025

The two eighteenth-century texts translated here offer a rare glimpse into the creative lives of cloistered nuns in Asia, providing a valuable example of early modern "other voices" in a colonial context. 

The Entrada de Bonifrate para Festa dos Reis, a shadow puppet play for the feast of the Kings, and the Cartepaço da Muzica, a songbook for the feast of St. John, showcase the imaginative minds of the nuns at the Indo-Portuguese Real Convento de Santa Mónica, Goa, India. Composed for private convent audiences, these texts blend Portuguese and Spanish baroque elements with local Goan traditions. The uncensored verses celebrate convent life, critique local social norms, and affirm the nuns’ community identity, exhibiting the Mónicas’ musical talents and literary sensibilities.
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cover of Shadows of the Enlightenment: Tragic Drama during Europe’s Age of Reason

Shadows of the Enlightenment

Tragic Drama during Europe’s Age of Reason

Edited by Blair Hoxby

The Ohio State University Press, 2022

To refer to Enlightenment tragedy is to teeter on the brink of paradox. The eighteenth century is famous for its celebration and deployment of ideals such as optimism, reason, and human progress—ideals seemingly contradicted by the pessimism and passion of much classical tragedy. Moreover, tragedy in the Enlightenment is also often overlooked in favor of its illustrious seventeenth-century predecessors. In Shadows of the Enlightenment, an assemblage of respected experts specializing in classical, eighteenth-century, comparative, and modernist literary traditions offer a corrective analysis, proving that the Enlightenment was a critical period for tragic drama, during which the signature classical influences of the era coexisted with an emerging modern identity. By analyzing a highly diverse set of works—from Johann Christoph Gottsched to Voltaire to Joanna Baillie—with a rare pan-European scope, the contributors excavate the dynamic, and indeed paradoxical, entanglement of antiquity and modernity encapsulated by Enlightenment tragedy.  Contributors: Joshua Billings, Logan J. Connors, Adrian Daub, Cécile Dudouyt, James Harriman-Smith, Joseph Harris, Alex Eric Hernandez, Blair Hoxby, Russ Leo, Larry F. Norman, Stefan Tilg
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cover of Shaky Colonialism: The 1746 Earthquake-Tsunami in Lima, Peru, and Its Long Aftermath

Shaky Colonialism

The 1746 Earthquake-Tsunami in Lima, Peru, and Its Long Aftermath

Charles F. Walker

Duke University Press, 2008

Contemporary natural disasters such as Hurricane Katrina are quickly followed by disagreements about whether and how communities should be rebuilt, whether political leaders represent the community’s best interests, and whether the devastation could have been prevented. Shaky Colonialism demonstrates that many of the same issues animated the aftermath of disasters more than 250 years ago. On October 28, 1746, a massive earthquake ravaged Lima, a bustling city of 50,000, capital of the Peruvian Viceroyalty, and the heart of Spain’s territories in South America. Half an hour later, a tsunami destroyed the nearby port of Callao. The earthquake-tsunami demolished churches and major buildings, damaged food and water supplies, and suspended normal social codes, throwing people of different social classes together and prompting widespread chaos. In Shaky Colonialism, Charles F. Walker examines reactions to the catastrophe, the Viceroy’s plans to rebuild the city, and the opposition he encountered from the Church, the Spanish Crown, and Lima’s multiracial population.

Through his ambitious rebuilding plan, the Viceroy sought to assert the power of the colonial state over the Church, the upper classes, and other groups. Agreeing with most inhabitants of the fervently Catholic city that the earthquake-tsunami was a manifestation of God’s wrath for Lima’s decadent ways, he hoped to reign in the city’s baroque excesses and to tame the city’s notoriously independent women. To his great surprise, almost everyone objected to his plan, sparking widespread debate about political power and urbanism. Illuminating the shaky foundations of Spanish control in Lima, Walker describes the latent conflicts—about class, race, gender, religion, and the very definition of an ordered society—brought to the fore by the earthquake-tsunami of 1746.

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cover of Shareholder Democracies?: Corporate Governance in Britain and Ireland before 1850

Shareholder Democracies?

Corporate Governance in Britain and Ireland before 1850

Mark Freeman, Robin Pearson, and James Taylor

University of Chicago Press, 2011

Understanding the challenges of corporate governance is central to our comprehension of the economic dynamics driving corporations today. Among the most important institutions in capitalism today, corporations and joint-stock companies had their origins in Europe during the seventeenth and eighteenth centuries. And as they became more prevalent, the issue of internal governance became more pressing. At stake—and very much contested—was the allocation of rights and obligations among shareholders, directors, and managers.

