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 A Chinese-language collection of writing from Lu Zhi, who devoted his life to the revolutionary cause and published numerous articles in Jiefang Daily,People’s Daily, and other newspapers.

Selected Writings of Lu Zhi is divided into three parts, featuring the author’s views on the construction of the Shaan-Gan-Ning Border Region, political and cultural work in the army, and the economic development of the new China. Lu Zhi’s writings not only embody the “Yan’an Spirit” but also allow readers to gain insight into his personal experiences and the revolutionary atmosphere in China during the 1940s and 1950s. This collection also provides scholars with valuable primary historical materials and serves as an important reference for the study of China’s revolutionary history and the development of socialist economic construction.

The first English-language volume on Vietnamese contemporary art.

Contemporary art in Vietnam is a dynamic field shaped by memory, history, and experimentation. Over the last thirty years, Vietnamese artists have come to command international recognition, even as a growing domestic market for contemporary art fosters alternative infrastructures of collection and exhibition. Signs and Signals from Vietnam brings together artists, curators, and academics to examine artistic practice and contemporary art histories in Vietnam today.

Moving beyond familiar North-South or diasporic-national divides, the essays represent the perspectives of Vietnamese, Vietnamese diasporic, and non-Vietnamese writers of different generations, affiliations, and positionalities. Contributors trace the inventive ways artists work with language, narrative, performance, and archival practice to communicate through their art. Key themes running through the volume represent the predominant concerns of Vietnamese artists over the past three decades, including the enduring impact of socialist paradigms in contemporary art, gender, diaspora, memory, and the environment. Together, these essays demonstrate how contemporary art can convey lesser-known histories, contested narratives, and personal perspectives. 

When Sleep Journeys first appeared in 1981, it took the Urdu poetry world by storm. Now considered one of the finest contemporary Urdu poets, Azra Abbas was among the first to embrace experimental, free verse poetry. A single book-length poem, divided into three cantos, Sleep Journeys is a dreamlike rumination that explores faith, female desire, and the subconscious mind. Abbas’s language is simple and austere, the complexity of the work emerging through repetition, interweaving, and juxtaposition. The result is a gossamer thread that leads the reader through a labyrinth of metaphor, imagery, and awe.

Award-winning translator Daisy Rockwell expertly captures the rhythm and flow of the original. The result is a book that ushers us into a state between sleeping and waking, the world of hidden thoughts and desires. This edition brings one of the most celebrated Urdu poems of the latter twentieth century to a broader, worldwide readership.

The poems in Slipstream deal with the slippery concept of home, with robots and the internet and other human inventions, and with what we can learn from the natural world around us. 

Winner of the Berkshire Prize, Slipstream is a bracing, intimate, and formally adventurous debut that moves with equal grace through personal memory, inherited history, myth, and the ambient technologies of contemporary life. Diana Cao’s poems braid ancient Chinese legend, family migration, illness, love, and grief with moon landers, algorithms, privacy policies, and online ritual, creating a lyric field where the ancestral and the digital speak fluently to one another. The book is formally restless and assured. Sonnets, sestinas, villanelles, fables, and linked sequences feel conversational rather than ornate, their intelligence worn lightly, their music precise and unforced. Throughout, Cao writes with a clarity that never flattens complexity: humor and vulnerability coexist with philosophical rigor. Tenderness is sharpened, not softened, by attention to politics, history, and care. 

What emerges is a voice attuned to relational life in all its registers—daughterhood, friendship, desire, citizenship, species—asking how to live, love, and remain lucid inside systems that both sustain and estrange us. Slipstream is a book of uncommon range and emotional intelligence, one that feels fully of this moment while remaining in deep, living conversation with the past. 

Bringing together performance studies, critical theory, and contemporary Japanese cultural studies to offer an unsettling glimpse into a global future of crisis already arriving

Slow Death examines contemporary artistic practice as a form of active engagement with the condition of “slow death”: the diffused feeling of decline with no end in sight. The theater and performance artists discussed here confront the realities of a state that is no longer tenable, rehearsing slow death’s modalities, probing its implications, and imagining possible endpoints through dramaturgy. As these artists show, the very notion of progress—whether framed as a march toward a hopeful future or a retreat into the comforts of a nostalgic past—carries an inescapable irony. Both trajectories seem equally unsustainable, rendering any prospect of radical transformation elusive. This sense of endless suspendedness emerges as a pervasive motif across the artworks discussed, such as the anticapitalist performance spaces created by Tanino Kurō and the queer feminist dramaturgy of Ichihara Satoko. Yet, as coauthors Kyoko Iwaki, Jessica Nakamura, and Corey Wakeling identify throughout, to enact slow death in performance is not to capitulate to despair but to expose its structure and, in doing so, uncover latent forms of everyday resistance.

