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A fascinating and unprecedented ethnography of animal sanctuaries in the United States
 

In the past three decades, animal rights advocates have established everything from elephant sanctuaries in Africa to shelters that rehabilitate animals used in medical testing, to homes for farmed animals, abandoned pets, and entertainment animals that have outlived their “usefulness.” Saving Animals is the first major ethnography to focus on the ethical issues animating the establishment of such places, where animals who have been mistreated or destined for slaughter are allowed to live out their lives simply being animals.   

Based on fieldwork at animal rescue facilities across the United States, Elan Abrell asks what “saving,” “caring for,” and “sanctuary” actually mean. He considers sanctuaries as laboratories where caregivers conceive and implement new models of caring for and relating to animals. He explores the ethical decision making around sanctuary efforts to unmake property-based human–animal relations by creating spaces in which humans interact with animals as autonomous subjects. Saving Animals illustrates how caregivers and animals respond by cocreating new human–animal ecologies adapted to the material and social conditions of the Anthropocene.

Bridging anthropology with animal studies and political philosophy, Saving Animals asks us to imagine less harmful modes of existence in a troubled world where both animals and humans seek sanctuary.

Exposes how emotion, memory, and national pride shape the stories we tell about science, animals, and the history of the “race to space”

Before humans ever left Earth’s atmosphere, a handful of primates paved the way—earning fame and fascination but leaving behind a complicated and often highly debated legacy. As the Cold War intensified, the US space program turned to monkeys—Able, Baker, Ham, and Enos—to test and explore the limits of human survival in space. These animals became media sensations, museum exhibits, and symbols of American ingenuity, even as their suffering was often overlooked.

With insight and empathy, Lynch unpacks the stories we tell about these primates and how they are remembered through culture and time, both modern and historically. Lynch argues that the public memory of these animals often justifies their use in the name of scientific progress. Sometimes they are portrayed as tools, other times as human stand-ins, and frequently as objects of sympathy—but rarely as subjects of critique.

Lynch shows how feelings—compassion, cuteness, patriotism, and the technological sublime—shape the stories we tell about these animals and the ethical frameworks we build around them. Each chapter focuses on a different genre of memory-making, from newspaper and photojournalism to museum exhibits, children’s literature, and fictional films.

By reframing these animal pioneers, Lynch uncovers the ethical and emotional narratives that shape how we remember science. Space Monkeys! is a vital reflection on memory, identity, and the more-than-human costs of progress. 
 

Traditional cultural practices involving animals are being seriously questioned, heavily regulated, and, in some cases, even abolished in Spain. This essential and timely text brings together prominent scholars working in the ever-expanding field of animal studies in Spain, drawing from a variety of disciplines within the humanities and social sciences to provide an interdisciplinary look at the animal question. In choosing an angle to approach the study of ethical, aesthetic considerations, and cultural  representations of animals, this collection moves away from the ideology of human exceptionalism that is still predominant but progressively losing force in the field of animal ethics in Spain. It instead includes contributions by scholars who have chosen to look at animals, to a lesser or greater degree, through an antispeciesist lens, displaying the committed attention to and respect for animal life that characterizes critical animal studies.