This comprehensive account of the development of corporate governance in Britain and Ireland during its earliest stages highlights the role of political factors in shaping the evolution of corporate governance as well as the important debates that arose about the division of authority and responsibility. Political and economic institutions confronted similar issues, including the need for transparency and accountability in decision making and the roles of electors and the elected, and this book emphasizes how political institutions—from election procedures to assemblies to annual reporting—therefore provided apt models upon which companies drew readily. Filling a gap in the literature on early corporate economy, this book provides insight into the origins of many ongoing modern debates.

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cover of Shelley's Ghost: Reshaping the Image of a Literary Family

Shelley's Ghost

Reshaping the Image of a Literary Family

Stephen Hebron and Elizabeth C. Denlinger

Bodleian Library Publishing, 2010

It is difficult to think of a family more endowed with literary genius than the Shelley family—from the Romantic poet Percy Bysshe Shelley and his wife, novelist Mary Shelley, to Mary’s parents, William Godwin and Mary Wollstonecraft—all were authors in their own right. Using extensive archival material, Shelley’s Ghost explores the making of this remarkable literary family’s reputation.

            Drawing on the Bodleian Library’s outstanding collection of letters, poetry manuscripts, rare printed books, portraits, and other personalia—including Shelley’s working notebooks, Keats’s letters to Shelley, William Godwin’s diary, and the original manuscript of Mary Shelley’s Frankenstein—Stephen Hebron charts the history of this talented yet troubled family. After Percy Bysshe Shelley’s drowning in 1822, Mary published various manuscripts relating to both her husband’s and her father’s lives, and passed this historical legacy to her son, Sir Percy Florence Shelley and his wife, Lady Jane Shelley. As guardians of the archive until they bequeathed it to the Bodleian in 1892, Sir Percy Florence and Lady Jane helped shape the posthumous reputations of these writers. An afterword by Elizabeth Denlinger of the New York Public Library offers an additional perspective, exploring material relating to the Shelley family that slipped beyond the family’s control.

            An unparalleled look at one of the most significant families of British Romantic literature, Shelley’s Ghost will be welcomed by scholars and the many fans of this enduring literacy legacy.

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cover of Situation Critical: Critique, Theory, and Early American Studies

Situation Critical

Critique, Theory, and Early American Studies

Max Cavitch and Brian Connolly, editors

Duke University Press, 2024

The contributors to Situation Critical argue for the continued importance of critique to early American studies, pushing back against both reductivist neo-empiricism and so-called postcritique. Bringing together essays by a diverse group of historians and literary scholars, editors Max Cavitch and Brian Connolly demonstrate that critique is about acknowledging that we are never simply writing better or worse accounts of the past, but accounts of the present as well. The contributors examine topics ranging from the indeterminacy of knowledge and history to Black speculative writing and nineteenth-century epistemology, the role of the unconscious in settler colonialism, and early American writing about masturbation, repression, religion, and secularism and their respective influence on morality. The contributors also offer vital new interpretations of major lines of thought in the history of critique—especially those relating to Freud and Foucault—that will be valuable both for scholars of early American studies and for scholars of the humanities and interpretive social sciences more broadly.

Contributors. Max Cavitch, Brian Connolly, Matthew Crow, John J. Garcia, Christopher Looby, Michael Meranze, Mark J. Miller, Justine S. Murison, Britt Rusert, Ana Schwartz, Joan W. Scott, Jordan Alexander Stein
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cover of Slavery in American Children's Literature, 1790-2010

Slavery in American Children's Literature, 1790-2010

Paula T. Connolly

University of Iowa Press, 2013

Long seen by writers as a vital political force of the nation, children’s literature has been an important means not only of mythologizing a certain racialized past but also, because of its intended audience, of promoting a specific racialized future. Stories about slavery for children have served as primers for racial socialization. This first comprehensive study of slavery in children’s literature, Slavery in American Children’s Literature, 1790–2010, also historicizes the ways generations of authors have drawn upon antebellum literature in their own re-creations of slavery. It examines well-known, canonical works alongside others that have ostensibly disappeared from contemporary cultural knowledge but have nonetheless both affected and reflected the American social consciousness in the creation of racialized images.

Beginning with abolitionist and proslavery views in antebellum children’s literature, Connolly examines how successive generations reshaped the genres of the slave narrative, abolitionist texts, and plantation novels to reflect the changing contexts of racial politics in America. From Reconstruction and the end of the nineteenth century, to the early decades of the twentieth century, to the civil rights era, and into the twenty-first century, these antebellum genres have continued to find new life in children’s literature—in, among other forms, neoplantation novels, biographies, pseudoabolitionist adventures, and neo-slave narratives.