This book debuts selected poetry by Kim Nam-ju (1946–1994) in English translation, along with the original Korean. Referred to as the “Che Guevara of South Korea,” and self-described a “warrior poet,” Kim Nam-ju remains, to this day, an enduring voice of the 1970s and 80s cultures of anti-authoritarian resistance in South Korea. Kim was arrested in 1979 for his involvement with the “South Josǒn” National Liberation Front, a leftist underground group organizing against the Yushin regime. Kim wrote prolifically while in prison (1979-1988), at times by etching his poems into scraps of foil, milk carton, or cigarette packages. The work he produced in prison alone totals around 360 poems. This bilingual volume selects 65 poems from Kim's oeuvre, sampling across many different chapters of the poet’s career. Readers will find autobiographical reflections on his childhood, love poems, missives from the prison cell, commemorations of the Kwangju Uprising, the poet’s calls to arms, and more. 

이 책은 김남주 시인(1946~1994)의 시 65편을 한국어 원문과 함께 영문 번역으로 처음 선보인다. ‘한국의 체 게바라’로 불리며 스스로를 ‘전사 시인’이라 칭했던 김남주는 오늘날까지도 한국의 1970·80년대 반독재 저항운동을 대표하는 사라지지 않는 목소리로 남아 있다. 김남주는 유신정권에 맞서 결성된 좌파 지하조직 ‘남조선민족해방전선준비위원회’에 가담한 혐의로 1979년에 체포되었다. 1979년부터 1988년에 이르는 수감 기간에도 꾸준히 창작 활동을 이어갔으며, 때로는 은박지 조각이나 우유곽, 담뱃갑 등에 시를 새겨 집필하기도 하였다. 이 시기에 쓴 작품만 해도 360여 편에 이른다.  이 영역시집은 시인의 전체 작품 중에서 65편의 시를 엄선하여 시인의 생애와 창작 활동의 다양한 시기를 아우르는 시적 여정을 한눈에 보여준다. 독자들은 시인의 어린 시절에 대한 자전적인 회고, 사랑의 시, 옥중 서한,  5·18 광주항쟁을 추모하는 시, 민중의 투쟁을 촉구하는 시 등 다양한 작품을 만나볼 수 있을 것이다. 

English-Korean Bilingual Edition 
영-한 이중언어판

This book is published with the support of the Literature Translation Institute of Korea (LTI Korea)

Evaluates Burma at a pivotal tipping point after the 2021 military coup.

The 2021 military coup in Burma/Myanmar triggered popular resistance and a spreading civil war, reigniting long-standing struggles for ethnic self-determination. The chaos has enabled a huge rise in transnational criminal activities, including drug trafficking and the emergence of scam centers. The country's geopolitical importance, not least as a source of rare earths, is also heightening the struggle for power. At the same time, accelerating climate change is destabilizing local ecologies and livelihoods, driving food production, socio-economic systems, and civil society towards collapse or massive change. Together, these forces have undermined the coherence of Burma as a centralized state. However, new forms of resistance and political organization have emerged in liberated areas across the country. At this critical juncture, rather than “state failure,” Burma demonstrates novel forms of complex, asymmetrical, and sometimes messy state-building, a “bottom-up” federalism based on the agency and resilience of Indigenous communities and anti-junta forces.

A translator’s notebook, an almanac, an ecological history, Judy Halebsky’s Spring and a Thousand Years (Unabridged) moves between multiple intersections and sign systems connected in a long glossary poem that serves as the book’s guide to what is lost, erased, or disrupted in transition both from experience to written word and from one language, location, and time period to another.

Writers Li Bai, Matsuo Bashō, Sei Shōnagon, and Du Fu make frequent appearances in centuries ranging from the eighth to the twenty-first, and appear in conversation with Grace Paley, Donald Hall, and Halebsky herself, as the poet explores subjects ranging from work and marriage to environmental destruction. Asking what would happen if these poets—not just their work—appeared in California, the poems slip between different geographies, syntaxes, times, and cultural frameworks.

The role of the literary translator is to bring text from one language into another, working to at once shift and retain the context of the original—from one alphabet to another, one point in time to another. These are poems in homage to translation; they rely on concepts that can bridge time and space, and as a result are as likely to find meaning in donuts or Zumba as they are to find it in the ocean. Spring and a Thousand Years (Unabridged) finds reasons for hope not in how the world should be, but in how it has always been.

Bureaucrats play a critical role in managing governance and delivering public services, whether in democratic and authoritarian contexts. Leaders are responsible for managing bureaucrats—from assigning posts to evaluating performance—to ensure that state resources and services are directed to key constituencies. Focusing on Pakistan, a hybrid regime where military interventions often disrupt electoral politics and civilian governance, Staffing the State shows how controlling bureaucratic appointments allows politicians and civil servants to manage political uncertainty. At the same time, such control entrenches arbitrary patterns of governance such that democratic transitions stall and hybrid regimes persist.

Drawing on interviews, semi-participant observation, and newspaper archives, this book’s analysis reveals the significance of bureaucratic politics to political power, public sector performance and reform, and in determining democratic or autocratic trajectories. The findings extend discussions around indicators of democratic decay into more nuanced, complex explorations of the consequences of these politics for the permanent institutions of the state. Staffing the State will interest political scientists, scholars of South Asian politics and especially Pakistan, and those working at the intersection of politics and public administration.