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An urgent and intimate meditation on what it means to feel—and to be—safe. 

In Safe Space, Raphaëlle Red traces the physiological toll of insecurity on marginalized lives across literature, film, music, and political discourse. In conversation with artists and thinkers such as James Baldwin, Nina Simone, June Jordan, Ja’Tovia Gary, and Leslie Feinberg, she maps the genealogy of “safe spaces,” from their radical origins to their contested place in today’s public debates. Rather than dismissing or defending the concept, Red asks what we might recover if we redefined safety not as fragility or withdrawal, but as self-determination, collective defense, and the right to opacity. She explores the tension between feeling and reality, protection and powerlessness, the language of safety, and the politics it sustains. Along the way, she grounds her reflections in personal narrative, European and North American contexts, and contemporary movements of resistance. At once theoretical and deeply personal, Safe Space refuses easy answers. Instead, it imagines safe space as temporary, regenerative, and insurgent—a practice of care and solidarity that unsettles hierarchies rather than reproducing them. A book for anyone wrestling with fear, vulnerability, and the fragile promise of collective liberation.

A groundbreaking examination of Saul Alinsky's organizing work as it relates to race.

Saul Alinsky is the most famous—even infamous—community organizer in American history. Almost single-handedly, he invented a new political form: community federations, which used the power of a neighborhood’s residents to define and fight for their own interests. Across a long and controversial career spanning more than three decades, Alinsky and his Industrial Areas Foundation organized Eastern European meatpackers in Chicago, Kansas City, Buffalo, and St. Paul; Mexican Americans in California and Arizona; white middle-class homeowners on the edge of Chicago’s South Side black ghetto; and African Americans in Rochester, Buffalo, Chicago, and other cities.

Mark Santow focuses on Alinsky’s attempts to grapple with the biggest moral dilemma of his age: race. As Santow shows, Alinsky was one of the few activists of the period to take on issues of race on paper and in the streets, on both sides of the color line, in the halls of power, and at the grassroots, in Chicago and in Washington, DC. Alinsky’s ideas, actions, and organizations thus provide us with a unique and comprehensive viewpoint on the politics of race, poverty, and social geography in the United States in the decades after World War II. Through Alinsky’s organizing and writing, we can see how the metropolitan color line was constructed, contested, and maintained—on the street, at the national level, and among white and black alike. In doing so, Santow offers new insight into an epochal figure and the society he worked to change.

This is an auto-narrated audiobook edition of this book.

A groundbreaking examination of Saul Alinsky's organizing work as it relates to race.

Saul Alinsky is the most famous—even infamous—community organizer in American history. Almost single-handedly, he invented a new political form: community federations, which used the power of a neighborhood’s residents to define and fight for their own interests. Across a long and controversial career spanning more than three decades, Alinsky and his Industrial Areas Foundation organized Eastern European meatpackers in Chicago, Kansas City, Buffalo, and St. Paul; Mexican Americans in California and Arizona; white middle-class homeowners on the edge of Chicago’s South Side black ghetto; and African Americans in Rochester, Buffalo, Chicago, and other cities.

Mark Santow focuses on Alinsky’s attempts to grapple with the biggest moral dilemma of his age: race. As Santow shows, Alinsky was one of the few activists of the period to take on issues of race on paper and in the streets, on both sides of the color line, in the halls of power, and at the grassroots, in Chicago and in Washington, DC. Alinsky’s ideas, actions, and organizations thus provide us with a unique and comprehensive viewpoint on the politics of race, poverty, and social geography in the United States in the decades after World War II. Through Alinsky’s organizing and writing, we can see how the metropolitan color line was constructed, contested, and maintained—on the street, at the national level, and among white and black alike. In doing so, Santow offers new insight into an epochal figure and the society he worked to change.

A unique representation of refugee children’s journeys in their own voices, reflected through their stories, verses, and artworks.

Schooling for Refugee Children is a collaboration between five authors who explore their interactions with refugee children displaced from Syria to the Lebanese borders and London. Through a program of carefully tailored research activities, the authors analyze the children’s representations of their journeys and current circumstances, particularly focusing on questions of ongoing schooling in the face of displacement. The children’s experiences are expressed through their own words and drawings, disrupting the stereotype of children as receivers rather than empowered actors, and challenging traditional solutions for improving schooling. Throughout, the children are eloquent about their schooling in the context of displacement. Their views and illustrations depict a keen awareness of social justice issues, including the distribution of wealth, recognition of status, and representation of voice. In this way, the book brings to light important representations of some empowering experiences lived through by refugee children from Syria, as well as their thoughts on what has helped their learning and what can be done better. The children’s need for care and a sense of belonging in their schools and their new communities is given particular emphasis throughout the book, represented by one child, who simply requested, “Add some more love!”

Schooling for Refugee Children is invaluable for educators, policymakers, and anyone interested in refugee education and social justice. By centering the voices of refugee children, the book sheds light on their unique perspectives and needs, challenging conventional approaches to improving schooling for displaced populations.
 

In Screening Social Justice, award-winning anthropologist Sherry B. Ortner presents an ethnographic study of Brave New Films, a nonprofit film production company that makes documentaries intended to mobilize progressive grassroots activism. Ortner positions the work of the company within a tradition of activist documentary filmmaking and within the larger field of “alternative media” that is committed to challenging the mainstream media and telling the truth about the world today. The company’s films cover a range of social justice issues, with particular focus on the hidden workings of capitalism, racism, and right-wing extremism. Beyond the films themselves, Brave New Films is also famous for its creative distribution strategies. All of the films are available for free on YouTube. Central to the intention of promoting political activism, the films circulate through networks of other activist and social justice organizations and are shown almost entirely in live screenings in which the power of the film is amplified. Ortner takes the reader inside both the production process and the screenings to show how a film can be made and used to mobilize action for a better world.