As a literary history of how antebellum racial images have been re-created or revised for new generations, Slavery in American Children’s Literature ultimately offers a record of the racial mythmaking of the United States from the nation’s beginning to the present day. 
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cover of Slavery, Emancipation and Colonial Rule in South Africa

Slavery, Emancipation and Colonial Rule in South Africa

Wayne Dooling

Ohio University Press, 2008

Slavery, Emancipation and Colonial Rule in South Africa examines the rural Cape Colony from the earliest days of Dutch colonial rule in the mid-seventeenth century to the outbreak of the South African War in 1899. For slaves and slave owners alike, incorporation into the British Empire at the beginning of the nineteenth century brought fruits that were bittersweet. The gentry had initially done well by accepting British rule, but were ultimately faced with the legislated ending of servile labor. To slaves and Khoisan servants, British rule brought freedom, but a freedom that remained limited. The gentry accomplished this feat only with great difficulty. Increasingly, their dominance of the countryside was threatened by English-speaking merchants and money-lenders, a challenge that stimulated early Afrikaner nationalism. The alliances that ensured nineteenth-century colonial stability all but fell apart as the descendants of slaves and Khoisan turned on their erstwhile masters during the South African War of 1899–1902.
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cover of Slaves, Spices and Ivory in Zanzibar: Integration of an East African Commercial Empire into the World Economy, 1770–1873

Slaves, Spices and Ivory in Zanzibar

Integration of an East African Commercial Empire into the World Economy, 1770–1873

Abdul Sheriff

Ohio University Press, 1987

The rise of Zanzibar was based on two major economic transformations. Firstly slaves became used for producing cloves and grains for export. Previously the slaves themselves were exported.

Secondly, there was an increased international demand for luxuries such as ivory. At the same time the price of imported manufactured gods was falling. Zanzibar took advantage of its strategic position to trade as far as the Great Lakes.

However this very economic success increasingly subordinated Zanzibar to Britain, with its anti-slavery crusade and its control over the Indian merchant class.

Professor Sheriff analyses the early stages of the underdevelopment of East Africa and provides a corrective to the dominance of political and diplomatic factors in the history of the area.

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cover of Small Change: Women, Learning, Patriotism, 1750-1810

Small Change

Women, Learning, Patriotism, 1750-1810

Harriet Guest

University of Chicago Press, 2000

During the second half of the eighteenth century, the social role of educated women and the nature of domesticity were the focus of widespread debate in Britain. The emergence of an identifiably feminist voice in that debate is the subject of Harriet Guest's new study, which explores how small changes in the meaning of patriotism and the relations between public and private categories permitted educated British women to imagine themselves as political subjects.

Small Change considers the celebration of learned women as tokens of national progress in the context of a commercial culture that complicates notions of gender difference. Guest offers a fascinating account of the women of the bluestocking circle, focusing in particular on Elizabeth Carter, hailed as the paradigmatic learned and domestic woman. She discusses the importance of the American war to the changing relation between patriotism and gender in the 1770s and 1780s, and she casts new light on Mary Wollstonecraft's writing of the 1790s, considering it in relation to the anti-feminine discourse of Hannah More, and the utopian feminism of Mary Hays.

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cover of Smollett's Britain

Smollett's Britain

Jeremy Black

St. Augustine's Press, 2022

Acclaimed British historian examines the layers of craft and insight in Tobias Smollett, and discusses the particular nature of his genius and influence on British culture. Once again, Black acquaints the reader with the full range of a prolific writer's works and offers a backstage tour of the meaning and context of Britain's most beloved stories and story-tellers. 
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cover of Socrates' Children: Modern: The 100 Greatest Philosophers

Socrates' Children

Modern: The 100 Greatest Philosophers

Peter Kreeft

St. Augustine's Press, 2016

This is the third of a four-volume history of philosophy . . . on ancient, medieval, modern, and contemporary philosophy. After the fourth volume is produced in paper, a one-volume clothbound edition, containing all four paperbound editions, will be published.

Kreeft focuses on the “big ideas” that have influenced present people and present times, and includes relevant biographical data, proportionate to its importance for each thinker. Moreover, the aim of the work is to stimulate philosophizing, controversy, and argument. It uses ordinary language and logic, not jargon and symbolic logic, and it is commonsensical (like Aristotle) and existential in the sense that it sees philosophy as something to be lived and experienced in life. Philosophy, after all, is not about philosophy but reality . . . about wisdom, life and death, good
and evil, and God.

Kreeft seeks to be simple and direct and clear. But it is not dumbed down and patronizing. It will stretch the reader, but it is meant for beginnings, not just scholars. It can be used for college classes or do-it-yourselfers. It emphasizes surprises; remember, “philosophy begins in wonder.” And it includes visual aids: charts, cartoons, line drawings, and drawings of each philosopher.

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cover of Soldiers of the French Revolution

Soldiers of the French Revolution

Alan Forrest

Duke University Press, 1989

In this work Alan Forrest brings together some of the recent research on the Revolutionary army that has been undertaken on both sides of the Atlantic by younger historians, many of whom look to the influential work of Braudel for a model. Forrest places the armies of the Revolution in a broader social and political context by presenting the effects of war and militarization on French society and government in the Revolutionary period.
Revolutionary idealists thought of the French soldier as a willing volunteer sacrificing himself for the principles of the Revolution; Forrest examines the convergence of these ideals with the ordinary, and often dreadful, experience of protracted warfare that the soldier endured.
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cover of Some Degree of Power: From Hired Hand to Union Craftsman in the Preindustrial American Printing Trades 1778-1815

Some Degree of Power

From Hired Hand to Union Craftsman in the Preindustrial American Printing Trades 1778-1815

Mark Lause

University of Arkansas Press, 1991

Louse argues that the printers, who organized to combat their immediate concerns, were also part of a larger network connecting other skilled workers into associations that not only supported their societies but also helped to shape their ideology.
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cover of Sound Knowledge: Music and Science in London, 1789-1851

Sound Knowledge

Music and Science in London, 1789-1851

Edited by J. Q. Davies and Ellen Lockhart

University of Chicago Press, 2017

What does it mean to hear scientifically? What does it mean to see musically? This volume uncovers a new side to the long nineteenth century in London, a hidden history in which virtuosic musical entertainment and scientific discovery intersected in remarkable ways.

Sound Knowledge examines how scientific truth was accrued by means of visual and aural experience, and, in turn, how musical knowledge was located in relation to empirical scientific practice. James Q. Davies and Ellen Lockhart gather work by leading scholars to explore a crucial sixty-year period, beginning with Charles Burney’s ambitious General History of Music, a four-volume study of music around the globe, and extending to the Great Exhibition of 1851, where musical instruments were assembled alongside the technologies of science and industry in the immense glass-encased collections of the Crystal Palace. Importantly, as the contributions show, both the power of science and the power of music relied on performance, spectacle, and experiment. Ultimately, this volume sets the stage for a new picture of modern disciplinarity, shining light on an era before the division of aural and visual knowledge.
 
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cover of Sound Sentiment

Sound Sentiment

Peter Kivy

Temple University Press, 1989

The Corded Shell: Reflections on Musical Expression, published in 1980 and now out of print, was concerned with the question of how music comes to have the emotional properties that have been perceived in it and ascribed to it since antiquity. In that book, Peter Kivy argued that music possesses expressive properties, not as powers to arouse emotions in us but, rather, as perceived qualities of the music itself. In Sound Sentiment, he augments his previous work with four entirely new chapters. Incorporating the complete, corrected text of The Corded Shell, Kivy brings his earlier arguments up to date in light of recent work in the field, and discusses and answers various criticisms.
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cover of Sowing Empire: Landscape And Colonization

Sowing Empire

Landscape And Colonization

Jill H. Casid

University of Minnesota Press, 2005

Planting and transplanting, seeding and reshaping—landscaping practices that emerged in the eighteenth century—are inextricable from the contested terrain of empire within which they operated. From the plantations of the “nabobs” to the island gardens of narrative fiction, from William Beckford’s estate at Fonthill to Marie Antoinette’s ornamented farm, Sowing Empire considers imperial relandscaping—its patriarchal organization, heterosexual reproduction, and slavery—and how it contributed to the construction of imperial power. At the same time, the book shows how these picturesque landscapes and sugar plantations contained within them the seeds of resistance—how, for instance, slave gardens and the Afro-Caribbean practice of Vodou threatened authority and created new possibilities for once again transforming the landscape.In an ambitious work of wide-ranging literary, visual, and historical allusion, Jill H. Casid examines how landscaping functioned in an imperial mode that defined and remade the “heartlands” of nations as well as the contact zones and colonial peripheries in the West and East Indies. Revealing the colonial landscape as far more than an agricultural system—as a means of regulating national, sexual, and gender identities—Casid also traces how the circulation of plants and hybridity influenced agriculture and landscaping on European soil and how colonial contacts materially shaped what we take as “European.”Utilizing a wide range of both visual and written sources—maps, literature, and travel writing—this book is interdisciplinary in its methodology and in its scope. Sowing Empire explores how postcolonial and queer studies can alter art history and visual studies and, in turn, what close attention to the visual may offer to both postcolonial theorizing and historically and materially based colonial cultural studies.Jill H. Casid is assistant professor of art history and part of the developing transdisciplinary program in visual culture studies at the University of Wisconsin, Madison.
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cover of Spectacular Disappearances: Celebrity and Privacy, 1696-1801