Can the mass media contribute to meaningful public debate in the run-up to an election?

Talk radio in the United States is said to have contributed to a political atmosphere in which the loudest, crudest, and simplest arguments prevail. Is there a different model of public talk that can contribute to a kinder, wiser, more empathetic democracy? In the run-up to the 2024 UK general election, Stephen Coleman listened to callers to the BBC’s daily phone-in show in the hope of finding answers to these questions. In this year-long study, we see the public expressing its mood, telling its stories, and testing its arguments.

Shaping Citizenship through Talk Radio argues that even in a time of democratic anxiety and rising division, people are still finding ways to talk, listen, and act together. It explains why democracies need reliable public spaces that help citizens connect and communicate across their differences. Reporting on what he found, Coleman also proposes a way forward for a more empathetic democratic discourse.

Mapping the transformative effects of America’s urban solidarity economies

Solidarity economies, characterized by diverse practices of cooperation and mutual support, have long played pivotal but largely invisible roles in fostering shared survival and envisioning alternatives to racial capitalism globally and in the United States. This book maps the thriving existence of these cooperative networks in three differently sized American cities, highlighting their commitment to cooperation, democracy, and inclusion and demonstrating the desire—and the pressing need—to establish alternative foundations for social and economic justice.

 

Collectively authored by four social scientists, Solidarity Cities analyzes the deeply entrenched racial and economic divides from which cooperative networks emerge as they work to provide unmet basic needs, including food security, affordable housing, access to fair credit, and employment opportunities. Examining entities such as community gardens, credit unions, cooperatives, and other forms of economic solidarity, the authors highlight how relatively small yet vital interventions into public life can expand into broader movements that help bolster the overall well-being of their surrounding communities.

 

Bringing together insights from geography, political economy, and political science with mapping and spatial analysis methodologies, surveys, and in-depth interviews, Solidarity Cities illuminates the extensive footprints of solidarity economies and the roles they play in communities. The authors show how these initiatives act as bulwarks against gentrification, exploitation, and economic exclusion, helping readers see them as part of the past, present, and future of more livable and just cities.

 

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A fierce, vibrant portrait of a newspaper that refused to go up in smoke.

From 1970 to 1978, the Bugle American wasn’t just an alternative newspaper―it was the sparkplug that propelled Milwaukee’s emergence as an influential cultural hub. With its incisive political coverage, razor-sharp cartoons, and in-depth reporting on the city’s explosive music scene, the Bugle American was a lifeline for artists, activists, and readers from Milwaukee to Madison hungry for independent journalism. 

Then, on a cold night in February 1975, everything nearly ended. A firebomb ripped through the Bugle American offices, endangering the lives of staff and burning the building to the ground. The crime was never solved. But the paper didn’t die. Supported by a stunned but determined community―and high-profile allies including Leonard Cohen and George Reedy―the Bugle American rose from the ashes to publish the very next week.

In Some Things Don’t Burn: Art, Activism, and Arson at the Bugle American, author Aurore Sibley tells the full story of this influential underground paper: its founding ideals, its creative energy, its brushes with fame, and its lasting impact. With access to rare materials and family insights―her parents met at the Bugle American, and her father served as one of its editors―Sibley layers investigative research with personal narrative, exploring how revisiting the past helped her reconcile with her father’s complicated life and death. 

Featuring dozens of photographs and illustrations, including cartoons and sketches by renowned underground artist and Bugle American co-founder Denis Kitchen, this book brings readers inside the quirky, passionate, and often chaotic world of a newsroom fighting to stay alive and independent. 

A gripping story of art, activism, community, and resilience, Some Things Don’t Burn reminds us that while buildings can be destroyed, the ideals that ignite a movement are much harder to extinguish.

In the United States, the climate movement has, so far, failed in the all-important task of shutting down fossil fuels. David McDermott Hughes offers a plan for a more daring form of climate politics, recommending that the climate movement adopt a strategy of mass blockades and sabotage against functioning fossil fuel infrastructure. Ideally, the saboteurs would not get caught—but if they did, in their trials they could appeal to the little-known power of jury nullification to avoid prison and to make pipelines unprotectable.

Climate change is no longer a technical problem that can simply be fixed. It is now a political predicament that must be faced. Elected politicians—even those who support renewable energy—remain committed to the extraction of petroleum and methane. No one with political power is even attempting to do the one thing that must be done: shut down fossil fuels. With trepidation, Hughes offers the last resort against the approaching climate catastrophe. 

In Sweatshop Capital, Beth Robinson examines the brutal sweatshop labor conditions that produced American consumer goods from the late nineteenth through the early twenty-first centuries, as well as the labor and social movements that contested them. Arguing that sweatshop labor is a persistent feature of capitalism, she shows how manufacturers used both their influence in government and their mobility to sidestep US labor laws, maximize profits, and perpetuate abuses. She outlines how workers and their allies routinely confronted manufacturers by building solidarity networks across race, class, and national lines. Drawing on activists’ literature, news accounts, archival sources, and oral histories, Robinson presents the long history of the antisweatshop movements that responded to American capital’s pursuit of profit through hyperexploitation with a wide range of protest, legal action, and creativity. Beginning with the sweatshops and reformers of the Progressive Era, Robinson moves through the Great Depression and the activism of the Popular Front, the “free trade” globalization of the 1990s and its discontents, and, finally, the global cyber and gig economies of the twenty-first century and the growing movements to rein them in.