Spectacular Disappearances

Celebrity and Privacy, 1696-1801

Julia H. Fawcett

University of Michigan Press, 2016

How can people in the spotlight control their self-representations when the whole world seems to be watching? The question is familiar, but not new. Julia Fawcett examines the stages, pages, and streets of eighteenth-century London as England's first modern celebrities performed their own strange and spectacular self-representations.  They include the enormous wig that actor Colley Cibber donned in his comic role as Lord Foppington--and that later reappeared on the head of Cibber's cross-dressing daughter, Charlotte Charke. They include the black page of Tristram Shandy, a memorial to the parson Yorick (and author Laurence Sterne), a page so full of ink that it cannot be read. And they include the puffs and prologues that David Garrick used to heighten his publicity while protecting his privacy; the epistolary autobiography, modeled on the sentimental novel, of Garrick's protégée George Anne Bellamy; and the elliptical poems and portraits of the poet, actress, and royal courtesan Mary Robinson, a.k.a. Perdita.

Linking all of these representations is a quality that Fawcett terms "over-expression," the unique quality that allows celebrities to meet their spectators' demands for disclosure without giving themselves away. Like a spotlight so brilliant it is blinding, these exaggerated but illegible self-representations suggest a new way of understanding some of the key aspects of celebrity culture, both in the eighteenth century and today. They also challenge divides between theatrical character and novelistic character in eighteenth-century studies, or between performance studies and literary studies today. The book provides an indispensable history for scholars and students in celebrity studies, performance studies, and autobiography—and for anyone curious about the origins of the eighteenth-century self.
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cover of Specters of the Atlantic: Finance Capital, Slavery, and the Philosophy of History

Specters of the Atlantic

Finance Capital, Slavery, and the Philosophy of History

Ian Baucom

Duke University Press, 2005

In September 1781, the captain of the British slave ship Zong ordered 133 slaves thrown overboard, enabling the ship’s owners to file an insurance claim for their lost “cargo.” Accounts of this horrific event quickly became a staple of abolitionist discourse on both sides of the Atlantic. Ian Baucom revisits, in unprecedented detail, the Zong atrocity, the ensuing court cases, reactions to the event and trials, and the business and social dealings of the Liverpool merchants who owned the ship. Drawing on the work of an astonishing array of literary and social theorists, including Walter Benjamin, Giovanni Arrighi, Jacques Derrida, and many others, he argues that the tragedy is central not only to the trans-Atlantic slave trade and the political and cultural archives of the black Atlantic but also to the history of modern capital and ethics. To apprehend the Zong tragedy, Baucom suggests, is not to come to terms with an isolated atrocity but to encounter a logic of violence key to the unfolding history of Atlantic modernity.

Baucom contends that the massacre and the trials that followed it bring to light an Atlantic cycle of capital accumulation based on speculative finance, an economic cycle that has not yet run its course. The extraordinarily abstract nature of today’s finance capital is the late-eighteenth-century system intensified. Yet, as Baucom highlights, since the late 1700s, this rapacious speculative culture has had detractors. He traces the emergence and development of a counter-discourse he calls melancholy realism through abolitionist and human-rights texts, British romantic poetry, Scottish moral philosophy, and the work of late-twentieth-century literary theorists. In revealing how the Zong tragedy resonates within contemporary financial systems and human-rights discourses, Baucom puts forth a deeply compelling, utterly original theory of history: one that insists that an eighteenth-century atrocity is not past but present within the future we now inhabit.

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cover of Spies in the Continental Capital: Espionage Across Pennsylvania During the American Revolution

Spies in the Continental Capital

Espionage Across Pennsylvania During the American Revolution

John A. Nagy

Westholme Publishing, 2011

The Critical Role of British, French, and American Intelligence Operations in Colonial Pennsylvania
It did not take long after the Seven Years’ War—the French and Indian War in North America—for France to return spies to America in order to determine the likelihood of regaining the territory they lost to Britain. One of the key places of French espionage was the colony of Pennsylvania since its frontier had been an important crossroads of French influence in North America. The French recognized then that there was a real possibility that the colonies would seek their independence from Britain. Against this backdrop, award-winning historian John A. Nagy begins his investigation of espionage in colonial Pennsylvania.

Philadelphia played a key role in the history of spying during the American Revolution because it was the main location for the Continental Congress, was occupied by the British Command, and then returned to Continental control. Philadelphia became a center of spies for the British and Americans—as well as double agents. George Washington was a firm believer in reliable military intelligence; after evacuating New York City, he neglected to have a spy network in place: when the British took over Philadelphia, he did not make the same mistake, and Washington was able to keep abreast of British troop strengths and intentions. Likewise, the British used the large Loyalist community around Philadelphia to assess the abilities of their Continental foes, as well as the resolve of Congress. In addition to describing techniques used by spies and specific events, such as the Major André episode, Nagy has scoured rare primary source documents to provide new and compelling information about some of the most notable agents of the war, such as Lydia Darragh, a celebrated American spy.

An important contribution to Revolutionary War history, Spies in the Continental Capital: Espionage Across Pennsylvania During the American Revolution demonstrates that intelligence operations on both sides emanating from Pennsylvania were vast, well-designed, and critical to understanding the course and outcome of the war.

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cover of St. Louis Rising: The French Regime of Louis St. Ange de Bellerive

St. Louis Rising

The French Regime of Louis St. Ange de Bellerive

Carl J. Ekberg and Sharon K. Person

University of Illinois Press, 2015

The standard story of St. Louis's founding tells of fur traders Pierre Laclède and Auguste Chouteau hacking a city out of wilderness. St. Louis Rising overturns such gauzy myths with the contrarian thesis that French government officials and institutions shaped and structured early city society. Of the former, none did more than Louis St. Ange de Bellerive. His commitment to the Bourbon monarchy and to civil tranquility made him the prime mover as St. Louis emerged during the tumult following the French and Indian War.
 
Drawing on new source materials, the authors delve into the complexities of politics, Indian affairs, slavery, and material culture that defined the city's founding period. Their alternative version of the oft-told tale uncovers the imperial realities--as personified by St. Ange--that truly governed in the Illinois Country of the time, and provide a trove of new information on everything from the fur trade to the arrival of the British and Spanish after the Seven Years' War.
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cover of Staging Christ's Passion in Eighteenth-Century Nahua Mexico

Staging Christ's Passion in Eighteenth-Century Nahua Mexico

Louise M. Burkhart

University Press of Colorado, 2023

Staging Christ’s Passion in Eighteenth-Century Nahua Mexico explores the Passion plays performed in Nahuatl (Aztec) by Indigenous Mexicans living under Spanish colonial occupation. Though sourced from European writings and devotional practices that emphasized the suffering of Christ and his mother, this Nahuatl theatrical tradition grounded the Passion story in the Indigenous corporate community. Passion plays had courted controversy in Europe since their twelfth-century origin, but in New Spain they faced Catholic authorities who questioned the spiritual and intellectual capacity of Indigenous people and, in the eighteenth century, sought to suppress these performances. Six surviving eighteenth-century scripts, variants of an original play possibly composed early in the seventeenth century, reveal how Nahuas passed along this model text while modifying it with new dialogue, characters, and stage techniques. Louise M. Burkhart explores the way Nahuas merged the Passion story with their language, cultural constructs, social norms, and religious practices while also responding to surveillance by Catholic churchmen. Analytical chapters trace significant themes through the six plays and key these to a composite play in English included in the volume.

A cast with over fifty distinct roles acted out events extending from Palm Sunday to Christ’s death on the cross. One actor became a localized embodiment of Jesus through a process of investiture and mimesis that carried aspects of pre-Columbian materialized divinity into the later colonial period. The play told afar richer version of the Passion story than what later colonial Nahuas typically learned from their priests or catechists. And by assimilating Jesus to an Indigenous, or macehualli, identity, the players enacted a protest against colonial rule.

The situation in eighteenth-century New Spain presents both a unique confrontation between Indigenous communities and Enlightenment era religious reformers and a new chapter in an age-old power game between popular practice and religious orthodoxy. By focusing on how Nahuas localized the universalizing narrative of Christ’s Passion, Staging Christ’s Passion in Eighteenth-Century Nahua Mexico offers an unusually in-depth view of religious life under colonial rule.

Burkhart’s
accompanying website also makes available transcriptions and translations of the six Nahuatl-language plays, four Spanish-language plays composed in response to the suppression of the Nahuatl practice, and related documentation, providing a valuable resource for anyone interested in consulting the original material.    

Comments restricted to single page

plays composed in response to the suppression of the Nahuatl practice, and related documentation,
providing a valuable resource for anyone interested in consulting the original material
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cover of Staging History: 1780-1840

Staging History

1780-1840

Edited by Michael Burden, Wendy Heller, Jonathan Hicks, and Ellen Lockhart

Bodleian Library Publishing, 2016

Throughout the late-eighteenth and early nineteenth centuries, historical events were tremendously popular as adaptations for the stage. From the Revolutionary War to the French Revolution, stage dramas brought history vividly to life through powerful vocal performances and visual spectacle. The scale of the production was often ambitious, such as a Sadler’s Well staging of the Great Siege of Gibraltar, which featured a large water tank with floating vessels. Another production on the same topic added live cannons, which set fire to the vessels during the performance!

Drawing on copious new research, Staging History reexamines extraordinary theatrical works of the period to show the role they played in shaping popular interpretations of history. Editors Michael Burden, Wendy Heller, Jonathan Hicks, and Ellen Lockhart are joined by other experts in the field in analyzing theatrical documents, including playbills, set designs, and musical scores, as well as paintings, prints, and other illustrations, in order to explore what counted as historical truth for the writers, performers, and audiences of these plays.
 
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cover of Statesmanship and Party Government: A Study of Burke and Bolingbroke

Statesmanship and Party Government

A Study of Burke and Bolingbroke

Harvey C. Mansfield

University of Chicago Press, 1965

In this incisive look at early modern views of party politics, Harvey C. Mansfield examines the pamphlet war between Edmund Burke and the followers of Henry St. John, First Viscount Bolingbroke during the mid-eighteenth century. In response to works by Bolingbroke published posthumously, Burke created his most eloquent advocacy of the party system. Taking an interdisciplinary approach to the material, Mansfield shows that present-day parties must be understood in the light of the history of party government. The complicated organization and the public actions of modern parties are the result, he contends, and not the cause of a great change in opinion about parties.

Mansfield points out that while parties have always existed, the party government that we know today is possible only because parties are now considered respectable. In Burke’s day, however, they were thought by detractors to be a cancer in a free polity. Even many supporters of the parties viewed them as a dangerous instrument, only to be used cautiously by statesmen in dire times. Burke, however, was an early champion of the party system in Britain and made his arguments with a clear-eyed realism. In Statesmanship and Party Government, Mansfield provides a skillful evaluation of Burke’s writings and sheds light present-day party politics through a profound understanding of the historical background of the their inception.
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cover of Subverting Colonial Authority: Challenges to Spanish Rule in Eighteenth-Century Southern Andes

Subverting Colonial Authority

Challenges to Spanish Rule in Eighteenth-Century Southern Andes

Sergio Serulnikov

Duke University Press, 2003

This innovative political history provides a new perspective on the enduring question of the origins and nature of the Indian revolts against the Spanish that exploded in the southern Andean highlands in the 1780s. Subverting Colonial Authority focuses on one of the main—but least studied—centers of rebel activity during the age of the Túpac Amaru revolution: the overwhelmingly indigenous Northern Potosí region of present-day Bolivia. Tracing how routine political conflict developed into large-scale violent upheaval, Sergio Serulnikov explores the changing forms of colonial domination and peasant politics in the area from the 1740s (the starting point of large political and economic transformations) through the early 1780s, when a massive insurrection of the highland communities shook the foundations of Spanish rule.

Drawing on court records, government papers, personal letters, census documents, and other testimonies from Bolivian and Argentine archives, Subverting Colonial Authority addresses issues that illuminate key aspects of indigenous rebellion, European colonialism, and Andean cultural history. Serulnikov analyzes long-term patterns of social conflict rooted in local political cultures and regionally based power relations. He examines the day-to-day operations of the colonial system of justice within the rural villages as well as the sharp ideological and political strife among colonial ruling groups. Highlighting the emergence of radical modes of anticolonial thought and ethnic cooperation, he argues that Andean peasants were able to overcome entrenched tendencies toward internal dissension and fragmentation in the very process of marshaling both law and force to assert their rights and hold colonial authorities accountable. Along the way, Serulnikov shows, they not only widened the scope of their collective identities but also contradicted colonial ideas of indigenous societies as either secluded cultures or pliant objects of European rule.

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cover of Sukeroku’s Double Identity: The Dramatic Structure of Edo Kabuki

Sukeroku’s Double Identity

The Dramatic Structure of Edo Kabuki

Barbara E. Thornbury

University of Michigan Press, 1982

The aim of this book is to show that seemingly illogical double identity of the townsman, Sukeroku, and the samurai, Soga Goro, in the play Sukeroku is a surviving element of what was once a complex and coherent structure based on a traditional performance calendar.
To show how the calendar function and what Sukeroku's double identity signifies, the book is divided into two parts. Part One studies the structure of Edo kabuki. The first chapter, which outlines that structure, is based for the most part on writings of the Tokugawa period. The second chapter then looks at the concepts of sekai, "tradition," and shuko, "innovation." Kabuki was the product of material that had become a familiar part of Japanese culture by repeated use and dramatization over long periods of time, starting before kabuki began, and material that was relatively new and was used to transform the older, set material. The double identity in Sukeroku came about as a result of this interplay between what was received by way of traditional and what was added by way of innovation.
Part Two considers the significance of the double identity. The author concludes that Sukeroku's double identity gave Edo audiences a hero who was an idealization of the contemporary Tokugawa townsman and at the same time a transformation of a samurai god-hero of the past. The first chapter of Part Two traces the development of Sukeroku's Soga Goro/samurai identity, from its origins in the early dramatic forms of no, kowaka, and ko-joruri, to the representation of Soga Goro in kabuki by Ichikawa Danjuro I. The seconds then looks at the transformation of Soga Gorointo Sukeroku by discussing the origins of Sukeroku and its introductions to Edo kabuki by Ichikawa Danjuro I and his son, Danjuro II, since their work was the basis of all later developments.
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cover of Surveying in Early America: The Point of Beginning, An Illustrated History

Surveying in Early America

The Point of Beginning, An Illustrated History

Dan Patterson; Clinton Terry

Ohio University Press, 2020

Published by the University of Cincinnati Press

In Surveying in Early America: The Point of Beginning, An Illustrated History, award-winning photographer Dan Patterson and American historian Clinton Terry vividly examine the profession of surveying in the eighteenth century. Retracing the steps Washington and other surveyors took to map the Ohio River Valley, readers are immersed in historically accurate details of early surveying techniques and practices. Terry's narrative describes the practice of land and survey measurement—methods that did not substantially change until the invention of GPS technology 200 years later. Over 100 full color photographs exclusively shot for the book depict authentic and historically accurate reproductions of tools along with early American reenactors to provide an interpretive look at surveying as a primary means to building the American nation. Working with the Department of the Geographer, Patterson restages actual expeditions, brilliantly displaying the techniques and instruments Washington would have employed 260 years ago. Through the lens of Patterson's camera and Terry's accompanying narrative, readers see what Washington saw as he learned his trade, explored the vast American wilderness, and occasionally laid personal claim to great expanses of land along the way.

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cover of Sweet Science: Romantic Materialism and the New Logics of Life

Sweet Science

Romantic Materialism and the New Logics of Life

Amanda Jo Goldstein

University of Chicago Press, 2017

Today we do not expect poems to carry scientifically valid information. But it was not always so. In Sweet Science, Amanda Jo Goldstein returns to the beginnings of the division of labor between literature and science to recover a tradition of Romantic life writing for which poetry was a privileged technique of empirical inquiry.

Goldstein puts apparently literary projects, such as William Blake’s poetry of embryogenesis, Goethe’s journals On Morphology, and Percy Shelley’s “poetry of life,” back into conversation with the openly poetic life sciences of Erasmus Darwin, J. G. Herder, Jean-Baptiste Lamarck, and Étienne Geoffroy Saint-Hilaire. Such poetic sciences, Goldstein argues, share in reviving Lucretius’s De rerum natura to advance a view of biological life as neither self-organized nor autonomous, but rather dependent on the collaborative and symbolic processes that give it viable and recognizable form. They summon De rerum natura for a logic of life resistant to the vitalist stress on self-authorizing power and to make a monumental case for poetry’s role in the perception and communication of empirical realities. The first dedicated study of this mortal and materialist dimension of Romantic biopoetics, Sweet Science opens a through-line between Enlightenment materialisms of nature and Marx’s coming historical materialism.
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cover of Symbolic Space: French Enlightenment Architecture and Its Legacy

Symbolic Space

French Enlightenment Architecture and Its Legacy

Richard A. Etlin

University of Chicago Press, 1994

Richard A. Etlin explores the social and cultural hierarchies established in eighteenth-century France to illustrate how the conceptual basis of the modern house and the physical layout of the modern city emerged from debates among theoretically innovative French architects of the eighteenth-century. Examining a broad range of topics from architecture and urbanism to gardening and funerary monuments, he shows how the work of these architects was informed by considerations of symbolic space.

For Etlin, the eighteenth-century city was a place in which actual physical space was subjected to a complex mental layering of conceptual spaces. He focuses on the design theory of Boullée and Durand and charts their legacy through the architecture of Paul Philippe Cret, Frank Lloyd Wright, and Louis Kahn. He defines the distinctive features of neoclassicism and outlines the new grammar for classical architecture articulated by theorists and architects such as Laugier, Leroy, and Ledoux.

After discussing the eighteenth-century hôtel, revolutionary space, and the transformation of the image of the cemetery, Etlin examines the space of absence as embodied in commemorative architecture from Boullée and Gilly to Cret, Wright, and Terragni. His book provides an accessible introduction to a century of architecture that transformed the classical forms of the Renaissance and Baroque periods into building types still familiar today.
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